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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7375B8 it is the complementary color #8C8A47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7375B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7375B8 shade: #7875B3, #8987C6, #9A99D9, #ABABEC and #BCBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7375B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7375B8 shade: #7375B8, #6263A5, #515192, #403F7F and #2F2D6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7375B8 shade: #7375B8, #8473B8, #9773B8, #A973B8 and #B873B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7375B8 shade: #7375B8 and #7373B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7375B8 shade matches the following richer shades: #7375B8, #6366C9, #5256DA, #4146EB and #3036FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7375B8 shade: #7375B8, #8485A8, #959597, #A6A586 and #B7B575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7375B8 shade: #739BB8, #7388B8, #7376B8, #8473B8 and #9673B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7375B8 shade: #494B91, #585AAB, #7375B8, #8F90C6 and #AAACD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7375B8 shade: #7375B8, #B873AD and #91B873

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7375B8 shade: #7375B8, #B87376 and #76B873

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7375B8 shade: #7375B8, #B873AD, #B8B673 and #73B87F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7375B8 shade: #7375B8, #B87398, #B8B673 and #73B894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

Complementary color

CMYK 0 / 1 / 49 / 45

HEX #8C8A47

RGB 140 138 71

HSL 58.26, 0.33%, 0.41%

LAB 56.29, -9.15, 35.86

 

CMYK 33 / 35 / 0 / 30

HEX #7875B3

RGB 120 117 179

HSL 242.9, 0.29%, 0.58%

LAB 51.8, 15.87, -32.44

 

CMYK 31 / 32 / 0 / 22

HEX #8987C6

RGB 137 135 198

HSL 241.9, 0.36%, 0.65%

LAB 58.72, 15.22, -32.41

 

CMYK 29 / 29 / 0 / 15

HEX #9A99D9

RGB 154 153 217

HSL 240.94, 0.46%, 0.73%

LAB 65.48, 14.65, -32.43

 

CMYK 28 / 28 / 0 / 7

HEX #ABABEC

RGB 171 171 236

HSL 240, 0.63%, 0.8%

LAB 72.12, 14.14, -32.49

 

CMYK 26 / 26 / 0 / 0

HEX #BCBDFF

RGB 188 189 255

HSL 239.1, 1%, 0.87%

LAB 78.64, 13.68, -32.58

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 41 / 40 / 0 / 35

HEX #6263A5

RGB 98 99 165

HSL 239.1, 0.27%, 0.52%

LAB 44.57, 16.66, -35.74

 

CMYK 45 / 45 / 0 / 43

HEX #515192

RGB 81 81 146

HSL 240, 0.29%, 0.45%

LAB 37.32, 17.66, -35.95

 

CMYK 50 / 50 / 0 / 50

HEX #403F7F

RGB 64 63 127

HSL 240.94, 0.34%, 0.37%

LAB 29.86, 18.91, -36.24

 

CMYK 56 / 58 / 0 / 58

HEX #2F2D6C

RGB 47 45 108

HSL 241.9, 0.41%, 0.3%

LAB 22.17, 20.5, -36.6

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 28 / 38 / 0 / 28

HEX #8473B8

RGB 132 115 184

HSL 254.78, 0.33%, 0.59%

LAB 52.54, 21.9, -34.09

 

CMYK 18 / 38 / 0 / 28

HEX #9773B8

RGB 151 115 184

HSL 271.3, 0.33%, 0.59%

LAB 54.35, 27.67, -31.14

 

CMYK 8 / 38 / 0 / 28

HEX #A973B8

RGB 169 115 184

HSL 286.96, 0.33%, 0.59%

LAB 56.24, 33.31, -28.04

 

CMYK 0 / 38 / 2 / 28

HEX #B873B5

RGB 184 115 181

HSL 302.61, 0.33%, 0.59%

LAB 57.84, 37.51, -23.73

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 38 / 38 / 0 / 28

HEX #7373B8

RGB 115 115 184

HSL 240, 0.33%, 0.59%

LAB 51.11, 17.02, -36.43

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 51 / 49 / 0 / 21

HEX #6366C9

RGB 99 102 201

HSL 238.24, 0.49%, 0.59%

LAB 47.46, 26.03, -52.1

 

CMYK 62 / 61 / 0 / 15

HEX #5256DA

RGB 82 86 218

HSL 238.24, 0.65%, 0.59%

LAB 43.52, 38.14, -68.25

 

CMYK 72 / 70 / 0 / 8

HEX #4146EB

RGB 65 70 235

HSL 238.24, 0.81%, 0.59%

LAB 40.41, 51.05, -83.05

 

