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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77D31E it is the complementary color #882CE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77D31E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77D31E shade: #7CD319, #8DE52C, #9EF73F, #AFFF52 and #C0FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77D31E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77D31E shade: #77D31E, #66C10B, #55AF00, #449D00 and #338B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77D31E shade: #76D11D, #A6D11D, #D1CC1D, #D19B1D and #D16B1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77D31E shade: #76D11D, #45D11D, #1DD126, #1DD157 and #1DD187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77D31E shade matches the following richer shades: #76D11D and #76E50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77D31E shade: #76D11D, #76BE31, #76AA44, #779758 and #77846B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77D31E shade: #D1CB1D, #A7D11D, #77D11D, #47D11D and #1DD123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77D31E shade: #4D8913, #61AD18, #76D11D, #8BE236 and #9FE75A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77D31E shade: #77D31E, #1DD19B and #D11DBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77D31E shade: #77D31E, #1D77D1 and #D11D77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77D31E shade: #77D31E, #1DD19B, #771DD1 and #D11D53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77D31E shade: #77D31E, #1DD1D1, #771DD1 and #D11D1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 86 / 17

HEX #77D31E

RGB 119 211 30

HSL 90.5, 0.75%, 0.47%

LAB 76.44, -53.76, 71.13

 

Complementary color

CMYK 40 / 80 / 0 / 12

HEX #882CE1

RGB 136 44 225

HSL 270.5, 0.75%, 0.53%

LAB 41.96, 69.02, -74.59

 

CMYK 41 / 0 / 88 / 17

HEX #7CD319

RGB 124 211 25

HSL 88.06, 0.79%, 0.46%

LAB 76.64, -52.29, 72.36

 

CMYK 38 / 0 / 81 / 10

HEX #8DE52C

RGB 141 229 44

HSL 88.54, 0.78%, 0.54%

LAB 82.85, -53.09, 73.89

 

CMYK 36 / 0 / 74 / 3

HEX #9EF73F

RGB 158 247 63

HSL 89.02, 0.92%, 0.61%

LAB 88.99, -53.67, 74.46

 

CMYK 31 / 0 / 68 / 0

HEX #AFFF52

RGB 175 255 82

HSL 87.75, 1%, 0.66%

LAB 92.24, -49.99, 71.5

 

CMYK 25 / 0 / 60 / 0

HEX #C0FF65

RGB 192 255 101

HSL 84.55, 1%, 0.7%

LAB 93.31, -42.59, 65.49

 

CMYK 44 / 0 / 86 / 17

HEX #77D31E

RGB 119 211 30

HSL 90.5, 0.75%, 0.47%

LAB 76.44, -53.76, 71.13

 

CMYK 47 / 0 / 94 / 24

HEX #66C10B

RGB 102 193 11

HSL 90, 0.89%, 0.4%

LAB 70.17, -52.73, 68.71

 

CMYK 51 / 0 / 100 / 31

HEX #55AF00

RGB 85 175 0

HSL 90.86, 1%, 0.34%

LAB 63.83, -51.34, 64.68

 

CMYK 57 / 0 / 100 / 38

HEX #449D00

RGB 68 157 0

HSL 94.01, 1%, 0.31%

LAB 57.41, -49.61, 59.36

 

CMYK 63 / 0 / 100 / 45

HEX #338B00

RGB 51 139 0

HSL 97.99, 1%, 0.27%

LAB 50.88, -47.64, 53.98

 

CMYK 44 / 0 / 86 / 18

HEX #76D11D

RGB 118 209 29

HSL 90.33, 0.76%, 0.47%

LAB 75.79, -53.34, 70.75

 

CMYK 21 / 0 / 86 / 18

HEX #A6D11D

RGB 166 209 29

HSL 74.33, 0.76%, 0.47%

LAB 78.34, -35.91, 73.94

 

CMYK 0 / 2 / 86 / 18

HEX #D1CC1D

RGB 209 204 29

HSL 58.33, 0.76%, 0.47%

LAB 80.08, -15.68, 76.66

 

CMYK 0 / 26 / 86 / 18

HEX #D19B1D

RGB 209 155 29

HSL 42, 0.76%, 0.47%

LAB 67.34, 9.88, 66.32

 

CMYK 0 / 49 / 86 / 18

HEX #D16B1D

RGB 209 107 29

HSL 26, 0.76%, 0.47%

LAB 56.25, 35.6, 57.25

 

CMYK 44 / 0 / 86 / 18

HEX #76D11D

RGB 118 209 29

HSL 90.33, 0.76%, 0.47%

LAB 75.79, -53.34, 70.75

 

CMYK 67 / 0 / 86 / 18

HEX #45D11D

RGB 69 209 29

HSL 106.67, 0.76%, 0.47%

LAB 74.16, -66.24, 68.71

 

CMYK 86 / 0 / 82 / 18

HEX #1DD126

RGB 29 209 38

HSL 123, 0.76%, 0.47%

LAB 73.55, -71.46, 65.79

 

CMYK 86 / 0 / 58 / 18

HEX #1DD157

RGB 29 209 87

HSL 139.33, 0.76%, 0.47%

LAB 73.9, -67.03, 47.98

 

CMYK 86 / 0 / 35 / 18

HEX #1DD187

RGB 29 209 135

HSL 155.33, 0.76%, 0.47%

LAB 74.58, -59.01, 25.09

 

CMYK 44 / 0 / 86 / 18

HEX #76D11D

RGB 118 209 29

HSL 90.33, 0.76%, 0.47%

LAB 75.79, -53.34, 70.75

 

CMYK 48 / 0 / 96 / 10

HEX #76E50A

RGB 118 229 10

HSL 90.41, 0.92%, 0.47%

LAB 81.79, -61.28, 78.44

 

