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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77E8C1 it is the complementary color #88173E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77E8C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77E8C1 shade: #7CE8BC, #8DFACF, #9EFFE2, #AFFFF5 and #C0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77E8C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77E8C1 shade: #77E8C1, #66D6AE, #55C49B, #44B288 and #33A075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77E8C1 shade: #77E8C1, #77E8A3, #77E884, #89E877 and #A7E877

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77E8C1 shade: #77E8C1, #77E8DF, #77D2E8, #77B4E8 and #7795E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77E8C1 shade matches the following richer shades: #77E8C1 and #6BF4C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77E8C1 shade: #77E8C1, #84DBBD, #91CEB9, #9EC1B5 and #AAB4B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77E8C1 shade: #77E884, #77E8A2, #77E8C0, #77E8DE and #77D3E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77E8C1 shade: #31DCA1, #54E2B1, #77E8C1, #9BEED1 and #BEF4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77E8C1 shade: #77E8C1, #7788E8 and #E89377

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77E8C1 shade: #77E8C1, #C077E8 and #E8C077

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77E8C1 shade: #77E8C1, #7788E8, #E8779F and #E8D777

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77E8C1 shade: #77E8C1, #8877E8, #E8779F and #D7E877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

Complementary color

CMYK 0 / 83 / 54 / 47

HEX #88173E

RGB 136 23 62

HSL 339.29, 0.71%, 0.31%

LAB 29.9, 48.23, 6.78

 

CMYK 47 / 0 / 19 / 9

HEX #7CE8BC

RGB 124 232 188

HSL 155.56, 0.7%, 0.7%

LAB 84.81, -41.25, 11.86

 

CMYK 44 / 0 / 17 / 2

HEX #8DFACF

RGB 141 250 207

HSL 156.33, 0.92%, 0.77%

LAB 91.03, -41.07, 10.92

 

CMYK 38 / 0 / 11 / 0

HEX #9EFFE2

RGB 158 255 226

HSL 162.06, 1%, 0.81%

LAB 93.57, -34.99, 4.86

 

CMYK 31 / 0 / 4 / 0

HEX #AFFFF5

RGB 175 255 245

HSL 172.5, 1%, 0.84%

LAB 94.83, -26.37, -3.01

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 52 / 0 / 19 / 16

HEX #66D6AE

RGB 102 214 174

HSL 158.57, 0.58%, 0.62%

LAB 78.45, -41.47, 10.09

 

CMYK 57 / 0 / 21 / 23

HEX #55C49B

RGB 85 196 155

HSL 157.84, 0.48%, 0.55%

LAB 72.08, -41.5, 11.16

 

CMYK 62 / 0 / 24 / 30

HEX #44B288

RGB 68 178 136

HSL 157.09, 0.45%, 0.48%

LAB 65.63, -41.42, 12.33

 

CMYK 68 / 0 / 27 / 37

HEX #33A075

RGB 51 160 117

HSL 156.33, 0.52%, 0.41%

LAB 59.09, -41.16, 13.62

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 49 / 0 / 30 / 9

HEX #77E8A3

RGB 119 232 163

HSL 143.36, 0.71%, 0.69%

LAB 84.11, -47.45, 23.87

 

CMYK 49 / 0 / 43 / 9

HEX #77E884

RGB 119 232 132

HSL 126.9, 0.71%, 0.69%

LAB 83.6, -52.66, 38.88

 

CMYK 41 / 0 / 49 / 9

HEX #89E877

RGB 137 232 119

HSL 110.44, 0.71%, 0.69%

LAB 84.15, -49.35, 46.05

 

CMYK 28 / 0 / 49 / 9

HEX #A7E877

RGB 167 232 119

HSL 94.51, 0.71%, 0.69%

LAB 85.64, -39.57, 48.2

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 49 / 0 / 4 / 9

HEX #77E8DF

RGB 119 232 223

HSL 175.22, 0.71%, 0.69%

LAB 85.49, -34.39, -5.58

 

CMYK 49 / 9 / 0 / 9

HEX #77D2E8

RGB 119 210 232

HSL 191.68, 0.71%, 0.69%

LAB 79.52, -21.41, -19.27

 

CMYK 49 / 22 / 0 / 9

HEX #77B4E8

RGB 119 180 232

HSL 207.61, 0.71%, 0.69%

LAB 71.14, -5.67, -32.09

 

CMYK 49 / 36 / 0 / 9

HEX #7795E8

RGB 119 149 232

HSL 224.07, 0.71%, 0.69%

LAB 62.71, 11.86, -45.24

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 56 / 0 / 19 / 4

HEX #6BF4C5

RGB 107 244 197

HSL 159.42, 0.86%, 0.69%

LAB 87.9, -48.32, 11.48

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 40 / 0 / 14 / 14

HEX #84DBBD

RGB 132 219 189

HSL 159.31, 0.55%, 0.69%

LAB 81.42, -33.05, 6.54

 

