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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77AEC0 it is the complementary color #88513F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77AEC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77AEC0 shade: #7CAEBB, #8DC0CE, #9ED2E1, #AFE4F4 and #C0F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77AEC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77AEC0 shade: #77AEC0, #669CAD, #558A9A, #447887 and #336674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77AEC0 shade: #76AEC0, #769AC0, #7686C0, #7A76C0 and #8E76C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77AEC0 shade: #76AEC0, #769AC0, #7686C0 and #7676C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77AEC0 shade matches the following richer shades: #76AEC0, #66B6D0, #56BEE0 and #46C6F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77AEC0 shade: #76AEC0, #86A6B0, #969DA0, #A79590 and #B78D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77AEC0 shade: #76C0AA, #76C0BD, #76AFC0, #769BC0 and #7687C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77AEC0 shade: #48879C, #5A9DB3, #76AEC0, #93BECD and #AFCFDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77AEC0 shade: #77AEC0, #9676C0 and #C0B476

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77AEC0 shade: #77AEC0, #C076AF and #AFC076

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77AEC0 shade: #77AEC0, #9676C0, #C08776 and #A0C076

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77AEC0 shade: #77AEC0, #AC76C0, #C08776 and #8AC076

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 9 / 0 / 25

HEX #77AEC0

RGB 119 174 192

HSL 194.79, 0.37%, 0.61%

LAB 68.02, -13.39, -14.9

 

Complementary color

CMYK 0 / 40 / 54 / 47

HEX #88513F

RGB 136 81 63

HSL 14.79, 0.37%, 0.39%

LAB 40.37, 21.02, 20.33

 

CMYK 34 / 7 / 0 / 27

HEX #7CAEBB

RGB 124 174 187

HSL 192.38, 0.32%, 0.61%

LAB 68.13, -13.28, -11.95

 

CMYK 32 / 7 / 0 / 19

HEX #8DC0CE

RGB 141 192 206

HSL 192.92, 0.4%, 0.68%

LAB 74.71, -13.28, -12.4

 

CMYK 30 / 7 / 0 / 12

HEX #9ED2E1

RGB 158 210 225

HSL 193.43, 0.53%, 0.75%

LAB 81.18, -13.28, -12.85

 

CMYK 28 / 7 / 0 / 4

HEX #AFE4F4

RGB 175 228 244

HSL 193.91, 0.76%, 0.82%

LAB 87.55, -13.28, -13.29

 

CMYK 25 / 4 / 0 / 0

HEX #C0F6FF

RGB 192 246 255

HSL 188.57, 1%, 0.88%

LAB 93.6, -15.04, -9.91

 

CMYK 38 / 9 / 0 / 25

HEX #77AEC0

RGB 119 174 192

HSL 194.79, 0.37%, 0.61%

LAB 68.02, -13.39, -14.9

 

CMYK 41 / 10 / 0 / 32

HEX #669CAD

RGB 102 156 173

HSL 194.37, 0.3%, 0.54%

LAB 61.32, -13.32, -14.48

 

CMYK 45 / 10 / 0 / 40

HEX #558A9A

RGB 85 138 154

HSL 193.91, 0.29%, 0.47%

LAB 54.49, -13.21, -14.04

 

CMYK 50 / 11 / 0 / 47

HEX #447887

RGB 68 120 135

HSL 193.43, 0.33%, 0.4%

LAB 47.51, -13.04, -13.59

 

CMYK 56 / 12 / 0 / 55

HEX #336674

RGB 51 102 116

HSL 192.92, 0.39%, 0.33%

LAB 40.36, -12.77, -13.1

 

CMYK 39 / 9 / 0 / 25

HEX #76AEC0

RGB 118 174 192

HSL 194.59, 0.37%, 0.61%

LAB 67.97, -13.66, -14.99

 

CMYK 39 / 20 / 0 / 25

HEX #769AC0

RGB 118 154 192

HSL 210.81, 0.37%, 0.61%

LAB 62.31, -2.73, -23.59

 

