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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #734B2B it is the complementary color #8CB4D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #734B2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #734B2B shade: #784B26, #895D39, #9A6F4C, #AB815F and #BC9372

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #734B2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #734B2B shade: #734B2B, #623918, #512705, #401500 and #2F0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #734B2B shade: #734B2A, #73372A and #732A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #734B2B shade: #734B2A, #735E2A, #73722A, #60732A and #4D732A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #734B2B shade matches the following richer shades: #734B2A, #80491D, #8C4811 and #994604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #734B2B shade: #734B2A, #664C37, #594D44, #4D4F51 and #40505D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #734B2B shade: #732A31, #73362A, #734A2A, #735D2A and #73702A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #734B2B shade: #372314, #55371F, #734B2A, #915E35 and #AF7240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #734B2B shade: #734B2B, #45732A and #2D2A73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #734B2B shade: #734B2B, #2A734A and #4A2A73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #734B2B shade: #734B2B, #45732A, #2A5373 and #582A73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #734B2B shade: #734B2B, #2F732A, #2A5373 and #6E2A73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 63 / 55

HEX #734B2B

RGB 115 75 43

HSL 26.67, 0.46%, 0.31%

LAB 35.7, 13.39, 25.75

 

Complementary color

CMYK 34 / 15 / 0 / 17

HEX #8CB4D4

RGB 140 180 212

HSL 206.67, 0.46%, 0.69%

LAB 71.54, -5.7, -20.47

 

CMYK 0 / 38 / 68 / 53

HEX #784B26

RGB 120 75 38

HSL 27.07, 0.52%, 0.31%

LAB 36.3, 15.33, 29.48

 

CMYK 0 / 32 / 58 / 46

HEX #895D39

RGB 137 93 57

HSL 27, 0.41%, 0.38%

LAB 43.42, 13.89, 27.74

 

CMYK 0 / 28 / 51 / 40

HEX #9A6F4C

RGB 154 111 76

HSL 26.92, 0.34%, 0.45%

LAB 50.41, 12.72, 26.14

 

CMYK 0 / 25 / 44 / 33

HEX #AB815F

RGB 171 129 95

HSL 26.84, 0.31%, 0.52%

LAB 57.25, 11.75, 24.69

 

CMYK 0 / 22 / 39 / 26

HEX #BC9372

RGB 188 147 114

HSL 26.76, 0.36%, 0.59%

LAB 63.98, 10.94, 23.37

 

CMYK 0 / 35 / 63 / 55

HEX #734B2B

RGB 115 75 43

HSL 26.67, 0.46%, 0.31%

LAB 35.7, 13.39, 25.75

 

CMYK 0 / 42 / 76 / 62

HEX #623918

RGB 98 57 24

HSL 26.76, 0.61%, 0.24%

LAB 28.35, 15.02, 27.56

 

CMYK 0 / 52 / 94 / 68

HEX #512705

RGB 81 39 5

HSL 26.84, 0.88%, 0.17%

LAB 20.87, 17.08, 28.19

 

CMYK 0 / 67 / 100 / 75

HEX #401500

RGB 64 21 0

HSL 19.69, 1%, 0.13%

LAB 13.39, 19.65, 20.39

 

CMYK 0 / 94 / 100 / 82

HEX #2F0300

RGB 47 3 0

HSL 3.83, 1%, 0.09%

LAB 6.05, 21.55, 9.49

 

CMYK 0 / 35 / 63 / 55

HEX #734B2A

RGB 115 75 42

HSL 27.12, 0.46%, 0.31%

LAB 35.68, 13.31, 26.31

 

CMYK 0 / 52 / 63 / 55

HEX #73372A

RGB 115 55 42

HSL 10.68, 0.46%, 0.31%

LAB 30.75, 25.17, 20.28

 

CMYK 0 / 63 / 63 / 55

HEX #732A2A

RGB 115 42 42

HSL 0, 0.46%, 0.31%

LAB 28.03, 32.19, 16.82

 

CMYK 0 / 35 / 63 / 55

HEX #734B2A

RGB 115 75 42

HSL 27.12, 0.46%, 0.31%

LAB 35.68, 13.31, 26.31

 

CMYK 0 / 18 / 63 / 55

HEX #735E2A

RGB 115 94 42

HSL 42.74, 0.46%, 0.31%

LAB 40.92, 1.87, 32.41

 

CMYK 0 / 1 / 63 / 55

HEX #73722A

RGB 115 114 42

HSL 59.18, 0.46%, 0.31%

LAB 46.77, -9.66, 38.89

 

CMYK 17 / 0 / 63 / 55

HEX #60732A

RGB 96 115 42

HSL 75.62, 0.46%, 0.31%

LAB 45.52, -18.78, 37.07

 

CMYK 33 / 0 / 63 / 55

HEX #4D732A

RGB 77 115 42

HSL 91.23, 0.46%, 0.31%

LAB 44.24, -26.74, 35.3

 

CMYK 0 / 35 / 63 / 55

HEX #734B2A

RGB 115 75 42

HSL 27.12, 0.46%, 0.31%

LAB 35.68, 13.31, 26.31

 

CMYK 0 / 43 / 77 / 50

HEX #80491D

RGB 128 73 29

HSL 26.67, 0.63%, 0.31%

LAB 36.82, 19.66, 35.17

 

CMYK 0 / 49 / 88 / 45

HEX #8C4811

RGB 140 72 17

HSL 26.83, 0.78%, 0.31%

LAB 38.29, 25.15, 42.54

 

CMYK 0 / 54 / 97 / 40

HEX #994604

RGB 153 70 4

HSL 26.58, 0.95%, 0.31%

LAB 39.85, 31.54, 48.78

 

