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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77F85A it is the complementary color #8807A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77F85A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77F85A shade: #7CF855, #8DFF68, #9EFF7B, #AFFF8E and #C0FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77F85A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77F85A shade: #77F85A, #66E647, #55D434, #44C221 and #33B00E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77F85A shade: #75F858, #A0F858, #CBF858, #F6F858 and #F8CE58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77F85A shade: #75F858, #58F866, #58F891, #58F8BC and #58F8E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77F85A shade matches the following richer shades: #75F858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77F85A shade: #75F858, #7EEA66, #87DC74, #90CD82 and #99BF90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77F85A shade: #CDF858, #A2F858, #78F858, #58F863 and #58F88D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77F85A shade: #35F30A, #55F630, #75F858, #96F980 and #B7FBA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77F85A shade: #77F85A, #58F8F8 and #F858B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77F85A shade: #77F85A, #5878F8 and #F85878

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77F85A shade: #77F85A, #58F8F8, #D858F8 and #F85858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77F85A shade: #77F85A, #58C8F8, #D858F8 and #F88858

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 64 / 3

HEX #77F85A

RGB 119 248 90

HSL 108.99, 0.92%, 0.66%

LAB 87.87, -63.82, 63.05

 

Complementary color

CMYK 18 / 96 / 0 / 35

HEX #8807A5

RGB 136 7 165

HSL 288.99, 0.92%, 0.34%

LAB 34.2, 65.47, -52.09

 

CMYK 50 / 0 / 66 / 3

HEX #7CF855

RGB 124 248 85

HSL 105.64, 0.92%, 0.65%

LAB 88.01, -62.92, 65.23

 

CMYK 45 / 0 / 59 / 0

HEX #8DFF68

RGB 141 255 104

HSL 105.3, 1%, 0.7%

LAB 90.86, -59.04, 60.82

 

CMYK 38 / 0 / 52 / 0

HEX #9EFF7B

RGB 158 255 123

HSL 104.09, 1%, 0.74%

LAB 91.78, -51.91, 53.69

 

CMYK 31 / 0 / 44 / 0

HEX #AFFF8E

RGB 175 255 142

HSL 102.48, 1%, 0.78%

LAB 92.83, -44.23, 46.27

 

CMYK 25 / 0 / 37 / 0

HEX #C0FFA1

RGB 192 255 161

HSL 100.21, 1%, 0.82%

LAB 94.01, -36.1, 38.73

 

CMYK 52 / 0 / 64 / 3

HEX #77F85A

RGB 119 248 90

HSL 108.99, 0.92%, 0.66%

LAB 87.87, -63.82, 63.05

 

CMYK 56 / 0 / 69 / 10

HEX #66E647

RGB 102 230 71

HSL 108.3, 0.76%, 0.59%

LAB 81.77, -63.33, 63.74

 

CMYK 60 / 0 / 75 / 17

HEX #55D434

RGB 85 212 52

HSL 107.63, 0.65%, 0.52%

LAB 75.62, -62.56, 64.01

 

CMYK 65 / 0 / 83 / 24

HEX #44C221

RGB 68 194 33

HSL 106.96, 0.71%, 0.45%

LAB 69.41, -61.4, 63.54

 

CMYK 71 / 0 / 92 / 31

HEX #33B00E

RGB 51 176 14

HSL 106.3, 0.85%, 0.37%

LAB 63.17, -59.69, 61.87

 

CMYK 53 / 0 / 65 / 3

HEX #75F858

RGB 117 248 88

HSL 109.13, 0.92%, 0.66%

LAB 87.79, -64.52, 63.74

 

CMYK 35 / 0 / 65 / 3

HEX #A0F858

RGB 160 248 88

HSL 93, 0.92%, 0.66%

LAB 89.54, -51.75, 66.15

 

CMYK 18 / 0 / 65 / 3

HEX #CBF858

RGB 203 248 88

HSL 76.88, 0.92%, 0.66%

LAB 91.92, -36.38, 69.4

 

CMYK 1 / 0 / 65 / 3

HEX #F6F858

RGB 246 248 88

HSL 60.75, 0.92%, 0.66%

LAB 94.92, -19.52, 73.45

 

CMYK 0 / 17 / 65 / 3

HEX #F8CE58

RGB 248 206 88

HSL 44.25, 0.92%, 0.66%

LAB 84.38, 2.21, 62.41

 

CMYK 53 / 0 / 65 / 3

HEX #75F858

RGB 117 248 88

HSL 109.13, 0.92%, 0.66%

LAB 87.79, -64.52, 63.74

 

CMYK 65 / 0 / 59 / 3

HEX #58F866

RGB 88 248 102

HSL 125.25, 0.92%, 0.66%

LAB 87.08, -69.64, 56.9

 

CMYK 65 / 0 / 42 / 3

HEX #58F891

RGB 88 248 145

HSL 141.38, 0.92%, 0.66%

LAB 87.61, -63.64, 37.47

 

CMYK 65 / 0 / 24 / 3

HEX #58F8BC

RGB 88 248 188

HSL 157.5, 0.92%, 0.66%

LAB 88.37, -55.42, 16.74

 

CMYK 65 / 0 / 7 / 3

HEX #58F8E7

RGB 88 248 231

HSL 173.63, 0.92%, 0.66%

LAB 89.38, -45.26, -4.13

 

CMYK 53 / 0 / 65 / 3

HEX #75F858

RGB 117 248 88

HSL 109.13, 0.92%, 0.66%

LAB 87.79, -64.52, 63.74

 

CMYK 53 / 0 / 65 / 3

HEX #75F858

RGB 117 248 88

HSL 109.13, 0.92%, 0.66%

LAB 87.79, -64.52, 63.74

 

