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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #736C7A it is the complementary color #8C9385. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #736C7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #736C7A shade: #786C75, #897E88, #9A909B, #ABA2AE and #BCB4C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #736C7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #736C7A shade: #736C7A, #625A67, #514854, #403641 and #2F242E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #736C7A shade: #726B79, #766B79, #796B79, #796B75 and #796B71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #736C7A shade: #726B79, #6F6B79 and #6B6B79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #736C7A shade matches the following richer shades: #726B79, #72598C, #72469E, #7234B1 and #7221C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #736C7A shade: #726B79, #727E67, #729054, #72A341 and #72B62F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #736C7A shade: #6B6C79, #6F6B79, #726B79, #766B79 and #796B79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #736C7A shade: #49454D, #5E5863, #726B79, #87808E and #9C96A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #736C7A shade: #736C7A, #796B6F and #6B796D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #736C7A shade: #736C7A, #79726B and #6B7972

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #736C7A shade: #736C7A, #796B6F, #72796B and #6B7975

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #736C7A shade: #736C7A, #796B6B, #72796B and #6B7979

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 11 / 0 / 52

HEX #736C7A

RGB 115 108 122

HSL 270, 0.06%, 0.45%

LAB 46.68, 5.6, -6.78

 

Complementary color

CMYK 5 / 0 / 10 / 42

HEX #8C9385

RGB 140 147 133

HSL 90, 0.06%, 0.55%

LAB 60.01, -5.23, 6.53

 

CMYK 0 / 10 / 3 / 53

HEX #786C75

RGB 120 108 117

HSL 315, 0.05%, 0.45%

LAB 46.98, 6.44, -3.29

 

CMYK 0 / 8 / 1 / 46

HEX #897E88

RGB 137 126 136

HSL 305.45, 0.04%, 0.52%

LAB 54.05, 6.1, -3.9

 

CMYK 1 / 7 / 0 / 39

HEX #9A909B

RGB 154 144 155

HSL 294.55, 0.05%, 0.59%

LAB 60.94, 5.79, -4.48

 

CMYK 2 / 7 / 0 / 32

HEX #ABA2AE

RGB 171 162 174

HSL 285, 0.07%, 0.66%

LAB 67.69, 5.51, -5.04

 

CMYK 3 / 7 / 0 / 24

HEX #BCB4C1

RGB 188 180 193

HSL 276.92, 0.09%, 0.73%

LAB 74.31, 5.25, -5.58

 

CMYK 6 / 11 / 0 / 52

HEX #736C7A

RGB 115 108 122

HSL 270, 0.06%, 0.45%

LAB 46.68, 5.6, -6.78

 

CMYK 5 / 13 / 0 / 60

HEX #625A67

RGB 98 90 103

HSL 276.92, 0.07%, 0.38%

LAB 39.39, 5.94, -6.27

 

CMYK 4 / 14 / 0 / 67

HEX #514854

RGB 81 72 84

HSL 285, 0.08%, 0.31%

LAB 31.86, 6.34, -5.74

 

CMYK 2 / 17 / 0 / 75

HEX #403641

RGB 64 54 65

HSL 294.55, 0.09%, 0.23%

LAB 24.03, 6.81, -5.19

 

CMYK 0 / 23 / 2 / 82

HEX #2F242E

RGB 47 36 46

HSL 305.45, 0.13%, 0.16%

LAB 15.82, 7.41, -4.61

 

CMYK 6 / 12 / 0 / 53

HEX #726B79

RGB 114 107 121

HSL 270, 0.06%, 0.45%

LAB 46.28, 5.61, -6.79

 

CMYK 2 / 12 / 0 / 53

HEX #766B79

RGB 118 107 121

HSL 287.14, 0.06%, 0.45%

LAB 46.64, 7.1, -6.21

 