CMYK 30 / 0 / 10 / 19

HEX #91CEB9

RGB 145 206 185

HSL 159.34, 0.38%, 0.69%

LAB 78.27, -23.96, 4.2

 

CMYK 18 / 0 / 6 / 24

HEX #9EC1B5

RGB 158 193 181

HSL 159.43, 0.22%, 0.69%

LAB 75.29, -14.15, 2.14

 

CMYK 6 / 0 / 2 / 29

HEX #AAB4B1

RGB 170 180 177

HSL 162, 0.06%, 0.69%

LAB 72.47, -4.06, 0.31

 

CMYK 49 / 0 / 43 / 9

HEX #77E884

RGB 119 232 132

HSL 126.9, 0.71%, 0.69%

LAB 83.6, -52.66, 38.88

 

CMYK 49 / 0 / 30 / 9

HEX #77E8A2

RGB 119 232 162

HSL 142.83, 0.71%, 0.69%

LAB 84.09, -47.64, 24.36

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C0

RGB 119 232 192

HSL 158.76, 0.71%, 0.69%

LAB 84.71, -41.59, 9.6

 

CMYK 49 / 0 / 4 / 9

HEX #77E8DE

RGB 119 232 222

HSL 174.69, 0.71%, 0.69%

LAB 85.46, -34.64, -5.09

 

CMYK 49 / 9 / 0 / 9

HEX #77D3E8

RGB 119 211 232

HSL 191.15, 0.71%, 0.69%

LAB 79.81, -21.91, -18.84

 

CMYK 78 / 0 / 27 / 14

HEX #31DCA1

RGB 49 220 161

HSL 159.3, 0.71%, 0.53%

LAB 78.7, -55.74, 17.15

 

CMYK 63 / 0 / 22 / 11

HEX #54E2B1

RGB 84 226 177

HSL 159.3, 0.71%, 0.61%

LAB 81.54, -49.56, 12.82

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 35 / 0 / 12 / 7

HEX #9BEED1

RGB 155 238 209

HSL 159.04, 0.71%, 0.77%

LAB 88.31, -31.46, 6.07

 

CMYK 22 / 0 / 8 / 4

HEX #BEF4E1

RGB 190 244 225

HSL 158.89, 0.71%, 0.85%

LAB 92.17, -20.87, 3.55

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 49 / 41 / 0 / 9

HEX #7788E8

RGB 119 136 232

HSL 230.97, 0.71%, 0.69%

LAB 59.3, 19.51, -50.63

 

CMYK 0 / 37 / 49 / 9

HEX #E89377

RGB 232 147 119

HSL 14.87, 0.71%, 0.69%

LAB 69.01, 29.09, 28.2

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 17 / 49 / 0 / 9

HEX #C077E8

RGB 192 119 232

HSL 278.76, 0.71%, 0.69%

LAB 61.85, 47.98, -46.19

 

CMYK 0 / 17 / 49 / 9

HEX #E8C077

RGB 232 192 119

HSL 38.76, 0.71%, 0.69%

LAB 79.72, 5.22, 41.96

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 49 / 41 / 0 / 9

HEX #7788E8

RGB 119 136 232

HSL 230.97, 0.71%, 0.69%

LAB 59.3, 19.51, -50.63

 

CMYK 0 / 49 / 31 / 9

HEX #E8779F

RGB 232 119 159

HSL 338.76, 0.71%, 0.69%

LAB 64.04, 47.94, -1.2

 

CMYK 0 / 7 / 49 / 9

HEX #E8D777

RGB 232 215 119

HSL 50.97, 0.71%, 0.69%

LAB 85.55, -6.64, 49.14

 

CMYK 49 / 0 / 17 / 9

HEX #77E8C1

RGB 119 232 193

HSL 159.29, 0.71%, 0.69%

LAB 84.73, -41.38, 9.11

 

CMYK 41 / 49 / 0 / 9

HEX #8877E8

RGB 136 119 232

HSL 249.03, 0.71%, 0.69%

LAB 56.34, 33.52, -55.27

 

CMYK 0 / 49 / 31 / 9

HEX #E8779F

RGB 232 119 159

HSL 338.76, 0.71%, 0.69%

LAB 64.04, 47.94, -1.2

 

CMYK 7 / 0 / 49 / 9

HEX #D7E877

RGB 215 232 119

HSL 69.03, 0.71%, 0.69%

LAB 88.68, -21.8, 52.6

 

Description

Color code: HEX #77E8C1 | qconv.com Color code: HEX #77E8C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 232 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 232 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 17 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 17% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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