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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #746E8F it is the complementary color #8B9170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #746E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #746E8F shade: #796E8A, #8A809D, #9B92B0, #ACA4C3 and #BDB6D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #746E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #746E8F shade: #746E8F, #635C7C, #524A69, #413856 and #302643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #746E8F shade: #746E90, #7D6E90, #866E90, #8F6E90 and #906E87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #746E8F shade: #746E90 and #6E6E90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #746E8F shade matches the following richer shades: #746E90, #675AA4, #5A45B9, #4D31CD and #401CE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #746E8F shade: #746E90, #82837B, #8F9866, #9CAC52 and #A9C13D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #746E8F shade: #6E7B90, #6E7290, #746E90, #7D6E90 and #866E90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #746E8F shade: #4F4B61, #625C78, #746E90, #8B86A2 and #A19DB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #746E8F shade: #746E8F, #906E83 and #76906E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #746E8F shade: #746E8F, #90746E and #6E9074

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #746E8F shade: #746E8F, #906E83, #8A906E and #6E907B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #746E8F shade: #746E8F, #906E79, #8A906E and #6E9085

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 23 / 0 / 44

HEX #746E8F

RGB 116 110 143

HSL 250.91, 0.13%, 0.5%

LAB 48.07, 9.57, -17.18

 

Complementary color

CMYK 4 / 0 / 23 / 43

HEX #8B9170

RGB 139 145 112

HSL 70.91, 0.13%, 0.5%

LAB 58.89, -8.11, 16.82

 

CMYK 12 / 20 / 0 / 46

HEX #796E8A

RGB 121 110 138

HSL 263.57, 0.11%, 0.49%

LAB 48.33, 10.13, -13.78

 

CMYK 12 / 18 / 0 / 38

HEX #8A809D

RGB 138 128 157

HSL 260.69, 0.13%, 0.56%

LAB 55.36, 9.71, -14.12

 

CMYK 12 / 17 / 0 / 31

HEX #9B92B0

RGB 155 146 176

HSL 258, 0.16%, 0.63%

LAB 62.22, 9.34, -14.47

 

CMYK 12 / 16 / 0 / 24

HEX #ACA4C3

RGB 172 164 195

HSL 255.48, 0.21%, 0.7%

LAB 68.94, 9.01, -14.83

 

CMYK 12 / 15 / 0 / 16

HEX #BDB6D6

RGB 189 182 214

HSL 253.13, 0.28%, 0.78%

LAB 75.53, 8.69, -15.19

 

CMYK 19 / 23 / 0 / 44

HEX #746E8F

RGB 116 110 143

HSL 250.91, 0.13%, 0.5%

LAB 48.07, 9.57, -17.18

 

CMYK 20 / 26 / 0 / 51

HEX #635C7C

RGB 99 92 124

HSL 253.13, 0.15%, 0.42%

LAB 40.84, 10.04, -16.96

 

CMYK 22 / 30 / 0 / 59

HEX #524A69

RGB 82 74 105

HSL 255.48, 0.17%, 0.35%

LAB 33.37, 10.58, -16.78

 

CMYK 24 / 35 / 0 / 66

HEX #413856

RGB 65 56 86

HSL 258, 0.21%, 0.28%

LAB 25.64, 11.24, -16.67

 

CMYK 28 / 43 / 0 / 74

HEX #302643

RGB 48 38 67

HSL 260.69, 0.28%, 0.21%

LAB 17.55, 12.07, -16.63

 

CMYK 19 / 24 / 0 / 44

HEX #746E90

RGB 116 110 144

HSL 250.59, 0.13%, 0.5%

LAB 48.11, 9.81, -17.71

 

CMYK 13 / 24 / 0 / 44

HEX #7D6E90

RGB 125 110 144

HSL 266.47, 0.13%, 0.5%

LAB 48.92, 12.89, -16.41

 

CMYK 7 / 24 / 0 / 44

HEX #866E90

RGB 134 110 144

HSL 282.35, 0.13%, 0.5%

LAB 49.78, 16.04, -15.01

 

