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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74533C it is the complementary color #8BACC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74533C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74533C shade: #795337, #8A654A, #9B775D, #AC8970 and #BD9B83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74533C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74533C shade: #74533C, #634129, #522F16, #411D03 and #300B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74533C shade: #75543C, #75443C and #753C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74533C shade: #75543C, #75633C, #75723C, #69753C and #59753C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74533C shade matches the following richer shades: #75543C, #84512E, #924E1F, #A14C11 and #AF4902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74533C shade: #75543C, #67564B, #585959, #4A5B68 and #3C5E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74533C shade: #753C44, #75443C, #75533C, #75623C and #75723C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74533C shade: #3F2D20, #5A402E, #75543C, #91674A and #AA7B5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74533C shade: #74533C, #53753C and #3C3C75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74533C shade: #74533C, #3C7553 and #533C75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74533C shade: #74533C, #53753C, #3C5E75 and #5E3C75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74533C shade: #74533C, #42753C, #3C5E75 and #703C75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 48 / 55

HEX #74533C

RGB 116 83 60

HSL 24.64, 0.32%, 0.35%

LAB 38.24, 10.67, 18.87

 

Complementary color

CMYK 29 / 12 / 0 / 24

HEX #8BACC3

RGB 139 172 195

HSL 204.64, 0.32%, 0.65%

LAB 68.7, -5.87, -15.42

 

CMYK 0 / 31 / 55 / 53

HEX #795337

RGB 121 83 55

HSL 25.45, 0.38%, 0.35%

LAB 38.77, 12.41, 22.67

 

CMYK 0 / 27 / 46 / 46

HEX #8A654A

RGB 138 101 74

HSL 25.31, 0.3%, 0.42%

LAB 45.91, 11.32, 21.1

 

CMYK 0 / 23 / 40 / 39

HEX #9B775D

RGB 155 119 93

HSL 25.16, 0.25%, 0.49%

LAB 52.9, 10.44, 19.71

 

CMYK 0 / 20 / 35 / 33

HEX #AC8970

RGB 172 137 112

HSL 25, 0.27%, 0.56%

LAB 59.74, 9.71, 18.47

 

CMYK 0 / 18 / 31 / 26

HEX #BD9B83

RGB 189 155 131

HSL 24.83, 0.31%, 0.63%

LAB 66.44, 9.08, 17.33

 

CMYK 0 / 28 / 48 / 55

HEX #74533C

RGB 116 83 60

HSL 24.64, 0.32%, 0.35%

LAB 38.24, 10.67, 18.87

 

CMYK 0 / 34 / 59 / 61

HEX #634129

RGB 99 65 41

HSL 24.83, 0.41%, 0.27%

LAB 30.86, 11.85, 20.54

 

CMYK 0 / 43 / 73 / 68

HEX #522F16

RGB 82 47 22

HSL 25, 0.58%, 0.2%

LAB 23.29, 13.41, 22.45

 

CMYK 0 / 55 / 95 / 75

HEX #411D03

RGB 65 29 3

HSL 25.16, 0.91%, 0.13%

LAB 15.54, 15.42, 21.99

 

CMYK 0 / 77 / 100 / 81

HEX #300B00

RGB 48 11 0

HSL 13.75, 1%, 0.09%

LAB 7.84, 18, 12.13

 

CMYK 0 / 28 / 49 / 54

HEX #75543C

RGB 117 84 60

HSL 25.26, 0.32%, 0.35%

LAB 38.64, 10.52, 19.4

 

CMYK 0 / 42 / 49 / 54

HEX #75443C

RGB 117 68 60

HSL 8.42, 0.32%, 0.35%

LAB 34.48, 20.15, 13.89

 

CMYK 0 / 49 / 49 / 54

HEX #753C3C

RGB 117 60 60

HSL 0, 0.32%, 0.35%

LAB 32.57, 24.85, 11.28

 

