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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #735D16 it is the complementary color #8CA2E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #735D16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #735D16 shade: #785D11, #896F24, #9A8137, #AB934A and #BCA55D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #735D16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #735D16 shade: #735D16, #624B03, #513900, #402700 and #2F1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #735D16 shade: #735D16, #734416, #732B16 and #731616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #735D16 shade: #735D16, #707316, #577316, #3E7316 and #247316

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #735D16 shade matches the following richer shades: #735D16 and #7E630A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #735D16 shade: #735D16, #685721, #5D512C, #524B37 and #474642

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #735D16 shade: #732A16, #734316, #735C16, #727316 and #597316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #735D16 shade: #2E2508, #51410F, #735D16, #96791C and #B89523

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #735D16 shade: #735D16, #1A7316 and #361673

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #735D16 shade: #735D16, #16735C and #5C1673

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #735D16 shade: #735D16, #1A7316, #162D73 and #6E1673

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #735D16 shade: #735D16, #16732D, #162D73 and #73165C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

Complementary color

CMYK 40 / 30 / 0 / 9

HEX #8CA2E9

RGB 140 162 233

HSL 225.81, 0.68%, 0.73%

LAB 67.5, 9.85, -38.19

 

CMYK 0 / 23 / 86 / 53

HEX #785D11

RGB 120 93 17

HSL 44.27, 0.75%, 0.27%

LAB 41, 3.48, 43.8

 

CMYK 0 / 19 / 74 / 46

HEX #896F24

RGB 137 111 36

HSL 44.55, 0.58%, 0.34%

LAB 48.03, 1.93, 43.6

 

CMYK 0 / 16 / 64 / 40

HEX #9A8137

RGB 154 129 55

HSL 44.85, 0.47%, 0.41%

LAB 54.91, 0.71, 42.64

 

CMYK 0 / 14 / 57 / 33

HEX #AB934A

RGB 171 147 74

HSL 45.15, 0.4%, 0.48%

LAB 61.67, -0.27, 41.41

 

CMYK 0 / 12 / 51 / 26

HEX #BCA55D

RGB 188 165 93

HSL 45.47, 0.41%, 0.55%

LAB 68.31, -1.07, 40.13

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 0 / 23 / 97 / 62

HEX #624B03

RGB 98 75 3

HSL 45.47, 0.94%, 0.2%

LAB 33.21, 3, 40.83

 

CMYK 0 / 30 / 100 / 68

HEX #513900

RGB 81 57 0

HSL 42.22, 1%, 0.16%

LAB 25.79, 5.41, 35.22

 

CMYK 0 / 39 / 100 / 75

HEX #402700

RGB 64 39 0

HSL 36.56, 1%, 0.13%

LAB 18.1, 8.16, 26.34

 

CMYK 0 / 55 / 100 / 82

HEX #2F1500

RGB 47 21 0

HSL 26.81, 1%, 0.09%

LAB 10.11, 11.18, 15.37

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 0 / 41 / 81 / 55

HEX #734416

RGB 115 68 22

HSL 29.68, 0.68%, 0.27%

LAB 33.64, 16.28, 34.8

 

CMYK 0 / 63 / 81 / 55

HEX #732B16

RGB 115 43 22

HSL 13.55, 0.68%, 0.27%

LAB 27.93, 30.5, 29.09

 

CMYK 0 / 81 / 81 / 55

HEX #731616

RGB 115 22 22

HSL 0, 0.68%, 0.27%

LAB 24.57, 39.63, 25.57

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 3 / 0 / 81 / 55

HEX #707316

RGB 112 115 22

HSL 61.94, 0.68%, 0.27%

LAB 46.66, -12.77, 46.85

 

CMYK 24 / 0 / 81 / 55

HEX #577316

RGB 87 115 22

HSL 78.06, 0.68%, 0.27%

LAB 44.72, -24.09, 44.36

 

CMYK 46 / 0 / 81 / 55

HEX #3E7316

RGB 62 115 22

HSL 94.19, 0.68%, 0.27%

LAB 43.28, -34.01, 42.48

 

CMYK 69 / 0 / 81 / 55

HEX #247316

RGB 36 115 22

HSL 110.97, 0.68%, 0.27%

LAB 42.3, -41.68, 41.2

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 0 / 21 / 92 / 51

HEX #7E630A

RGB 126 99 10

HSL 46.03, 0.85%, 0.27%

LAB 43.33, 2.67, 48

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 0 / 16 / 68 / 59

HEX #685721

RGB 104 87 33

HSL 45.63, 0.52%, 0.27%

LAB 37.61, 0.09, 33.05

 

