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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #739210 it is the complementary color #8C6DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #739210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #739210 shade: #78920B, #89A41E, #9AB631, #ABC844 and #BCDA57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #739210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #739210 shade: #739210, #628000, #516E00, #405C00 and #2F4A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #739210 shade: #739210, #928E10, #926B10, #924810 and #922510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #739210 shade: #739210, #509210, #2D9210, #109216 and #109239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #739210 shade matches the following richer shades: #739210 and #7AA003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #739210 shade: #739210, #6C851D, #65782A, #5F6B37 and #585E45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #739210 shade: #926B10, #928E10, #749210, #519210 and #2E9210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #739210 shade: #394808, #566D0C, #739210, #91B814 and #AEDD18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #739210 shade: #739210, #109248 and #7D1092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #739210 shade: #739210, #107492 and #921074

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #739210 shade: #739210, #109248, #2E1092 and #92105A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #739210 shade: #739210, #109270, #2E1092 and #921033

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

Complementary color

CMYK 41 / 54 / 0 / 6

HEX #8C6DEF

RGB 140 109 239

HSL 254.31, 0.8%, 0.68%

LAB 54.81, 42.13, -61.62

 

CMYK 18 / 0 / 92 / 43

HEX #78920B

RGB 120 146 11

HSL 71.56, 0.86%, 0.31%

LAB 56.66, -25.6, 58.2

 

CMYK 16 / 0 / 82 / 36

HEX #89A41E

RGB 137 164 30

HSL 72.09, 0.69%, 0.38%

LAB 63.31, -26.6, 60.04

 

CMYK 15 / 0 / 73 / 29

HEX #9AB631

RGB 154 182 49

HSL 72.63, 0.58%, 0.45%

LAB 69.86, -27.36, 60.53

 

CMYK 15 / 0 / 66 / 22

HEX #ABC844

RGB 171 200 68

HSL 73.18, 0.55%, 0.53%

LAB 76.3, -27.94, 60.25

 

CMYK 14 / 0 / 60 / 15

HEX #BCDA57

RGB 188 218 87

HSL 73.74, 0.64%, 0.6%

LAB 82.66, -28.38, 59.55

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 23 / 0 / 100 / 50

HEX #628000

RGB 98 128 0

HSL 74.06, 1%, 0.25%

LAB 49.54, -26.5, 53.9

 

CMYK 26 / 0 / 100 / 57

HEX #516E00

RGB 81 110 0

HSL 75.82, 1%, 0.22%

LAB 42.61, -25.01, 48.14

 

CMYK 30 / 0 / 100 / 64

HEX #405C00

RGB 64 92 0

HSL 78.26, 1%, 0.18%

LAB 35.49, -23.49, 42.2

 

CMYK 36 / 0 / 100 / 71

HEX #2F4A00

RGB 47 74 0

HSL 81.89, 1%, 0.15%

LAB 28.12, -21.93, 36.02

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 0 / 3 / 89 / 43

HEX #928E10

RGB 146 142 16

HSL 58.15, 0.8%, 0.32%

LAB 57.55, -11.82, 58.86

 

CMYK 0 / 27 / 89 / 43

HEX #926B10

RGB 146 107 16

HSL 42, 0.8%, 0.32%

LAB 47.83, 7.7, 51.03

 

CMYK 0 / 51 / 89 / 43

HEX #924810

RGB 146 72 16

HSL 25.85, 0.8%, 0.32%

LAB 39.21, 27.73, 44.06

 

CMYK 0 / 75 / 89 / 43

HEX #922510

RGB 146 37 16

HSL 9.69, 0.8%, 0.32%

LAB 32.86, 44.42, 38.91

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 45 / 0 / 89 / 43

HEX #509210

RGB 80 146 16

HSL 90.46, 0.8%, 0.32%

LAB 54.34, -41.17, 54.39

 

CMYK 69 / 0 / 89 / 43

HEX #2D9210

RGB 45 146 16

HSL 106.62, 0.8%, 0.32%

LAB 53.12, -50.94, 52.85

 

CMYK 89 / 0 / 85 / 43

HEX #109216

RGB 16 146 22

HSL 122.77, 0.8%, 0.32%

LAB 52.65, -54.94, 50.79

 

CMYK 89 / 0 / 61 / 43

HEX #109239

RGB 16 146 57

HSL 138.92, 0.8%, 0.32%

LAB 52.91, -51.67, 37.47

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 24 / 0 / 98 / 37

HEX #7AA003

RGB 122 160 3

HSL 74.52, 0.96%, 0.32%

LAB 61.03, -31.63, 62.9

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 19 / 0 / 78 / 48

HEX #6C851D

RGB 108 133 29

HSL 74.42, 0.64%, 0.32%

LAB 51.9, -23.7, 49.2

 

