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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74018C it is the complementary color #8BFE73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74018C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74018C shade: #790187, #8A139A, #9B25AD, #AC37C0 and #BD49D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74018C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74018C shade: #74018C, #630079, #520066, #410053 and #300040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74018C shade: #75008E, #8E0080, #8E005A, #8E0034 and #8E000E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74018C shade: #75008E, #4F008E, #29008E, #03008E and #00008E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74018C shade matches the following richer shades: #75008E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74018C shade: #75008E, #6E0C82, #661776, #5E236B and #572E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74018C shade: #28008E, #4E008E, #74008E, #8E0082 and #8E005C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74018C shade: #31003B, #530065, #75008E, #9700B7 and #B901E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74018C shade: #74018C, #8E0300 and #008E3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74018C shade: #74018C, #8E7400 and #008E74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74018C shade: #74018C, #8E0300, #1A8E00 and #008B8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74018C shade: #74018C, #8E2D00, #1A8E00 and #00618E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 99 / 0 / 45

HEX #74018C

RGB 116 1 140

HSL 289.64, 0.99%, 0.28%

LAB 28.45, 58.85, -46.26

 

Complementary color

CMYK 45 / 0 / 55 / 0

HEX #8BFE73

RGB 139 254 115

HSL 109.64, 0.99%, 0.72%

LAB 90.6, -58.07, 55.7

 

CMYK 10 / 99 / 0 / 47

HEX #790187

RGB 121 1 135

HSL 293.73, 0.99%, 0.27%

LAB 28.99, 58.75, -42.22

 

CMYK 10 / 88 / 0 / 40

HEX #8A139A

RGB 138 19 154

HSL 292.89, 0.78%, 0.34%

LAB 34.4, 61.94, -45.07

 

CMYK 10 / 79 / 0 / 32

HEX #9B25AD

RGB 155 37 173

HSL 292.06, 0.65%, 0.41%

LAB 40.1, 63.9, -47.2

 

CMYK 10 / 71 / 0 / 25

HEX #AC37C0

RGB 172 55 192

HSL 291.24, 0.55%, 0.48%

LAB 46.05, 64.8, -48.69

 

CMYK 10 / 65 / 0 / 17

HEX #BD49D3

RGB 189 73 211

HSL 290.43, 0.61%, 0.56%

LAB 52.16, 65.02, -49.75

 

CMYK 17 / 99 / 0 / 45

HEX #74018C

RGB 116 1 140

HSL 289.64, 0.99%, 0.28%

LAB 28.45, 58.85, -46.26

 

CMYK 18 / 100 / 0 / 53

HEX #630079

RGB 99 0 121

HSL 289.09, 1%, 0.24%

LAB 23.78, 52.97, -42.01

 

CMYK 20 / 100 / 0 / 60

HEX #520066

RGB 82 0 102

HSL 288.24, 1%, 0.2%

LAB 19.03, 46.75, -37.56

 

CMYK 22 / 100 / 0 / 67

HEX #410053

RGB 65 0 83

HSL 286.99, 1%, 0.16%

LAB 14.11, 40.31, -32.97

 

CMYK 25 / 100 / 0 / 75

HEX #300040

RGB 48 0 64

HSL 285, 1%, 0.13%

LAB 8.98, 33.61, -28.22

 

CMYK 18 / 100 / 0 / 44

HEX #75008E

RGB 117 0 142

HSL 289.44, 1%, 0.28%

LAB 28.73, 59.53, -47.04

 

CMYK 0 / 100 / 10 / 44

HEX #8E0080

RGB 142 0 128

HSL 305.92, 1%, 0.28%

LAB 32.5, 61.46, -32

 

CMYK 0 / 100 / 37 / 44

HEX #8E005A

RGB 142 0 90

HSL 321.97, 1%, 0.28%

LAB 30.61, 56.7, -10.58

 

CMYK 0 / 100 / 63 / 44

HEX #8E0034

RGB 142 0 52

HSL 338.03, 1%, 0.28%

LAB 29.41, 53.53, 13.01

 

CMYK 0 / 100 / 90 / 44

HEX #8E000E

RGB 142 0 14

HSL 354.08, 1%, 0.28%

LAB 28.86, 52.03, 36.32

 

CMYK 18 / 100 / 0 / 44

HEX #75008E

RGB 117 0 142

HSL 289.44, 1%, 0.28%

LAB 28.73, 59.53, -47.04

 

CMYK 44 / 100 / 0 / 44

HEX #4F008E

RGB 79 0 142

HSL 273.38, 1%, 0.28%

LAB 22.36, 54.77, -57.73

 

CMYK 71 / 100 / 0 / 44

HEX #29008E

RGB 41 0 142

HSL 257.32, 1%, 0.28%

LAB 17.57, 52.1, -65.8

 

CMYK 98 / 100 / 0 / 44

HEX #03008E

RGB 3 0 142

HSL 241.27, 1%, 0.28%

LAB 15.34, 51.25, -69.58

 

CMYK 100 / 100 / 0 / 44

HEX #00008E

RGB 0 0 142

HSL 240, 1%, 0.28%

LAB 15.24, 51.22, -69.76

 

CMYK 18 / 100 / 0 / 44

HEX #75008E

RGB 117 0 142

HSL 289.44, 1%, 0.28%

LAB 28.73, 59.53, -47.04

 

CMYK 18 / 100 / 0 / 44

HEX #75008E

RGB 117 0 142

HSL 289.44, 1%, 0.28%

LAB 28.73, 59.53, -47.04

 

