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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7419AD it is the complementary color #8BE652. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7419AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7419AD shade: #7919A8, #8A2BBB, #9B3DCE, #AC4FE1 and #BD61F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7419AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7419AD shade: #7419AD, #63079A, #520087, #410074 and #300061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7419AD shade: #7418AE, #9C18AE, #AE1897, #AE186E and #AE1846

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7419AD shade: #7418AE, #4C18AE, #2418AE and #1818AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7419AD shade matches the following richer shades: #7418AE and #7808BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7419AD shade: #7418AE, #70289D, #6D398D, #69497D and #65596D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7419AD shade: #2218AE, #4A18AE, #7218AE, #9A18AE and #AE189A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7419AD shade: #440E65, #5C1389, #7418AE, #8C1ED2 and #A036E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7419AD shade: #7419AD, #AE1836 and #18AE36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7419AD shade: #7419AD, #AE7218 and #18AE72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7419AD shade: #7419AD, #AE1836, #54AE18 and #18AE90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7419AD shade: #7419AD, #AE2718, #54AE18 and #189FAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 86 / 0 / 32

HEX #7419AD

RGB 116 25 173

HSL 276.89, 0.75%, 0.39%

LAB 32.76, 60.6, -59.38

 

Complementary color

CMYK 40 / 0 / 64 / 10

HEX #8BE652

RGB 139 230 82

HSL 96.89, 0.75%, 0.61%

LAB 83.28, -51.78, 61.51

 

CMYK 28 / 85 / 0 / 34

HEX #7919A8

RGB 121 25 168

HSL 280.28, 0.74%, 0.38%

LAB 33.11, 60.32, -55.78

 

CMYK 26 / 77 / 0 / 27

HEX #8A2BBB

RGB 138 43 187

HSL 279.58, 0.63%, 0.45%

LAB 39.1, 61.43, -57.22

 

CMYK 25 / 70 / 0 / 19

HEX #9B3DCE

RGB 155 61 206

HSL 278.9, 0.6%, 0.52%

LAB 45.31, 61.68, -58.13

 

CMYK 24 / 65 / 0 / 12

HEX #AC4FE1

RGB 172 79 225

HSL 278.22, 0.71%, 0.6%

LAB 51.61, 61.42, -58.71

 

CMYK 23 / 60 / 0 / 4

HEX #BD61F4

RGB 189 97 244

HSL 277.55, 0.87%, 0.67%

LAB 57.94, 60.88, -59.09

 

CMYK 33 / 86 / 0 / 32

HEX #7419AD

RGB 116 25 173

HSL 276.89, 0.75%, 0.39%

LAB 32.76, 60.6, -59.38

 

CMYK 36 / 95 / 0 / 40

HEX #63079A

RGB 99 7 154

HSL 277.55, 0.91%, 0.32%

LAB 27.12, 58.19, -57.19

 

CMYK 39 / 100 / 0 / 47

HEX #520087

RGB 82 0 135

HSL 276.44, 1%, 0.26%

LAB 22.1, 53.55, -53.75

 

CMYK 44 / 100 / 0 / 55

HEX #410074

RGB 65 0 116

HSL 273.62, 1%, 0.23%

LAB 17.39, 47.49, -49.49

 

CMYK 51 / 100 / 0 / 62

HEX #300061

RGB 48 0 97

HSL 269.69, 1%, 0.19%

LAB 12.55, 41.29, -45.09

 

CMYK 33 / 86 / 0 / 32

HEX #7418AE

RGB 116 24 174

HSL 276.8, 0.76%, 0.39%

LAB 32.75, 61.09, -59.99

 

CMYK 10 / 86 / 0 / 32

HEX #9C18AE

RGB 156 24 174

HSL 292.8, 0.76%, 0.39%

LAB 39.2, 67.54, -49.23

 

CMYK 0 / 86 / 13 / 32

HEX #AE1897

RGB 174 24 151

HSL 309.2, 0.76%, 0.39%

LAB 41.03, 67.39, -32.3

 

CMYK 0 / 86 / 37 / 32

HEX #AE186E

RGB 174 24 110

HSL 325.6, 0.76%, 0.39%

LAB 39.2, 62.38, -9.8

 

CMYK 0 / 86 / 60 / 32

HEX #AE1846

RGB 174 24 70

HSL 341.6, 0.76%, 0.39%

LAB 38.01, 58.97, 13.98

 

CMYK 33 / 86 / 0 / 32

HEX #7418AE

RGB 116 24 174

HSL 276.8, 0.76%, 0.39%

LAB 32.75, 61.09, -59.99

 

CMYK 56 / 86 / 0 / 32

HEX #4C18AE

RGB 76 24 174

HSL 260.8, 0.76%, 0.39%

LAB 27.42, 56.1, -68.94

 

CMYK 79 / 86 / 0 / 32

HEX #2418AE

RGB 36 24 174

HSL 244.8, 0.76%, 0.39%

LAB 23.95, 53.09, -74.81

 

CMYK 86 / 86 / 0 / 32

HEX #1818AE

RGB 24 24 174

HSL 240, 0.76%, 0.39%

LAB 23.35, 52.6, -75.82

 

CMYK 33 / 86 / 0 / 32

HEX #7418AE

RGB 116 24 174

HSL 276.8, 0.76%, 0.39%

LAB 32.75, 61.09, -59.99

 

CMYK 37 / 96 / 0 / 25

HEX #7808BE

RGB 120 8 190

HSL 276.92, 0.92%, 0.39%

LAB 33.74, 68.01, -67.85

 

