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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #735025 it is the complementary color #8CAFDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #735025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #735025 shade: #785020, #896233, #9A7446, #AB8659 and #BC986C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #735025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #735025 shade: #735025, #623E12, #512C00, #401A00 and #2F0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #735025 shade: #735025, #733B25, #732625 and #732525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #735025 shade: #735025, #736525, #6C7325, #577325 and #427325

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #735025 shade matches the following richer shades: #735025, #7F5119, #8C530C and #985400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #735025 shade: #735025, #674F31, #5A4D3E, #4E4C4A and #424B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #735025 shade: #732625, #733B25, #735025, #736525 and #6D7325

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #735025 shade: #352511, #543A1B, #735025, #92662F and #B17B39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #735025 shade: #735025, #387325 and #312573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #735025 shade: #735025, #257350 and #502573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #735025 shade: #735025, #387325, #254873 and #602573

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #735025 shade: #735025, #257329, #254873 and #73256F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

Complementary color

CMYK 36 / 20 / 0 / 15

HEX #8CAFDA

RGB 140 175 218

HSL 213.08, 0.51%, 0.7%

LAB 70.38, -1.43, -25.51

 

CMYK 0 / 33 / 73 / 53

HEX #785020

RGB 120 80 32

HSL 32.73, 0.58%, 0.3%

LAB 37.54, 11.94, 34.06

 

CMYK 0 / 28 / 63 / 46

HEX #896233

RGB 137 98 51

HSL 32.79, 0.46%, 0.37%

LAB 44.65, 10.46, 32.54

 

CMYK 0 / 25 / 55 / 40

HEX #9A7446

RGB 154 116 70

HSL 32.86, 0.38%, 0.44%

LAB 51.61, 9.28, 31.01

 

CMYK 0 / 22 / 48 / 33

HEX #AB8659

RGB 171 134 89

HSL 32.93, 0.33%, 0.51%

LAB 58.44, 8.31, 29.56

 

CMYK 0 / 19 / 43 / 26

HEX #BC986C

RGB 188 152 108

HSL 33, 0.37%, 0.58%

LAB 65.15, 7.5, 28.21

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 0 / 37 / 82 / 62

HEX #623E12

RGB 98 62 18

HSL 33, 0.69%, 0.23%

LAB 29.63, 11.6, 31.98

 

CMYK 0 / 46 / 100 / 68

HEX #512C00

RGB 81 44 0

HSL 32.59, 1%, 0.16%

LAB 22.13, 13.74, 31.58

 

CMYK 0 / 59 / 100 / 75

HEX #401A00

RGB 64 26 0

HSL 24.38, 1%, 0.13%

LAB 14.56, 16.64, 21.93

 

CMYK 0 / 83 / 100 / 82

HEX #2F0800

RGB 47 8 0

HSL 10.21, 1%, 0.09%

LAB 7.03, 19.05, 10.92

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 0 / 49 / 68 / 55

HEX #733B25

RGB 115 59 37

HSL 16.92, 0.51%, 0.3%

LAB 31.59, 22.49, 24.39

 

CMYK 0 / 67 / 68 / 55

HEX #732625

RGB 115 38 37

HSL 0.77, 0.51%, 0.3%

LAB 27.2, 33.81, 19.03

 

CMYK 0 / 68 / 68 / 55

HEX #732525

RGB 115 37 37

HSL 0, 0.51%, 0.3%

LAB 27.02, 34.28, 18.81

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 0 / 12 / 68 / 55

HEX #736525

RGB 115 101 37

HSL 49.23, 0.51%, 0.3%

LAB 42.89, -2.61, 37.11

 

CMYK 6 / 0 / 68 / 55

HEX #6C7325

RGB 108 115 37

HSL 65.38, 0.51%, 0.3%

LAB 46.42, -13.79, 40.64

 

CMYK 24 / 0 / 68 / 55

HEX #577325

RGB 87 115 37

HSL 81.54, 0.51%, 0.3%

LAB 44.83, -23.09, 38.47

 

CMYK 43 / 0 / 68 / 55

HEX #427325

RGB 66 115 37

HSL 97.69, 0.51%, 0.3%

LAB 43.59, -31.4, 36.77

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 0 / 36 / 80 / 50

HEX #7F5119

RGB 127 81 25

HSL 32.94, 0.67%, 0.3%

LAB 38.67, 14.29, 38.85

 

CMYK 0 / 41 / 91 / 45

HEX #8C530C

RGB 140 83 12

HSL 33.28, 0.84%, 0.3%

LAB 40.88, 18.74, 46.31

 

