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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #735DE6 it is the complementary color #8CA219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #735DE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #735DE6 shade: #785DE1, #896FF4, #9A81FF, #AB93FF and #BCA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #735DE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #735DE6 shade: #735DE6, #624BD3, #5139C0, #4027AD and #2F159A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #735DE6 shade: #715BE5, #975BE5, #BC5BE5, #E15BE5 and #E55BC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #735DE6 shade: #715BE5 and #5B5BE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #735DE6 shade matches the following richer shades: #715BE5 and #674CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #735DE6 shade: #715BE5, #7C6BD6, #867AC6, #9089B7 and #9B98A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #735DE6 shade: #5B90E5, #5B6BE5, #705BE5, #955BE5 and #B95BE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #735DE6 shade: #3C20CE, #5338DF, #715BE5, #907FEB and #AFA3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #735DE6 shade: #735DE6, #E55BB5 and #7EE55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #735DE6 shade: #735DE6, #E5705B and #5BE570

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #735DE6 shade: #735DE6, #E55BB5, #D0E55B and #5BE58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #735DE6 shade: #735DE6, #E55B8B, #D0E55B and #5BE5B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 60 / 0 / 10

HEX #735DE6

RGB 115 93 230

HSL 249.64, 0.73%, 0.63%

LAB 48.49, 43.5, -66.87

 

Complementary color

CMYK 14 / 0 / 85 / 36

HEX #8CA219

RGB 140 162 25

HSL 69.64, 0.73%, 0.37%

LAB 62.92, -24.52, 61.08

 

CMYK 47 / 59 / 0 / 12

HEX #785DE1

RGB 120 93 225

HSL 252.27, 0.69%, 0.62%

LAB 48.58, 43.05, -63.88

 

CMYK 44 / 55 / 0 / 4

HEX #896FF4

RGB 137 111 244

HSL 251.73, 0.86%, 0.7%

LAB 55.3, 41.71, -63.63

 

CMYK 40 / 49 / 0 / 0

HEX #9A81FF

RGB 154 129 255

HSL 251.9, 1%, 0.75%

LAB 61.47, 38.33, -59.72

 

CMYK 33 / 42 / 0 / 0

HEX #AB93FF

RGB 171 147 255

HSL 253.33, 1%, 0.79%

LAB 67.09, 32.37, -50.71

 

CMYK 26 / 35 / 0 / 0

HEX #BCA5FF

RGB 188 165 255

HSL 255.33, 1%, 0.82%

LAB 72.77, 26.93, -41.67

 

CMYK 50 / 60 / 0 / 10

HEX #735DE6

RGB 115 93 230

HSL 249.64, 0.73%, 0.63%

LAB 48.49, 43.5, -66.87

 

CMYK 54 / 64 / 0 / 17

HEX #624BD3

RGB 98 75 211

HSL 250.15, 0.61%, 0.56%

LAB 41.74, 45.07, -67.1

 

CMYK 58 / 70 / 0 / 25

HEX #5139C0

RGB 81 57 192

HSL 250.67, 0.54%, 0.49%

LAB 34.97, 46.69, -67.19

 

CMYK 63 / 77 / 0 / 32

HEX #4027AD

RGB 64 39 173

HSL 251.19, 0.63%, 0.42%

LAB 28.27, 48.2, -66.99

 

CMYK 69 / 86 / 0 / 40

HEX #2F159A

RGB 47 21 154

HSL 251.73, 0.76%, 0.34%

LAB 21.85, 49.13, -66.11

 

CMYK 51 / 60 / 0 / 10

HEX #715BE5

RGB 113 91 229

HSL 249.57, 0.73%, 0.63%

LAB 47.82, 43.98, -67.42

 

CMYK 34 / 60 / 0 / 10

HEX #975BE5

RGB 151 91 229

HSL 266.09, 0.73%, 0.63%

LAB 51.52, 51.84, -61.25

 

CMYK 18 / 60 / 0 / 10

HEX #BC5BE5

RGB 188 91 229

HSL 282.17, 0.73%, 0.63%

LAB 55.92, 60.35, -53.95

 

CMYK 2 / 60 / 0 / 10

HEX #E15BE5

RGB 225 91 229

HSL 298.26, 0.73%, 0.63%

LAB 60.91, 69.23, -45.72

 

CMYK 0 / 60 / 14 / 10

HEX #E55BC4

RGB 229 91 196

HSL 314.35, 0.73%, 0.63%

LAB 60, 65.02, -28.46

 

CMYK 51 / 60 / 0 / 10

HEX #715BE5

RGB 113 91 229

HSL 249.57, 0.73%, 0.63%

LAB 47.82, 43.98, -67.42

 

CMYK 60 / 60 / 0 / 10

HEX #5B5BE5

RGB 91 91 229

HSL 240, 0.73%, 0.63%

LAB 46.13, 40.12, -70.23

 

CMYK 51 / 60 / 0 / 10

HEX #715BE5

RGB 113 91 229

HSL 249.57, 0.73%, 0.63%

LAB 47.82, 43.98, -67.42

 

CMYK 58 / 69 / 0 / 4

HEX #674CF4

RGB 103 76 244

HSL 249.64, 0.88%, 0.63%

LAB 45.06, 55.05, -80.39

 

CMYK 51 / 60 / 0 / 10

HEX #715BE5

RGB 113 91 229

HSL 249.57, 0.73%, 0.63%

LAB 47.82, 43.98, -67.42

 

CMYK 42 / 50 / 0 / 16

HEX #7C6BD6

RGB 124 107 214

HSL 249.53, 0.57%, 0.63%

LAB 51.45, 32.64, -53.03

 

