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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #738227 it is the complementary color #8C7DD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #738227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #738227 shade: #788222, #899435, #9AA648, #ABB85B and #BCCA6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #738227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #738227 shade: #738227, #627014, #515E01, #404C00 and #2F3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #738227 shade: #728126, #817826, #815F26, #814726 and #812E26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #738227 shade: #728126, #5A8126, #418126, #298126 and #26813C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #738227 shade matches the following richer shades: #728126, #7B8F19 and #849C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #738227 shade: #728126, #697334, #606641, #57584F and #4E4B5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #738227 shade: #815E26, #817626, #738126, #5B8126 and #438126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #738227 shade: #3A4213, #56611D, #728126, #8EA130 and #AAC139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #738227 shade: #738227, #268146 and #6A2681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #738227 shade: #738227, #267381 and #812673

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #738227 shade: #738227, #268146, #342681 and #812661

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #738227 shade: #738227, #268161, #342681 and #812646

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 70 / 49

HEX #738227

RGB 115 130 39

HSL 69.89, 0.54%, 0.33%

LAB 51.56, -18.52, 45.25

 

Complementary color

CMYK 35 / 42 / 0 / 15

HEX #8C7DD8

RGB 140 125 216

HSL 249.89, 0.54%, 0.67%

LAB 57.27, 26.66, -44.81

 

CMYK 8 / 0 / 74 / 49

HEX #788222

RGB 120 130 34

HSL 66.25, 0.59%, 0.32%

LAB 51.92, -16.59, 47.73

 

CMYK 7 / 0 / 64 / 42

HEX #899435

RGB 137 148 53

HSL 66.95, 0.47%, 0.39%

LAB 58.75, -17.3, 47.27

 

CMYK 7 / 0 / 57 / 35

HEX #9AA648

RGB 154 166 72

HSL 67.66, 0.39%, 0.47%

LAB 65.44, -17.84, 46.35

 

CMYK 7 / 0 / 51 / 28

HEX #ABB85B

RGB 171 184 91

HSL 68.39, 0.4%, 0.54%

LAB 72.02, -18.24, 45.26

 

CMYK 7 / 0 / 46 / 21

HEX #BCCA6E

RGB 188 202 110

HSL 69.13, 0.46%, 0.61%

LAB 78.5, -18.55, 44.1

 

CMYK 12 / 0 / 70 / 49

HEX #738227

RGB 115 130 39

HSL 69.89, 0.54%, 0.33%

LAB 51.56, -18.52, 45.25

 

CMYK 13 / 0 / 82 / 56

HEX #627014

RGB 98 112 20

HSL 69.13, 0.7%, 0.26%

LAB 44.57, -17.72, 45.17

 

CMYK 14 / 0 / 99 / 63

HEX #515E01

RGB 81 94 1

HSL 68.39, 0.98%, 0.19%

LAB 37.4, -16.67, 43.9

 

CMYK 16 / 0 / 100 / 70

HEX #404C00

RGB 64 76 0

HSL 69.47, 1%, 0.15%

LAB 30.06, -15.01, 38.08

 

CMYK 19 / 0 / 100 / 77

HEX #2F3A00

RGB 47 58 0

HSL 71.38, 1%, 0.11%

LAB 22.41, -13.28, 30.64

 

CMYK 12 / 0 / 71 / 49

HEX #728126

RGB 114 129 38

HSL 69.89, 0.54%, 0.33%

LAB 51.17, -18.5, 45.24

 

CMYK 0 / 7 / 71 / 49

HEX #817826

RGB 129 120 38

HSL 54.07, 0.54%, 0.33%

LAB 49.79, -6.8, 44.25

 

CMYK 0 / 26 / 71 / 49

HEX #815F26

RGB 129 95 38

HSL 37.58, 0.54%, 0.33%

LAB 42.75, 7.61, 36.92

 

CMYK 0 / 45 / 71 / 49

HEX #814726

RGB 129 71 38

HSL 21.76, 0.54%, 0.33%

LAB 36.58, 21.77, 30.14

 

CMYK 0 / 64 / 71 / 49

HEX #812E26

RGB 129 46 38

HSL 5.27, 0.54%, 0.33%

LAB 31.26, 35.3, 23.95

 

CMYK 12 / 0 / 71 / 49

HEX #728126

RGB 114 129 38

HSL 69.89, 0.54%, 0.33%

LAB 51.17, -18.5, 45.24

 

CMYK 30 / 0 / 71 / 49

HEX #5A8126

RGB 90 129 38

HSL 85.71, 0.54%, 0.33%

LAB 49.51, -28.68, 43.01

 

CMYK 50 / 0 / 71 / 49

HEX #418126

RGB 65 129 38

HSL 102.2, 0.54%, 0.33%

LAB 48.21, -37.79, 41.26

 

CMYK 68 / 0 / 71 / 49

HEX #298126

RGB 41 129 38

HSL 118.02, 0.54%, 0.33%

LAB 47.38, -44.33, 40.12

 

CMYK 71 / 0 / 53 / 49

HEX #26813C

RGB 38 129 60

HSL 134.51, 0.54%, 0.33%

LAB 47.55, -42.14, 29.63

 

CMYK 12 / 0 / 71 / 49

HEX #728126

RGB 114 129 38

HSL 69.89, 0.54%, 0.33%

LAB 51.17, -18.5, 45.24

 

CMYK 14 / 0 / 83 / 44

HEX #7B8F19

RGB 123 143 25

HSL 70.17, 0.7%, 0.33%

LAB 56.01, -22.39, 54.6

 

CMYK 15 / 0 / 93 / 39

HEX #849C0B

RGB 132 156 11

HSL 69.93, 0.87%, 0.33%

LAB 60.52, -25.35, 61.65

 