CMYK 0 / 13 / 53 / 64

HEX #5D512C

RGB 93 81 44

HSL 45.31, 0.36%, 0.27%

LAB 34.79, -0.61, 23.46

 

CMYK 0 / 9 / 33 / 68

HEX #524B37

RGB 82 75 55

HSL 44.44, 0.2%, 0.27%

LAB 32.04, -0.66, 13

 

CMYK 0 / 1 / 7 / 72

HEX #474642

RGB 71 70 66

HSL 48, 0.04%, 0.27%

LAB 29.7, -0.43, 2.55

 

CMYK 0 / 63 / 81 / 55

HEX #732A16

RGB 115 42 22

HSL 12.9, 0.68%, 0.27%

LAB 27.73, 31.01, 28.89

 

CMYK 0 / 42 / 81 / 55

HEX #734316

RGB 115 67 22

HSL 29.03, 0.68%, 0.27%

LAB 33.39, 16.88, 34.56

 

CMYK 0 / 20 / 81 / 55

HEX #735C16

RGB 115 92 22

HSL 45.16, 0.68%, 0.27%

LAB 40.18, 1.84, 41.02

 

CMYK 1 / 0 / 81 / 55

HEX #727316

RGB 114 115 22

HSL 60.65, 0.68%, 0.27%

LAB 46.84, -11.83, 47.07

 

CMYK 23 / 0 / 81 / 55

HEX #597316

RGB 89 115 22

HSL 76.77, 0.68%, 0.27%

LAB 44.86, -23.22, 44.53

 

CMYK 0 / 20 / 83 / 82

HEX #2E2508

RGB 46 37 8

HSL 45.79, 0.7%, 0.11%

LAB 15.07, 0.14, 18.77

 

CMYK 0 / 20 / 81 / 68

HEX #51410F

RGB 81 65 15

HSL 45.45, 0.69%, 0.19%

LAB 28.29, 0.97, 31.32

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 0 / 19 / 81 / 41

HEX #96791C

RGB 150 121 28

HSL 45.74, 0.69%, 0.35%

LAB 52.11, 1.94, 51.1

 

CMYK 0 / 19 / 81 / 28

HEX #B89523

RGB 184 149 35

HSL 45.91, 0.68%, 0.43%

LAB 63.18, 2.19, 59.97

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 77 / 0 / 81 / 55

HEX #1A7316

RGB 26 115 22

HSL 117.42, 0.68%, 0.27%

LAB 42.06, -43.7, 40.89

 

CMYK 53 / 81 / 0 / 55

HEX #361673

RGB 54 22 115

HSL 260.65, 0.68%, 0.27%

LAB 18.35, 38.08, -47.33

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 81 / 0 / 20 / 55

HEX #16735C

RGB 22 115 92

HSL 165.16, 0.68%, 0.27%

LAB 43.07, -31.96, 5.34

 

CMYK 20 / 81 / 0 / 55

HEX #5C1673

RGB 92 22 115

HSL 285.16, 0.68%, 0.27%

LAB 23.96, 45.01, -37.95

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 77 / 0 / 81 / 55

HEX #1A7316

RGB 26 115 22

HSL 117.42, 0.68%, 0.27%

LAB 42.06, -43.7, 40.89

 

CMYK 81 / 61 / 0 / 55

HEX #162D73

RGB 22 45 115

HSL 225.16, 0.68%, 0.27%

LAB 21.15, 18.9, -42.84

 

CMYK 4 / 81 / 0 / 55

HEX #6E1673

RGB 110 22 115

HSL 296.77, 0.68%, 0.27%

LAB 27.09, 48.81, -32.74

 

CMYK 0 / 19 / 81 / 55

HEX #735D16

RGB 115 93 22

HSL 45.81, 0.68%, 0.27%

LAB 40.46, 1.25, 41.28

 

CMYK 81 / 0 / 61 / 55

HEX #16732D

RGB 22 115 45

HSL 134.84, 0.68%, 0.27%

LAB 42.19, -41.87, 30.9

 

CMYK 81 / 61 / 0 / 55

HEX #162D73

RGB 22 45 115

HSL 225.16, 0.68%, 0.27%

LAB 21.15, 18.9, -42.84

 

CMYK 0 / 81 / 20 / 55

HEX #73165C

RGB 115 22 92

HSL 314.84, 0.68%, 0.27%

LAB 26.71, 46.21, -18.36

 

Description

Color code: HEX #735D16 | qconv.com Color code: HEX #735D16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 93 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 93 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 81 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 81% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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