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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #738EEE it is the complementary color #8C7111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #738EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #738EEE shade: #788EE9, #89A0FC, #9AB2FF, #ABC4FF and #BCD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #738EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #738EEE shade: #738EEE, #627CDB, #516AC8, #4058B5 and #2F46A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #738EEE shade: #728DED, #7872ED, #9972ED, #BA72ED and #DC72ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #738EEE shade: #728DED and #7272ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #738EEE shade matches the following richer shades: #728DED and #6586FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #738EEE shade: #728DED, #7F94E0, #8B9BD4, #98A2C7 and #A5AABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #738EEE shade: #72D0ED, #72AFED, #728FED, #7672ED and #9772ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #738EEE shade: #2852E4, #4D6FE9, #728DED, #97ABF2 and #BBC8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #738EEE shade: #738EEE, #E972ED and #C0ED72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #738EEE shade: #738EEE, #ED728F and #8FED72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #738EEE shade: #738EEE, #E972ED, #EDD072 and #76ED72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #738EEE shade: #738EEE, #ED72CC, #EDD072 and #72ED93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 40 / 0 / 7

HEX #738EEE

RGB 115 142 238

HSL 226.83, 0.78%, 0.69%

LAB 60.93, 16.89, -51.4

 

Complementary color

CMYK 0 / 19 / 88 / 45

HEX #8C7111

RGB 140 113 17

HSL 46.83, 0.78%, 0.31%

LAB 48.79, 1.45, 51.26

 

CMYK 48 / 39 / 0 / 9

HEX #788EE9

RGB 120 142 233

HSL 228.32, 0.72%, 0.69%

LAB 60.98, 16.5, -48.53

 

CMYK 46 / 37 / 0 / 1

HEX #89A0FC

RGB 137 160 252

HSL 228, 0.95%, 0.76%

LAB 67.64, 15.59, -48.36

 

CMYK 40 / 30 / 0 / 0

HEX #9AB2FF

RGB 154 178 255

HSL 225.74, 1%, 0.8%

LAB 73.5, 10.44, -40.73

 

CMYK 33 / 23 / 0 / 0

HEX #ABC4FF

RGB 171 196 255

HSL 222.14, 1%, 0.84%

LAB 79.25, 5.06, -31.74

 

CMYK 26 / 16 / 0 / 0

HEX #BCD6FF

RGB 188 214 255

HSL 216.72, 1%, 0.87%

LAB 85, 0.23, -22.85

 

CMYK 52 / 40 / 0 / 7

HEX #738EEE

RGB 115 142 238

HSL 226.83, 0.78%, 0.69%

LAB 60.93, 16.89, -51.4

 

CMYK 55 / 43 / 0 / 14

HEX #627CDB

RGB 98 124 219

HSL 227.11, 0.63%, 0.62%

LAB 54.16, 18.07, -51.62

 

CMYK 60 / 47 / 0 / 22

HEX #516AC8

RGB 81 106 200

HSL 227.39, 0.52%, 0.55%

LAB 47.27, 19.49, -51.89

 

CMYK 65 / 51 / 0 / 29

HEX #4058B5

RGB 64 88 181

HSL 227.69, 0.48%, 0.48%

LAB 40.26, 21.23, -52.18

 

CMYK 71 / 57 / 0 / 36

HEX #2F46A2

RGB 47 70 162

HSL 228, 0.55%, 0.41%

LAB 33.12, 23.4, -52.48

 

CMYK 52 / 41 / 0 / 7

HEX #728DED

RGB 114 141 237

HSL 226.83, 0.77%, 0.69%

LAB 60.55, 16.96, -51.44

 

CMYK 49 / 52 / 0 / 7

HEX #7872ED

RGB 120 114 237

HSL 242.93, 0.77%, 0.69%

LAB 54.18, 34.31, -61.6

 

CMYK 35 / 52 / 0 / 7

HEX #9972ED

RGB 153 114 237

HSL 259.02, 0.77%, 0.69%

LAB 57, 41.81, -56.92

 

CMYK 22 / 52 / 0 / 7

HEX #BA72ED

RGB 186 114 237

HSL 275.12, 0.77%, 0.69%

LAB 60.42, 50.1, -51.28

 

CMYK 7 / 52 / 0 / 7

HEX #DC72ED

RGB 220 114 237

HSL 291.71, 0.77%, 0.69%

LAB 64.46, 59.03, -44.63

 

CMYK 52 / 41 / 0 / 7

HEX #728DED

RGB 114 141 237

HSL 226.83, 0.77%, 0.69%

LAB 60.55, 16.96, -51.44

 

CMYK 52 / 52 / 0 / 7

HEX #7272ED

RGB 114 114 237

HSL 240, 0.77%, 0.69%

LAB 53.74, 33.07, -62.34

 

CMYK 52 / 41 / 0 / 7

HEX #728DED

RGB 114 141 237

HSL 226.83, 0.77%, 0.69%

LAB 60.55, 16.96, -51.44

 

CMYK 60 / 46 / 0 / 2

HEX #6586FA

RGB 101 134 250

HSL 226.71, 0.94%, 0.69%

LAB 58.71, 22.68, -61.59

 

CMYK 52 / 41 / 0 / 7

HEX #728DED

RGB 114 141 237

HSL 226.83, 0.77%, 0.69%

LAB 60.55, 16.96, -51.44

 

CMYK 43 / 34 / 0 / 12

HEX #7F94E0

RGB 127 148 224

HSL 227.01, 0.61%, 0.69%

LAB 62.57, 12.04, -41

 