CMYK 0 / 35 / 63 / 55

HEX #734B2A

RGB 115 75 42

HSL 27.12, 0.46%, 0.31%

LAB 35.68, 13.31, 26.31

 

CMYK 0 / 25 / 46 / 60

HEX #664C37

RGB 102 76 55

HSL 26.81, 0.3%, 0.31%

LAB 34.54, 7.96, 16.73

 

CMYK 0 / 13 / 24 / 65

HEX #594D44

RGB 89 77 68

HSL 25.71, 0.13%, 0.31%

LAB 33.67, 3.36, 7.18

 

CMYK 5 / 2 / 0 / 68

HEX #4D4F51

RGB 77 79 81

HSL 210, 0.03%, 0.31%

LAB 33.49, -0.36, -1.46

 

CMYK 31 / 14 / 0 / 64

HEX #40505D

RGB 64 80 93

HSL 206.9, 0.18%, 0.31%

LAB 33.17, -2.78, -9.65

 

CMYK 0 / 63 / 57 / 55

HEX #732A31

RGB 115 42 49

HSL 354.25, 0.46%, 0.31%

LAB 28.17, 32.77, 12.41

 

CMYK 0 / 53 / 63 / 55

HEX #73362A

RGB 115 54 42

HSL 9.86, 0.46%, 0.31%

LAB 30.52, 25.74, 20

 

CMYK 0 / 36 / 63 / 55

HEX #734A2A

RGB 115 74 42

HSL 26.3, 0.46%, 0.31%

LAB 35.42, 13.91, 26

 

CMYK 0 / 19 / 63 / 55

HEX #735D2A

RGB 115 93 42

HSL 41.92, 0.46%, 0.31%

LAB 40.64, 2.46, 32.09

 

CMYK 0 / 3 / 63 / 55

HEX #73702A

RGB 115 112 42

HSL 57.53, 0.46%, 0.31%

LAB 46.18, -8.54, 38.24

 

CMYK 0 / 36 / 64 / 78

HEX #372314

RGB 55 35 20

HSL 25.71, 0.47%, 0.15%

LAB 15.82, 7.51, 13.85

 

CMYK 0 / 35 / 64 / 67

HEX #55371F

RGB 85 55 31

HSL 26.67, 0.47%, 0.23%

LAB 26.05, 10.5, 20.32

 

CMYK 0 / 35 / 63 / 55

HEX #734B2A

RGB 115 75 42

HSL 27.12, 0.46%, 0.31%

LAB 35.68, 13.31, 26.31

 

CMYK 0 / 35 / 63 / 43

HEX #915E35

RGB 145 94 53

HSL 26.74, 0.46%, 0.39%

LAB 44.63, 16.56, 31.68

 

CMYK 0 / 35 / 63 / 31

HEX #AF7240

RGB 175 114 64

HSL 27.03, 0.46%, 0.47%

LAB 53.51, 19.11, 37.12

 

CMYK 0 / 35 / 63 / 55

HEX #734B2B

RGB 115 75 43

HSL 26.67, 0.46%, 0.31%

LAB 35.7, 13.39, 25.75

 

CMYK 40 / 0 / 63 / 55

HEX #45732A

RGB 69 115 42

HSL 97.81, 0.46%, 0.31%

LAB 43.79, -29.8, 34.67

 

CMYK 61 / 63 / 0 / 55

HEX #2D2A73

RGB 45 42 115

HSL 242.47, 0.46%, 0.31%

LAB 21.77, 24.61, -41.77

 

CMYK 0 / 35 / 63 / 55

HEX #734B2B

RGB 115 75 43

HSL 26.67, 0.46%, 0.31%

LAB 35.7, 13.39, 25.75

 

CMYK 63 / 0 / 36 / 55

HEX #2A734A

RGB 42 115 74

HSL 146.3, 0.46%, 0.31%

LAB 43.13, -32.87, 16.16

 

CMYK 36 / 63 / 0 / 55

HEX #4A2A73

RGB 74 42 115

HSL 266.3, 0.46%, 0.31%

LAB 24.8, 31.18, -36.73

 

CMYK 0 / 35 / 63 / 55

HEX #734B2B

RGB 115 75 43

HSL 26.67, 0.46%, 0.31%

LAB 35.7, 13.39, 25.75

 

CMYK 40 / 0 / 63 / 55

HEX #45732A

RGB 69 115 42

HSL 97.81, 0.46%, 0.31%

LAB 43.79, -29.8, 34.67

 

CMYK 63 / 28 / 0 / 55

HEX #2A5373

RGB 42 83 115

HSL 206.3, 0.46%, 0.31%

LAB 33.81, -3.69, -22.6

 

CMYK 23 / 63 / 0 / 55

HEX #582A73

RGB 88 42 115

HSL 277.81, 0.46%, 0.31%

LAB 26.64, 34.82, -33.66

 

CMYK 0 / 35 / 63 / 55

HEX #734B2B

RGB 115 75 43

HSL 26.67, 0.46%, 0.31%

LAB 35.7, 13.39, 25.75

 

CMYK 59 / 0 / 63 / 55

HEX #2F732A

RGB 47 115 42

HSL 115.89, 0.46%, 0.31%

LAB 42.81, -36.96, 33.3

 

CMYK 63 / 28 / 0 / 55

HEX #2A5373

RGB 42 83 115

HSL 206.3, 0.46%, 0.31%

LAB 33.81, -3.69, -22.6

 

CMYK 4 / 63 / 0 / 55

HEX #6E2A73

RGB 110 42 115

HSL 295.89, 0.46%, 0.31%

LAB 29.93, 40.8, -28.23

 

Description

Color code: HEX #734B2B | qconv.com Color code: HEX #734B2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 75 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 75 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 63 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 63% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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