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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7381A6 it is the complementary color #8C7E59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7381A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7381A6 shade: #7881A1, #8993B4, #9AA5C7, #ABB7DA and #BCC9ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7381A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7381A6 shade: #7381A6, #626F93, #515D80, #404B6D and #2F395A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7381A6 shade: #7380A5, #7373A5, #8073A5, #8D73A5 and #9B73A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7381A6 shade: #7380A5, #7373A5 and #7373A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7381A6 shade matches the following richer shades: #7380A5, #6078B8, #4D70CA, #3B67DD and #285FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7381A6 shade: #7380A5, #858992, #989180, #AA996D and #BDA25B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7381A6 shade: #739CA5, #738EA5, #7381A5, #7373A5 and #7F73A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7381A6 shade: #4D5978, #5D6B91, #7380A5, #8C97B5 and #A5AEC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7381A6 shade: #7381A6, #A173A5 and #95A573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7381A6 shade: #7381A6, #A57381 and #81A573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7381A6 shade: #7381A6, #A173A5, #A59773 and #77A573

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7381A6 shade: #7381A6, #A5739A, #A59773 and #73A57D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 22 / 0 / 35

HEX #7381A6

RGB 115 129 166

HSL 223.53, 0.22%, 0.55%

LAB 54.13, 3.79, -21.35

 

Complementary color

CMYK 0 / 10 / 36 / 45

HEX #8C7E59

RGB 140 126 89

HSL 43.53, 0.22%, 0.45%

LAB 53.19, -0.44, 22.12

 

CMYK 25 / 20 / 0 / 37

HEX #7881A1

RGB 120 129 161

HSL 226.83, 0.18%, 0.55%

LAB 54.31, 4.07, -18.16

 

CMYK 24 / 18 / 0 / 29

HEX #8993B4

RGB 137 147 180

HSL 226.05, 0.22%, 0.62%

LAB 61.2, 3.79, -18.41

 

CMYK 23 / 17 / 0 / 22

HEX #9AA5C7

RGB 154 165 199

HSL 225.33, 0.29%, 0.69%

LAB 67.95, 3.53, -18.67

 

CMYK 22 / 16 / 0 / 15

HEX #ABB7DA

RGB 171 183 218

HSL 224.68, 0.39%, 0.76%

LAB 74.56, 3.29, -18.96

 

CMYK 21 / 15 / 0 / 7

HEX #BCC9ED

RGB 188 201 237

HSL 224.08, 0.58%, 0.83%

LAB 81.06, 3.07, -19.25

 

CMYK 31 / 22 / 0 / 35

HEX #7381A6

RGB 115 129 166

HSL 223.53, 0.22%, 0.55%

LAB 54.13, 3.79, -21.35

 

CMYK 33 / 24 / 0 / 42

HEX #626F93

RGB 98 111 147

HSL 224.08, 0.2%, 0.48%

LAB 47.07, 4.16, -21.2

 

CMYK 37 / 27 / 0 / 50

HEX #515D80

RGB 81 93 128

HSL 224.68, 0.22%, 0.41%

LAB 39.81, 4.6, -21.1

 

CMYK 41 / 31 / 0 / 57

HEX #404B6D

RGB 64 75 109

HSL 225.33, 0.26%, 0.34%

LAB 32.32, 5.15, -21.06

 

CMYK 48 / 37 / 0 / 65

HEX #2F395A

RGB 47 57 90

HSL 226.05, 0.31%, 0.27%

LAB 24.54, 5.88, -21.11

 

CMYK 30 / 22 / 0 / 35

HEX #7380A5

RGB 115 128 165

HSL 224.4, 0.22%, 0.55%

LAB 53.81, 4.11, -21.26

 

CMYK 30 / 30 / 0 / 35

HEX #7373A5

RGB 115 115 165

HSL 240, 0.22%, 0.55%

LAB 50.24, 11.83, -26.77

 

