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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77F2E8 it is the complementary color #880D17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77F2E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77F2E8 shade: #7CF2E3, #8DFFF6, #9EFFFF, #AFFFFF and #C0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77F2E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77F2E8 shade: #77F2E8, #66E0D5, #55CEC2, #44BCAF and #33AA9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77F2E8 shade: #77F2E8, #77F2C7, #77F2A6, #77F285 and #8BF277

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77F2E8 shade: #77F2E8, #77DBF2, #77BAF2, #7799F2 and #7777F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77F2E8 shade matches the following richer shades: #77F2E8 and #6BFEF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77F2E8 shade: #77F2E8, #83E6DE, #8FDAD4, #9BCECA and #A7C2C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77F2E8 shade: #77F2A6, #77F2C7, #77F2E8, #77DBF2 and #77BBF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77F2E8 shade: #2CEBDB, #51EEE2, #77F2E8, #9DF5EE and #C3F9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77F2E8 shade: #77F2E8, #8577F2 and #F2B777

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77F2E8 shade: #77F2E8, #E877F2 and #F2E877

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77F2E8 shade: #77F2E8, #8577F2, #F27781 and #E4F277

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77F2E8 shade: #77F2E8, #AA77F2, #F27781 and #BFF277

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

Complementary color

CMYK 0 / 90 / 83 / 47

HEX #880D17

RGB 136 13 23

HSL 355.12, 0.83%, 0.29%

LAB 28.34, 48.44, 30.3

 

CMYK 49 / 0 / 6 / 5

HEX #7CF2E3

RGB 124 242 227

HSL 172.37, 0.82%, 0.72%

LAB 88.61, -36.96, -3.06

 

CMYK 45 / 0 / 4 / 0

HEX #8DFFF6

RGB 141 255 246

HSL 175.26, 1%, 0.78%

LAB 93.38, -34.64, -5.84

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 54 / 0 / 5 / 12

HEX #66E0D5

RGB 102 224 213

HSL 174.59, 0.66%, 0.64%

LAB 82.35, -36.69, -4.99

 

CMYK 59 / 0 / 6 / 19

HEX #55CEC2

RGB 85 206 194

HSL 174.05, 0.55%, 0.57%

LAB 76.05, -36.5, -4.17

 

CMYK 64 / 0 / 7 / 26

HEX #44BCAF

RGB 68 188 175

HSL 173.5, 0.47%, 0.5%

LAB 69.68, -36.19, -3.28

 

CMYK 70 / 0 / 8 / 33

HEX #33AA9C

RGB 51 170 156

HSL 172.94, 0.54%, 0.43%

LAB 63.22, -35.69, -2.29

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 51 / 0 / 18 / 5

HEX #77F2C7

RGB 119 242 199

HSL 159.02, 0.83%, 0.71%

LAB 87.75, -44.47, 10.29

 

CMYK 51 / 0 / 31 / 5

HEX #77F2A6

RGB 119 242 166

HSL 142.93, 0.83%, 0.71%

LAB 87.08, -51.08, 26.38

 

CMYK 51 / 0 / 45 / 5

HEX #77F285

RGB 119 242 133

HSL 126.83, 0.83%, 0.71%

LAB 86.56, -56.49, 42.17

 

CMYK 43 / 0 / 51 / 5

HEX #8BF277

RGB 139 242 119

HSL 110.24, 0.83%, 0.71%

LAB 87.16, -52.85, 49.75

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 51 / 10 / 0 / 5

HEX #77DBF2

RGB 119 219 242

HSL 191.22, 0.83%, 0.71%

LAB 82.38, -23.21, -20.28

 

CMYK 51 / 23 / 0 / 5

HEX #77BAF2

RGB 119 186 242

HSL 207.32, 0.83%, 0.71%

LAB 73.19, -6.04, -34.35

 

CMYK 51 / 37 / 0 / 5

HEX #7799F2

RGB 119 153 242

HSL 223.41, 0.83%, 0.71%

LAB 64.25, 12.55, -48.31

 

CMYK 51 / 51 / 0 / 5

HEX #7777F2

RGB 119 119 242

HSL 240, 0.83%, 0.71%

LAB 55.61, 32.64, -62.09

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 58 / 0 / 5 / 0

HEX #6BFEF2

RGB 107 254 242

HSL 175.1, 0.99%, 0.71%

LAB 91.87, -42.02, -6.12

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 43 / 0 / 3 / 10

HEX #83E6DE

RGB 131 230 222

HSL 175.15, 0.66%, 0.71%

LAB 85.35, -30.97, -5.2

 

