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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #745D5B it is the complementary color #8BA2A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #745D5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #745D5B shade: #795D56, #8A6F69, #9B817C, #AC938F and #BDA5A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #745D5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #745D5B shade: #745D5B, #634B48, #523935, #412722 and #30150F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #745D5B shade: #755E5C and #755C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #745D5B shade: #755E5C, #75645C, #756B5C, #75725C and #71755C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #745D5B shade matches the following richer shades: #755E5C, #864F4B, #96413A, #A73329 and #B82518

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #745D5B shade: #755E5C, #646C6C, #537A7D, #42888E and #31969F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #745D5B shade: #755C67, #755C61, #755D5C, #75645C and #756B5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #745D5B shade: #463837, #5D4B49, #755E5C, #8C706E and #9E8684

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #745D5B shade: #745D5B, #6E755C and #5C6475

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #745D5B shade: #745D5B, #5C755D and #5D5C75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #745D5B shade: #745D5B, #6E755C, #5C7375 and #625C75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #745D5B shade: #745D5B, #66755C, #5C7375 and #6A5C75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 22 / 55

HEX #745D5B

RGB 116 93 91

HSL 4.8, 0.12%, 0.41%

LAB 41.68, 9.01, 4.68

 

Complementary color

CMYK 15 / 1 / 0 / 36

HEX #8BA2A4

RGB 139 162 164

HSL 184.8, 0.12%, 0.59%

LAB 64.97, -7.57, -3.74

 

CMYK 0 / 23 / 29 / 53

HEX #795D56

RGB 121 93 86

HSL 12, 0.17%, 0.41%

LAB 42.1, 10.31, 8.4

 

CMYK 0 / 20 / 24 / 46

HEX #8A6F69

RGB 138 111 105

HSL 10.91, 0.14%, 0.48%

LAB 49.24, 9.67, 7.36

 

CMYK 0 / 17 / 20 / 39

HEX #9B817C

RGB 155 129 124

HSL 9.68, 0.13%, 0.55%

LAB 56.21, 9.13, 6.42

 

CMYK 0 / 15 / 17 / 33

HEX #AC938F

RGB 172 147 143

HSL 8.28, 0.15%, 0.62%

LAB 63.03, 8.66, 5.56

 

CMYK 0 / 13 / 14 / 26

HEX #BDA5A2

RGB 189 165 162

HSL 6.67, 0.17%, 0.69%

LAB 69.71, 8.24, 4.76

 

CMYK 0 / 20 / 22 / 55

HEX #745D5B

RGB 116 93 91

HSL 4.8, 0.12%, 0.41%

LAB 41.68, 9.01, 4.68

 

CMYK 0 / 24 / 27 / 61

HEX #634B48

RGB 99 75 72

HSL 6.67, 0.16%, 0.34%

LAB 34.3, 9.66, 5.7

 

CMYK 0 / 30 / 35 / 68

HEX #523935

RGB 82 57 53

HSL 8.28, 0.21%, 0.26%

LAB 26.67, 10.47, 6.89

 

CMYK 0 / 40 / 48 / 75

HEX #412722

RGB 65 39 34

HSL 9.68, 0.31%, 0.19%

LAB 18.76, 11.53, 8.38

 

CMYK 0 / 56 / 69 / 81

HEX #30150F

RGB 48 21 15

HSL 10.91, 0.52%, 0.12%

LAB 10.55, 12.98, 9.6

 

CMYK 0 / 20 / 21 / 54

HEX #755E5C

RGB 117 94 92

HSL 4.8, 0.12%, 0.41%

LAB 42.09, 8.99, 4.67

 

CMYK 0 / 21 / 21 / 54

HEX #755C5C

RGB 117 92 92

HSL 0, 0.12%, 0.41%

LAB 41.55, 10.2, 3.89

 

CMYK 0 / 20 / 21 / 54

HEX #755E5C

RGB 117 94 92

HSL 4.8, 0.12%, 0.41%

LAB 42.09, 8.99, 4.67

 

CMYK 0 / 15 / 21 / 54

HEX #75645C

RGB 117 100 92

HSL 19.2, 0.12%, 0.41%

LAB 43.75, 5.39, 7.04

 

CMYK 0 / 9 / 21 / 54

HEX #756B5C

RGB 117 107 92

HSL 36, 0.12%, 0.41%

LAB 45.73, 1.24, 9.83

 

CMYK 0 / 3 / 21 / 54

HEX #75725C

RGB 117 114 92

HSL 52.8, 0.12%, 0.41%

LAB 47.74, -2.83, 12.63

 

CMYK 3 / 0 / 21 / 54

HEX #71755C

RGB 113 117 92

HSL 69.6, 0.12%, 0.41%

LAB 48.27, -6.2, 13.31

 

CMYK 0 / 20 / 21 / 54

HEX #755E5C

RGB 117 94 92

HSL 4.8, 0.12%, 0.41%

LAB 42.09, 8.99, 4.67

 

CMYK 0 / 41 / 44 / 47

HEX #864F4B

RGB 134 79 75

HSL 4.07, 0.28%, 0.41%

LAB 39.86, 22.63, 12.27

 

CMYK 0 / 57 / 61 / 41

HEX #96413A

RGB 150 65 58

HSL 4.57, 0.44%, 0.41%

LAB 38.85, 35.18, 21.81

 

CMYK 0 / 69 / 75 / 35

HEX #A73329

RGB 167 51 41

HSL 4.76, 0.61%, 0.41%

LAB 39.14, 46.87, 33.05

 

CMYK 0 / 80 / 87 / 28

HEX #B82518

RGB 184 37 24

HSL 4.88, 0.77%, 0.41%

LAB 40.54, 56.6, 44.59

 

