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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #742DEB it is the complementary color #8BD214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #742DEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #742DEB shade: #792DE6, #8A3FF9, #9B51FF, #AC63FF and #BD75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #742DEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #742DEB shade: #742DEB, #631BD8, #5209C5, #4100B2 and #30009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #742DEB shade: #742DEB, #A72DEB, #DA2DEB, #EB2DC8 and #EB2D95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #742DEB shade: #742DEB, #402DEB and #2D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #742DEB shade matches the following richer shades: #742DEB and #6F1AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #742DEB shade: #742DEB, #783FD8, #7D52C6, #8264B3 and #8677A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #742DEB shade: #2D4CEB, #402DEB, #722DEB, #A52DEB and #D82DEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #742DEB shade: #4E10B5, #5E14DA, #742DEB, #8D52EE and #A678F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #742DEB shade: #742DEB, #EB2D7F and #33EB2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #742DEB shade: #742DEB, #EB722D and #2DEB72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #742DEB shade: #742DEB, #EB2D7F, #A5EB2D and #2DEB98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #742DEB shade: #742DEB, #EB2D46, #A5EB2D and #2DEBD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

Complementary color

CMYK 34 / 0 / 90 / 18

HEX #8BD214

RGB 139 210 20

HSL 82.42, 0.83%, 0.45%

LAB 77.06, -46.81, 73.83

 

CMYK 47 / 80 / 0 / 10

HEX #792DE6

RGB 121 45 230

HSL 264.65, 0.79%, 0.54%

LAB 40.66, 67.82, -79.64

 

CMYK 45 / 75 / 0 / 2

HEX #8A3FF9

RGB 138 63 249

HSL 264.19, 0.94%, 0.61%

LAB 46.71, 67.69, -80.36

 

CMYK 39 / 68 / 0 / 0

HEX #9B51FF

RGB 155 81 255

HSL 265.52, 1%, 0.66%

LAB 51.92, 63.94, -75.12

 

CMYK 33 / 61 / 0 / 0

HEX #AC63FF

RGB 172 99 255

HSL 268.08, 1%, 0.69%

LAB 56.99, 58.59, -66.81

 

CMYK 26 / 54 / 0 / 0

HEX #BD75FF

RGB 189 117 255

HSL 271.3, 1%, 0.73%

LAB 62.31, 53.32, -58.19

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 54 / 88 / 0 / 15

HEX #631BD8

RGB 99 27 216

HSL 262.86, 0.78%, 0.48%

LAB 34.79, 67.84, -81.38

 

CMYK 58 / 95 / 0 / 23

HEX #5209C5

RGB 82 9 197

HSL 263.3, 0.91%, 0.4%

LAB 29.46, 65.91, -79.2

 

CMYK 63 / 100 / 0 / 30

HEX #4100B2

RGB 65 0 178

HSL 261.91, 1%, 0.35%

LAB 24.76, 62.04, -75.8

 

CMYK 70 / 100 / 0 / 38

HEX #30009F

RGB 48 0 159

HSL 258.11, 1%, 0.31%

LAB 20.56, 56.64, -71.32

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 29 / 81 / 0 / 8

HEX #A72DEB

RGB 167 45 235

HSL 278.53, 0.83%, 0.55%

LAB 47.09, 75.41, -71.71

 

CMYK 7 / 81 / 0 / 8

HEX #DA2DEB

RGB 218 45 235

HSL 294.63, 0.83%, 0.55%

LAB 54.85, 83.89, -58.8

 

CMYK 0 / 81 / 15 / 8

HEX #EB2DC8

RGB 235 45 200

HSL 311.05, 0.83%, 0.55%

LAB 55.8, 82.03, -37.23

 

CMYK 0 / 81 / 37 / 8

HEX #EB2D95

RGB 235 45 149

HSL 327.16, 0.83%, 0.55%

LAB 53.72, 76.13, -10.64

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 73 / 81 / 0 / 8

HEX #402DEB

RGB 64 45 235

HSL 246, 0.83%, 0.55%

LAB 35.92, 63.61, -90.49

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 56 / 90 / 0 / 0

HEX #6F1AFE

RGB 111 26 254

HSL 262.37, 0.99%, 0.55%

LAB 40.04, 78.02, -94.25

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 44 / 71 / 0 / 15

HEX #783FD8

RGB 120 63 216

HSL 262.35, 0.66%, 0.55%

LAB 42.01, 56.57, -69.44

 