CMYK 15 / 91 / 0 / 49

HEX #6E0C82

RGB 110 12 130

HSL 289.83, 0.83%, 0.28%

LAB 27.27, 54.1, -41.98

 

CMYK 14 / 81 / 0 / 54

HEX #661776

RGB 102 23 118

HSL 289.89, 0.67%, 0.28%

LAB 26, 47.34, -36.49

 

CMYK 12 / 67 / 0 / 58

HEX #5E236B

RGB 94 35 107

HSL 289.17, 0.51%, 0.28%

LAB 25.69, 38.23, -29.99

 

CMYK 8 / 52 / 0 / 63

HEX #572E5F

RGB 87 46 95

HSL 290.2, 0.35%, 0.28%

LAB 26.18, 27.52, -21.51

 

CMYK 72 / 100 / 0 / 44

HEX #28008E

RGB 40 0 142

HSL 256.9, 1%, 0.28%

LAB 17.48, 52.06, -65.96

 

CMYK 45 / 100 / 0 / 44

HEX #4E008E

RGB 78 0 142

HSL 272.96, 1%, 0.28%

LAB 22.21, 54.67, -57.98

HEX #4E008E

CMYK 18 / 100 / 0 / 44

HEX #74008E

RGB 116 0 142

HSL 289.01, 1%, 0.28%

LAB 28.55, 59.38, -47.34

HEX #74008E

CMYK 0 / 100 / 8 / 44

HEX #8E0082

RGB 142 0 130

HSL 305.07, 1%, 0.28%

LAB 32.62, 61.74, -33.07

HEX #8E0082

CMYK 0 / 100 / 35 / 44

HEX #8E005C

RGB 142 0 92

HSL 321.13, 1%, 0.28%

LAB 30.7, 56.91, -11.77

HEX #8E005C

CMYK 17 / 100 / 0 / 77

HEX #31003B

RGB 49 0 59

HSL 289.83, 1%, 0.12%

LAB 8.73, 32.73, -25.03

 

CMYK 18 / 100 / 0 / 60

HEX #530065

RGB 83 0 101

HSL 289.31, 1%, 0.2%

LAB 19.13, 46.71, -36.72

 

CMYK 18 / 100 / 0 / 44

HEX #75008E

RGB 117 0 142

HSL 289.44, 1%, 0.28%

LAB 28.73, 59.53, -47.04

 

CMYK 17 / 100 / 0 / 28

HEX #9700B7

RGB 151 0 183

HSL 289.51, 1%, 0.36%

LAB 37.84, 71.68, -56.82

 

CMYK 17 / 100 / 0 / 12

HEX #B901E0

RGB 185 1 224

HSL 289.51, 0.99%, 0.44%

LAB 46.6, 83.26, -66.14

 

CMYK 17 / 99 / 0 / 45

HEX #74018C

RGB 116 1 140

HSL 289.64, 0.99%, 0.28%

LAB 28.45, 58.85, -46.26

 

CMYK 0 / 98 / 100 / 44

HEX #8E0300

RGB 142 3 0

HSL 1.27, 1%, 0.28%

LAB 28.94, 51.32, 42.28

 

CMYK 100 / 0 / 58 / 44

HEX #008E3B

RGB 0 142 59

HSL 144.93, 1%, 0.28%

LAB 51.45, -51.12, 34.75

 

CMYK 17 / 99 / 0 / 45

HEX #74018C

RGB 116 1 140

HSL 289.64, 0.99%, 0.28%

LAB 28.45, 58.85, -46.26

 

CMYK 0 / 18 / 100 / 44

HEX #8E7400

RGB 142 116 0

HSL 49.01, 1%, 0.28%

LAB 49.79, 0.34, 55.81

 

CMYK 100 / 0 / 18 / 44

HEX #008E74

RGB 0 142 116

HSL 169.01, 1%, 0.28%

LAB 52.52, -38.87, 4.78

 

CMYK 17 / 99 / 0 / 45

HEX #74018C

RGB 116 1 140

HSL 289.64, 0.99%, 0.28%

LAB 28.45, 58.85, -46.26

 

CMYK 0 / 98 / 100 / 44

HEX #8E0300

RGB 142 3 0

HSL 1.27, 1%, 0.28%

LAB 28.94, 51.32, 42.28

 

CMYK 82 / 0 / 100 / 44

HEX #1A8E00

RGB 26 142 0

HSL 109.01, 1%, 0.28%

LAB 51.34, -53.45, 54.1

 

CMYK 100 / 2 / 0 / 44

HEX #008B8E

RGB 0 139 142

HSL 181.27, 1%, 0.28%

LAB 52.31, -29.65, -10.6

 

CMYK 17 / 99 / 0 / 45

HEX #74018C

RGB 116 1 140

HSL 289.64, 0.99%, 0.28%

LAB 28.45, 58.85, -46.26

 

CMYK 0 / 68 / 100 / 44

HEX #8E2D00

RGB 142 45 0

HSL 19.01, 1%, 0.28%

LAB 33.19, 39.44, 45.29

 

CMYK 82 / 0 / 100 / 44

HEX #1A8E00

RGB 26 142 0

HSL 109.01, 1%, 0.28%

LAB 51.34, -53.45, 54.1

 

CMYK 100 / 32 / 0 / 44

HEX #00618E

RGB 0 97 142

HSL 199.01, 1%, 0.28%

LAB 38.73, -6.69, -31.5

 

Description

Color code: HEX #74018C | qconv.com Color code: HEX #74018C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 1 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 1 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 99 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 99% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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