CMYK 34 / 0 / 3 / 15

HEX #8FDAD4

RGB 143 218 212

HSL 175.2, 0.5%, 0.71%

LAB 82.24, -24.48, -4.44

 

CMYK 25 / 0 / 2 / 19

HEX #9BCECA

RGB 155 206 202

HSL 175.29, 0.34%, 0.71%

LAB 79.26, -17.32, -3.41

 

CMYK 14 / 0 / 1 / 24

HEX #A7C2C0

RGB 167 194 192

HSL 175.56, 0.18%, 0.71%

LAB 76.44, -9.49, -2.07

 

CMYK 51 / 0 / 31 / 5

HEX #77F2A6

RGB 119 242 166

HSL 142.93, 0.83%, 0.71%

LAB 87.08, -51.08, 26.38

 

CMYK 51 / 0 / 18 / 5

HEX #77F2C7

RGB 119 242 199

HSL 159.02, 0.83%, 0.71%

LAB 87.75, -44.47, 10.29

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 51 / 10 / 0 / 5

HEX #77DBF2

RGB 119 219 242

HSL 191.22, 0.83%, 0.71%

LAB 82.38, -23.21, -20.28

 

CMYK 51 / 23 / 0 / 5

HEX #77BBF2

RGB 119 187 242

HSL 206.83, 0.83%, 0.71%

LAB 73.46, -6.59, -33.92

 

CMYK 81 / 0 / 7 / 8

HEX #2CEBDB

RGB 44 235 219

HSL 174.97, 0.83%, 0.55%

LAB 84.52, -47.85, -5.1

 

CMYK 66 / 0 / 5 / 7

HEX #51EEE2

RGB 81 238 226

HSL 175.41, 0.82%, 0.63%

LAB 86.2, -43.19, -6.22

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 36 / 0 / 3 / 4

HEX #9DF5EE

RGB 157 245 238

HSL 175.23, 0.81%, 0.79%

LAB 91.07, -27.92, -5.01

 

CMYK 22 / 0 / 2 / 2

HEX #C3F9F5

RGB 195 249 245

HSL 175.56, 0.82%, 0.87%

LAB 94.29, -17.78, -3.69

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 45 / 51 / 0 / 5

HEX #8577F2

RGB 133 119 242

HSL 246.83, 0.83%, 0.71%

LAB 56.67, 35.65, -60.32

 

CMYK 0 / 24 / 51 / 5

HEX #F2B777

RGB 242 183 119

HSL 31.22, 0.83%, 0.71%

LAB 78.51, 14, 40.65

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 4 / 51 / 0 / 5

HEX #E877F2

RGB 232 119 242

HSL 295.12, 0.83%, 0.71%

LAB 67.1, 60.75, -43.13

 

CMYK 0 / 4 / 51 / 5

HEX #F2E877

RGB 242 232 119

HSL 55.12, 0.83%, 0.71%

LAB 90.74, -11.16, 55.56

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 45 / 51 / 0 / 5

HEX #8577F2

RGB 133 119 242

HSL 246.83, 0.83%, 0.71%

LAB 56.67, 35.65, -60.32

 

CMYK 0 / 51 / 47 / 5

HEX #F27781

RGB 242 119 129

HSL 355.12, 0.83%, 0.71%

LAB 64.69, 48.09, 17.01

 

CMYK 6 / 0 / 51 / 5

HEX #E4F277

RGB 228 242 119

HSL 66.83, 0.83%, 0.71%

LAB 92.28, -21.56, 57.1

 

CMYK 51 / 0 / 4 / 5

HEX #77F2E8

RGB 119 242 232

HSL 175.12, 0.83%, 0.71%

LAB 88.57, -36.8, -5.75

 

CMYK 30 / 51 / 0 / 5

HEX #AA77F2

RGB 170 119 242

HSL 264.88, 0.83%, 0.71%

LAB 60.02, 44.49, -54.78

 

CMYK 0 / 51 / 47 / 5

HEX #F27781

RGB 242 119 129

HSL 355.12, 0.83%, 0.71%

LAB 64.69, 48.09, 17.01

 

CMYK 21 / 0 / 51 / 5

HEX #BFF277

RGB 191 242 119

HSL 84.88, 0.83%, 0.71%

LAB 89.82, -35.54, 53.58

 

Description

Color code: HEX #77F2E8 | qconv.com Color code: HEX #77F2E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 242 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 242 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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