CMYK 0 / 28 / 49 / 54

HEX #75543C

RGB 117 84 60

HSL 25.26, 0.32%, 0.35%

LAB 38.64, 10.52, 19.4

 

CMYK 0 / 15 / 49 / 54

HEX #75633C

RGB 117 99 60

HSL 41.05, 0.32%, 0.35%

LAB 42.81, 1.54, 24.76

 

CMYK 0 / 3 / 49 / 54

HEX #75723C

RGB 117 114 60

HSL 56.84, 0.32%, 0.35%

LAB 47.16, -7.13, 30.16

 

CMYK 10 / 0 / 49 / 54

HEX #69753C

RGB 105 117 60

HSL 72.63, 0.32%, 0.35%

LAB 47.04, -14.1, 29.78

 

CMYK 24 / 0 / 49 / 54

HEX #59753C

RGB 89 117 60

HSL 89.47, 0.32%, 0.35%

LAB 45.87, -20.85, 28.08

 

CMYK 0 / 28 / 49 / 54

HEX #75543C

RGB 117 84 60

HSL 25.26, 0.32%, 0.35%

LAB 38.64, 10.52, 19.4

 

CMYK 0 / 39 / 65 / 48

HEX #84512E

RGB 132 81 46

HSL 24.42, 0.48%, 0.35%

LAB 39.56, 17.81, 29.18

 

CMYK 0 / 47 / 79 / 43

HEX #924E1F

RGB 146 78 31

HSL 24.52, 0.65%, 0.35%

LAB 40.67, 24.89, 38.92

 

CMYK 0 / 53 / 89 / 37

HEX #A14C11

RGB 161 76 17

HSL 24.58, 0.81%, 0.35%

LAB 42.44, 31.92, 47.28

 

CMYK 0 / 58 / 99 / 31

HEX #AF4902

RGB 175 73 2

HSL 24.62, 0.98%, 0.35%

LAB 44.07, 38.85, 53.78

 

CMYK 0 / 28 / 49 / 54

HEX #75543C

RGB 117 84 60

HSL 25.26, 0.32%, 0.35%

LAB 38.64, 10.52, 19.4

 

CMYK 0 / 17 / 27 / 60

HEX #67564B

RGB 103 86 75

HSL 23.57, 0.16%, 0.35%

LAB 37.93, 5.09, 9.01

 

CMYK 1 / 0 / 0 / 65

HEX #585959

RGB 88 89 89

HSL 180, 0.01%, 0.35%

LAB 37.74, -0.4, -0.14

 

CMYK 29 / 13 / 0 / 59

HEX #4A5B68

RGB 74 91 104

HSL 206, 0.17%, 0.35%

LAB 37.73, -3.16, -9.58

 

CMYK 49 / 20 / 0 / 54

HEX #3C5E76

RGB 60 94 118

HSL 204.83, 0.33%, 0.35%

LAB 38.33, -5.14, -17.38

 

CMYK 0 / 49 / 42 / 54

HEX #753C44

RGB 117 60 68

HSL 351.58, 0.32%, 0.35%

LAB 32.77, 25.8, 6.42

 

CMYK 0 / 42 / 49 / 54

HEX #75443C

RGB 117 68 60

HSL 8.42, 0.32%, 0.35%

LAB 34.48, 20.15, 13.89

 

CMYK 0 / 29 / 49 / 54

HEX #75533C

RGB 117 83 60

HSL 24.21, 0.32%, 0.35%

LAB 38.37, 11.12, 19.05

 

CMYK 0 / 16 / 49 / 54

HEX #75623C

RGB 117 98 60

HSL 40, 0.32%, 0.35%

LAB 42.53, 2.13, 24.4

 

CMYK 0 / 3 / 49 / 54

HEX #75723C

RGB 117 114 60

HSL 56.84, 0.32%, 0.35%

LAB 47.16, -7.13, 30.16

 

