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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #741A3B it is the complementary color #8BE5C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #741A3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #741A3B shade: #791A36, #8A2C49, #9B3E5C, #AC506F and #BD6282

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #741A3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #741A3B shade: #741A3B, #630828, #520015, #410002 and #300000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #741A3B shade: #741A3B, #741A23 and #741A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #741A3B shade: #741A3B, #741A53, #741A6B, #641A74 and #4C1A74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #741A3B shade matches the following richer shades: #741A3B, #7F0E38 and #8B0335

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #741A3B shade: #741A3B, #68253E, #5D3141, #513D44 and #464847

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #741A3B shade: #741A6B, #741A53, #741A3B, #741A23 and #74291A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #741A3B shade: #310B19, #52122A, #741A3B, #96224C and #B7295D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #741A3B shade: #741A3B, #74651A and #1A5F74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #741A3B shade: #741A3B, #3B741A and #1A3B74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #741A3B shade: #741A3B, #74651A, #1A7453 and #1A2974

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #741A3B shade: #741A3B, #68741A, #1A7453 and #261A74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

Complementary color

CMYK 39 / 0 / 14 / 10

HEX #8BE5C4

RGB 139 229 196

HSL 158, 0.63%, 0.72%

LAB 84.75, -34.35, 7.66

 

CMYK 0 / 79 / 55 / 53

HEX #791A36

RGB 121 26 54

HSL 342.32, 0.65%, 0.29%

LAB 26.93, 42.16, 7.55

 

CMYK 0 / 68 / 47 / 46

HEX #8A2C49

RGB 138 44 73

HSL 341.49, 0.52%, 0.36%

LAB 33.32, 42.26, 4.44

 

CMYK 0 / 60 / 41 / 39

HEX #9B3E5C

RGB 155 62 92

HSL 340.65, 0.43%, 0.43%

LAB 39.89, 41.74, 2.16

 

CMYK 0 / 53 / 35 / 33

HEX #AC506F

RGB 172 80 111

HSL 339.78, 0.37%, 0.49%

LAB 46.52, 40.97, 0.39

 

CMYK 0 / 48 / 31 / 26

HEX #BD6282

RGB 189 98 130

HSL 338.9, 0.41%, 0.56%

LAB 53.13, 40.11, -1.04

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 0 / 92 / 60 / 61

HEX #630828

RGB 99 8 40

HSL 338.9, 0.85%, 0.21%

LAB 19.96, 39.73, 6.82

 

CMYK 0 / 100 / 74 / 68

HEX #520015

RGB 82 0 21

HSL 344.63, 1%, 0.16%

LAB 14.67, 35.96, 12.77

 

CMYK 0 / 100 / 97 / 75

HEX #410002

RGB 65 0 2

HSL 358.15, 1%, 0.13%

LAB 10.02, 30.16, 14.99

 

CMYK 0 / 100 / 100 / 81

HEX #300000

RGB 48 0 0

HSL 0, 1%, 0.09%

LAB 5.68, 23.6, 8.97

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 0 / 78 / 70 / 55

HEX #741A23

RGB 116 26 35

HSL 354, 0.63%, 0.28%

LAB 25.48, 39.17, 18.25

 

CMYK 0 / 78 / 78 / 55

HEX #741A1A

RGB 116 26 26

HSL 0, 0.63%, 0.28%

LAB 25.34, 38.7, 23.96

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 0 / 78 / 28 / 55

HEX #741A53

RGB 116 26 83

HSL 322, 0.63%, 0.28%

LAB 26.95, 43.88, -12.03

 

CMYK 0 / 78 / 8 / 55

HEX #741A6B

RGB 116 26 107

HSL 306, 0.63%, 0.28%

LAB 28.15, 47.5, -25.86

 

CMYK 14 / 78 / 0 / 55

HEX #641A74

RGB 100 26 116

HSL 289.33, 0.63%, 0.28%

LAB 25.89, 45.44, -35.41

 

CMYK 34 / 78 / 0 / 55

HEX #4C1A74

RGB 76 26 116

HSL 273.33, 0.63%, 0.28%

LAB 22.07, 40.38, -41.76

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 0 / 89 / 56 / 50

HEX #7F0E38

RGB 127 14 56

HSL 337.7, 0.8%, 0.28%

LAB 27.05, 47.48, 6.54

 

