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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #738AA5 it is the complementary color #8C755A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #738AA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #738AA5 shade: #788AA0, #899CB3, #9AAEC6, #ABC0D9 and #BCD2EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #738AA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #738AA5 shade: #738AA5, #627892, #51667F, #40546C and #2F4259

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #738AA5 shade: #738AA5, #737CA5, #7773A5, #8473A5 and #9273A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #738AA5 shade: #738AA5, #737CA5 and #7373A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #738AA5 shade matches the following richer shades: #738AA5, #6088B8, #4D87CA, #3B85DD and #2884EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #738AA5 shade: #738AA5, #858B92, #988D80, #AA8E6D and #BD905B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #738AA5 shade: #73A5A5, #7398A5, #738AA5, #737DA5 and #7673A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #738AA5 shade: #4D6178, #5D7591, #738AA5, #8C9FB5 and #A5B4C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #738AA5 shade: #738AA5, #9873A5 and #9EA573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #738AA5 shade: #738AA5, #A5738A and #8AA573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #738AA5 shade: #738AA5, #9873A5, #A58D73 and #80A573

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #738AA5 shade: #738AA5, #A573A3, #A58D73 and #73A574

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

Complementary color

CMYK 0 / 16 / 36 / 45

HEX #8C755A

RGB 140 117 90

HSL 32.4, 0.22%, 0.45%

LAB 50.73, 4.84, 18.25

 

CMYK 25 / 14 / 0 / 37

HEX #788AA0

RGB 120 138 160

HSL 213, 0.17%, 0.55%

LAB 56.79, -1.36, -13.82

 

CMYK 23 / 13 / 0 / 30

HEX #899CB3

RGB 137 156 179

HSL 212.86, 0.22%, 0.62%

LAB 63.63, -1.52, -14.17

 

CMYK 22 / 12 / 0 / 22

HEX #9AAEC6

RGB 154 174 198

HSL 212.73, 0.28%, 0.69%

LAB 70.33, -1.66, -14.53

 

CMYK 21 / 12 / 0 / 15

HEX #ABC0D9

RGB 171 192 217

HSL 212.61, 0.38%, 0.76%

LAB 76.9, -1.8, -14.89

 

CMYK 20 / 11 / 0 / 7

HEX #BCD2EC

RGB 188 210 236

HSL 212.5, 0.56%, 0.83%

LAB 83.36, -1.93, -15.26

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 33 / 18 / 0 / 43

HEX #627892

RGB 98 120 146

HSL 212.5, 0.2%, 0.48%

LAB 49.62, -1.47, -16.7

 

CMYK 36 / 20 / 0 / 50

HEX #51667F

RGB 81 102 127

HSL 212.61, 0.22%, 0.41%

LAB 42.44, -1.22, -16.46

 

CMYK 41 / 22 / 0 / 58

HEX #40546C

RGB 64 84 108

HSL 212.73, 0.26%, 0.34%

LAB 35.03, -0.91, -16.24

 

CMYK 47 / 26 / 0 / 65

HEX #2F4259

RGB 47 66 89

HSL 212.86, 0.31%, 0.27%

LAB 27.36, -0.5, -16.08

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 30 / 25 / 0 / 35

HEX #737CA5

RGB 115 124 165

HSL 229.2, 0.22%, 0.55%

LAB 52.7, 6.46, -22.97

 

CMYK 28 / 30 / 0 / 35

HEX #7773A5

RGB 119 115 165

HSL 244.8, 0.22%, 0.55%

LAB 50.57, 13.06, -26.24

 

CMYK 20 / 30 / 0 / 35

HEX #8473A5

RGB 132 115 165

HSL 260.4, 0.22%, 0.55%

LAB 51.71, 17.19, -24.39

 

CMYK 12 / 30 / 0 / 35

HEX #9273A5

RGB 146 115 165

HSL 277.2, 0.22%, 0.55%

LAB 53.05, 21.79, -22.21

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 30 / 25 / 0 / 35

HEX #737CA5

RGB 115 124 165

HSL 229.2, 0.22%, 0.55%

LAB 52.7, 6.46, -22.97

 

CMYK 30 / 30 / 0 / 35

HEX #7373A5

RGB 115 115 165

HSL 240, 0.22%, 0.55%

LAB 50.24, 11.83, -26.77

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 48 / 26 / 0 / 28

HEX #6088B8

RGB 96 136 184

HSL 212.73, 0.38%, 0.55%

LAB 55.64, -0.5, -29.45

 

CMYK 62 / 33 / 0 / 21

HEX #4D87CA

RGB 77 135 202

HSL 212.16, 0.54%, 0.55%

LAB 55.25, 1.68, -40.37

 

