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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74580A it is the complementary color #8BA7F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74580A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74580A shade: #795805, #8A6A18, #9B7C2B, #AC8E3E and #BDA051

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74580A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74580A shade: #74580A, #634600, #523400, #412200 and #301000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74580A shade: #75590A, #753C0A, #751F0A and #750A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74580A shade: #75590A, #74750A, #57750A, #3A750A and #1E750A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74580A shade matches the following richer shades: #75590A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74580A shade: #75590A, #6A5414, #604F1E, #564A29 and #4C4533

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74580A shade: #751F0A, #753C0A, #75580A, #75750A and #58750A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74580A shade: #291F03, #4F3C06, #75590A, #9B750D and #C19210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74580A shade: #74580A, #11750A and #2D0A75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74580A shade: #74580A, #0A7558 and #580A75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74580A shade: #74580A, #11750A, #0A2675 and #6E0A75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74580A shade: #74580A, #0A7523, #0A2675 and #750A5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 91 / 55

HEX #74580A

RGB 116 88 10

HSL 44.15, 0.84%, 0.25%

LAB 39.1, 4.3, 44.15

 

Complementary color

CMYK 43 / 32 / 0 / 4

HEX #8BA7F5

RGB 139 167 245

HSL 224.15, 0.84%, 0.75%

LAB 69.27, 10.09, -41.99

 

CMYK 0 / 27 / 96 / 53

HEX #795805

RGB 121 88 5

HSL 42.93, 0.92%, 0.25%

LAB 39.67, 6.62, 46.23

 

CMYK 0 / 23 / 83 / 46

HEX #8A6A18

RGB 138 106 24

HSL 43.16, 0.7%, 0.32%

LAB 46.68, 4.75, 47.15

 

CMYK 0 / 20 / 72 / 39

HEX #9B7C2B

RGB 155 124 43

HSL 43.39, 0.57%, 0.39%

LAB 53.56, 3.24, 46.75

 

CMYK 0 / 17 / 64 / 33

HEX #AC8E3E

RGB 172 142 62

HSL 43.64, 0.47%, 0.46%

LAB 60.31, 2.02, 45.75

 

CMYK 0 / 15 / 57 / 26

HEX #BDA051

RGB 189 160 81

HSL 43.89, 0.45%, 0.53%

LAB 66.94, 1.02, 44.54

 

CMYK 0 / 24 / 91 / 55

HEX #74580A

RGB 116 88 10

HSL 44.15, 0.84%, 0.25%

LAB 39.1, 4.3, 44.15

 

CMYK 0 / 29 / 100 / 61

HEX #634600

RGB 99 70 0

HSL 42.42, 1%, 0.19%

LAB 31.88, 6.49, 41.08

 

CMYK 0 / 37 / 100 / 68

HEX #523400

RGB 82 52 0

HSL 38.05, 1%, 0.16%

LAB 24.48, 9.14, 34.02

 

CMYK 0 / 48 / 100 / 75

HEX #412200

RGB 65 34 0

HSL 31.38, 1%, 0.13%

LAB 16.83, 12.01, 24.84

 

CMYK 0 / 67 / 100 / 81

HEX #301000

RGB 48 16 0

HSL 20, 1%, 0.09%

LAB 8.98, 15, 13.79

 

CMYK 0 / 24 / 91 / 54

HEX #75590A

RGB 117 89 10

HSL 44.3, 0.84%, 0.25%

LAB 39.49, 4.19, 44.52

 

CMYK 0 / 49 / 91 / 54

HEX #753C0A

RGB 117 60 10

HSL 28.04, 0.84%, 0.25%

LAB 31.89, 21.54, 38.43

 

CMYK 0 / 74 / 91 / 54

HEX #751F0A

RGB 117 31 10

HSL 11.78, 0.84%, 0.25%

LAB 26.11, 36.52, 33.64

 

CMYK 0 / 91 / 91 / 54

HEX #750A0A

RGB 117 10 10

HSL 0, 0.84%, 0.25%

LAB 23.74, 43.16, 31.38

 

CMYK 0 / 24 / 91 / 54

HEX #75590A

RGB 117 89 10

HSL 44.3, 0.84%, 0.25%

LAB 39.49, 4.19, 44.52

 

CMYK 1 / 0 / 91 / 54

HEX #74750A

RGB 116 117 10

HSL 60.56, 0.84%, 0.25%

LAB 47.57, -12.37, 50.95

 

CMYK 26 / 0 / 91 / 54

HEX #57750A

RGB 87 117 10

HSL 76.82, 0.84%, 0.25%

LAB 45.32, -25.57, 48.18

 

CMYK 50 / 0 / 91 / 54

HEX #3A750A

RGB 58 117 10

HSL 93.08, 0.84%, 0.25%

LAB 43.72, -36.82, 46.19

 

CMYK 74 / 0 / 91 / 54

HEX #1E750A

RGB 30 117 10

HSL 108.79, 0.84%, 0.25%

LAB 42.79, -44.32, 45.03

 

CMYK 0 / 24 / 91 / 54

HEX #75590A

RGB 117 89 10

HSL 44.3, 0.84%, 0.25%

LAB 39.49, 4.19, 44.52

 

CMYK 0 / 24 / 91 / 54

HEX #75590A

RGB 117 89 10

HSL 44.3, 0.84%, 0.25%

LAB 39.49, 4.19, 44.52

 