CMYK 22 / 30 / 0 / 35

HEX #8073A5

RGB 128 115 165

HSL 255.6, 0.22%, 0.55%

LAB 51.34, 15.9, -24.98

 

CMYK 15 / 30 / 0 / 35

HEX #8D73A5

RGB 141 115 165

HSL 271.2, 0.22%, 0.55%

LAB 52.55, 20.13, -23.01

 

CMYK 6 / 30 / 0 / 35

HEX #9B73A5

RGB 155 115 165

HSL 288, 0.22%, 0.55%

LAB 53.97, 24.8, -20.71

 

CMYK 30 / 22 / 0 / 35

HEX #7380A5

RGB 115 128 165

HSL 224.4, 0.22%, 0.55%

LAB 53.81, 4.11, -21.26

 

CMYK 30 / 30 / 0 / 35

HEX #7373A5

RGB 115 115 165

HSL 240, 0.22%, 0.55%

LAB 50.24, 11.83, -26.77

 

CMYK 30 / 30 / 0 / 35

HEX #7373A5

RGB 115 115 165

HSL 240, 0.22%, 0.55%

LAB 50.24, 11.83, -26.77

 

CMYK 30 / 22 / 0 / 35

HEX #7380A5

RGB 115 128 165

HSL 224.4, 0.22%, 0.55%

LAB 53.81, 4.11, -21.26

 

CMYK 48 / 35 / 0 / 28

HEX #6078B8

RGB 96 120 184

HSL 223.64, 0.38%, 0.55%

LAB 51.13, 8.99, -36.5

 

CMYK 62 / 45 / 0 / 21

HEX #4D70CA

RGB 77 112 202

HSL 223.2, 0.54%, 0.55%

LAB 48.8, 15.67, -50.6

 

CMYK 73 / 53 / 0 / 13

HEX #3B67DD

RGB 59 103 221

HSL 223.7, 0.7%, 0.55%

LAB 46.78, 25.33, -64.73

 

CMYK 83 / 60 / 0 / 6

HEX #285FEF

RGB 40 95 239

HSL 223.42, 0.86%, 0.55%

LAB 45.45, 35.2, -77.08

 

CMYK 30 / 22 / 0 / 35

HEX #7380A5

RGB 115 128 165

HSL 224.4, 0.22%, 0.55%

LAB 53.81, 4.11, -21.26

 

CMYK 9 / 6 / 0 / 43

HEX #858992

RGB 133 137 146

HSL 221.54, 0.06%, 0.55%

LAB 57.03, 0.4, -5.31

 

CMYK 0 / 5 / 16 / 40

HEX #989180

RGB 152 145 128

HSL 42.5, 0.1%, 0.55%

LAB 60.32, -0.42, 9.95

 

CMYK 0 / 10 / 36 / 33

HEX #AA996D

RGB 170 153 109

HSL 43.28, 0.26%, 0.55%

LAB 63.7, -0.36, 25.44

 

CMYK 0 / 14 / 52 / 26

HEX #BDA25B

RGB 189 162 91

HSL 43.47, 0.43%, 0.55%

LAB 67.59, 0.79, 40.29

 

CMYK 30 / 5 / 0 / 35

HEX #739CA5

RGB 115 156 165

HSL 190.8, 0.22%, 0.55%

LAB 61.77, -11.7, -9.22

 

CMYK 30 / 14 / 0 / 35

HEX #738EA5

RGB 115 142 165

HSL 207.6, 0.22%, 0.55%

LAB 57.76, -3.95, -15.25

 

CMYK 30 / 22 / 0 / 35

HEX #7381A5

RGB 115 129 165

HSL 223.2, 0.22%, 0.55%

LAB 54.09, 3.53, -20.84

 

CMYK 30 / 30 / 0 / 35

HEX #7373A5

RGB 115 115 165

HSL 240, 0.22%, 0.55%

LAB 50.24, 11.83, -26.77

 

CMYK 23 / 30 / 0 / 35

HEX #7F73A5

RGB 127 115 165

HSL 254.4, 0.22%, 0.55%

LAB 51.26, 15.58, -25.12

 