CMYK 0 / 20 / 21 / 54

HEX #755E5C

RGB 117 94 92

HSL 4.8, 0.12%, 0.41%

LAB 42.09, 8.99, 4.67

 

CMYK 7 / 0 / 0 / 58

HEX #646C6C

RGB 100 108 108

HSL 180, 0.04%, 0.41%

LAB 44.97, -3.04, -1.05

 

CMYK 34 / 2 / 0 / 51

HEX #537A7D

RGB 83 122 125

HSL 184.29, 0.2%, 0.41%

LAB 48.56, -12.79, -6.01

 

CMYK 54 / 4 / 0 / 44

HEX #42888E

RGB 66 136 142

HSL 184.74, 0.37%, 0.41%

LAB 52.64, -20.17, -9.96

 

CMYK 69 / 6 / 0 / 38

HEX #31969F

RGB 49 150 159

HSL 184.91, 0.53%, 0.41%

LAB 57.05, -25.44, -13.18

 

CMYK 0 / 21 / 12 / 54

HEX #755C67

RGB 117 92 103

HSL 333.6, 0.12%, 0.41%

LAB 41.87, 12.16, -2.38

 

CMYK 0 / 21 / 17 / 54

HEX #755C61

RGB 117 92 97

HSL 348, 0.12%, 0.41%

LAB 41.69, 11.06, 1.03

 

CMYK 0 / 21 / 21 / 54

HEX #755D5C

RGB 117 93 92

HSL 2.4, 0.12%, 0.41%

LAB 41.82, 9.59, 4.28

 

CMYK 0 / 15 / 21 / 54

HEX #75645C

RGB 117 100 92

HSL 19.2, 0.12%, 0.41%

LAB 43.75, 5.39, 7.04

 

CMYK 0 / 9 / 21 / 54

HEX #756B5C

RGB 117 107 92

HSL 36, 0.12%, 0.41%

LAB 45.73, 1.24, 9.83

 

CMYK 0 / 20 / 21 / 73

HEX #463837

RGB 70 56 55

HSL 4, 0.12%, 0.25%

LAB 24.97, 6, 2.95

 

CMYK 0 / 19 / 22 / 64

HEX #5D4B49

RGB 93 75 73

HSL 6, 0.12%, 0.33%

LAB 33.65, 7.23, 4.05

 

CMYK 0 / 20 / 21 / 54

HEX #755E5C

RGB 117 94 92

HSL 4.8, 0.12%, 0.41%

LAB 42.09, 8.99, 4.67

 

CMYK 0 / 20 / 21 / 45

HEX #8C706E

RGB 140 112 110

HSL 4, 0.12%, 0.49%

LAB 49.85, 10.69, 5.29

 

CMYK 0 / 15 / 16 / 38

HEX #9E8684

RGB 158 134 132

HSL 4.62, 0.12%, 0.57%

LAB 58.02, 8.77, 4.45

 

CMYK 0 / 20 / 22 / 55

HEX #745D5B

RGB 116 93 91

HSL 4.8, 0.12%, 0.41%

LAB 41.68, 9.01, 4.68

 

CMYK 6 / 0 / 21 / 54

HEX #6E755C

RGB 110 117 92

HSL 76.8, 0.12%, 0.41%

LAB 48.02, -7.42, 12.93

 

CMYK 21 / 15 / 0 / 54

HEX #5C6475

RGB 92 100 117

HSL 220.8, 0.12%, 0.41%

LAB 42.27, 0.94, -10.58

 

CMYK 0 / 20 / 22 / 55

HEX #745D5B

RGB 116 93 91

HSL 4.8, 0.12%, 0.41%

LAB 41.68, 9.01, 4.68

 

CMYK 21 / 0 / 21 / 54

HEX #5C755D

RGB 92 117 93

HSL 122.4, 0.12%, 0.41%

LAB 46.7, -14.28, 10.3

 

CMYK 21 / 21 / 0 / 54

HEX #5D5C75

RGB 93 92 117

HSL 242.4, 0.12%, 0.41%

LAB 40.02, 6.19, -13.97

 

CMYK 0 / 20 / 22 / 55

HEX #745D5B

RGB 116 93 91

HSL 4.8, 0.12%, 0.41%

LAB 41.68, 9.01, 4.68

 

CMYK 6 / 0 / 21 / 54

HEX #6E755C

RGB 110 117 92

HSL 76.8, 0.12%, 0.41%

LAB 48.02, -7.42, 12.93

 

CMYK 21 / 2 / 0 / 54

HEX #5C7375

RGB 92 115 117

HSL 184.8, 0.12%, 0.41%

LAB 46.74, -7.92, -3.9

 

CMYK 16 / 21 / 0 / 54

HEX #625C75

RGB 98 92 117

HSL 254.4, 0.12%, 0.41%

LAB 40.47, 7.96, -13.25

 

CMYK 0 / 20 / 22 / 55

HEX #745D5B

RGB 116 93 91

HSL 4.8, 0.12%, 0.41%

LAB 41.68, 9.01, 4.68

 

CMYK 13 / 0 / 21 / 54

HEX #66755C

RGB 102 117 92

HSL 96, 0.12%, 0.41%

LAB 47.39, -10.62, 11.96

 

CMYK 21 / 2 / 0 / 54

HEX #5C7375

RGB 92 115 117

HSL 184.8, 0.12%, 0.41%

LAB 46.74, -7.92, -3.9

 

CMYK 9 / 21 / 0 / 54

HEX #6A5C75

RGB 106 92 117

HSL 273.6, 0.12%, 0.41%

LAB 41.22, 10.86, -12.04

 

Description

Color code: HEX #745D5B | qconv.com Color code: HEX #745D5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 93 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 93 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 22 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 22% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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