CMYK 44 / 0 / 86 / 18

HEX #76D11D

RGB 118 209 29

HSL 90.33, 0.76%, 0.47%

LAB 75.79, -53.34, 70.75

 

CMYK 38 / 0 / 74 / 25

HEX #76BE31

RGB 118 190 49

HSL 90.64, 0.59%, 0.47%

LAB 70.11, -44.75, 60.04

 

CMYK 31 / 0 / 60 / 33

HEX #76AA44

RGB 118 170 68

HSL 90.59, 0.43%, 0.47%

LAB 64.18, -34.51, 46.13

 

CMYK 21 / 0 / 42 / 41

HEX #779758

RGB 119 151 88

HSL 90.48, 0.26%, 0.47%

LAB 58.75, -22.66, 29.6

 

CMYK 10 / 0 / 19 / 48

HEX #77846B

RGB 119 132 107

HSL 91.2, 0.1%, 0.47%

LAB 53.48, -9.64, 11.92

 

CMYK 0 / 3 / 86 / 18

HEX #D1CB1D

RGB 209 203 29

HSL 58, 0.76%, 0.47%

LAB 79.82, -15.18, 76.44

 

CMYK 20 / 0 / 86 / 18

HEX #A7D11D

RGB 167 209 29

HSL 74, 0.76%, 0.47%

LAB 78.41, -35.51, 74.02

 

CMYK 43 / 0 / 86 / 18

HEX #77D11D

RGB 119 209 29

HSL 90, 0.76%, 0.47%

LAB 75.83, -53.02, 70.81

 

CMYK 66 / 0 / 86 / 18

HEX #47D11D

RGB 71 209 29

HSL 106, 0.76%, 0.47%

LAB 74.21, -65.84, 68.77

 

CMYK 86 / 0 / 83 / 18

HEX #1DD123

RGB 29 209 35

HSL 122, 0.76%, 0.47%

LAB 73.53, -71.62, 66.54

 

CMYK 44 / 0 / 86 / 46

HEX #4D8913

RGB 77 137 19

HSL 90.51, 0.76%, 0.31%

LAB 51.29, -38.33, 50.97

 

CMYK 44 / 0 / 86 / 32

HEX #61AD18

RGB 97 173 24

HSL 90.6, 0.76%, 0.39%

LAB 63.75, -46.16, 61.05

 

CMYK 44 / 0 / 86 / 18

HEX #76D11D

RGB 118 209 29

HSL 90.33, 0.76%, 0.47%

LAB 75.79, -53.34, 70.75

 

CMYK 38 / 0 / 76 / 11

HEX #8BE236

RGB 139 226 54

HSL 90.35, 0.75%, 0.55%

LAB 81.92, -52.08, 70.17

 

CMYK 31 / 0 / 61 / 9

HEX #9FE75A

RGB 159 231 90

HSL 90.64, 0.75%, 0.63%

LAB 84.62, -44.81, 59.96

 

CMYK 44 / 0 / 86 / 17

HEX #77D31E

RGB 119 211 30

HSL 90.5, 0.75%, 0.47%

LAB 76.44, -53.76, 71.13

 

CMYK 86 / 0 / 26 / 18

HEX #1DD19B

RGB 29 209 155

HSL 162, 0.76%, 0.47%

LAB 74.97, -54.64, 15.08

 

CMYK 0 / 86 / 9 / 18

HEX #D11DBF

RGB 209 29 191

HSL 306, 0.76%, 0.47%

LAB 49.73, 78.89, -41.89

 

CMYK 44 / 0 / 86 / 17

HEX #77D31E

RGB 119 211 30

HSL 90.5, 0.75%, 0.47%

LAB 76.44, -53.76, 71.13

 

CMYK 86 / 43 / 0 / 18

HEX #1D77D1

RGB 29 119 209

HSL 210, 0.76%, 0.47%

LAB 49.57, 7.74, -53.46

 

CMYK 0 / 86 / 43 / 18

HEX #D11D77

RGB 209 29 119

HSL 330, 0.76%, 0.47%

LAB 46.67, 70.56, -3.54

 

CMYK 44 / 0 / 86 / 17

HEX #77D31E

RGB 119 211 30

HSL 90.5, 0.75%, 0.47%

LAB 76.44, -53.76, 71.13

 

CMYK 86 / 0 / 26 / 18

HEX #1DD19B

RGB 29 209 155

HSL 162, 0.76%, 0.47%

LAB 74.97, -54.64, 15.08

 

CMYK 43 / 86 / 0 / 18

HEX #771DD1

RGB 119 29 209

HSL 270, 0.76%, 0.47%

LAB 36.75, 67.8, -74.02

 

CMYK 0 / 86 / 60 / 18

HEX #D11D53

RGB 209 29 83

HSL 342, 0.76%, 0.47%

LAB 45.71, 67.85, 17.39

 

CMYK 44 / 0 / 86 / 17

HEX #77D31E

RGB 119 211 30

HSL 90.5, 0.75%, 0.47%

LAB 76.44, -53.76, 71.13

 

CMYK 86 / 0 / 0 / 18

HEX #1DD1D1

RGB 29 209 209

HSL 180, 0.76%, 0.47%

LAB 76.35, -40.33, -11.91

 

CMYK 43 / 86 / 0 / 18

HEX #771DD1

RGB 119 29 209

HSL 270, 0.76%, 0.47%

LAB 36.75, 67.8, -74.02

 

CMYK 0 / 86 / 86 / 18

HEX #D11D1D

RGB 209 29 29

HSL 0, 0.76%, 0.47%

LAB 44.97, 65.69, 47.94

 

Description

Color code: HEX #77D31E | qconv.com Color code: HEX #77D31E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 211 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 211 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 86 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 86% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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