CMYK 37 / 59 / 0 / 22

HEX #7D52C6

RGB 125 82 198

HSL 262.24, 0.5%, 0.55%

LAB 44.9, 42.93, -54.35

 

CMYK 27 / 44 / 0 / 30

HEX #8264B3

RGB 130 100 179

HSL 262.78, 0.34%, 0.55%

LAB 48.4, 28.92, -37.71

 

CMYK 17 / 26 / 0 / 37

HEX #8677A1

RGB 134 119 161

HSL 261.43, 0.18%, 0.55%

LAB 52.77, 14.53, -20.41

 

CMYK 81 / 68 / 0 / 8

HEX #2D4CEB

RGB 45 76 235

HSL 230.21, 0.83%, 0.55%

LAB 40.78, 45.89, -82.49

 

CMYK 73 / 81 / 0 / 8

HEX #402DEB

RGB 64 45 235

HSL 246, 0.83%, 0.55%

LAB 35.92, 63.61, -90.49

 

CMYK 51 / 81 / 0 / 8

HEX #722DEB

RGB 114 45 235

HSL 261.79, 0.83%, 0.55%

LAB 40.33, 68.19, -83.05

 

CMYK 30 / 81 / 0 / 8

HEX #A52DEB

RGB 165 45 235

HSL 277.89, 0.83%, 0.55%

LAB 46.81, 75.11, -72.18

 

CMYK 8 / 81 / 0 / 8

HEX #D82DEB

RGB 216 45 235

HSL 294, 0.83%, 0.55%

LAB 54.53, 83.54, -59.33

 

CMYK 57 / 91 / 0 / 29

HEX #4E10B5

RGB 78 16 181

HSL 262.55, 0.84%, 0.39%

LAB 27.65, 60.37, -72.76

 

CMYK 57 / 91 / 0 / 15

HEX #5E14DA

RGB 94 20 218

HSL 262.42, 0.83%, 0.47%

LAB 33.86, 69.64, -84.09

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 41 / 66 / 0 / 7

HEX #8D52EE

RGB 141 82 238

HSL 262.69, 0.82%, 0.63%

LAB 49.34, 56.65, -69.89

 

CMYK 31 / 50 / 0 / 5

HEX #A678F2

RGB 166 120 242

HSL 262.62, 0.82%, 0.71%

LAB 59.84, 42.94, -55.09

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 0 / 81 / 46 / 8

HEX #EB2D7F

RGB 235 45 127

HSL 334.11, 0.83%, 0.55%

LAB 53.03, 74.11, 1.5

 

CMYK 78 / 0 / 81 / 8

HEX #33EB2D

RGB 51 235 45

HSL 118.11, 0.83%, 0.55%

LAB 82.01, -76.25, 71.87

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 0 / 51 / 81 / 8

HEX #EB722D

RGB 235 114 45

HSL 21.79, 0.83%, 0.55%

LAB 61.56, 42.73, 57.18

 

CMYK 81 / 0 / 51 / 8

HEX #2DEB72

RGB 45 235 114

HSL 141.79, 0.83%, 0.55%

LAB 82.48, -70.15, 45.8

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 0 / 81 / 46 / 8

HEX #EB2D7F

RGB 235 45 127

HSL 334.11, 0.83%, 0.55%

LAB 53.03, 74.11, 1.5

 

CMYK 30 / 0 / 81 / 8

HEX #A5EB2D

RGB 165 235 45

HSL 82.11, 0.83%, 0.55%

LAB 85.81, -47.13, 76.74

 

CMYK 81 / 0 / 35 / 8

HEX #2DEB98

RGB 45 235 152

HSL 153.79, 0.83%, 0.55%

LAB 83.04, -63.61, 27.76

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 0 / 81 / 70 / 8

HEX #EB2D46

RGB 235 45 70

HSL 352.11, 0.83%, 0.55%

LAB 51.82, 70.47, 34.08

 

CMYK 30 / 0 / 81 / 8

HEX #A5EB2D

RGB 165 235 45

HSL 82.11, 0.83%, 0.55%

LAB 85.81, -47.13, 76.74

 

CMYK 81 / 0 / 11 / 8

HEX #2DEBD2

RGB 45 235 210

HSL 172.11, 0.83%, 0.55%

LAB 84.29, -50.18, -0.69

 

Description

Color code: HEX #742DEB | qconv.com Color code: HEX #742DEB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 45 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 45 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 81 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 81% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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