CMYK 73 / 40 / 0 / 13

HEX #3B85DD

RGB 59 133 221

HSL 212.59, 0.7%, 0.55%

LAB 55, 6.65, -51.52

 

CMYK 83 / 45 / 0 / 6

HEX #2884EF

RGB 40 132 239

HSL 212.26, 0.86%, 0.55%

LAB 55.26, 11.93, -61.17

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 9 / 5 / 0 / 43

HEX #858B92

RGB 133 139 146

HSL 212.31, 0.06%, 0.55%

LAB 57.59, -0.74, -4.49

 

CMYK 0 / 7 / 16 / 40

HEX #988D80

RGB 152 141 128

HSL 32.5, 0.1%, 0.55%

LAB 59.24, 1.81, 8.41

 

CMYK 0 / 16 / 36 / 33

HEX #AA8E6D

RGB 170 142 109

HSL 32.46, 0.26%, 0.55%

LAB 60.78, 5.71, 21.53

 

CMYK 0 / 24 / 52 / 26

HEX #BD905B

RGB 189 144 91

HSL 32.45, 0.43%, 0.55%

LAB 62.94, 10.6, 34.57

 

CMYK 30 / 0 / 0 / 35

HEX #73A5A5

RGB 115 165 165

HSL 180, 0.22%, 0.55%

LAB 64.38, -16.5, -5.34

 

CMYK 30 / 8 / 0 / 35

HEX #7398A5

RGB 115 152 165

HSL 195.6, 0.22%, 0.55%

LAB 60.62, -9.52, -10.94

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 30 / 24 / 0 / 35

HEX #737DA5

RGB 115 125 165

HSL 228, 0.22%, 0.55%

LAB 52.98, 5.87, -22.54

 

CMYK 28 / 30 / 0 / 35

HEX #7673A5

RGB 118 115 165

HSL 243.6, 0.22%, 0.55%

LAB 50.49, 12.75, -26.37

 

CMYK 36 / 19 / 0 / 53

HEX #4D6178

RGB 77 97 120

HSL 212.09, 0.22%, 0.39%

LAB 40.38, -1.41, -15.37

 

CMYK 36 / 19 / 0 / 43

HEX #5D7591

RGB 93 117 145

HSL 212.31, 0.22%, 0.47%

LAB 48.38, -1.49, -18.04

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 23 / 12 / 0 / 29

HEX #8C9FB5

RGB 140 159 181

HSL 212.2, 0.22%, 0.63%

LAB 64.73, -1.76, -13.61

 

CMYK 16 / 9 / 0 / 23

HEX #A5B4C5

RGB 165 180 197

HSL 211.88, 0.22%, 0.71%

LAB 72.68, -1.64, -10.38

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 8 / 30 / 0 / 35

HEX #9873A5

RGB 152 115 165

HSL 284.4, 0.22%, 0.55%

LAB 53.66, 23.79, -21.22

 

CMYK 4 / 0 / 30 / 35

HEX #9EA573

RGB 158 165 115

HSL 68.4, 0.22%, 0.55%

LAB 66.07, -10.89, 25.15

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 0 / 30 / 16 / 35

HEX #A5738A

RGB 165 115 138

HSL 332.4, 0.22%, 0.55%

LAB 54.13, 23.27, -4.63

 

CMYK 16 / 0 / 30 / 35

HEX #8AA573

RGB 138 165 115

HSL 92.4, 0.22%, 0.55%

LAB 64.6, -18.63, 22.93

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 8 / 30 / 0 / 35

HEX #9873A5

RGB 152 115 165

HSL 284.4, 0.22%, 0.55%

LAB 53.66, 23.79, -21.22

 

CMYK 0 / 15 / 30 / 35

HEX #A58D73

RGB 165 141 115

HSL 31.2, 0.22%, 0.55%

LAB 60.15, 5.01, 17.23

 

CMYK 22 / 0 / 30 / 35

HEX #80A573

RGB 128 165 115

HSL 104.4, 0.22%, 0.55%

LAB 63.95, -22.32, 21.93

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 0 / 30 / 1 / 35

HEX #A573A3

RGB 165 115 163

HSL 302.4, 0.22%, 0.55%

LAB 54.97, 27.79, -17.92

 

CMYK 0 / 15 / 30 / 35

HEX #A58D73

RGB 165 141 115

HSL 31.2, 0.22%, 0.55%

LAB 60.15, 5.01, 17.23

 

CMYK 30 / 0 / 30 / 35

HEX #73A574

RGB 115 165 116

HSL 121.2, 0.22%, 0.55%

LAB 63.19, -26.73, 20.22

 

Description

Color code: HEX #738AA5 | qconv.com Color code: HEX #738AA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 138 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 138 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 16 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 16% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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