CMYK 16 / 0 / 65 / 53

HEX #65782A

RGB 101 120 42

HSL 74.62, 0.48%, 0.32%

LAB 47.45, -19.22, 39.29

 

CMYK 11 / 0 / 49 / 58

HEX #5F6B37

RGB 95 107 55

HSL 73.85, 0.32%, 0.32%

LAB 43.1, -13.56, 27.5

 

CMYK 6 / 0 / 27 / 63

HEX #585E45

RGB 88 94 69

HSL 74.4, 0.15%, 0.32%

LAB 38.74, -7.21, 13.59

 

CMYK 0 / 27 / 89 / 43

HEX #926B10

RGB 146 107 16

HSL 42, 0.8%, 0.32%

LAB 47.83, 7.7, 51.03

 

CMYK 0 / 3 / 89 / 43

HEX #928E10

RGB 146 142 16

HSL 58.15, 0.8%, 0.32%

LAB 57.55, -11.82, 58.86

 

CMYK 21 / 0 / 89 / 43

HEX #749210

RGB 116 146 16

HSL 73.85, 0.8%, 0.32%

LAB 56.4, -27.19, 56.94

 

CMYK 45 / 0 / 89 / 43

HEX #519210

RGB 81 146 16

HSL 90, 0.8%, 0.32%

LAB 54.39, -40.83, 54.45

 

CMYK 68 / 0 / 89 / 43

HEX #2E9210

RGB 46 146 16

HSL 106.15, 0.8%, 0.32%

LAB 53.14, -50.73, 52.88

 

CMYK 21 / 0 / 89 / 72

HEX #394808

RGB 57 72 8

HSL 74.06, 0.8%, 0.16%

LAB 28.17, -15.78, 33.16

 

CMYK 21 / 0 / 89 / 57

HEX #566D0C

RGB 86 109 12

HSL 74.23, 0.8%, 0.24%

LAB 42.68, -21.91, 45.47

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 21 / 0 / 89 / 28

HEX #91B814

RGB 145 184 20

HSL 74.27, 0.8%, 0.4%

LAB 69.72, -33.09, 67.96

 

CMYK 21 / 0 / 89 / 13

HEX #AEDD18

RGB 174 221 24

HSL 74.31, 0.8%, 0.48%

LAB 82.26, -38.28, 78.27

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 89 / 0 / 51 / 43

HEX #109248

RGB 16 146 72

HSL 145.85, 0.8%, 0.32%

LAB 53.1, -49.38, 30.13

 

CMYK 14 / 89 / 0 / 43

HEX #7D1092

RGB 125 16 146

HSL 290.31, 0.8%, 0.32%

LAB 31.36, 58.85, -45.19

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 89 / 21 / 0 / 43

HEX #107492

RGB 16 116 146

HSL 193.85, 0.8%, 0.32%

LAB 45.19, -15.39, -23.79

 

CMYK 0 / 89 / 21 / 43

HEX #921074

RGB 146 16 116

HSL 313.85, 0.8%, 0.32%

LAB 33.44, 58.24, -22.91

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 89 / 0 / 51 / 43

HEX #109248

RGB 16 146 72

HSL 145.85, 0.8%, 0.32%

LAB 53.1, -49.38, 30.13

 

CMYK 68 / 89 / 0 / 43

HEX #2E1092

RGB 46 16 146

HSL 253.85, 0.8%, 0.32%

LAB 20.15, 48.65, -63.99

 

CMYK 0 / 89 / 38 / 43

HEX #92105A

RGB 146 16 90

HSL 325.85, 0.8%, 0.32%

LAB 32.3, 55.13, -7.95

 

CMYK 21 / 0 / 89 / 43

HEX #739210

RGB 115 146 16

HSL 74.31, 0.8%, 0.32%

LAB 56.33, -27.62, 56.86

 

CMYK 89 / 0 / 23 / 43

HEX #109270

RGB 16 146 112

HSL 164.31, 0.8%, 0.32%

LAB 53.85, -40.75, 9

 

CMYK 68 / 89 / 0 / 43

HEX #2E1092

RGB 46 16 146

HSL 253.85, 0.8%, 0.32%

LAB 20.15, 48.65, -63.99

 

CMYK 0 / 89 / 65 / 43

HEX #921033

RGB 146 16 51

HSL 343.85, 0.8%, 0.32%

LAB 31.16, 51.91, 16.17

 

Description

Color code: HEX #739210 | qconv.com Color code: HEX #739210 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 146 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 146 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 89 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 89% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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