CMYK 0 / 12 / 0 / 53

HEX #796B79

RGB 121 107 121

HSL 300, 0.06%, 0.45%

LAB 46.92, 8.23, -5.76

 

CMYK 0 / 12 / 3 / 53

HEX #796B75

RGB 121 107 117

HSL 317.14, 0.06%, 0.45%

LAB 46.8, 7.42, -3.55

 

CMYK 0 / 12 / 7 / 53

HEX #796B71

RGB 121 107 113

HSL 334.29, 0.06%, 0.45%

LAB 46.67, 6.64, -1.33

 

CMYK 6 / 12 / 0 / 53

HEX #726B79

RGB 114 107 121

HSL 270, 0.06%, 0.45%

LAB 46.28, 5.61, -6.79

 

CMYK 8 / 12 / 0 / 53

HEX #6F6B79

RGB 111 107 121

HSL 257.14, 0.06%, 0.45%

LAB 46.01, 4.5, -7.22

 

CMYK 12 / 12 / 0 / 53

HEX #6B6B79

RGB 107 107 121

HSL 240, 0.06%, 0.45%

LAB 45.66, 3.03, -7.77

 

CMYK 6 / 12 / 0 / 53

HEX #726B79

RGB 114 107 121

HSL 270, 0.06%, 0.45%

LAB 46.28, 5.61, -6.79

 

CMYK 19 / 36 / 0 / 45

HEX #72598C

RGB 114 89 140

HSL 269.41, 0.22%, 0.45%

LAB 42.18, 20.9, -24.47

 

CMYK 28 / 56 / 0 / 38

HEX #72469E

RGB 114 70 158

HSL 270, 0.39%, 0.45%

LAB 38.6, 36.67, -40.96

 

CMYK 36 / 71 / 0 / 31

HEX #7234B1

RGB 114 52 177

HSL 269.76, 0.55%, 0.45%

LAB 36.38, 50.89, -55.88

 

CMYK 42 / 83 / 0 / 24

HEX #7221C3

RGB 114 33 195

HSL 270, 0.71%, 0.45%

LAB 35.21, 62.8, -68.41

 

CMYK 6 / 12 / 0 / 53

HEX #726B79

RGB 114 107 121

HSL 270, 0.06%, 0.45%

LAB 46.28, 5.61, -6.79

 

CMYK 10 / 0 / 18 / 51

HEX #727E67

RGB 114 126 103

HSL 91.3, 0.1%, 0.45%

LAB 51.24, -8.96, 11.05

 

CMYK 21 / 0 / 42 / 44

HEX #729054

RGB 114 144 84

HSL 90, 0.26%, 0.45%

LAB 56.25, -21.6, 28.48

 

CMYK 30 / 0 / 60 / 36

HEX #72A341

RGB 114 163 65

HSL 90, 0.43%, 0.45%

LAB 61.79, -33.06, 44.74

 

CMYK 37 / 0 / 74 / 29

HEX #72B62F

RGB 114 182 47

HSL 90.22, 0.59%, 0.45%

LAB 67.46, -42.9, 58.07

 

CMYK 12 / 11 / 0 / 53

HEX #6B6C79

RGB 107 108 121

HSL 235.71, 0.06%, 0.45%

LAB 45.95, 2.44, -7.34

 

CMYK 8 / 12 / 0 / 53

HEX #6F6B79

RGB 111 107 121

HSL 257.14, 0.06%, 0.45%

LAB 46.01, 4.5, -7.22

 

CMYK 6 / 12 / 0 / 53

HEX #726B79

RGB 114 107 121

HSL 270, 0.06%, 0.45%

LAB 46.28, 5.61, -6.79

 

CMYK 2 / 12 / 0 / 53

HEX #766B79

RGB 118 107 121

HSL 287.14, 0.06%, 0.45%

LAB 46.64, 7.1, -6.21

 

CMYK 0 / 12 / 0 / 53

HEX #796B79

RGB 121 107 121

HSL 300, 0.06%, 0.45%

LAB 46.92, 8.23, -5.76

 