CMYK 12 / 0 / 71 / 49

HEX #728126

RGB 114 129 38

HSL 69.89, 0.54%, 0.33%

LAB 51.17, -18.5, 45.24

 

CMYK 9 / 0 / 55 / 55

HEX #697334

RGB 105 115 52

HSL 69.52, 0.38%, 0.33%

LAB 46.33, -13.87, 33.17

 

CMYK 6 / 0 / 36 / 60

HEX #606641

RGB 96 102 65

HSL 69.73, 0.22%, 0.33%

LAB 41.8, -9, 20.17

 

CMYK 1 / 0 / 10 / 65

HEX #57584F

RGB 87 88 79

HSL 66.67, 0.05%, 0.33%

LAB 37.06, -2.24, 5.08

 

CMYK 16 / 19 / 0 / 64

HEX #4E4B5D

RGB 78 75 93

HSL 250, 0.11%, 0.33%

LAB 32.79, 5.41, -10.11

 

CMYK 0 / 27 / 71 / 49

HEX #815E26

RGB 129 94 38

HSL 36.92, 0.54%, 0.33%

LAB 42.48, 8.2, 36.63

 

CMYK 0 / 9 / 71 / 49

HEX #817626

RGB 129 118 38

HSL 52.75, 0.54%, 0.33%

LAB 49.21, -5.68, 43.66

 

CMYK 11 / 0 / 71 / 49

HEX #738126

RGB 115 129 38

HSL 69.23, 0.54%, 0.33%

LAB 51.25, -18.06, 45.35

 

CMYK 29 / 0 / 71 / 49

HEX #5B8126

RGB 91 129 38

HSL 85.05, 0.54%, 0.33%

LAB 49.57, -28.28, 43.1

 

CMYK 48 / 0 / 71 / 49

HEX #438126

RGB 67 129 38

HSL 100.88, 0.54%, 0.33%

LAB 48.3, -37.14, 41.37

 

CMYK 12 / 0 / 71 / 74

HEX #3A4213

RGB 58 66 19

HSL 70.21, 0.55%, 0.17%

LAB 26.28, -11.12, 26.61

 

CMYK 11 / 0 / 70 / 62

HEX #56611D

RGB 86 97 29

HSL 69.71, 0.54%, 0.25%

LAB 38.93, -14.62, 35.86

 

CMYK 12 / 0 / 71 / 49

HEX #728126

RGB 114 129 38

HSL 69.89, 0.54%, 0.33%

LAB 51.17, -18.5, 45.24

 

CMYK 12 / 0 / 70 / 37

HEX #8EA130

RGB 142 161 48

HSL 70.09, 0.54%, 0.41%

LAB 62.89, -22.12, 53.74

 

CMYK 12 / 0 / 70 / 24

HEX #AAC139

RGB 170 193 57

HSL 70.15, 0.54%, 0.49%

LAB 74.18, -25.65, 62.27

 

CMYK 12 / 0 / 70 / 49

HEX #738227

RGB 115 130 39

HSL 69.89, 0.54%, 0.33%

LAB 51.56, -18.52, 45.25

 

CMYK 71 / 0 / 46 / 49

HEX #268146

RGB 38 129 70

HSL 141.1, 0.54%, 0.33%

LAB 47.69, -40.44, 24.42

 

CMYK 18 / 71 / 0 / 49

HEX #6A2681

RGB 106 38 129

HSL 284.84, 0.54%, 0.33%

LAB 29.5, 44.54, -37.79

 

CMYK 12 / 0 / 70 / 49

HEX #738227

RGB 115 130 39

HSL 69.89, 0.54%, 0.33%

LAB 51.56, -18.52, 45.25

 

CMYK 71 / 11 / 0 / 49

HEX #267381

RGB 38 115 129

HSL 189.23, 0.54%, 0.33%

LAB 44.6, -18.35, -14.53

 

CMYK 0 / 71 / 11 / 49

HEX #812673

RGB 129 38 115

HSL 309.23, 0.54%, 0.33%

LAB 32.46, 47.68, -24.04

 

CMYK 12 / 0 / 70 / 49

HEX #738227

RGB 115 130 39

HSL 69.89, 0.54%, 0.33%

LAB 51.56, -18.52, 45.25

 

CMYK 71 / 0 / 46 / 49

HEX #268146

RGB 38 129 70

HSL 141.1, 0.54%, 0.33%

LAB 47.69, -40.44, 24.42

 

CMYK 60 / 71 / 0 / 49

HEX #342681

RGB 52 38 129

HSL 249.23, 0.54%, 0.33%

LAB 22.66, 33.25, -49.2

 

CMYK 0 / 71 / 25 / 49

HEX #812661

RGB 129 38 97

HSL 321.1, 0.54%, 0.33%

LAB 31.62, 44.92, -13.84

 

CMYK 12 / 0 / 70 / 49

HEX #738227

RGB 115 130 39

HSL 69.89, 0.54%, 0.33%

LAB 51.56, -18.52, 45.25

 

CMYK 71 / 0 / 25 / 49

HEX #268161

RGB 38 129 97

HSL 158.9, 0.54%, 0.33%

LAB 48.23, -34.62, 9.76

 

CMYK 60 / 71 / 0 / 49

HEX #342681

RGB 52 38 129

HSL 249.23, 0.54%, 0.33%

LAB 22.66, 33.25, -49.2

 

CMYK 0 / 71 / 46 / 49

HEX #812646

RGB 129 38 70

HSL 338.9, 0.54%, 0.33%

LAB 30.63, 41.57, 2.33

 

Description

Color code: HEX #738227 | qconv.com Color code: HEX #738227 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 130 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 130 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 70 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 70% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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