CMYK 36 / 26 / 0 / 53

HEX #4D5978

RGB 77 89 120

HSL 223.26, 0.22%, 0.39%

LAB 37.98, 3.54, -19.05

 

CMYK 36 / 26 / 0 / 43

HEX #5D6B91

RGB 93 107 145

HSL 223.85, 0.22%, 0.47%

LAB 45.48, 4.5, -22.5

 

CMYK 30 / 22 / 0 / 35

HEX #7380A5

RGB 115 128 165

HSL 224.4, 0.22%, 0.55%

LAB 53.81, 4.11, -21.26

 

CMYK 23 / 17 / 0 / 29

HEX #8C97B5

RGB 140 151 181

HSL 223.9, 0.22%, 0.63%

LAB 62.55, 2.71, -16.91

 

CMYK 16 / 12 / 0 / 23

HEX #A5AEC5

RGB 165 174 197

HSL 223.13, 0.22%, 0.71%

LAB 71.08, 1.62, -12.77

 

CMYK 31 / 22 / 0 / 35

HEX #7381A6

RGB 115 129 166

HSL 223.53, 0.22%, 0.55%

LAB 54.13, 3.79, -21.35

 

CMYK 2 / 30 / 0 / 35

HEX #A173A5

RGB 161 115 165

HSL 295.2, 0.22%, 0.55%

LAB 54.61, 26.82, -19.68

 

CMYK 10 / 0 / 30 / 35

HEX #95A573

RGB 149 165 115

HSL 79.2, 0.22%, 0.55%

LAB 65.39, -14.42, 24.11

 

CMYK 31 / 22 / 0 / 35

HEX #7381A6

RGB 115 129 166

HSL 223.53, 0.22%, 0.55%

LAB 54.13, 3.79, -21.35

 

CMYK 0 / 30 / 22 / 35

HEX #A57381

RGB 165 115 129

HSL 343.2, 0.22%, 0.55%

LAB 53.86, 21.81, 0.25

 

CMYK 22 / 0 / 30 / 35

HEX #81A573

RGB 129 165 115

HSL 103.2, 0.22%, 0.55%

LAB 64.01, -21.96, 22.02

 

CMYK 31 / 22 / 0 / 35

HEX #7381A6

RGB 115 129 166

HSL 223.53, 0.22%, 0.55%

LAB 54.13, 3.79, -21.35

 

CMYK 2 / 30 / 0 / 35

HEX #A173A5

RGB 161 115 165

HSL 295.2, 0.22%, 0.55%

LAB 54.61, 26.82, -19.68

 

CMYK 0 / 8 / 30 / 35

HEX #A59773

RGB 165 151 115

HSL 43.2, 0.22%, 0.55%

LAB 62.82, -0.53, 20.87

 

CMYK 28 / 0 / 30 / 35

HEX #77A573

RGB 119 165 115

HSL 115.2, 0.22%, 0.55%

LAB 63.4, -25.53, 21.09

 

CMYK 31 / 22 / 0 / 35

HEX #7381A6

RGB 115 129 166

HSL 223.53, 0.22%, 0.55%

LAB 54.13, 3.79, -21.35

 

CMYK 0 / 30 / 7 / 35

HEX #A5739A

RGB 165 115 154

HSL 313.2, 0.22%, 0.55%

LAB 54.65, 26.09, -13.18

 

CMYK 0 / 8 / 30 / 35

HEX #A59773

RGB 165 151 115

HSL 43.2, 0.22%, 0.55%

LAB 62.82, -0.53, 20.87

 

CMYK 30 / 0 / 24 / 35

HEX #73A57D

RGB 115 165 125

HSL 132, 0.22%, 0.55%

LAB 63.37, -25.1, 15.52

 

Description

Color code: HEX #7381A6 | qconv.com Color code: HEX #7381A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 129 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 129 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 22 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 22% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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