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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #742E4A it is the complementary color #8BD1B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #742E4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #742E4A shade: #792E45, #8A4058, #9B526B, #AC647E and #BD7691

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #742E4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #742E4A shade: #742E4A, #631C37, #520A24, #410011 and #300000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #742E4A shade: #742E4A, #742E37 and #742E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #742E4A shade: #742E4A, #742E5D, #742E70, #662E74 and #532E74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #742E4A shade matches the following richer shades: #742E4A, #812147, #8F1445 and #9C0642

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #742E4A shade: #742E4A, #673B4D, #5A484F, #4D5652 and #3F6355

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #742E4A shade: #742E70, #742E5D, #742E4A, #742E37 and #74372E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #742E4A shade: #391624, #572237, #742E4A, #923A5D and #AF4670

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #742E4A shade: #742E4A, #74662E and #2E6674

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #742E4A shade: #742E4A, #4A742E and #2E4A74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #742E4A shade: #742E4A, #74662E, #2E7458 and #2E3C74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #742E4A shade: #742E4A, #6D742E, #2E7458 and #352E74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

Complementary color

CMYK 33 / 0 / 13 / 18

HEX #8BD1B5

RGB 139 209 181

HSL 156, 0.43%, 0.68%

LAB 78.71, -28.03, 6.94

 

CMYK 0 / 62 / 43 / 53

HEX #792E45

RGB 121 46 69

HSL 341.6, 0.45%, 0.33%

LAB 30.52, 35.04, 2.64

 

CMYK 0 / 54 / 36 / 46

HEX #8A4058

RGB 138 64 88

HSL 340.54, 0.37%, 0.4%

LAB 37.43, 34.21, 0.77

 

CMYK 0 / 47 / 31 / 39

HEX #9B526B

RGB 155 82 107

HSL 339.45, 0.31%, 0.46%

LAB 44.33, 33.29, -0.67

 

CMYK 0 / 42 / 27 / 33

HEX #AC647E

RGB 172 100 126

HSL 338.33, 0.3%, 0.53%

LAB 51.14, 32.38, -1.86

 

CMYK 0 / 38 / 23 / 26

HEX #BD7691

RGB 189 118 145

HSL 337.18, 0.35%, 0.6%

LAB 57.87, 31.52, -2.87

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 0 / 72 / 44 / 61

HEX #631C37

RGB 99 28 55

HSL 337.18, 0.56%, 0.25%

LAB 22.86, 34.33, 0.45

 

CMYK 0 / 88 / 56 / 68

HEX #520A24

RGB 82 10 36

HSL 338.33, 0.78%, 0.18%

LAB 16.2, 33.77, 3.86

 

CMYK 0 / 100 / 74 / 75

HEX #410011

RGB 65 0 17

HSL 344.31, 1%, 0.13%

LAB 10.29, 30.9, 8.66

 

CMYK 0 / 100 / 100 / 81

HEX #300000

RGB 48 0 0

HSL 0, 1%, 0.09%

LAB 5.68, 23.6, 8.97

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 0 / 60 / 53 / 55

HEX #742E37

RGB 116 46 55

HSL 352.29, 0.43%, 0.32%

LAB 29.27, 31.67, 9.97

 

CMYK 0 / 60 / 60 / 55

HEX #742E2E

RGB 116 46 46

HSL 0, 0.43%, 0.32%

LAB 29.07, 30.84, 15.6

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 0 / 60 / 20 / 55

HEX #742E5D

RGB 116 46 93

HSL 319.71, 0.43%, 0.32%

LAB 30.54, 36.66, -13.1

 

CMYK 0 / 60 / 3 / 55

HEX #742E70

RGB 116 46 112

HSL 303.43, 0.43%, 0.32%

LAB 31.43, 39.98, -23.9

 

CMYK 12 / 60 / 0 / 55

HEX #662E74

RGB 102 46 116

HSL 288, 0.43%, 0.32%

LAB 29.51, 36.75, -29.61

 

CMYK 28 / 60 / 0 / 55

HEX #532E74

RGB 83 46 116

HSL 271.71, 0.43%, 0.32%

LAB 26.89, 31.46, -33.95

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 0 / 74 / 45 / 49

HEX #812147

RGB 129 33 71

HSL 336.25, 0.59%, 0.32%

LAB 29.94, 43.69, 0.66

 

CMYK 0 / 86 / 52 / 44

HEX #8F1445

RGB 143 20 69

HSL 336.1, 0.75%, 0.32%

LAB 31.28, 51.52, 4.28

 