CMYK 32 / 38 / 0 / 22

HEX #867AC6

RGB 134 122 198

HSL 249.47, 0.4%, 0.63%

LAB 55.14, 21.99, -38.02

 

CMYK 21 / 25 / 0 / 28

HEX #9089B7

RGB 144 137 183

HSL 249.13, 0.24%, 0.63%

LAB 59.2, 12.47, -23.13

 

CMYK 8 / 10 / 0 / 34

HEX #9B98A8

RGB 155 152 168

HSL 251.25, 0.08%, 0.63%

LAB 63.55, 4.27, -7.96

 

CMYK 60 / 37 / 0 / 10

HEX #5B90E5

RGB 91 144 229

HSL 216.96, 0.73%, 0.63%

LAB 59.73, 7.95, -48.38

 

CMYK 60 / 53 / 0 / 10

HEX #5B6BE5

RGB 91 107 229

HSL 233.04, 0.73%, 0.63%

LAB 49.97, 30.4, -64

 

CMYK 51 / 60 / 0 / 10

HEX #705BE5

RGB 112 91 229

HSL 249.13, 0.73%, 0.63%

LAB 47.73, 43.79, -67.56

 

CMYK 35 / 60 / 0 / 10

HEX #955BE5

RGB 149 91 229

HSL 265.22, 0.73%, 0.63%

LAB 51.3, 51.39, -61.61

 

CMYK 19 / 60 / 0 / 10

HEX #B95BE5

RGB 185 91 229

HSL 280.87, 0.73%, 0.63%

LAB 55.54, 59.64, -54.58

 

CMYK 71 / 84 / 0 / 19

HEX #3C20CE

RGB 60 32 206

HSL 249.66, 0.73%, 0.47%

LAB 30.52, 60.49, -82.78

 

CMYK 63 / 75 / 0 / 13

HEX #5338DF

RGB 83 56 223

HSL 249.7, 0.72%, 0.55%

LAB 37.83, 56.68, -80.43

 

CMYK 51 / 60 / 0 / 10

HEX #715BE5

RGB 113 91 229

HSL 249.57, 0.73%, 0.63%

LAB 47.82, 43.98, -67.42

 

CMYK 39 / 46 / 0 / 8

HEX #907FEB

RGB 144 127 235

HSL 249.44, 0.73%, 0.71%

LAB 59.07, 31.65, -52.55

 

CMYK 27 / 32 / 0 / 6

HEX #AFA3F0

RGB 175 163 240

HSL 249.35, 0.72%, 0.79%

LAB 70.59, 20.74, -37.01

 

CMYK 50 / 60 / 0 / 10

HEX #735DE6

RGB 115 93 230

HSL 249.64, 0.73%, 0.63%

LAB 48.49, 43.5, -66.87

 

CMYK 0 / 60 / 21 / 10

HEX #E55BB5

RGB 229 91 181

HSL 320.87, 0.73%, 0.63%

LAB 59.41, 62.89, -20.78

 

CMYK 45 / 0 / 60 / 10

HEX #7EE55B

RGB 126 229 91

HSL 104.78, 0.73%, 0.63%

LAB 82.5, -54.59, 56.74

 

CMYK 50 / 60 / 0 / 10

HEX #735DE6

RGB 115 93 230

HSL 249.64, 0.73%, 0.63%

LAB 48.49, 43.5, -66.87

 

CMYK 0 / 51 / 60 / 10

HEX #E5705B

RGB 229 112 91

HSL 9.13, 0.73%, 0.63%

LAB 60.78, 43.72, 32.93

 

CMYK 60 / 0 / 51 / 10

HEX #5BE570

RGB 91 229 112

HSL 129.13, 0.73%, 0.63%

LAB 81.53, -61.12, 45.78

 

CMYK 50 / 60 / 0 / 10

HEX #735DE6

RGB 115 93 230

HSL 249.64, 0.73%, 0.63%

LAB 48.49, 43.5, -66.87

 

CMYK 0 / 60 / 21 / 10

HEX #E55BB5

RGB 229 91 181

HSL 320.87, 0.73%, 0.63%

LAB 59.41, 62.89, -20.78

 

CMYK 9 / 0 / 60 / 10

HEX #D0E55B

RGB 208 229 91

HSL 69.13, 0.73%, 0.63%

LAB 87.1, -25.42, 63.12

 

CMYK 60 / 0 / 39 / 10

HEX #5BE58B

RGB 91 229 139

HSL 140.87, 0.73%, 0.63%

LAB 81.91, -56.95, 33.01

 

CMYK 50 / 60 / 0 / 10

HEX #735DE6

RGB 115 93 230

HSL 249.64, 0.73%, 0.63%

LAB 48.49, 43.5, -66.87

 

CMYK 0 / 60 / 39 / 10

HEX #E55B8B

RGB 229 91 139

HSL 339.13, 0.73%, 0.63%

LAB 58.04, 57.77, 1.54

 

CMYK 9 / 0 / 60 / 10

HEX #D0E55B

RGB 208 229 91

HSL 69.13, 0.73%, 0.63%

LAB 87.1, -25.42, 63.12

 

CMYK 60 / 0 / 21 / 10

HEX #5BE5B5

RGB 91 229 181

HSL 159.13, 0.73%, 0.63%

LAB 82.7, -48.64, 12.39

 

Description

Color code: HEX #735DE6 | qconv.com Color code: HEX #735DE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 93 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 93 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 60 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 60% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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