CMYK 5 / 10 / 0 / 70

HEX #49454D

RGB 73 69 77

HSL 270, 0.05%, 0.29%

LAB 29.93, 3.45, -4.19

 

CMYK 5 / 11 / 0 / 61

HEX #5E5863

RGB 94 88 99

HSL 272.73, 0.06%, 0.37%

LAB 38.31, 4.75, -5.45

 

CMYK 6 / 12 / 0 / 53

HEX #726B79

RGB 114 107 121

HSL 270, 0.06%, 0.45%

LAB 46.28, 5.61, -6.79

 

CMYK 5 / 10 / 0 / 44

HEX #87808E

RGB 135 128 142

HSL 270, 0.06%, 0.53%

LAB 54.6, 5.43, -6.59

 

CMYK 3 / 7 / 0 / 37

HEX #9C96A1

RGB 156 150 161

HSL 272.73, 0.06%, 0.61%

LAB 62.89, 4.32, -4.98

 

CMYK 6 / 11 / 0 / 52

HEX #736C7A

RGB 115 108 122

HSL 270, 0.06%, 0.45%

LAB 46.68, 5.6, -6.78

 

CMYK 0 / 12 / 8 / 53

HEX #796B6F

RGB 121 107 111

HSL 342.86, 0.06%, 0.45%

LAB 46.62, 6.25, -0.22

 

CMYK 12 / 0 / 10 / 53

HEX #6B796D

RGB 107 121 109

HSL 128.57, 0.06%, 0.45%

LAB 49.38, -7.7, 4.82

 

CMYK 6 / 11 / 0 / 52

HEX #736C7A

RGB 115 108 122

HSL 270, 0.06%, 0.45%

LAB 46.68, 5.6, -6.78

 

CMYK 0 / 6 / 12 / 53

HEX #79726B

RGB 121 114 107

HSL 30, 0.06%, 0.45%

LAB 48.46, 1.39, 4.84

 

CMYK 12 / 0 / 6 / 53

HEX #6B7972

RGB 107 121 114

HSL 150, 0.06%, 0.45%

LAB 49.51, -6.67, 2.07

 

CMYK 6 / 11 / 0 / 52

HEX #736C7A

RGB 115 108 122

HSL 270, 0.06%, 0.45%

LAB 46.68, 5.6, -6.78

 

CMYK 0 / 12 / 8 / 53

HEX #796B6F

RGB 121 107 111

HSL 342.86, 0.06%, 0.45%

LAB 46.62, 6.25, -0.22

 

CMYK 6 / 0 / 12 / 53

HEX #72796B

RGB 114 121 107

HSL 90, 0.06%, 0.45%

LAB 49.87, -5.41, 6.78

 

CMYK 12 / 0 / 3 / 53

HEX #6B7975

RGB 107 121 117

HSL 162.86, 0.06%, 0.45%

LAB 49.6, -6.04, 0.42

 

CMYK 6 / 11 / 0 / 52

HEX #736C7A

RGB 115 108 122

HSL 270, 0.06%, 0.45%

LAB 46.68, 5.6, -6.78

 

CMYK 0 / 12 / 12 / 53

HEX #796B6B

RGB 121 107 107

HSL 0, 0.06%, 0.45%

LAB 46.5, 5.5, 2.01

 

CMYK 6 / 0 / 12 / 53

HEX #72796B

RGB 114 121 107

HSL 90, 0.06%, 0.45%

LAB 49.87, -5.41, 6.78

 

CMYK 12 / 0 / 0 / 53

HEX #6B7979

RGB 107 121 121

HSL 180, 0.06%, 0.45%

LAB 49.71, -5.17, -1.77

 

Description

Color code: HEX #736C7A | qconv.com Color code: HEX #736C7A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 108 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 108 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 11 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 11% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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