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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7445AA it is the complementary color #8BBA55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7445AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7445AA shade: #7945A5, #8A57B8, #9B69CB, #AC7BDE and #BD8DF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7445AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7445AA shade: #7445AA, #633397, #522184, #410F71 and #30005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7445AA shade: #7445AA, #8F45AA, #AA45A9, #AA458E and #AA4573

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7445AA shade: #7445AA, #5945AA and #4545AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7445AA shade matches the following richer shades: #7445AA, #7332BD, #711ED0 and #700BE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7445AA shade: #7445AA, #755896, #776C83, #787F70 and #79935C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7445AA shade: #454DAA, #5745AA, #7245AA, #8D45AA and #A845AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7445AA shade: #4C2D6F, #60398C, #7445AA, #895CBC and #9E79C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7445AA shade: #7445AA, #AA4568 and #45AA4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7445AA shade: #7445AA, #AA7245 and #45AA72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7445AA shade: #7445AA, #AA4568, #7CAA45 and #45AA86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7445AA shade: #7445AA, #AA454A, #7CAA45 and #45AAA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

Complementary color

CMYK 25 / 0 / 54 / 27

HEX #8BBA55

RGB 139 186 85

HSL 87.92, 0.42%, 0.53%

LAB 70.36, -32.39, 45.63

 

CMYK 27 / 58 / 0 / 35

HEX #7945A5

RGB 121 69 165

HSL 272.5, 0.41%, 0.46%

LAB 39.64, 40.79, -43.43

 

CMYK 25 / 53 / 0 / 28

HEX #8A57B8

RGB 138 87 184

HSL 271.55, 0.41%, 0.53%

LAB 46.55, 39.87, -43.5

 

CMYK 24 / 48 / 0 / 20

HEX #9B69CB

RGB 155 105 203

HSL 270.61, 0.49%, 0.6%

LAB 53.37, 38.96, -43.53

 

CMYK 23 / 45 / 0 / 13

HEX #AC7BDE

RGB 172 123 222

HSL 269.7, 0.6%, 0.68%

LAB 60.08, 38.08, -43.55

 

CMYK 22 / 41 / 0 / 5

HEX #BD8DF1

RGB 189 141 241

HSL 268.8, 0.78%, 0.75%

LAB 66.69, 37.25, -43.57

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 34 / 66 / 0 / 41

HEX #633397

RGB 99 51 151

HSL 268.8, 0.5%, 0.4%

LAB 32.38, 41.71, -46.8

 

CMYK 38 / 75 / 0 / 48

HEX #522184

RGB 82 33 132

HSL 269.7, 0.6%, 0.32%

LAB 25.4, 42.36, -46.46

 

CMYK 42 / 87 / 0 / 56

HEX #410F71

RGB 65 15 113

HSL 270.61, 0.77%, 0.25%

LAB 18.62, 42.19, -45.53

 

CMYK 49 / 100 / 0 / 63

HEX #30005E

RGB 48 0 94

HSL 270.64, 1%, 0.18%

LAB 12.2, 40.56, -43.66

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 16 / 59 / 0 / 33

HEX #8F45AA

RGB 143 69 170

HSL 283.96, 0.42%, 0.47%

LAB 42.76, 47.6, -41.27

 

CMYK 0 / 59 / 1 / 33

HEX #AA45A9

RGB 170 69 169

HSL 300.59, 0.42%, 0.47%

LAB 46.53, 54.48, -34.46

 

CMYK 0 / 59 / 16 / 33

HEX #AA458E

RGB 170 69 142

HSL 316.63, 0.42%, 0.47%

LAB 45.3, 50, -20.27

 

CMYK 0 / 59 / 32 / 33

HEX #AA4573

RGB 170 69 115

HSL 332.67, 0.42%, 0.47%

LAB 44.29, 46.19, -5.37

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 48 / 59 / 0 / 33

HEX #5945AA

RGB 89 69 170

HSL 251.88, 0.42%, 0.47%

LAB 36.52, 34.51, -51.61

 

CMYK 59 / 59 / 0 / 33

HEX #4545AA

RGB 69 69 170

HSL 240, 0.42%, 0.47%

LAB 34.85, 30.52, -54.4

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 39 / 74 / 0 / 26

HEX #7332BD

RGB 115 50 189

HSL 268.06, 0.58%, 0.47%

LAB 37.12, 54.94, -61.77

 

CMYK 46 / 86 / 0 / 18

HEX #711ED0

RGB 113 30 208

HSL 267.98, 0.75%, 0.47%

LAB 35.97, 66.58, -74.75

 

CMYK 51 / 95 / 0 / 11

HEX #700BE4

RGB 112 11 228

HSL 267.93, 0.91%, 0.47%

LAB 36.53, 74.92, -85.35

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 22 / 41 / 0 / 41

HEX #755896

RGB 117 88 150

HSL 268.06, 0.26%, 0.47%

LAB 42.71, 24.92, -29.63

 

