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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #746265 it is the complementary color #8B9D9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #746265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #746265 shade: #796260, #8A7473, #9B8686, #AC9899 and #BDAAAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #746265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #746265 shade: #746265, #635052, #523E3F, #412C2C and #301A19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #746265 shade: #736265 and #736262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #746265 shade: #736265, #73626A, #73626E, #736273 and #6F6273

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #746265 shade matches the following richer shades: #736265, #845159, #963F4E, #A72E42 and #B81D37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #746265 shade: #736265, #627370, #51857C, #3F9688 and #2EA793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #746265 shade: #73626E, #736269, #736265, #736462 and #736862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #746265 shade: #473C3E, #5D4F51, #736265, #897578 and #9C8B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #746265 shade: #746265, #737362 and #626C73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #746265 shade: #746265, #657362 and #626573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #746265 shade: #746265, #737362, #627370 and #636273

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #746265 shade: #746265, #6D7362, #627370 and #686273

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 13 / 55

HEX #746265

RGB 116 98 101

HSL 350, 0.08%, 0.42%

LAB 43.34, 7.76, 0.98

 

Complementary color

CMYK 11 / 0 / 2 / 38

HEX #8B9D9A

RGB 139 157 154

HSL 170, 0.08%, 0.58%

LAB 63.29, -6.96, -0.6

 

CMYK 0 / 19 / 21 / 53

HEX #796260

RGB 121 98 96

HSL 4.8, 0.12%, 0.43%

LAB 43.72, 8.92, 4.63

 

CMYK 0 / 16 / 17 / 46

HEX #8A7473

RGB 138 116 115

HSL 2.61, 0.09%, 0.5%

LAB 50.84, 8.4, 3.74

 

CMYK 0 / 14 / 14 / 39

HEX #9B8686

RGB 155 134 134

HSL 0, 0.1%, 0.57%

LAB 57.79, 7.95, 2.93

 

CMYK 0 / 12 / 11 / 33

HEX #AC9899

RGB 172 152 153

HSL 357, 0.11%, 0.64%

LAB 64.59, 7.55, 2.18

 

CMYK 0 / 10 / 9 / 26

HEX #BDAAAC

RGB 189 170 172

HSL 353.68, 0.13%, 0.7%

LAB 71.25, 7.2, 1.46

 

CMYK 0 / 16 / 13 / 55

HEX #746265

RGB 116 98 101

HSL 350, 0.08%, 0.42%

LAB 43.34, 7.76, 0.98

 

CMYK 0 / 19 / 17 / 61

HEX #635052

RGB 99 80 82

HSL 353.68, 0.11%, 0.35%

LAB 35.98, 8.28, 1.81

 

CMYK 0 / 24 / 23 / 68

HEX #523E3F

RGB 82 62 63

HSL 357, 0.14%, 0.28%

LAB 28.37, 8.91, 2.75

 

CMYK 0 / 32 / 32 / 75

HEX #412C2C

RGB 65 44 44

HSL 0, 0.19%, 0.21%

LAB 20.47, 9.72, 3.87

 

CMYK 0 / 46 / 48 / 81

HEX #301A19

RGB 48 26 25

HSL 2.61, 0.32%, 0.14%

LAB 12.2, 10.81, 5.34

 

CMYK 0 / 15 / 12 / 55

HEX #736265

RGB 115 98 101

HSL 349.41, 0.08%, 0.42%

LAB 43.24, 7.36, 0.82

 

CMYK 0 / 15 / 15 / 55

HEX #736262

RGB 115 98 98

HSL 0, 0.08%, 0.42%

LAB 43.16, 6.81, 2.52

 

CMYK 0 / 15 / 12 / 55

HEX #736265

RGB 115 98 101

HSL 349.41, 0.08%, 0.42%

LAB 43.24, 7.36, 0.82

 

CMYK 0 / 15 / 8 / 55

HEX #73626A

RGB 115 98 106

HSL 331.76, 0.08%, 0.42%

LAB 43.39, 8.31, -2

 

CMYK 0 / 15 / 4 / 55

HEX #73626E

RGB 115 98 110

HSL 317.65, 0.08%, 0.42%

LAB 43.52, 9.1, -4.25

 

CMYK 0 / 15 / 0 / 55

HEX #736273

RGB 115 98 115

HSL 300, 0.08%, 0.42%

LAB 43.68, 10.12, -7.04

 

CMYK 3 / 15 / 0 / 55

HEX #6F6273

RGB 111 98 115

HSL 285.88, 0.08%, 0.42%

LAB 43.29, 8.61, -7.66

 

CMYK 0 / 15 / 12 / 55

HEX #736265

RGB 115 98 101

HSL 349.41, 0.08%, 0.42%

LAB 43.24, 7.36, 0.82

 

CMYK 0 / 39 / 33 / 48

HEX #845159

RGB 132 81 89

HSL 350.59, 0.24%, 0.42%

LAB 40.43, 22.46, 4.37

 

CMYK 0 / 58 / 48 / 41

HEX #963F4E

RGB 150 63 78

HSL 349.66, 0.41%, 0.42%

LAB 38.88, 37.97, 9.4

 

CMYK 0 / 72 / 60 / 35

HEX #A72E42

RGB 167 46 66

HSL 350.08, 0.57%, 0.42%

LAB 38.83, 50.23, 17.39

 

CMYK 0 / 84 / 70 / 28

HEX #B81D37

RGB 184 29 55

HSL 349.94, 0.73%, 0.42%

LAB 40.16, 59.72, 26.65

 