CMYK 81 / 79 / 0 / 1

HEX #3036FC

RGB 48 54 252

HSL 238.24, 0.97%, 0.59%

LAB 38.37, 63.59, -96.04

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 21 / 21 / 0 / 34

HEX #8485A8

RGB 132 133 168

HSL 238.33, 0.17%, 0.59%

LAB 56.59, 7.34, -18.63

 

CMYK 1 / 1 / 0 / 41

HEX #959597

RGB 149 149 151

HSL 240, 0.01%, 0.59%

LAB 61.76, 0.39, -1.06

 

CMYK 0 / 1 / 19 / 35

HEX #A6A586

RGB 166 165 134

HSL 58.13, 0.15%, 0.59%

LAB 67.08, -4.97, 16.24

 

CMYK 0 / 1 / 36 / 28

HEX #B7B575

RGB 183 181 117

HSL 58.18, 0.31%, 0.59%

LAB 72.49, -9.06, 32.9

 

CMYK 38 / 16 / 0 / 28

HEX #739BB8

RGB 115 155 184

HSL 205.22, 0.33%, 0.59%

LAB 62.12, -6.27, -19.39

 

CMYK 38 / 26 / 0 / 28

HEX #7388B8

RGB 115 136 184

HSL 221.74, 0.33%, 0.59%

LAB 56.8, 4.55, -27.57

 

CMYK 38 / 36 / 0 / 28

HEX #7376B8

RGB 115 118 184

HSL 237.39, 0.33%, 0.59%

LAB 51.91, 15.22, -35.19

 

CMYK 28 / 38 / 0 / 28

HEX #8473B8

RGB 132 115 184

HSL 254.78, 0.33%, 0.59%

LAB 52.54, 21.9, -34.09

 

CMYK 18 / 38 / 0 / 28

HEX #9673B8

RGB 150 115 184

HSL 270.43, 0.33%, 0.59%

LAB 54.25, 27.36, -31.3

 

CMYK 50 / 48 / 0 / 43

HEX #494B91

RGB 73 75 145

HSL 238.33, 0.33%, 0.43%

LAB 34.99, 19.17, -39.09

 

CMYK 49 / 47 / 0 / 33

HEX #585AAB

RGB 88 90 171

HSL 238.55, 0.33%, 0.51%

LAB 41.73, 21.55, -43.84

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 28 / 27 / 0 / 22

HEX #8F90C6

RGB 143 144 198

HSL 238.91, 0.33%, 0.67%

LAB 61.54, 11.78, -28

 

CMYK 20 / 19 / 0 / 17

HEX #AAACD4

RGB 170 172 212

HSL 237.14, 0.33%, 0.75%

LAB 71.42, 7.65, -20.45

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 0 / 38 / 6 / 28

HEX #B873AD

RGB 184 115 173

HSL 309.57, 0.33%, 0.59%

LAB 57.53, 36.04, -19.6

 

CMYK 21 / 0 / 38 / 28

HEX #91B873

RGB 145 184 115

HSL 93.91, 0.33%, 0.59%

LAB 70.55, -25.55, 30.89

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 0 / 38 / 36 / 28

HEX #B87376

RGB 184 115 118

HSL 357.39, 0.33%, 0.59%

LAB 55.85, 27.57, 9.83

 

CMYK 36 / 0 / 38 / 28

HEX #76B873

RGB 118 184 115

HSL 117.39, 0.33%, 0.59%

LAB 69.02, -34.93, 28.59

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 0 / 38 / 6 / 28

HEX #B873AD

RGB 184 115 173

HSL 309.57, 0.33%, 0.59%

LAB 57.53, 36.04, -19.6

 

CMYK 0 / 1 / 38 / 28

HEX #B8B673

RGB 184 182 115

HSL 58.26, 0.33%, 0.59%

LAB 72.82, -9.42, 34.37

 

CMYK 38 / 0 / 31 / 28

HEX #73B87F

RGB 115 184 127

HSL 130.43, 0.33%, 0.59%

LAB 69.08, -33.88, 22.27

 

CMYK 38 / 36 / 0 / 28

HEX #7375B8

RGB 115 117 184

HSL 238.26, 0.33%, 0.59%

LAB 51.64, 15.82, -35.6

 

CMYK 0 / 38 / 17 / 28

HEX #B87398

RGB 184 115 152

HSL 327.83, 0.33%, 0.59%

LAB 56.8, 32.46, -8.57

 

CMYK 0 / 1 / 38 / 28

HEX #B8B673

RGB 184 182 115

HSL 58.26, 0.33%, 0.59%

LAB 72.82, -9.42, 34.37

 

CMYK 38 / 0 / 20 / 28

HEX #73B894

RGB 115 184 148

HSL 148.7, 0.33%, 0.59%

LAB 69.52, -29.85, 11.5

 

Description

Color code: HEX #7375B8 | qconv.com Color code: HEX #7375B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 117 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 117 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 36 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 36% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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