CMYK 9 / 18 / 0 / 49

HEX #776C83

RGB 119 108 131

HSL 268.7, 0.1%, 0.47%

LAB 47.35, 9.03, -11.12

 

CMYK 6 / 0 / 12 / 50

HEX #787F70

RGB 120 127 112

HSL 88, 0.06%, 0.47%

LAB 52.22, -5.55, 7.26

 

CMYK 18 / 0 / 37 / 42

HEX #79935C

RGB 121 147 92

HSL 88.36, 0.23%, 0.47%

LAB 57.76, -19.28, 26.17

 

CMYK 59 / 55 / 0 / 33

HEX #454DAA

RGB 69 77 170

HSL 235.25, 0.42%, 0.47%

LAB 36.88, 25.4, -51.11

 

CMYK 49 / 59 / 0 / 33

HEX #5745AA

RGB 87 69 170

HSL 250.69, 0.42%, 0.47%

LAB 36.34, 34.08, -51.92

 

CMYK 33 / 59 / 0 / 33

HEX #7245AA

RGB 114 69 170

HSL 266.73, 0.42%, 0.47%

LAB 39.13, 40.29, -47.27

 

CMYK 17 / 59 / 0 / 33

HEX #8D45AA

RGB 141 69 170

HSL 282.77, 0.42%, 0.47%

LAB 42.49, 47.09, -41.71

 

CMYK 1 / 59 / 0 / 33

HEX #A845AA

RGB 168 69 170

HSL 298.81, 0.42%, 0.47%

LAB 46.29, 54.13, -35.45

 

CMYK 32 / 59 / 0 / 56

HEX #4C2D6F

RGB 76 45 111

HSL 268.18, 0.42%, 0.31%

LAB 25.45, 28.8, -33.11

 

CMYK 31 / 59 / 0 / 45

HEX #60398C

RGB 96 57 140

HSL 268.19, 0.42%, 0.39%

LAB 32.49, 34.79, -39.89

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 27 / 51 / 0 / 26

HEX #895CBC

RGB 137 92 188

HSL 268.13, 0.42%, 0.55%

LAB 47.76, 37.76, -43.92

 

CMYK 21 / 40 / 0 / 22

HEX #9E79C8

RGB 158 121 200

HSL 268.1, 0.42%, 0.63%

LAB 57.19, 30.05, -35.79

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 0 / 59 / 39 / 33

HEX #AA4568

RGB 170 69 104

HSL 339.21, 0.42%, 0.47%

LAB 43.95, 44.86, 0.89

 

CMYK 59 / 0 / 56 / 33

HEX #45AA4A

RGB 69 170 74

HSL 122.97, 0.42%, 0.47%

LAB 62.09, -49.12, 40.33

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 0 / 33 / 59 / 33

HEX #AA7245

RGB 170 114 69

HSL 26.73, 0.42%, 0.47%

LAB 52.96, 17.33, 33.63

 

CMYK 59 / 0 / 33 / 33

HEX #45AA72

RGB 69 170 114

HSL 146.73, 0.42%, 0.47%

LAB 62.7, -42.5, 20.32

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 0 / 59 / 39 / 33

HEX #AA4568

RGB 170 69 104

HSL 339.21, 0.42%, 0.47%

LAB 43.95, 44.86, 0.89

 

CMYK 27 / 0 / 59 / 33

HEX #7CAA45

RGB 124 170 69

HSL 87.33, 0.42%, 0.47%

LAB 64.54, -32.16, 46.17

 

CMYK 59 / 0 / 21 / 33

HEX #45AA86

RGB 69 170 134

HSL 158.61, 0.42%, 0.47%

LAB 63.12, -38.15, 9.9

 

CMYK 32 / 59 / 0 / 33

HEX #7445AA

RGB 116 69 170

HSL 267.92, 0.42%, 0.47%

LAB 39.36, 40.77, -46.89

 

CMYK 0 / 59 / 56 / 33

HEX #AA454A

RGB 170 69 74

HSL 357.03, 0.42%, 0.47%

LAB 43.21, 41.9, 18.33

 

CMYK 27 / 0 / 59 / 33

HEX #7CAA45

RGB 124 170 69

HSL 87.33, 0.42%, 0.47%

LAB 64.54, -32.16, 46.17

 

CMYK 59 / 0 / 3 / 33

HEX #45AAA5

RGB 69 170 165

HSL 177.03, 0.42%, 0.47%

LAB 63.94, -30.23, -6.2

 

Description

Color code: HEX #7445AA | qconv.com Color code: HEX #7445AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 69 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 69 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 59 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 59% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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