CMYK 0 / 29 / 49 / 75

HEX #3F2D20

RGB 63 45 32

HSL 25.16, 0.33%, 0.19%

LAB 20.19, 6.26, 11.63

 

CMYK 0 / 29 / 49 / 65

HEX #5A402E

RGB 90 64 46

HSL 24.55, 0.32%, 0.27%

LAB 29.51, 8.77, 15.45

 

CMYK 0 / 28 / 49 / 54

HEX #75543C

RGB 117 84 60

HSL 25.26, 0.32%, 0.35%

LAB 38.64, 10.52, 19.4

 

CMYK 0 / 29 / 49 / 43

HEX #91674A

RGB 145 103 74

HSL 24.51, 0.32%, 0.43%

LAB 47.25, 13.22, 23.01

 

CMYK 0 / 28 / 47 / 33

HEX #AA7B5A

RGB 170 123 90

HSL 24.75, 0.32%, 0.51%

LAB 55.53, 14.17, 25.22

 

CMYK 0 / 28 / 48 / 55

HEX #74533C

RGB 116 83 60

HSL 24.64, 0.32%, 0.35%

LAB 38.24, 10.67, 18.87

 

CMYK 29 / 0 / 49 / 54

HEX #53753C

RGB 83 117 60

HSL 95.79, 0.32%, 0.35%

LAB 45.48, -23.24, 27.51

 

CMYK 49 / 49 / 0 / 54

HEX #3C3C75

RGB 60 60 117

HSL 240, 0.32%, 0.35%

LAB 28.05, 16.57, -32.86

 

CMYK 0 / 28 / 48 / 55

HEX #74533C

RGB 116 83 60

HSL 24.64, 0.32%, 0.35%

LAB 38.24, 10.67, 18.87

 

CMYK 49 / 0 / 29 / 54

HEX #3C7553

RGB 60 117 83

HSL 144.21, 0.32%, 0.35%

LAB 44.67, -27.17, 13.1

 

CMYK 29 / 49 / 0 / 54

HEX #533C75

RGB 83 60 117

HSL 264.21, 0.32%, 0.35%

LAB 30.29, 23.13, -29.16

 

CMYK 0 / 28 / 48 / 55

HEX #74533C

RGB 116 83 60

HSL 24.64, 0.32%, 0.35%

LAB 38.24, 10.67, 18.87

 

CMYK 29 / 0 / 49 / 54

HEX #53753C

RGB 83 117 60

HSL 95.79, 0.32%, 0.35%

LAB 45.48, -23.24, 27.51

 

CMYK 49 / 20 / 0 / 54

HEX #3C5E75

RGB 60 94 117

HSL 204.21, 0.32%, 0.35%

LAB 38.29, -5.46, -16.83

 

CMYK 20 / 49 / 0 / 54

HEX #5E3C75

RGB 94 60 117

HSL 275.79, 0.32%, 0.35%

LAB 31.57, 26.54, -27.06

 

CMYK 0 / 28 / 48 / 55

HEX #74533C

RGB 116 83 60

HSL 24.64, 0.32%, 0.35%

LAB 38.24, 10.67, 18.87

 

CMYK 44 / 0 / 49 / 54

HEX #42753C

RGB 66 117 60

HSL 113.68, 0.32%, 0.35%

LAB 44.53, -29.48, 26.11

 

CMYK 49 / 20 / 0 / 54

HEX #3C5E75

RGB 60 94 117

HSL 204.21, 0.32%, 0.35%

LAB 38.29, -5.46, -16.83

 

CMYK 4 / 49 / 0 / 54

HEX #703C75

RGB 112 60 117

HSL 294.74, 0.32%, 0.35%

LAB 33.9, 32.27, -23.24

 

Description

Color code: HEX #74533C | qconv.com Color code: HEX #74533C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 83 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 83 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 48 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 48% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - BCF한국지사 애니메드 공식블로그 :...
Link: http://animed.kr

16% - Volunteering Abroad ...
Link: http://www.over50andoverseas.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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