CMYK 33 / 86 / 0 / 32

HEX #7418AE

RGB 116 24 174

HSL 276.8, 0.76%, 0.39%

LAB 32.75, 61.09, -59.99

 

CMYK 29 / 75 / 0 / 38

HEX #70289D

RGB 112 40 157

HSL 276.92, 0.59%, 0.39%

LAB 32.69, 51.16, -49.86

 

CMYK 23 / 60 / 0 / 45

HEX #6D398D

RGB 109 57 141

HSL 277.14, 0.42%, 0.39%

LAB 34.19, 38.45, -37.7

 

CMYK 16 / 42 / 0 / 51

HEX #69497D

RGB 105 73 125

HSL 276.92, 0.26%, 0.39%

LAB 36.46, 24.09, -24.29

 

CMYK 7 / 18 / 0 / 57

HEX #65596D

RGB 101 89 109

HSL 276, 0.1%, 0.39%

LAB 39.61, 9.04, -9.62

 

CMYK 80 / 86 / 0 / 32

HEX #2218AE

RGB 34 24 174

HSL 244, 0.76%, 0.39%

LAB 23.83, 53, -75

 

CMYK 57 / 86 / 0 / 32

HEX #4A18AE

RGB 74 24 174

HSL 260, 0.76%, 0.39%

LAB 27.2, 55.9, -69.32

 

CMYK 34 / 86 / 0 / 32

HEX #7218AE

RGB 114 24 174

HSL 276, 0.76%, 0.39%

LAB 32.45, 60.8, -60.49

 

CMYK 11 / 86 / 0 / 32

HEX #9A18AE

RGB 154 24 174

HSL 292, 0.76%, 0.39%

LAB 38.86, 67.19, -49.79

 

CMYK 0 / 86 / 11 / 32

HEX #AE189A

RGB 174 24 154

HSL 308, 0.76%, 0.39%

LAB 41.19, 67.81, -33.86

 

CMYK 33 / 86 / 0 / 60

HEX #440E65

RGB 68 14 101

HSL 277.24, 0.76%, 0.23%

LAB 17.84, 40.1, -38.95

 

CMYK 33 / 86 / 0 / 46

HEX #5C1389

RGB 92 19 137

HSL 277.12, 0.76%, 0.31%

LAB 25.4, 50.79, -49.53

 

CMYK 33 / 86 / 0 / 32

HEX #7418AE

RGB 116 24 174

HSL 276.8, 0.76%, 0.39%

LAB 32.75, 61.09, -59.99

 

CMYK 33 / 86 / 0 / 18

HEX #8C1ED2

RGB 140 30 210

HSL 276.67, 0.75%, 0.47%

LAB 39.84, 70.48, -69.42

 

CMYK 29 / 76 / 0 / 11

HEX #A036E2

RGB 160 54 226

HSL 276.98, 0.75%, 0.55%

LAB 46.45, 69.52, -67.7

 

CMYK 33 / 86 / 0 / 32

HEX #7419AD

RGB 116 25 173

HSL 276.89, 0.75%, 0.39%

LAB 32.76, 60.6, -59.38

 

CMYK 0 / 86 / 69 / 32

HEX #AE1836

RGB 174 24 54

HSL 348, 0.76%, 0.39%

LAB 37.7, 58.05, 23.78

 

CMYK 86 / 0 / 69 / 32

HEX #18AE36

RGB 24 174 54

HSL 132, 0.76%, 0.39%

LAB 62.28, -60.32, 49.26

 

CMYK 33 / 86 / 0 / 32

HEX #7419AD

RGB 116 25 173

HSL 276.89, 0.75%, 0.39%

LAB 32.76, 60.6, -59.38

 

CMYK 0 / 34 / 86 / 32

HEX #AE7218

RGB 174 114 24

HSL 36, 0.76%, 0.39%

LAB 53.06, 16.77, 54.34

 

CMYK 86 / 0 / 34 / 32

HEX #18AE72

RGB 24 174 114

HSL 156, 0.76%, 0.39%

LAB 63.08, -50.83, 20.68

 

CMYK 33 / 86 / 0 / 32

HEX #7419AD

RGB 116 25 173

HSL 276.89, 0.75%, 0.39%

LAB 32.76, 60.6, -59.38

 

CMYK 0 / 86 / 69 / 32

HEX #AE1836

RGB 174 24 54

HSL 348, 0.76%, 0.39%

LAB 37.7, 58.05, 23.78

 

CMYK 52 / 0 / 86 / 32

HEX #54AE18

RGB 84 174 24

HSL 96, 0.76%, 0.39%

LAB 63.53, -50.65, 60.65

 

CMYK 86 / 0 / 17 / 32

HEX #18AE90

RGB 24 174 144

HSL 168, 0.76%, 0.39%

LAB 63.74, -43.62, 5.1

 

CMYK 33 / 86 / 0 / 32

HEX #7419AD

RGB 116 25 173

HSL 276.89, 0.75%, 0.39%

LAB 32.76, 60.6, -59.38

 

CMYK 0 / 78 / 86 / 32

HEX #AE2718

RGB 174 39 24

HSL 6, 0.76%, 0.39%

LAB 38.75, 52.96, 42.28

 

CMYK 52 / 0 / 86 / 32

HEX #54AE18

RGB 84 174 24

HSL 96, 0.76%, 0.39%

LAB 63.53, -50.65, 60.65

 

CMYK 86 / 9 / 0 / 32

HEX #189FAE

RGB 24 159 174

HSL 186, 0.76%, 0.39%

LAB 59.93, -27.85, -17.38

 

Description

Color code: HEX #7419AD | qconv.com Color code: HEX #7419AD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 25 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 25 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 86 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 86% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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