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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7459AB it is the complementary color #8BA654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7459AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7459AB shade: #7959A6, #8A6BB9, #9B7DCC, #AC8FDF and #BDA1F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7459AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7459AB shade: #7459AB, #634798, #523585, #412372 and #30115F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7459AB shade: #7358AB, #8A58AB, #A058AB, #AB589F and #AB5889

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7459AB shade: #7358AB, #5D58AB and #5858AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7459AB shade matches the following richer shades: #7358AB, #6D44BF, #6630D3, #5F1CE7 and #5807FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7459AB shade: #7358AB, #7A6D97, #818182, #88956E and #8FA95A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7459AB shade: #586AAB, #5C58AB, #7258AB, #8858AB and #9E58AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7459AB shade: #4E3B76, #614991, #7358AB, #8A74B9 and #A18FC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7459AB shade: #7459AB, #AB5880 and #5FAB58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7459AB shade: #7459AB, #AB7258 and #58AB72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7459AB shade: #7459AB, #AB5880, #91AB58 and #58AB83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7459AB shade: #7459AB, #AB5867, #91AB58 and #58AB9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 48 / 0 / 33

HEX #7459AB

RGB 116 89 171

HSL 259.76, 0.33%, 0.51%

LAB 43.94, 29.43, -40.17

 

Complementary color

CMYK 16 / 0 / 49 / 35

HEX #8BA654

RGB 139 166 84

HSL 79.76, 0.33%, 0.49%

LAB 64.48, -22.83, 39.11

 

CMYK 27 / 46 / 0 / 35

HEX #7959A6

RGB 121 89 166

HSL 264.94, 0.3%, 0.5%

LAB 44.18, 29.54, -36.81

 

CMYK 25 / 42 / 0 / 27

HEX #8A6BB9

RGB 138 107 185

HSL 263.85, 0.36%, 0.57%

LAB 51.18, 28.64, -36.77

 

CMYK 24 / 39 / 0 / 20

HEX #9B7DCC

RGB 155 125 204

HSL 262.78, 0.44%, 0.65%

LAB 58.03, 27.82, -36.75

 

CMYK 23 / 36 / 0 / 13

HEX #AC8FDF

RGB 172 143 223

HSL 261.75, 0.56%, 0.72%

LAB 64.76, 27.08, -36.77

 

CMYK 22 / 33 / 0 / 5

HEX #BDA1F2

RGB 189 161 242

HSL 260.74, 0.76%, 0.79%

LAB 71.36, 26.41, -36.81

 

CMYK 32 / 48 / 0 / 33

HEX #7459AB

RGB 116 89 171

HSL 259.76, 0.33%, 0.51%

LAB 43.94, 29.43, -40.17

 

CMYK 35 / 53 / 0 / 40

HEX #634798

RGB 99 71 152

HSL 260.74, 0.36%, 0.44%

LAB 36.79, 30.5, -40.32

 

CMYK 38 / 60 / 0 / 48

HEX #523585

RGB 82 53 133

HSL 261.75, 0.43%, 0.36%

LAB 29.5, 31.67, -40.46

 

CMYK 43 / 69 / 0 / 55

HEX #412372

RGB 65 35 114

HSL 262.78, 0.53%, 0.29%

LAB 22.09, 32.87, -40.51

 

CMYK 49 / 82 / 0 / 63

HEX #30115F

RGB 48 17 95

HSL 263.85, 0.7%, 0.22%

LAB 14.71, 33.74, -40.2

 

CMYK 33 / 49 / 0 / 33

HEX #7358AB

RGB 115 88 171

HSL 259.52, 0.33%, 0.51%

LAB 43.6, 29.75, -40.72

 

CMYK 19 / 49 / 0 / 33

HEX #8A58AB

RGB 138 88 171

HSL 276.14, 0.33%, 0.51%

LAB 46.07, 36.25, -36.65

 