CMYK 34 / 27 / 0 / 17

HEX #8B9BD4

RGB 139 155 212

HSL 226.85, 0.46%, 0.69%

LAB 64.71, 7.92, -30.94

 

CMYK 24 / 19 / 0 / 22

HEX #98A2C7

RGB 152 162 199

HSL 227.23, 0.3%, 0.69%

LAB 67.01, 4.58, -20.12

 

CMYK 11 / 9 / 0 / 27

HEX #A5AABA

RGB 165 170 186

HSL 225.71, 0.13%, 0.69%

LAB 69.68, 1.46, -8.8

 

CMYK 52 / 12 / 0 / 7

HEX #72D0ED

RGB 114 208 237

HSL 194.15, 0.77%, 0.69%

LAB 78.93, -20.11, -22.87

 

CMYK 52 / 26 / 0 / 7

HEX #72AFED

RGB 114 175 237

HSL 210.24, 0.77%, 0.69%

LAB 69.72, -2.58, -37.03

 

CMYK 52 / 40 / 0 / 7

HEX #728FED

RGB 114 143 237

HSL 225.85, 0.77%, 0.69%

LAB 61.08, 15.78, -50.61

 

CMYK 50 / 52 / 0 / 7

HEX #7672ED

RGB 118 114 237

HSL 241.95, 0.77%, 0.69%

LAB 54.03, 33.89, -61.85

 

CMYK 36 / 52 / 0 / 7

HEX #9772ED

RGB 151 114 237

HSL 258.05, 0.77%, 0.69%

LAB 56.81, 41.33, -57.24

 

CMYK 82 / 64 / 0 / 11

HEX #2852E4

RGB 40 82 228

HSL 226.6, 0.78%, 0.53%

LAB 41.35, 39.36, -77.58

 

CMYK 67 / 52 / 0 / 9

HEX #4D6FE9

RGB 77 111 233

HSL 226.92, 0.78%, 0.61%

LAB 50.49, 27.03, -65.45

 

CMYK 52 / 41 / 0 / 7

HEX #728DED

RGB 114 141 237

HSL 226.83, 0.77%, 0.69%

LAB 60.55, 16.96, -51.44

 

CMYK 38 / 29 / 0 / 5

HEX #97ABF2

RGB 151 171 242

HSL 226.81, 0.78%, 0.77%

LAB 70.95, 10.09, -37.68

 

CMYK 24 / 19 / 0 / 4

HEX #BBC8F6

RGB 187 200 246

HSL 226.78, 0.77%, 0.85%

LAB 81.03, 5.33, -24.11

 

CMYK 52 / 40 / 0 / 7

HEX #738EEE

RGB 115 142 238

HSL 226.83, 0.78%, 0.69%

LAB 60.93, 16.89, -51.4

 

CMYK 2 / 52 / 0 / 7

HEX #E972ED

RGB 233 114 237

HSL 298.05, 0.77%, 0.69%

LAB 66.12, 62.48, -41.91

 

CMYK 19 / 0 / 52 / 7

HEX #C0ED72

RGB 192 237 114

HSL 81.95, 0.77%, 0.69%

LAB 88.44, -33.38, 54.26

 

CMYK 52 / 40 / 0 / 7

HEX #738EEE

RGB 115 142 238

HSL 226.83, 0.78%, 0.69%

LAB 60.93, 16.89, -51.4

 

CMYK 0 / 52 / 40 / 7

HEX #ED728F

RGB 237 114 143

HSL 345.85, 0.77%, 0.69%

LAB 63.36, 50.2, 7.05

 

CMYK 40 / 0 / 52 / 7

HEX #8FED72

RGB 143 237 114

HSL 105.85, 0.77%, 0.69%

LAB 85.82, -50.19, 50.49

 

CMYK 52 / 40 / 0 / 7

HEX #738EEE

RGB 115 142 238

HSL 226.83, 0.78%, 0.69%

LAB 60.93, 16.89, -51.4

 

CMYK 2 / 52 / 0 / 7

HEX #E972ED

RGB 233 114 237

HSL 298.05, 0.77%, 0.69%

LAB 66.12, 62.48, -41.91

 

CMYK 0 / 12 / 52 / 7

HEX #EDD072

RGB 237 208 114

HSL 45.85, 0.77%, 0.69%

LAB 84.14, -1.48, 49.94

 

CMYK 50 / 0 / 52 / 7

HEX #76ED72

RGB 118 237 114

HSL 118.05, 0.77%, 0.69%

LAB 84.81, -57.37, 49.04

 

CMYK 52 / 40 / 0 / 7

HEX #738EEE

RGB 115 142 238

HSL 226.83, 0.78%, 0.69%

LAB 60.93, 16.89, -51.4

 

CMYK 0 / 52 / 14 / 7

HEX #ED72CC

RGB 237 114 204

HSL 316.1, 0.77%, 0.69%

LAB 65.28, 58.19, -24.77

 

CMYK 0 / 12 / 52 / 7

HEX #EDD072

RGB 237 208 114

HSL 45.85, 0.77%, 0.69%

LAB 84.14, -1.48, 49.94

 

CMYK 52 / 0 / 38 / 7

HEX #72ED93

RGB 114 237 147

HSL 136.1, 0.77%, 0.69%

LAB 85.12, -53.57, 33.35

 

Description

Color code: HEX #738EEE | qconv.com Color code: HEX #738EEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 142 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 142 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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