CMYK 0 / 45 / 100 / 40

HEX #985400

RGB 152 84 0

HSL 33.16, 1%, 0.3%

LAB 42.79, 23.37, 51.74

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 0 / 23 / 52 / 60

HEX #674F31

RGB 103 79 49

HSL 33.33, 0.36%, 0.3%

LAB 35.39, 5.89, 21.51

 

CMYK 0 / 14 / 31 / 65

HEX #5A4D3E

RGB 90 77 62

HSL 32.14, 0.18%, 0.3%

LAB 33.62, 2.82, 10.91

 

CMYK 0 / 3 / 5 / 69

HEX #4E4C4A

RGB 78 76 74

HSL 30, 0.03%, 0.3%

LAB 32.44, 0.4, 1.47

 

CMYK 23 / 13 / 0 / 66

HEX #424B56

RGB 66 75 86

HSL 213, 0.13%, 0.3%

LAB 31.49, -0.84, -7.71

 

CMYK 0 / 67 / 68 / 55

HEX #732625

RGB 115 38 37

HSL 0.77, 0.51%, 0.3%

LAB 27.2, 33.81, 19.03

 

CMYK 0 / 49 / 68 / 55

HEX #733B25

RGB 115 59 37

HSL 16.92, 0.51%, 0.3%

LAB 31.59, 22.49, 24.39

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 0 / 12 / 68 / 55

HEX #736525

RGB 115 101 37

HSL 49.23, 0.51%, 0.3%

LAB 42.89, -2.61, 37.11

 

CMYK 5 / 0 / 68 / 55

HEX #6D7325

RGB 109 115 37

HSL 64.62, 0.51%, 0.3%

LAB 46.51, -13.33, 40.75

 

CMYK 0 / 30 / 68 / 79

HEX #352511

RGB 53 37 17

HSL 33.33, 0.51%, 0.14%

LAB 16.11, 4.77, 16.01

 

CMYK 0 / 31 / 68 / 67

HEX #543A1B

RGB 84 58 27

HSL 32.63, 0.51%, 0.22%

LAB 26.71, 7.74, 23.48

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 0 / 30 / 68 / 43

HEX #92662F

RGB 146 102 47

HSL 33.33, 0.51%, 0.38%

LAB 46.74, 11.95, 37.32

 

CMYK 0 / 31 / 68 / 31

HEX #B17B39

RGB 177 123 57

HSL 33, 0.51%, 0.46%

LAB 55.9, 14.48, 43.46

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 51 / 0 / 68 / 55

HEX #387325

RGB 56 115 37

HSL 105.38, 0.51%, 0.3%

LAB 43.12, -34.82, 36.12

 

CMYK 57 / 68 / 0 / 55

HEX #312573

RGB 49 37 115

HSL 249.23, 0.51%, 0.3%

LAB 20.88, 28.66, -43.2

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 68 / 0 / 30 / 55

HEX #257350

RGB 37 115 80

HSL 153.08, 0.51%, 0.3%

LAB 43.11, -32.6, 12.58

 

CMYK 30 / 68 / 0 / 55

HEX #502573

RGB 80 37 115

HSL 273.08, 0.51%, 0.3%

LAB 24.53, 35.51, -37.11

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 51 / 0 / 68 / 55

HEX #387325

RGB 56 115 37

HSL 105.38, 0.51%, 0.3%

LAB 43.12, -34.82, 36.12

 

CMYK 68 / 37 / 0 / 55

HEX #254873

RGB 37 72 115

HSL 213.08, 0.51%, 0.3%

LAB 30.07, 2.41, -28.48

 

CMYK 17 / 68 / 0 / 55

HEX #602573

RGB 96 37 115

HSL 285.38, 0.51%, 0.3%

LAB 26.87, 39.51, -33.23

 

CMYK 0 / 30 / 68 / 55

HEX #735025

RGB 115 80 37

HSL 33.08, 0.51%, 0.3%

LAB 36.96, 9.9, 30.6

 

CMYK 68 / 0 / 64 / 55

HEX #257329

RGB 37 115 41

HSL 123.08, 0.51%, 0.3%

LAB 42.48, -39.61, 33.33

 

CMYK 68 / 37 / 0 / 55

HEX #254873

RGB 37 72 115

HSL 213.08, 0.51%, 0.3%

LAB 30.07, 2.41, -28.48

 

CMYK 0 / 68 / 3 / 55

HEX #73256F

RGB 115 37 111

HSL 303.08, 0.51%, 0.3%

LAB 29.7, 43.69, -25.99

 

Description

Color code: HEX #735025 | qconv.com Color code: HEX #735025 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 80 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 80 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 68 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 68% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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