CMYK 6 / 49 / 0 / 33

HEX #A058AB

RGB 160 88 171

HSL 292.05, 0.33%, 0.51%

LAB 48.75, 42.69, -32.25

 

CMYK 0 / 49 / 7 / 33

HEX #AB589F

RGB 171 88 159

HSL 308.67, 0.33%, 0.51%

LAB 49.67, 43.77, -23.66

 

CMYK 0 / 49 / 20 / 33

HEX #AB5889

RGB 171 88 137

HSL 324.58, 0.33%, 0.51%

LAB 48.81, 40.13, -11.9

 

CMYK 33 / 49 / 0 / 33

HEX #7358AB

RGB 115 88 171

HSL 259.52, 0.33%, 0.51%

LAB 43.6, 29.75, -40.72

 

CMYK 46 / 49 / 0 / 33

HEX #5D58AB

RGB 93 88 171

HSL 243.61, 0.33%, 0.51%

LAB 41.61, 24.01, -44.02

 

CMYK 49 / 49 / 0 / 33

HEX #5858AB

RGB 88 88 171

HSL 240, 0.33%, 0.51%

LAB 41.21, 22.8, -44.68

 

CMYK 33 / 49 / 0 / 33

HEX #7358AB

RGB 115 88 171

HSL 259.52, 0.33%, 0.51%

LAB 43.6, 29.75, -40.72

 

CMYK 43 / 64 / 0 / 25

HEX #6D44BF

RGB 109 68 191

HSL 260, 0.49%, 0.51%

LAB 39.83, 45.31, -58.56

 

CMYK 52 / 77 / 0 / 17

HEX #6630D3

RGB 102 48 211

HSL 259.88, 0.65%, 0.51%

LAB 37.19, 59.41, -74.53

 

CMYK 59 / 88 / 0 / 9

HEX #5F1CE7

RGB 95 28 231

HSL 259.8, 0.81%, 0.51%

LAB 36.05, 70.85, -87.92

 

CMYK 65 / 97 / 0 / 1

HEX #5807FC

RGB 88 7 252

HSL 259.84, 0.98%, 0.51%

LAB 36.47, 79.29, -99.12

 

CMYK 33 / 49 / 0 / 33

HEX #7358AB

RGB 115 88 171

HSL 259.52, 0.33%, 0.51%

LAB 43.6, 29.75, -40.72

 

CMYK 19 / 28 / 0 / 41

HEX #7A6D97

RGB 122 109 151

HSL 258.57, 0.17%, 0.51%

LAB 48.65, 14.11, -20.97

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 9 / 0 / 26 / 42

HEX #88956E

RGB 136 149 110

HSL 80, 0.16%, 0.51%

LAB 59.76, -11.77, 19.09

 

CMYK 15 / 0 / 47 / 34

HEX #8FA95A

RGB 143 169 90

HSL 79.75, 0.31%, 0.51%

LAB 65.71, -22.07, 37.64

 

CMYK 49 / 38 / 0 / 33

HEX #586AAB

RGB 88 106 171

HSL 226.99, 0.33%, 0.51%

LAB 46.07, 11.53, -36.95

 

CMYK 46 / 49 / 0 / 33

HEX #5C58AB

RGB 92 88 171

HSL 242.89, 0.33%, 0.51%

LAB 41.52, 23.77, -44.15

 

CMYK 33 / 49 / 0 / 33

HEX #7258AB

RGB 114 88 171

HSL 258.8, 0.33%, 0.51%

LAB 43.5, 29.48, -40.88

 

CMYK 20 / 49 / 0 / 33

HEX #8858AB

RGB 136 88 171

HSL 274.7, 0.33%, 0.51%

LAB 45.84, 35.67, -37.02

 

CMYK 8 / 49 / 0 / 33

HEX #9E58AB

RGB 158 88 171

HSL 290.6, 0.33%, 0.51%

LAB 48.5, 42.1, -32.67

 