CMYK 39 / 30 / 0 / 25

HEX #7686C0

RGB 118 134 192

HSL 227.03, 0.37%, 0.61%

LAB 56.79, 8.78, -32.12

 

CMYK 36 / 39 / 0 / 25

HEX #7A76C0

RGB 122 118 192

HSL 243.24, 0.37%, 0.61%

LAB 52.84, 19.39, -38.28

 

CMYK 26 / 39 / 0 / 25

HEX #8E76C0

RGB 142 118 192

HSL 259.46, 0.37%, 0.61%

LAB 54.57, 25.11, -35.44

 

CMYK 39 / 9 / 0 / 25

HEX #76AEC0

RGB 118 174 192

HSL 194.59, 0.37%, 0.61%

LAB 67.97, -13.66, -14.99

 

CMYK 39 / 20 / 0 / 25

HEX #769AC0

RGB 118 154 192

HSL 210.81, 0.37%, 0.61%

LAB 62.31, -2.73, -23.59

 

CMYK 39 / 30 / 0 / 25

HEX #7686C0

RGB 118 134 192

HSL 227.03, 0.37%, 0.61%

LAB 56.79, 8.78, -32.12

 

CMYK 39 / 39 / 0 / 25

HEX #7676C0

RGB 118 118 192

HSL 240, 0.37%, 0.61%

LAB 52.52, 18.29, -38.8

 

CMYK 39 / 9 / 0 / 25

HEX #76AEC0

RGB 118 174 192

HSL 194.59, 0.37%, 0.61%

LAB 67.97, -13.66, -14.99

 

CMYK 51 / 13 / 0 / 18

HEX #66B6D0

RGB 102 182 208

HSL 194.72, 0.53%, 0.61%

LAB 70.06, -17.44, -20.7

 

CMYK 62 / 15 / 0 / 12

HEX #56BEE0

RGB 86 190 224

HSL 194.78, 0.69%, 0.61%

LAB 72.35, -20.06, -25.98

 

CMYK 71 / 18 / 0 / 6

HEX #46C6F0

RGB 70 198 240

HSL 194.82, 0.85%, 0.61%

LAB 74.81, -21.65, -30.89

 

CMYK 39 / 9 / 0 / 25

HEX #76AEC0

RGB 118 174 192

HSL 194.59, 0.37%, 0.61%

LAB 67.97, -13.66, -14.99

 

CMYK 24 / 6 / 0 / 31

HEX #86A6B0

RGB 134 166 176

HSL 194.29, 0.21%, 0.61%

LAB 66.12, -8.66, -8.78

 

CMYK 6 / 2 / 0 / 37

HEX #969DA0

RGB 150 157 160

HSL 198, 0.05%, 0.61%

LAB 64.27, -1.9, -2.44

 

CMYK 0 / 11 / 14 / 35

HEX #A79590

RGB 167 149 144

HSL 13.04, 0.12%, 0.61%

LAB 63.11, 5.8, 5.06

 

CMYK 0 / 23 / 31 / 28

HEX #B78D7F

RGB 183 141 127

HSL 15, 0.28%, 0.61%

LAB 62.21, 13.9, 13.6

 

CMYK 39 / 0 / 11 / 25

HEX #76C0AA

RGB 118 192 170

HSL 162.16, 0.37%, 0.61%

LAB 72.53, -28.14, 3.84

 

CMYK 39 / 0 / 2 / 25

HEX #76C0BD

RGB 118 192 189

HSL 177.57, 0.37%, 0.61%

LAB 73.04, -23.69, -5.77

 

CMYK 39 / 9 / 0 / 25

HEX #76AFC0

RGB 118 175 192

HSL 193.78, 0.37%, 0.61%

LAB 68.25, -14.19, -14.56

 

CMYK 39 / 19 / 0 / 25

HEX #769BC0

RGB 118 155 192

HSL 210, 0.37%, 0.61%

LAB 62.59, -3.29, -23.16

 