CMYK 0 / 98 / 62 / 45

HEX #8B0335

RGB 139 3 53

HSL 337.94, 0.96%, 0.28%

LAB 28.93, 52.35, 11.58

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 0 / 64 / 40 / 59

HEX #68253E

RGB 104 37 62

HSL 337.61, 0.48%, 0.28%

LAB 25.61, 32.62, -0.2

 

CMYK 0 / 47 / 30 / 64

HEX #5D3141

RGB 93 49 65

HSL 338.18, 0.31%, 0.28%

LAB 26.46, 22.13, -1.17

 

CMYK 0 / 25 / 16 / 68

HEX #513D44

RGB 81 61 68

HSL 339, 0.14%, 0.28%

LAB 28.13, 10.05, -0.9

 

CMYK 3 / 0 / 1 / 72

HEX #464847

RGB 70 72 71

HSL 150, 0.01%, 0.28%

LAB 30.38, -1.04, 0.31

 

CMYK 0 / 78 / 8 / 55

HEX #741A6B

RGB 116 26 107

HSL 306, 0.63%, 0.28%

LAB 28.15, 47.5, -25.86

 

CMYK 0 / 78 / 28 / 55

HEX #741A53

RGB 116 26 83

HSL 322, 0.63%, 0.28%

LAB 26.95, 43.88, -12.03

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 0 / 78 / 70 / 55

HEX #741A23

RGB 116 26 35

HSL 354, 0.63%, 0.28%

LAB 25.48, 39.17, 18.25

 

CMYK 0 / 65 / 78 / 55

HEX #74291A

RGB 116 41 26

HSL 10, 0.63%, 0.28%

LAB 27.77, 32.09, 26.66

 

CMYK 0 / 78 / 49 / 81

HEX #310B19

RGB 49 11 25

HSL 337.89, 0.63%, 0.12%

LAB 8.68, 20.76, 0.34

 

CMYK 0 / 78 / 49 / 68

HEX #52122A

RGB 82 18 42

HSL 337.5, 0.64%, 0.2%

LAB 17.43, 31.46, 1.29

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 0 / 77 / 49 / 41

HEX #96224C

RGB 150 34 76

HSL 338.28, 0.63%, 0.36%

LAB 34.29, 50.1, 4.19

 

CMYK 0 / 78 / 49 / 28

HEX #B7295D

RGB 183 41 93

HSL 338.03, 0.63%, 0.44%

LAB 41.91, 58.75, 5.08

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 0 / 13 / 78 / 55

HEX #74651A

RGB 116 101 26

HSL 50, 0.63%, 0.28%

LAB 42.91, -2.78, 42.04

 

CMYK 78 / 18 / 0 / 55

HEX #1A5F74

RGB 26 95 116

HSL 194, 0.63%, 0.28%

LAB 37.23, -13.39, -17.95

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 49 / 0 / 78 / 55

HEX #3B741A

RGB 59 116 26

HSL 98, 0.63%, 0.28%

LAB 43.5, -35.21, 41.2

 

CMYK 78 / 49 / 0 / 55

HEX #1A3B74

RGB 26 59 116

HSL 218, 0.63%, 0.28%

LAB 25.59, 9.85, -36.29

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 0 / 13 / 78 / 55

HEX #74651A

RGB 116 101 26

HSL 50, 0.63%, 0.28%

LAB 42.91, -2.78, 42.04

 

CMYK 78 / 0 / 28 / 55

HEX #1A7453

RGB 26 116 83

HSL 158, 0.63%, 0.28%

LAB 43.26, -34.22, 10.98

 

CMYK 78 / 65 / 0 / 55

HEX #1A2974

RGB 26 41 116

HSL 230, 0.63%, 0.28%

LAB 20.31, 22.64, -44.85

 

CMYK 0 / 78 / 49 / 55

HEX #741A3B

RGB 116 26 59

HSL 338, 0.63%, 0.28%

LAB 26.06, 41.07, 2.78

 

CMYK 10 / 0 / 78 / 55

HEX #68741A

RGB 104 116 26

HSL 68, 0.63%, 0.28%

LAB 46.32, -16.82, 44.9

 

CMYK 78 / 0 / 28 / 55

HEX #1A7453

RGB 26 116 83

HSL 158, 0.63%, 0.28%

LAB 43.26, -34.22, 10.98

 

CMYK 67 / 78 / 0 / 55

HEX #261A74

RGB 38 26 116

HSL 248, 0.63%, 0.28%

LAB 17.51, 33.99, -49.4

 

Description

Color code: HEX #741A3B | qconv.com Color code: HEX #741A3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 26 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 26 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 49 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 49% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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