CMYK 34 / 50 / 0 / 54

HEX #4E3B76

RGB 78 59 118

HSL 259.32, 0.33%, 0.35%

LAB 29.55, 22.56, -31

 

CMYK 33 / 50 / 0 / 43

HEX #614991

RGB 97 73 145

HSL 260, 0.33%, 0.43%

LAB 36.65, 26.8, -36.31

 

CMYK 33 / 49 / 0 / 33

HEX #7358AB

RGB 115 88 171

HSL 259.52, 0.33%, 0.51%

LAB 43.6, 29.75, -40.72

 

CMYK 25 / 37 / 0 / 27

HEX #8A74B9

RGB 138 116 185

HSL 259.13, 0.33%, 0.59%

LAB 53.38, 23.36, -33.31

 

CMYK 19 / 28 / 0 / 22

HEX #A18FC6

RGB 161 143 198

HSL 259.64, 0.33%, 0.67%

LAB 62.76, 17.92, -26

 

CMYK 32 / 48 / 0 / 33

HEX #7459AB

RGB 116 89 171

HSL 259.76, 0.33%, 0.51%

LAB 43.94, 29.43, -40.17

 

CMYK 0 / 49 / 25 / 33

HEX #AB5880

RGB 171 88 128

HSL 331.08, 0.33%, 0.51%

LAB 48.51, 38.78, -6.97

 

CMYK 44 / 0 / 49 / 33

HEX #5FAB58

RGB 95 171 88

HSL 114.94, 0.33%, 0.51%

LAB 63.56, -40.45, 35.39

 

CMYK 32 / 48 / 0 / 33

HEX #7459AB

RGB 116 89 171

HSL 259.76, 0.33%, 0.51%

LAB 43.94, 29.43, -40.17

 

CMYK 0 / 33 / 49 / 33

HEX #AB7258

RGB 171 114 88

HSL 18.8, 0.33%, 0.51%

LAB 53.38, 19.47, 23.55

 

CMYK 49 / 0 / 33 / 33

HEX #58AB72

RGB 88 171 114

HSL 138.8, 0.33%, 0.51%

LAB 63.68, -38.23, 21.77

 

CMYK 32 / 48 / 0 / 33

HEX #7459AB

RGB 116 89 171

HSL 259.76, 0.33%, 0.51%

LAB 43.94, 29.43, -40.17

 

CMYK 0 / 49 / 25 / 33

HEX #AB5880

RGB 171 88 128

HSL 331.08, 0.33%, 0.51%

LAB 48.51, 38.78, -6.97

 

CMYK 15 / 0 / 49 / 33

HEX #91AB58

RGB 145 171 88

HSL 78.8, 0.33%, 0.51%

LAB 66.41, -22.5, 39.53

 

CMYK 49 / 0 / 23 / 33

HEX #58AB83

RGB 88 171 131

HSL 151.08, 0.33%, 0.51%

LAB 64.03, -34.81, 12.93

 

CMYK 32 / 48 / 0 / 33

HEX #7459AB

RGB 116 89 171

HSL 259.76, 0.33%, 0.51%

LAB 43.94, 29.43, -40.17

 

CMYK 0 / 49 / 40 / 33

HEX #AB5867

RGB 171 88 103

HSL 349.16, 0.33%, 0.51%

LAB 47.77, 35.48, 7.03

 

CMYK 15 / 0 / 49 / 33

HEX #91AB58

RGB 145 171 88

HSL 78.8, 0.33%, 0.51%

LAB 66.41, -22.5, 39.53

 

CMYK 49 / 0 / 9 / 33

HEX #58AB9C

RGB 88 171 156

HSL 169.16, 0.33%, 0.51%

LAB 64.64, -29.02, -0.07

 

Description

Color code: HEX #7459AB | qconv.com Color code: HEX #7459AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 89 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 89 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 48 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 48% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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