CMYK 39 / 30 / 0 / 25

HEX #7687C0

RGB 118 135 192

HSL 226.22, 0.37%, 0.61%

LAB 57.06, 8.19, -31.69

 

CMYK 54 / 13 / 0 / 39

HEX #48879C

RGB 72 135 156

HSL 195, 0.37%, 0.45%

LAB 53.07, -14.13, -17.42

 

CMYK 50 / 12 / 0 / 30

HEX #5A9DB3

RGB 90 157 179

HSL 194.83, 0.37%, 0.53%

LAB 61.26, -15.19, -18.02

 

CMYK 39 / 9 / 0 / 25

HEX #76AEC0

RGB 118 174 192

HSL 194.59, 0.37%, 0.61%

LAB 67.97, -13.66, -14.99

 

CMYK 28 / 7 / 0 / 20

HEX #93BECD

RGB 147 190 205

HSL 195.52, 0.37%, 0.69%

LAB 74.47, -10.74, -12.19

 

CMYK 20 / 5 / 0 / 15

HEX #AFCFDA

RGB 175 207 218

HSL 195.35, 0.37%, 0.77%

LAB 81.18, -8.26, -9

 

CMYK 38 / 9 / 0 / 25

HEX #77AEC0

RGB 119 174 192

HSL 194.79, 0.37%, 0.61%

LAB 68.02, -13.39, -14.9

 

CMYK 22 / 39 / 0 / 25

HEX #9676C0

RGB 150 118 192

HSL 265.95, 0.37%, 0.61%

LAB 55.33, 27.5, -34.2

 

CMYK 0 / 6 / 39 / 25

HEX #C0B476

RGB 192 180 118

HSL 50.27, 0.37%, 0.61%

LAB 73, -4.8, 33.17

 

CMYK 38 / 9 / 0 / 25

HEX #77AEC0

RGB 119 174 192

HSL 194.79, 0.37%, 0.61%

LAB 68.02, -13.39, -14.9

 

CMYK 0 / 39 / 9 / 25

HEX #C076AF

RGB 192 118 175

HSL 313.78, 0.37%, 0.61%

LAB 59.21, 37.42, -18.1

 

CMYK 9 / 0 / 39 / 25

HEX #AFC076

RGB 175 192 118

HSL 73.78, 0.37%, 0.61%

LAB 74.9, -17.75, 35.36

 

CMYK 38 / 9 / 0 / 25

HEX #77AEC0

RGB 119 174 192

HSL 194.79, 0.37%, 0.61%

LAB 68.02, -13.39, -14.9

 

CMYK 22 / 39 / 0 / 25

HEX #9676C0

RGB 150 118 192

HSL 265.95, 0.37%, 0.61%

LAB 55.33, 27.5, -34.2

 

CMYK 0 / 30 / 39 / 25

HEX #C08776

RGB 192 135 118

HSL 13.78, 0.37%, 0.61%

LAB 61.52, 19.66, 17.87

 

CMYK 17 / 0 / 39 / 25

HEX #A0C076

RGB 160 192 118

HSL 85.95, 0.37%, 0.61%

LAB 73.86, -23.49, 33.81

 

CMYK 38 / 9 / 0 / 25

HEX #77AEC0

RGB 119 174 192

HSL 194.79, 0.37%, 0.61%

LAB 68.02, -13.39, -14.9

 

CMYK 10 / 39 / 0 / 25

HEX #AC76C0

RGB 172 118 192

HSL 283.78, 0.37%, 0.61%

LAB 57.59, 34.24, -30.5

 

CMYK 0 / 30 / 39 / 25

HEX #C08776

RGB 192 135 118

HSL 13.78, 0.37%, 0.61%

LAB 61.52, 19.66, 17.87

 

CMYK 28 / 0 / 39 / 25

HEX #8AC076

RGB 138 192 118

HSL 103.78, 0.37%, 0.61%

LAB 72.5, -31.48, 31.79

 

Description

Color code: HEX #77AEC0 | qconv.com Color code: HEX #77AEC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 174 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 174 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 9 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 9% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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