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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #740B83 it is the complementary color #8BF47C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #740B83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #740B83 shade: #790B7E, #8A1D91, #9B2FA4, #AC41B7 and #BD53CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #740B83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #740B83 shade: #740B83, #630070, #52005D, #41004A and #300037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #740B83 shade: #740A84, #840A72, #840A51, #840A31 and #840A10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #740B83 shade: #740A84, #540A84, #330A84, #120A84 and #0A0A84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #740B83 shade matches the following richer shades: #740A84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #740B83 shade: #740A84, #6C1678, #63216C, #5A2D61 and #523855

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #740B83 shade: #330A84, #530A84, #730A84, #840A73 and #840A53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #740B83 shade: #310437, #53075D, #740A84, #960DAA and #B810D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #740B83 shade: #740B83, #84120A and #0A8443

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #740B83 shade: #740B83, #84730A and #0A8473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #740B83 shade: #740B83, #84120A, #1A840A and #0A7B84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #740B83 shade: #740B83, #84370A, #1A840A and #0A5784

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 92 / 0 / 49

HEX #740B83

RGB 116 11 131

HSL 292.5, 0.85%, 0.28%

LAB 28.36, 55.53, -40.79

 

Complementary color

CMYK 43 / 0 / 49 / 4

HEX #8BF47C

RGB 139 244 124

HSL 112.5, 0.85%, 0.72%

LAB 87.8, -53.04, 48.19

 

CMYK 4 / 91 / 0 / 51

HEX #790B7E

RGB 121 11 126

HSL 297.39, 0.84%, 0.27%

LAB 28.93, 55.56, -36.68

 

CMYK 5 / 80 / 0 / 43

HEX #8A1D91

RGB 138 29 145

HSL 296.38, 0.67%, 0.34%

LAB 34.65, 57.92, -39.16

 

CMYK 5 / 71 / 0 / 36

HEX #9B2FA4

RGB 155 47 164

HSL 295.38, 0.55%, 0.41%

LAB 40.71, 58.97, -40.86

 

CMYK 6 / 64 / 0 / 28

HEX #AC41B7

RGB 172 65 183

HSL 294.41, 0.48%, 0.49%

LAB 46.94, 59.23, -42.03

 

CMYK 6 / 59 / 0 / 21

HEX #BD53CA

RGB 189 83 202

HSL 293.45, 0.53%, 0.56%

LAB 53.24, 59.03, -42.88

 

CMYK 11 / 92 / 0 / 49

HEX #740B83

RGB 116 11 131

HSL 292.5, 0.85%, 0.28%

LAB 28.36, 55.53, -40.79

 

CMYK 12 / 100 / 0 / 56

HEX #630070

RGB 99 0 112

HSL 293.04, 1%, 0.22%

LAB 23.08, 51.33, -37.37

 

CMYK 12 / 100 / 0 / 64

HEX #52005D

RGB 82 0 93

HSL 292.9, 1%, 0.18%

LAB 18.29, 45.05, -32.78

 

CMYK 12 / 100 / 0 / 71

HEX #41004A

RGB 65 0 74

HSL 292.7, 1%, 0.15%

LAB 13.34, 38.54, -28.02

 

CMYK 13 / 100 / 0 / 78

HEX #300037

RGB 48 0 55

HSL 292.36, 1%, 0.11%

LAB 8.17, 31.73, -23.05

 

CMYK 12 / 92 / 0 / 48

HEX #740A84

RGB 116 10 132

HSL 292.13, 0.86%, 0.28%

LAB 28.37, 55.88, -41.4

 

CMYK 0 / 92 / 14 / 48

HEX #840A72

RGB 132 10 114

HSL 308.85, 0.86%, 0.28%

LAB 30.25, 56.01, -26.84

 

CMYK 0 / 92 / 39 / 48

HEX #840A51

RGB 132 10 81

HSL 325.08, 0.86%, 0.28%

LAB 28.69, 51.85, -7.76

 

CMYK 0 / 92 / 63 / 48

HEX #840A31

RGB 132 10 49

HSL 340.82, 0.86%, 0.28%

LAB 27.69, 49.1, 12.35

 

CMYK 0 / 92 / 88 / 48

HEX #840A10

RGB 132 10 16

HSL 357.05, 0.86%, 0.28%

LAB 27.19, 47.65, 32.94

 

CMYK 12 / 92 / 0 / 48

HEX #740A84

RGB 116 10 132

HSL 292.13, 0.86%, 0.28%

LAB 28.37, 55.88, -41.4

 

CMYK 36 / 92 / 0 / 48

HEX #540A84

RGB 84 10 132

HSL 276.39, 0.86%, 0.28%

LAB 22.89, 50.85, -50.56

 

CMYK 61 / 92 / 0 / 48

HEX #330A84

RGB 51 10 132

HSL 260.16, 0.86%, 0.28%

LAB 18.31, 47.13, -58.27

 

CMYK 86 / 92 / 0 / 48

HEX #120A84

RGB 18 10 132

HSL 243.93, 0.86%, 0.28%

LAB 15.55, 45.2, -62.93

 

CMYK 92 / 92 / 0 / 48

HEX #0A0A84

RGB 10 10 132

HSL 240, 0.86%, 0.28%

LAB 15.21, 44.99, -63.5

 

CMYK 12 / 92 / 0 / 48

HEX #740A84

RGB 116 10 132

HSL 292.13, 0.86%, 0.28%

LAB 28.37, 55.88, -41.4

 

CMYK 12 / 92 / 0 / 48

HEX #740A84

RGB 116 10 132

HSL 292.13, 0.86%, 0.28%

LAB 28.37, 55.88, -41.4

 

