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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74629A it is the complementary color #8B9D65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74629A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74629A shade: #796295, #8A74A8, #9B86BB, #AC98CE and #BDAAE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74629A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74629A shade: #74629A, #635087, #523E74, #412C61 and #301A4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74629A shade: #736198, #816198, #906198, #986191 and #986182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74629A shade: #736198, #646198 and #616198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74629A shade matches the following richer shades: #736198, #6B4DAC, #6439C0, #5D24D5 and #5610E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74629A shade: #736198, #7A7584, #818970, #889E5B and #90B247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74629A shade: #616D98, #646198, #726198, #816198 and #906198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74629A shade: #4D4166, #60517F, #736198, #8879A9 and #9F92B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74629A shade: #74629A, #98617C and #669861

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74629A shade: #74629A, #987261 and #619872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74629A shade: #74629A, #98617C, #879861 and #61987D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74629A shade: #74629A, #98616B, #879861 and #61988E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 36 / 0 / 40

HEX #74629A

RGB 116 98 154

HSL 259.29, 0.22%, 0.49%

LAB 45.33, 19.55, -27.92

 

Complementary color

CMYK 11 / 0 / 36 / 38

HEX #8B9D65

RGB 139 157 101

HSL 79.29, 0.22%, 0.51%

LAB 62.12, -16.13, 27.23

 

CMYK 19 / 34 / 0 / 42

HEX #796295

RGB 121 98 149

HSL 267.06, 0.21%, 0.48%

LAB 45.59, 19.92, -24.51

 

CMYK 18 / 31 / 0 / 34

HEX #8A74A8

RGB 138 116 168

HSL 265.38, 0.23%, 0.56%

LAB 52.64, 19.25, -24.64

 

CMYK 17 / 28 / 0 / 27

HEX #9B86BB

RGB 155 134 187

HSL 263.77, 0.28%, 0.63%

LAB 59.53, 18.65, -24.8

 

CMYK 17 / 26 / 0 / 19

HEX #AC98CE

RGB 172 152 206

HSL 262.22, 0.36%, 0.7%

LAB 66.28, 18.11, -24.98

 

CMYK 16 / 24 / 0 / 12

HEX #BDAAE1

RGB 189 170 225

HSL 260.73, 0.48%, 0.77%

LAB 72.89, 17.62, -25.18

 

CMYK 25 / 36 / 0 / 40

HEX #74629A

RGB 116 98 154

HSL 259.29, 0.22%, 0.49%

LAB 45.33, 19.55, -27.92

 

CMYK 27 / 41 / 0 / 47

HEX #635087

RGB 99 80 135

HSL 260.73, 0.26%, 0.42%

LAB 38.09, 20.35, -27.93

 

CMYK 29 / 47 / 0 / 55

HEX #523E74

RGB 82 62 116

HSL 262.22, 0.3%, 0.35%

LAB 30.64, 21.28, -27.99

 

CMYK 33 / 55 / 0 / 62

HEX #412C61

RGB 65 44 97

HSL 263.77, 0.38%, 0.28%

LAB 22.96, 22.35, -28.09

 

CMYK 38 / 67 / 0 / 69

HEX #301A4E

RGB 48 26 78

HSL 265.38, 0.5%, 0.2%

LAB 15.05, 23.55, -28.17

 

CMYK 24 / 36 / 0 / 40

HEX #736198

RGB 115 97 152

HSL 259.64, 0.22%, 0.49%

LAB 44.89, 19.34, -27.44

 

CMYK 15 / 36 / 0 / 40

HEX #816198

RGB 129 97 152

HSL 274.91, 0.22%, 0.49%

LAB 46.29, 23.84, -25.15

 

CMYK 5 / 36 / 0 / 40

HEX #906198

RGB 144 97 152

HSL 291.27, 0.22%, 0.49%

LAB 47.94, 28.79, -22.47

 

CMYK 0 / 36 / 5 / 40

HEX #986191

RGB 152 97 145

HSL 307.64, 0.22%, 0.49%

LAB 48.6, 30.11, -17.22

 

CMYK 0 / 36 / 14 / 40

HEX #986182

RGB 152 97 130

HSL 324, 0.22%, 0.49%

LAB 48.05, 27.39, -9.1

 

CMYK 24 / 36 / 0 / 40

HEX #736198

RGB 115 97 152

HSL 259.64, 0.22%, 0.49%

LAB 44.89, 19.34, -27.44

 

CMYK 34 / 36 / 0 / 40

HEX #646198

RGB 100 97 152

HSL 243.27, 0.22%, 0.49%

LAB 43.54, 14.72, -29.63

 

CMYK 36 / 36 / 0 / 40

HEX #616198

RGB 97 97 152

HSL 240, 0.22%, 0.49%

LAB 43.3, 13.84, -30.04

 

CMYK 24 / 36 / 0 / 40

HEX #736198

RGB 115 97 152

HSL 259.64, 0.22%, 0.49%

LAB 44.89, 19.34, -27.44

 

CMYK 38 / 55 / 0 / 33

HEX #6B4DAC

RGB 107 77 172

HSL 258.95, 0.38%, 0.49%

LAB 40.27, 34.49, -46.68

 

CMYK 48 / 70 / 0 / 25

HEX #6439C0

RGB 100 57 192

HSL 259.11, 0.54%, 0.49%

LAB 36.82, 49.74, -64.09

 

CMYK 56 / 83 / 0 / 16

HEX #5D24D5

RGB 93 36 213

HSL 259.32, 0.71%, 0.49%

LAB 34.79, 63.65, -79.68

 

CMYK 63 / 93 / 0 / 9

HEX #5610E9

RGB 86 16 233

HSL 259.35, 0.87%, 0.49%

LAB 34.46, 73.46, -91.72

 