CMYK 46 / 0 / 56 / 8

HEX #7EEA66

RGB 126 234 102

HSL 109.09, 0.76%, 0.66%

LAB 84.09, -55.41, 53.74

 

CMYK 39 / 0 / 47 / 14

HEX #87DC74

RGB 135 220 116

HSL 109.04, 0.6%, 0.66%

LAB 80.51, -45.3, 42.97

 

CMYK 30 / 0 / 37 / 20

HEX #90CD82

RGB 144 205 130

HSL 108.8, 0.43%, 0.66%

LAB 76.8, -33.74, 31.28

 

CMYK 20 / 0 / 25 / 25

HEX #99BF90

RGB 153 191 144

HSL 108.51, 0.27%, 0.66%

LAB 73.58, -21.68, 19.65

 

CMYK 17 / 0 / 65 / 3

HEX #CDF858

RGB 205 248 88

HSL 76.13, 0.92%, 0.66%

LAB 92.05, -35.62, 69.57

 

CMYK 35 / 0 / 65 / 3

HEX #A2F858

RGB 162 248 88

HSL 92.25, 0.92%, 0.66%

LAB 89.64, -51.09, 66.28

 

CMYK 52 / 0 / 65 / 3

HEX #78F858

RGB 120 248 88

HSL 108, 0.92%, 0.66%

LAB 87.89, -63.73, 63.88

 

CMYK 65 / 0 / 60 / 3

HEX #58F863

RGB 88 248 99

HSL 124.13, 0.92%, 0.66%

LAB 87.05, -69.98, 58.16

 

CMYK 65 / 0 / 43 / 3

HEX #58F88D

RGB 88 248 141

HSL 139.88, 0.92%, 0.66%

LAB 87.55, -64.29, 39.35

 

CMYK 78 / 0 / 96 / 5

HEX #35F30A

RGB 53 243 10

HSL 108.93, 0.92%, 0.5%

LAB 84.42, -79.41, 79.88

 

CMYK 65 / 0 / 80 / 4

HEX #55F630

RGB 85 246 48

HSL 108.79, 0.92%, 0.58%

LAB 86.03, -73.95, 75.05

 

CMYK 53 / 0 / 65 / 3

HEX #75F858

RGB 117 248 88

HSL 109.13, 0.92%, 0.66%

LAB 87.79, -64.52, 63.74

 

CMYK 40 / 0 / 49 / 2

HEX #96F980

RGB 150 249 128

HSL 109.09, 0.91%, 0.74%

LAB 89.76, -51.31, 48.83

 

CMYK 27 / 0 / 33 / 2

HEX #B7FBA7

RGB 183 251 167

HSL 108.57, 0.91%, 0.82%

LAB 92.51, -36.42, 33.67

 

CMYK 52 / 0 / 64 / 3

HEX #77F85A

RGB 119 248 90

HSL 108.99, 0.92%, 0.66%

LAB 87.87, -63.82, 63.05

 

CMYK 65 / 0 / 0 / 3

HEX #58F8F8

RGB 88 248 248

HSL 180, 0.92%, 0.66%

LAB 89.85, -40.78, -12.29

 

CMYK 0 / 65 / 26 / 3

HEX #F858B8

RGB 248 88 184

HSL 324, 0.92%, 0.66%

LAB 61.99, 69.72, -18.3

 

CMYK 52 / 0 / 64 / 3

HEX #77F85A

RGB 119 248 90

HSL 108.99, 0.92%, 0.66%

LAB 87.87, -63.82, 63.05

 

CMYK 65 / 52 / 0 / 3

HEX #5878F8

RGB 88 120 248

HSL 228, 0.92%, 0.66%

LAB 54.33, 28.3, -67.58

 

CMYK 0 / 65 / 52 / 3

HEX #F85878

RGB 248 88 120

HSL 348, 0.92%, 0.66%

LAB 60.15, 63.16, 16.06

 

CMYK 52 / 0 / 64 / 3

HEX #77F85A

RGB 119 248 90

HSL 108.99, 0.92%, 0.66%

LAB 87.87, -63.82, 63.05

 

CMYK 65 / 0 / 0 / 3

HEX #58F8F8

RGB 88 248 248

HSL 180, 0.92%, 0.66%

LAB 89.85, -40.78, -12.29

 

CMYK 13 / 65 / 0 / 3

HEX #D858F8

RGB 216 88 248

HSL 288, 0.92%, 0.66%

LAB 60.21, 71.75, -57.48

 

CMYK 0 / 65 / 65 / 3

HEX #F85858

RGB 248 88 88

HSL 0, 0.92%, 0.66%

LAB 59.56, 60.98, 33.73

 

CMYK 52 / 0 / 64 / 3

HEX #77F85A

RGB 119 248 90

HSL 108.99, 0.92%, 0.66%

LAB 87.87, -63.82, 63.05

 

CMYK 65 / 19 / 0 / 3

HEX #58C8F8

RGB 88 200 248

HSL 198, 0.92%, 0.66%

LAB 76.17, -17.58, -33.07

 

CMYK 13 / 65 / 0 / 3

HEX #D858F8

RGB 216 88 248

HSL 288, 0.92%, 0.66%

LAB 60.21, 71.75, -57.48

 

CMYK 0 / 45 / 65 / 3

HEX #F88858

RGB 248 136 88

HSL 18, 0.92%, 0.66%

LAB 68.22, 38.66, 44.21

 

Description

Color code: HEX #77F85A | qconv.com Color code: HEX #77F85A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 248 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 248 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 64 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 64% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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