CMYK 0 / 15 / 12 / 55

HEX #736265

RGB 115 98 101

HSL 349.41, 0.08%, 0.42%

LAB 43.24, 7.36, 0.82

 

CMYK 15 / 0 / 3 / 55

HEX #627370

RGB 98 115 112

HSL 169.41, 0.08%, 0.42%

LAB 47.01, -6.96, -0.47

 

CMYK 39 / 0 / 7 / 48

HEX #51857C

RGB 81 133 124

HSL 169.62, 0.24%, 0.42%

LAB 51.81, -19.61, -0.64

 

CMYK 58 / 0 / 9 / 41

HEX #3F9688

RGB 63 150 136

HSL 170.34, 0.41%, 0.42%

LAB 56.73, -29.58, -0.46

 

CMYK 72 / 0 / 12 / 35

HEX #2EA793

RGB 46 167 147

HSL 170.08, 0.57%, 0.42%

LAB 61.93, -37.48, 0.86

 

CMYK 0 / 15 / 4 / 55

HEX #73626E

RGB 115 98 110

HSL 317.65, 0.08%, 0.42%

LAB 43.52, 9.1, -4.25

 

CMYK 0 / 15 / 9 / 55

HEX #736269

RGB 115 98 105

HSL 335.29, 0.08%, 0.42%

LAB 43.36, 8.12, -1.44

 

CMYK 0 / 15 / 12 / 55

HEX #736265

RGB 115 98 101

HSL 349.41, 0.08%, 0.42%

LAB 43.24, 7.36, 0.82

 

CMYK 0 / 13 / 15 / 55

HEX #736462

RGB 115 100 98

HSL 7.06, 0.08%, 0.42%

LAB 43.71, 5.61, 3.33

 

CMYK 0 / 10 / 15 / 55

HEX #736862

RGB 115 104 98

HSL 21.18, 0.08%, 0.42%

LAB 44.84, 3.23, 4.95

 

CMYK 0 / 15 / 13 / 72

HEX #473C3E

RGB 71 60 62

HSL 349.09, 0.08%, 0.26%

LAB 26.5, 5.19, 0.54

 

CMYK 0 / 15 / 13 / 64

HEX #5D4F51

RGB 93 79 81

HSL 351.43, 0.08%, 0.34%

LAB 35.03, 6.2, 0.98

 

CMYK 0 / 15 / 12 / 55

HEX #736265

RGB 115 98 101

HSL 349.41, 0.08%, 0.42%

LAB 43.24, 7.36, 0.82

 

CMYK 0 / 15 / 12 / 46

HEX #897578

RGB 137 117 120

HSL 351, 0.08%, 0.5%

LAB 51.15, 8.3, 1.23

 

CMYK 0 / 11 / 9 / 39

HEX #9C8B8E

RGB 156 139 142

HSL 349.41, 0.08%, 0.58%

LAB 59.42, 6.91, 0.72

 

CMYK 0 / 16 / 13 / 55

HEX #746265

RGB 116 98 101

HSL 350, 0.08%, 0.42%

LAB 43.34, 7.76, 0.98

 

CMYK 0 / 0 / 15 / 55

HEX #737362

RGB 115 115 98

HSL 60, 0.08%, 0.42%

LAB 47.99, -3.21, 9.42

 

CMYK 15 / 6 / 0 / 55

HEX #626C73

RGB 98 108 115

HSL 204.71, 0.08%, 0.42%

LAB 45.03, -2.2, -5.19

 

CMYK 0 / 16 / 13 / 55

HEX #746265

RGB 116 98 101

HSL 350, 0.08%, 0.42%

LAB 43.34, 7.76, 0.98

 

CMYK 12 / 0 / 15 / 55

HEX #657362

RGB 101 115 98

HSL 109.41, 0.08%, 0.42%

LAB 46.86, -8.76, 7.66

 

CMYK 15 / 12 / 0 / 55

HEX #626573

RGB 98 101 115

HSL 229.41, 0.08%, 0.42%

LAB 42.98, 1.98, -8.25

 

CMYK 0 / 16 / 13 / 55

HEX #746265

RGB 116 98 101

HSL 350, 0.08%, 0.42%

LAB 43.34, 7.76, 0.98

 

CMYK 0 / 0 / 15 / 55

HEX #737362

RGB 115 115 98

HSL 60, 0.08%, 0.42%

LAB 47.99, -3.21, 9.42

 

CMYK 15 / 0 / 3 / 55

HEX #627370

RGB 98 115 112

HSL 169.41, 0.08%, 0.42%

LAB 47.01, -6.96, -0.47

 

CMYK 14 / 15 / 0 / 55

HEX #636273

RGB 99 98 115

HSL 243.53, 0.08%, 0.42%

LAB 42.19, 4.16, -9.42

 

CMYK 0 / 16 / 13 / 55

HEX #746265

RGB 116 98 101

HSL 350, 0.08%, 0.42%

LAB 43.34, 7.76, 0.98

 

CMYK 5 / 0 / 15 / 55

HEX #6D7362

RGB 109 115 98

HSL 81.18, 0.08%, 0.42%

LAB 47.49, -5.62, 8.64

 

CMYK 15 / 0 / 3 / 55

HEX #627370

RGB 98 115 112

HSL 169.41, 0.08%, 0.42%

LAB 47.01, -6.96, -0.47

 

CMYK 10 / 15 / 0 / 55

HEX #686273

RGB 104 98 115

HSL 261.18, 0.08%, 0.42%

LAB 42.64, 6, -8.71

 

Description

Color code: HEX #746265 | qconv.com Color code: HEX #746265 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 98 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 98 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 13 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 13% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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