CMYK 24 / 36 / 0 / 40

HEX #736198

RGB 115 97 152

HSL 259.64, 0.22%, 0.49%

LAB 44.89, 19.34, -27.44

 

CMYK 8 / 11 / 0 / 48

HEX #7A7584

RGB 122 117 132

HSL 260, 0.06%, 0.49%

LAB 50.13, 5, -7.51

 

CMYK 6 / 0 / 18 / 46

HEX #818970

RGB 129 137 112

HSL 79.2, 0.1%, 0.49%

LAB 55.81, -7.64, 12.44

 

CMYK 14 / 0 / 42 / 38

HEX #889E5B

RGB 136 158 91

HSL 79.7, 0.27%, 0.49%

LAB 62.03, -19.15, 32.42

 

CMYK 19 / 0 / 60 / 30

HEX #90B247

RGB 144 178 71

HSL 79.07, 0.43%, 0.49%

LAB 68.19, -27.98, 49.7

 

CMYK 36 / 28 / 0 / 40

HEX #616D98

RGB 97 109 152

HSL 226.91, 0.22%, 0.49%

LAB 46.64, 6.46, -24.83

 

CMYK 34 / 36 / 0 / 40

HEX #646198

RGB 100 97 152

HSL 243.27, 0.22%, 0.49%

LAB 43.54, 14.72, -29.63

 

CMYK 25 / 36 / 0 / 40

HEX #726198

RGB 114 97 152

HSL 258.55, 0.22%, 0.49%

LAB 44.79, 19.02, -27.59

 

CMYK 15 / 36 / 0 / 40

HEX #816198

RGB 129 97 152

HSL 274.91, 0.22%, 0.49%

LAB 46.29, 23.84, -25.15

 

CMYK 5 / 36 / 0 / 40

HEX #906198

RGB 144 97 152

HSL 291.27, 0.22%, 0.49%

LAB 47.94, 28.79, -22.47

 

CMYK 25 / 36 / 0 / 60

HEX #4D4166

RGB 77 65 102

HSL 259.46, 0.22%, 0.33%

LAB 30.2, 13.87, -19.83

 

CMYK 24 / 36 / 0 / 50

HEX #60517F

RGB 96 81 127

HSL 259.57, 0.22%, 0.41%

LAB 37.67, 16.66, -23.71

 

CMYK 24 / 36 / 0 / 40

HEX #736198

RGB 115 97 152

HSL 259.64, 0.22%, 0.49%

LAB 44.89, 19.34, -27.44

 

CMYK 20 / 28 / 0 / 34

HEX #8879A9

RGB 136 121 169

HSL 258.75, 0.22%, 0.57%

LAB 53.79, 15.89, -23.47

 

CMYK 14 / 21 / 0 / 27

HEX #9F92B9

RGB 159 146 185

HSL 260, 0.22%, 0.65%

LAB 62.87, 12.65, -18.53

 

CMYK 25 / 36 / 0 / 40

HEX #74629A

RGB 116 98 154

HSL 259.29, 0.22%, 0.49%

LAB 45.33, 19.55, -27.92

 

CMYK 0 / 36 / 18 / 40

HEX #98617C

RGB 152 97 124

HSL 330.55, 0.22%, 0.49%

LAB 47.85, 26.37, -5.81

 

CMYK 33 / 0 / 36 / 40

HEX #669861

RGB 102 152 97

HSL 114.55, 0.22%, 0.49%

LAB 58.17, -28.05, 23.77

 

CMYK 25 / 36 / 0 / 40

HEX #74629A

RGB 116 98 154

HSL 259.29, 0.22%, 0.49%

LAB 45.33, 19.55, -27.92

 

CMYK 0 / 25 / 36 / 40

HEX #987261

RGB 152 114 97

HSL 18.55, 0.22%, 0.49%

LAB 51.35, 12.56, 15.24

 

CMYK 36 / 0 / 25 / 40

HEX #619872

RGB 97 152 114

HSL 138.55, 0.22%, 0.49%

LAB 58.24, -26.64, 14.37

 

CMYK 25 / 36 / 0 / 40

HEX #74629A

RGB 116 98 154

HSL 259.29, 0.22%, 0.49%

LAB 45.33, 19.55, -27.92

 

CMYK 0 / 36 / 18 / 40

HEX #98617C

RGB 152 97 124

HSL 330.55, 0.22%, 0.49%

LAB 47.85, 26.37, -5.81

 

CMYK 11 / 0 / 36 / 40

HEX #879861

RGB 135 152 97

HSL 78.55, 0.22%, 0.49%

LAB 60.31, -15.65, 26.98

 

CMYK 36 / 0 / 18 / 40

HEX #61987D

RGB 97 152 125

HSL 150.55, 0.22%, 0.49%

LAB 58.49, -24.37, 8.52

 

CMYK 25 / 36 / 0 / 40

HEX #74629A

RGB 116 98 154

HSL 259.29, 0.22%, 0.49%

LAB 45.33, 19.55, -27.92

 

CMYK 0 / 36 / 30 / 40

HEX #98616B

RGB 152 97 107

HSL 349.09, 0.22%, 0.49%

LAB 47.35, 23.73, 3.67

 

CMYK 11 / 0 / 36 / 40

HEX #879861

RGB 135 152 97

HSL 78.55, 0.22%, 0.49%

LAB 60.31, -15.65, 26.98

 

CMYK 36 / 0 / 7 / 40

HEX #61988E

RGB 97 152 142

HSL 169.09, 0.22%, 0.49%

LAB 58.93, -20.5, -0.5

 

Description

Color code: HEX #74629A | qconv.com Color code: HEX #74629A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 98 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 98 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 36 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 36% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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