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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #737E2A it is the complementary color #8C81D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #737E2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #737E2A shade: #787E25, #899038, #9AA24B, #ABB45E and #BCC671

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #737E2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #737E2A shade: #737E2A, #626C17, #515A04, #404800 and #2F3600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #737E2A shade: #737E2A, #7E722A, #7E5B2A, #7E452A and #7E2E2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #737E2A shade: #737E2A, #5C7E2A, #457E2A, #2F7E2A and #2A7E3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #737E2A shade matches the following richer shades: #737E2A, #7D8B1C, #87990E and #91A701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #737E2A shade: #737E2A, #697037, #5F6245, #555552 and #4B4760

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #737E2A shade: #7E5B2A, #7E712A, #747E2A, #5D7E2A and #477E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #737E2A shade: #3A4015, #565F1F, #737E2A, #8F9D34 and #ABBC3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #737E2A shade: #737E2A, #2A7E44 and #662A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #737E2A shade: #737E2A, #2A747E and #7E2A74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #737E2A shade: #737E2A, #2A7E44, #332A7E and #7E2A63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #737E2A shade: #737E2A, #2A7E5D, #332A7E and #7E2A4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

Complementary color

CMYK 34 / 39 / 0 / 16

HEX #8C81D5

RGB 140 129 213

HSL 247.86, 0.5%, 0.67%

LAB 58.11, 23.52, -41.79

 

CMYK 5 / 0 / 71 / 51

HEX #787E25

RGB 120 126 37

HSL 64.04, 0.55%, 0.32%

LAB 50.74, -14.28, 45.38

 

CMYK 5 / 0 / 61 / 44

HEX #899038

RGB 137 144 56

HSL 64.77, 0.44%, 0.39%

LAB 57.61, -14.99, 44.69

 

CMYK 5 / 0 / 54 / 36

HEX #9AA24B

RGB 154 162 75

HSL 65.52, 0.37%, 0.46%

LAB 64.34, -15.52, 43.65

 

CMYK 5 / 0 / 48 / 29

HEX #ABB45E

RGB 171 180 94

HSL 66.28, 0.36%, 0.54%

LAB 70.95, -15.92, 42.5

 

CMYK 5 / 0 / 43 / 22

HEX #BCC671

RGB 188 198 113

HSL 67.06, 0.43%, 0.61%

LAB 77.44, -16.24, 41.31

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 9 / 0 / 79 / 58

HEX #626C17

RGB 98 108 23

HSL 67.06, 0.65%, 0.26%

LAB 43.34, -15.43, 43.01

 

CMYK 10 / 0 / 96 / 65

HEX #515A04

RGB 81 90 4

HSL 66.28, 0.91%, 0.18%

LAB 36.12, -14.36, 41.99

 

CMYK 11 / 0 / 100 / 72

HEX #404800

RGB 64 72 0

HSL 66.67, 1%, 0.14%

LAB 28.71, -12.74, 37.03

 

CMYK 13 / 0 / 100 / 79

HEX #2F3600

RGB 47 54 0

HSL 67.78, 1%, 0.11%

LAB 20.99, -10.91, 29.12

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 0 / 10 / 67 / 51

HEX #7E722A

RGB 126 114 42

HSL 51.43, 0.5%, 0.33%

LAB 47.8, -4.56, 40.3

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 0 / 63 / 67 / 51

HEX #7E2E2A

RGB 126 46 42

HSL 2.86, 0.5%, 0.33%

LAB 30.78, 34.42, 20.72

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 27 / 0 / 67 / 51

HEX #5C7E2A

RGB 92 126 42

HSL 84.29, 0.5%, 0.33%

LAB 48.72, -26.09, 40.47

 

CMYK 45 / 0 / 67 / 51

HEX #457E2A

RGB 69 126 42

HSL 100.71, 0.5%, 0.33%

LAB 47.44, -34.8, 38.71

 

CMYK 63 / 0 / 67 / 51

HEX #2F7E2A

RGB 47 126 42

HSL 116.43, 0.5%, 0.33%

LAB 46.57, -41.37, 37.51

 

CMYK 67 / 0 / 53 / 51

HEX #2A7E3B

RGB 42 126 59

HSL 132.14, 0.5%, 0.33%

LAB 46.62, -40.29, 29.05

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 10 / 0 / 80 / 45

HEX #7D8B1C

RGB 125 139 28

HSL 67.57, 0.66%, 0.33%

LAB 54.98, -19.34, 52.84

 

CMYK 12 / 0 / 91 / 40

HEX #87990E

RGB 135 153 14

HSL 67.77, 0.83%, 0.33%

LAB 59.86, -22.5, 60.72

 