CMYK 0 / 21 / 81 / 58

HEX #6A5414

RGB 106 84 20

HSL 44.65, 0.68%, 0.25%

LAB 36.85, 2.12, 38.35

 

CMYK 0 / 18 / 69 / 62

HEX #604F1E

RGB 96 79 30

HSL 44.55, 0.52%, 0.25%

LAB 34.34, 0.8, 30.78

 

CMYK 0 / 14 / 52 / 66

HEX #564A29

RGB 86 74 41

HSL 44, 0.35%, 0.25%

LAB 31.89, -0.01, 21.47

 

CMYK 0 / 9 / 33 / 70

HEX #4C4533

RGB 76 69 51

HSL 43.2, 0.2%, 0.25%

LAB 29.49, -0.31, 11.97

 

CMYK 0 / 74 / 91 / 54

HEX #751F0A

RGB 117 31 10

HSL 11.78, 0.84%, 0.25%

LAB 26.11, 36.52, 33.64

 

CMYK 0 / 49 / 91 / 54

HEX #753C0A

RGB 117 60 10

HSL 28.04, 0.84%, 0.25%

LAB 31.89, 21.54, 38.43

 

CMYK 0 / 25 / 91 / 54

HEX #75580A

RGB 117 88 10

HSL 43.74, 0.84%, 0.25%

LAB 39.21, 4.79, 44.29

 

CMYK 0 / 0 / 91 / 54

HEX #75750A

RGB 117 117 10

HSL 60, 0.84%, 0.25%

LAB 47.66, -11.9, 51.06

 

CMYK 25 / 0 / 91 / 54

HEX #58750A

RGB 88 117 10

HSL 76.26, 0.84%, 0.25%

LAB 45.39, -25.13, 48.26

 

CMYK 0 / 24 / 93 / 84

HEX #291F03

RGB 41 31 3

HSL 44.21, 0.86%, 0.09%

LAB 12.34, 1.02, 17.09

 

CMYK 0 / 24 / 92 / 69

HEX #4F3C06

RGB 79 60 6

HSL 44.38, 0.86%, 0.17%

LAB 26.47, 2.7, 33.3

 

CMYK 0 / 24 / 91 / 54

HEX #75590A

RGB 117 89 10

HSL 44.3, 0.84%, 0.25%

LAB 39.49, 4.19, 44.52

 

CMYK 0 / 25 / 92 / 39

HEX #9B750D

RGB 155 117 13

HSL 43.94, 0.85%, 0.33%

LAB 51.52, 6.12, 55.11

 

CMYK 0 / 24 / 92 / 24

HEX #C19210

RGB 193 146 16

HSL 44.07, 0.85%, 0.41%

LAB 63.29, 7.4, 65.33

 

CMYK 0 / 24 / 91 / 55

HEX #74580A

RGB 116 88 10

HSL 44.15, 0.84%, 0.25%

LAB 39.1, 4.3, 44.15

 

CMYK 85 / 0 / 91 / 54

HEX #11750A

RGB 17 117 10

HSL 116.07, 0.84%, 0.25%

LAB 42.56, -46.4, 44.73

 

CMYK 62 / 91 / 0 / 54

HEX #2D0A75

RGB 45 10 117

HSL 259.63, 0.84%, 0.25%

LAB 15.8, 42.5, -52.86

 

CMYK 0 / 24 / 91 / 55

HEX #74580A

RGB 116 88 10

HSL 44.15, 0.84%, 0.25%

LAB 39.1, 4.3, 44.15

 

CMYK 91 / 0 / 25 / 54

HEX #0A7558

RGB 10 117 88

HSL 163.74, 0.84%, 0.25%

LAB 43.49, -35.08, 8.31

 

CMYK 25 / 91 / 0 / 54

HEX #580A75

RGB 88 10 117

HSL 283.74, 0.84%, 0.25%

LAB 22.22, 48.23, -42.08

 

CMYK 0 / 24 / 91 / 55

HEX #74580A

RGB 116 88 10

HSL 44.15, 0.84%, 0.25%

LAB 39.1, 4.3, 44.15

 

CMYK 85 / 0 / 91 / 54

HEX #11750A

RGB 17 117 10

HSL 116.07, 0.84%, 0.25%

LAB 42.56, -46.4, 44.73

 

CMYK 91 / 68 / 0 / 54

HEX #0A2675

RGB 10 38 117

HSL 224.3, 0.84%, 0.25%

LAB 18.95, 23.69, -47.74

 

CMYK 6 / 91 / 0 / 54

HEX #6E0A75

RGB 110 10 117

HSL 296.07, 0.84%, 0.25%

LAB 26.21, 52.14, -35.44

 

CMYK 0 / 24 / 91 / 55

HEX #74580A

RGB 116 88 10

HSL 44.15, 0.84%, 0.25%

LAB 39.1, 4.3, 44.15

 

CMYK 91 / 0 / 70 / 54

HEX #0A7523

RGB 10 117 35

HSL 134.02, 0.84%, 0.25%

LAB 42.62, -45.23, 36.16

 

CMYK 91 / 68 / 0 / 54

HEX #0A2675

RGB 10 38 117

HSL 224.3, 0.84%, 0.25%

LAB 18.95, 23.69, -47.74

 

CMYK 0 / 91 / 21 / 54

HEX #750A5C

RGB 117 10 92

HSL 314.02, 0.84%, 0.25%

LAB 26.07, 49.68, -19.32

 

Description

Color code: HEX #74580A | qconv.com Color code: HEX #74580A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 88 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 88 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 91 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 91% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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