CMYK 10 / 82 / 0 / 53

HEX #6C1678

RGB 108 22 120

HSL 292.65, 0.69%, 0.28%

LAB 27.07, 49.31, -35.99

 

CMYK 8 / 69 / 0 / 58

HEX #63216C

RGB 99 33 108

HSL 292.8, 0.53%, 0.28%

LAB 26.22, 40.68, -29.74

 

CMYK 7 / 54 / 0 / 62

HEX #5A2D61

RGB 90 45 97

HSL 291.92, 0.37%, 0.28%

LAB 26.49, 29.52, -22.29

 

CMYK 4 / 34 / 0 / 67

HEX #523855

RGB 82 56 85

HSL 293.79, 0.21%, 0.28%

LAB 27.51, 17.27, -12.96

 

CMYK 61 / 92 / 0 / 48

HEX #330A84

RGB 51 10 132

HSL 260.16, 0.86%, 0.28%

LAB 18.31, 47.13, -58.27

 

CMYK 37 / 92 / 0 / 48

HEX #530A84

RGB 83 10 132

HSL 275.9, 0.86%, 0.28%

LAB 22.73, 50.72, -50.82

 

CMYK 13 / 92 / 0 / 48

HEX #730A84

RGB 115 10 132

HSL 291.64, 0.86%, 0.28%

LAB 28.19, 55.71, -41.7

 

CMYK 0 / 92 / 13 / 48

HEX #840A73

RGB 132 10 115

HSL 308.36, 0.86%, 0.28%

LAB 30.3, 56.16, -27.39

 

CMYK 0 / 92 / 37 / 48

HEX #840A53

RGB 132 10 83

HSL 324.1, 0.86%, 0.28%

LAB 28.77, 52.07, -8.97

 

CMYK 11 / 93 / 0 / 78

HEX #310437

RGB 49 4 55

HSL 292.94, 0.86%, 0.12%

LAB 9.12, 29.75, -21.5

 

CMYK 11 / 92 / 0 / 64

HEX #53075D

RGB 83 7 93

HSL 293.02, 0.86%, 0.2%

LAB 19.15, 43.29, -31.4

 

CMYK 12 / 92 / 0 / 48

HEX #740A84

RGB 116 10 132

HSL 292.13, 0.86%, 0.28%

LAB 28.37, 55.88, -41.4

 

CMYK 12 / 92 / 0 / 33

HEX #960DAA

RGB 150 13 170

HSL 292.36, 0.86%, 0.36%

LAB 37.25, 67.75, -50.03

 

CMYK 12 / 92 / 0 / 18

HEX #B810D0

RGB 184 16 208

HSL 292.5, 0.86%, 0.44%

LAB 45.79, 79.08, -58.28

 

CMYK 11 / 92 / 0 / 49

HEX #740B83

RGB 116 11 131

HSL 292.5, 0.85%, 0.28%

LAB 28.36, 55.53, -40.79

 

CMYK 0 / 86 / 92 / 48

HEX #84120A

RGB 132 18 10

HSL 3.93, 0.86%, 0.28%

LAB 27.74, 45.83, 36.29

 

CMYK 92 / 0 / 49 / 48

HEX #0A8443

RGB 10 132 67

HSL 148.03, 0.86%, 0.28%

LAB 48.23, -45.69, 26.65

 

CMYK 11 / 92 / 0 / 49

HEX #740B83

RGB 116 11 131

HSL 292.5, 0.85%, 0.28%

LAB 28.36, 55.53, -40.79

 

CMYK 0 / 13 / 92 / 48

HEX #84730A

RGB 132 115 10

HSL 51.64, 0.86%, 0.28%

LAB 48.5, -3.66, 52.33

 

CMYK 92 / 0 / 13 / 48

HEX #0A8473

RGB 10 132 115

HSL 171.64, 0.86%, 0.28%

LAB 49.26, -34.2, 0.65

 

CMYK 11 / 92 / 0 / 49

HEX #740B83

RGB 116 11 131

HSL 292.5, 0.85%, 0.28%

LAB 28.36, 55.53, -40.79

 

CMYK 0 / 86 / 92 / 48

HEX #84120A

RGB 132 18 10

HSL 3.93, 0.86%, 0.28%

LAB 27.74, 45.83, 36.29

 

CMYK 80 / 0 / 92 / 48

HEX #1A840A

RGB 26 132 10

HSL 112.13, 0.86%, 0.28%

LAB 47.94, -49.97, 49.44

 

CMYK 92 / 7 / 0 / 48

HEX #0A7B84

RGB 10 123 132

HSL 184.43, 0.86%, 0.28%

LAB 46.84, -24.47, -12.97

 

CMYK 11 / 92 / 0 / 49

HEX #740B83

RGB 116 11 131

HSL 292.5, 0.85%, 0.28%

LAB 28.36, 55.53, -40.79

 

CMYK 0 / 58 / 92 / 48

HEX #84370A

RGB 132 55 10

HSL 22.13, 0.86%, 0.28%

LAB 33.26, 30.85, 40.56

 

CMYK 80 / 0 / 92 / 48

HEX #1A840A

RGB 26 132 10

HSL 112.13, 0.86%, 0.28%

LAB 47.94, -49.97, 49.44

 

CMYK 92 / 34 / 0 / 48

HEX #0A5784

RGB 10 87 132

HSL 202.13, 0.86%, 0.28%

LAB 35.1, -3.91, -31.14

 

Description

Color code: HEX #740B83 | qconv.com Color code: HEX #740B83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 11 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 11 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 92 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 92% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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