CMYK 0 / 96 / 58 / 39

HEX #9C0642

RGB 156 6 66

HSL 336, 0.93%, 0.32%

LAB 33.12, 57.03, 9.25

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 0 / 43 / 25 / 60

HEX #673B4D

RGB 103 59 77

HSL 335.45, 0.27%, 0.32%

LAB 30.75, 22.05, -2.59

 

CMYK 0 / 20 / 12 / 65

HEX #5A484F

RGB 90 72 79

HSL 336.67, 0.11%, 0.32%

LAB 32.64, 8.96, -1.28

 

CMYK 10 / 0 / 5 / 66

HEX #4D5652

RGB 77 86 82

HSL 153.33, 0.06%, 0.32%

LAB 35.68, -4.45, 1.11

 

CMYK 36 / 0 / 14 / 61

HEX #3F6355

RGB 63 99 85

HSL 156.67, 0.22%, 0.32%

LAB 38.96, -16.4, 3.87

 

CMYK 0 / 60 / 3 / 55

HEX #742E70

RGB 116 46 112

HSL 303.43, 0.43%, 0.32%

LAB 31.43, 39.98, -23.9

 

CMYK 0 / 60 / 20 / 55

HEX #742E5D

RGB 116 46 93

HSL 319.71, 0.43%, 0.32%

LAB 30.54, 36.66, -13.1

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 0 / 60 / 53 / 55

HEX #742E37

RGB 116 46 55

HSL 352.29, 0.43%, 0.32%

LAB 29.27, 31.67, 9.97

 

CMYK 0 / 53 / 60 / 55

HEX #74372E

RGB 116 55 46

HSL 7.71, 0.43%, 0.32%

LAB 30.98, 25.92, 18.08

 

CMYK 0 / 61 / 37 / 78

HEX #391624

RGB 57 22 36

HSL 336, 0.44%, 0.15%

LAB 13.05, 19.24, -1.34

 

CMYK 0 / 61 / 37 / 66

HEX #572237

RGB 87 34 55

HSL 336.23, 0.44%, 0.24%

LAB 21.75, 27.01, -1.43

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 0 / 60 / 36 / 43

HEX #923A5D

RGB 146 58 93

HSL 336.14, 0.43%, 0.4%

LAB 37.71, 40.73, -1.83

 

CMYK 0 / 60 / 36 / 31

HEX #AF4670

RGB 175 70 112

HSL 336, 0.43%, 0.48%

LAB 45.17, 46.98, -2.14

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 0 / 12 / 60 / 55

HEX #74662E

RGB 116 102 46

HSL 48, 0.43%, 0.32%

LAB 43.38, -2.04, 33.14

 

CMYK 60 / 12 / 0 / 55

HEX #2E6674

RGB 46 102 116

HSL 192, 0.43%, 0.32%

LAB 40.15, -13.89, -13.43

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 36 / 0 / 60 / 55

HEX #4A742E

RGB 74 116 46

HSL 96, 0.43%, 0.32%

LAB 44.44, -27.96, 33.5

 

CMYK 60 / 36 / 0 / 55

HEX #2E4A74

RGB 46 74 116

HSL 216, 0.43%, 0.32%

LAB 31.21, 3.36, -27.29

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 0 / 12 / 60 / 55

HEX #74662E

RGB 116 102 46

HSL 48, 0.43%, 0.32%

LAB 43.38, -2.04, 33.14

 

CMYK 60 / 0 / 24 / 55

HEX #2E7458

RGB 46 116 88

HSL 156, 0.43%, 0.32%

LAB 43.91, -29.22, 9

 

CMYK 60 / 48 / 0 / 55

HEX #2E3C74

RGB 46 60 116

HSL 228, 0.43%, 0.32%

LAB 26.94, 12.82, -34.06

 

CMYK 0 / 60 / 36 / 55

HEX #742E4A

RGB 116 46 74

HSL 336, 0.43%, 0.32%

LAB 29.82, 33.87, -1.78

 

CMYK 6 / 0 / 60 / 55

HEX #6D742E

RGB 109 116 46

HSL 66, 0.43%, 0.32%

LAB 46.89, -13.18, 36.94

 

CMYK 60 / 0 / 24 / 55

HEX #2E7458

RGB 46 116 88

HSL 156, 0.43%, 0.32%

LAB 43.91, -29.22, 9

 

CMYK 54 / 60 / 0 / 55

HEX #352E74

RGB 53 46 116

HSL 246, 0.43%, 0.32%

LAB 23.58, 23.94, -39.44

 

Description

Color code: HEX #742E4A | qconv.com Color code: HEX #742E4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 46 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 46 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 36 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 36% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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