CMYK 13 / 0 / 99 / 35

HEX #91A701

RGB 145 167 1

HSL 67.95, 0.99%, 0.33%

LAB 64.69, -25.32, 66.65

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 6 / 0 / 51 / 56

HEX #697037

RGB 105 112 55

HSL 67.37, 0.34%, 0.33%

LAB 45.45, -11.91, 30.55

 

CMYK 3 / 0 / 30 / 62

HEX #5F6245

RGB 95 98 69

HSL 66.21, 0.17%, 0.33%

LAB 40.57, -6.53, 16.16

 

CMYK 0 / 0 / 4 / 67

HEX #555552

RGB 85 85 82

HSL 60, 0.02%, 0.33%

LAB 36.06, -0.63, 1.74

 

CMYK 22 / 26 / 0 / 62

HEX #4B4760

RGB 75 71 96

HSL 249.6, 0.15%, 0.33%

LAB 31.46, 7.66, -14.08

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 10 / 67 / 51

HEX #7E712A

RGB 126 113 42

HSL 50.71, 0.5%, 0.33%

LAB 47.51, -3.99, 39.99

 

CMYK 8 / 0 / 67 / 51

HEX #747E2A

RGB 116 126 42

HSL 67.14, 0.5%, 0.33%

LAB 50.45, -15.75, 42.84

 

CMYK 26 / 0 / 67 / 51

HEX #5D7E2A

RGB 93 126 42

HSL 83.57, 0.5%, 0.33%

LAB 48.78, -25.68, 40.56

 

CMYK 44 / 0 / 67 / 51

HEX #477E2A

RGB 71 126 42

HSL 99.29, 0.5%, 0.33%

LAB 47.53, -34.1, 38.84

 

CMYK 9 / 0 / 67 / 75

HEX #3A4015

RGB 58 64 21

HSL 68.37, 0.51%, 0.17%

LAB 25.62, -9.75, 24.85

 

CMYK 9 / 0 / 67 / 63

HEX #565F1F

RGB 86 95 31

HSL 68.44, 0.51%, 0.25%

LAB 38.31, -13.36, 34.28

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 9 / 0 / 67 / 38

HEX #8F9D34

RGB 143 157 52

HSL 68, 0.5%, 0.41%

LAB 61.83, -19.42, 51.08

 

CMYK 9 / 0 / 67 / 26

HEX #ABBC3E

RGB 171 188 62

HSL 68.1, 0.5%, 0.49%

LAB 72.87, -22.5, 59.08

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 67 / 0 / 46 / 51

HEX #2A7E44

RGB 42 126 68

HSL 138.57, 0.5%, 0.33%

LAB 46.75, -38.78, 24.34

 

CMYK 19 / 67 / 0 / 51

HEX #662A7E

RGB 102 42 126

HSL 282.86, 0.5%, 0.33%

LAB 29.38, 41.02, -36.13

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 67 / 8 / 0 / 51

HEX #2A747E

RGB 42 116 126

HSL 187.14, 0.5%, 0.33%

LAB 44.93, -19.2, -12.24

 

CMYK 0 / 67 / 8 / 51

HEX #7E2A74

RGB 126 42 116

HSL 307.14, 0.5%, 0.33%

LAB 32.6, 45.37, -24.49

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 67 / 0 / 46 / 51

HEX #2A7E44

RGB 42 126 68

HSL 138.57, 0.5%, 0.33%

LAB 46.75, -38.78, 24.34

 

CMYK 60 / 67 / 0 / 51

HEX #332A7E

RGB 51 42 126

HSL 246.43, 0.5%, 0.33%

LAB 23.22, 29.56, -46.39

 

CMYK 0 / 67 / 21 / 51

HEX #7E2A63

RGB 126 42 99

HSL 319.29, 0.5%, 0.33%

LAB 31.79, 42.62, -14.91

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 67 / 0 / 26 / 51

HEX #2A7E5D

RGB 42 126 93

HSL 156.43, 0.5%, 0.33%

LAB 47.24, -33.51, 10.72

 

CMYK 60 / 67 / 0 / 51

HEX #332A7E

RGB 51 42 126

HSL 246.43, 0.5%, 0.33%

LAB 23.22, 29.56, -46.39

 

CMYK 0 / 67 / 41 / 51

HEX #7E2A4A

RGB 126 42 74

HSL 337.14, 0.5%, 0.33%

LAB 30.85, 39.27, -0.06

 

Description

Color code: HEX #737E2A | qconv.com Color code: HEX #737E2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 126 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 126 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 67 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 67% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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