CMYK 1 / 24 / 0 / 44

HEX #8F6E90

RGB 143 110 144

HSL 298.24, 0.13%, 0.5%

LAB 50.69, 19.23, -13.54

 

CMYK 0 / 24 / 6 / 44

HEX #906E87

RGB 144 110 135

HSL 315.88, 0.13%, 0.5%

LAB 50.49, 17.83, -8.52

 

CMYK 19 / 24 / 0 / 44

HEX #746E90

RGB 116 110 144

HSL 250.59, 0.13%, 0.5%

LAB 48.11, 9.81, -17.71

 

CMYK 24 / 24 / 0 / 44

HEX #6E6E90

RGB 110 110 144

HSL 240, 0.13%, 0.5%

LAB 47.6, 7.8, -18.53

 

CMYK 19 / 24 / 0 / 44

HEX #746E90

RGB 116 110 144

HSL 250.59, 0.13%, 0.5%

LAB 48.11, 9.81, -17.71

 

CMYK 37 / 45 / 0 / 36

HEX #675AA4

RGB 103 90 164

HSL 250.54, 0.29%, 0.5%

LAB 42.58, 23.31, -38.28

 

CMYK 51 / 63 / 0 / 27

HEX #5A45B9

RGB 90 69 185

HSL 250.86, 0.46%, 0.5%

LAB 37.72, 39.25, -58.55

 

CMYK 62 / 76 / 0 / 20

HEX #4D31CD

RGB 77 49 205

HSL 250.77, 0.61%, 0.5%

LAB 34.36, 54.2, -75.8

 

CMYK 72 / 88 / 0 / 11

HEX #401CE2

RGB 64 28 226

HSL 250.91, 0.78%, 0.5%

LAB 32.73, 67.52, -90.66

 

CMYK 19 / 24 / 0 / 44

HEX #746E90

RGB 116 110 144

HSL 250.59, 0.13%, 0.5%

LAB 48.11, 9.81, -17.71

 

CMYK 1 / 0 / 6 / 49

HEX #82837B

RGB 130 131 123

HSL 67.5, 0.03%, 0.5%

LAB 54.46, -1.92, 4.19

 

CMYK 6 / 0 / 33 / 40

HEX #8F9866

RGB 143 152 102

HSL 70.8, 0.2%, 0.5%

LAB 61.01, -11.76, 25.28

 

CMYK 9 / 0 / 52 / 33

HEX #9CAC52

RGB 156 172 82

HSL 70.67, 0.35%, 0.5%

LAB 67.41, -19.16, 43.89

 

CMYK 12 / 0 / 68 / 24

HEX #A9C13D

RGB 169 193 61

HSL 70.91, 0.52%, 0.5%

LAB 74.13, -25.83, 60.71

 

CMYK 24 / 15 / 0 / 44

HEX #6E7B90

RGB 110 123 144

HSL 217.06, 0.13%, 0.5%

LAB 51.26, 0.1, -12.96

 

CMYK 24 / 21 / 0 / 44

HEX #6E7290

RGB 110 114 144

HSL 232.94, 0.13%, 0.5%

LAB 48.71, 5.41, -16.83

 

CMYK 19 / 24 / 0 / 44

HEX #746E90

RGB 116 110 144

HSL 250.59, 0.13%, 0.5%

LAB 48.11, 9.81, -17.71

 

CMYK 13 / 24 / 0 / 44

HEX #7D6E90

RGB 125 110 144

HSL 266.47, 0.13%, 0.5%

LAB 48.92, 12.89, -16.41

 

CMYK 7 / 24 / 0 / 44

HEX #866E90

RGB 134 110 144

HSL 282.35, 0.13%, 0.5%

LAB 49.78, 16.04, -15.01

 

CMYK 19 / 23 / 0 / 62

HEX #4F4B61

RGB 79 75 97

HSL 250.91, 0.13%, 0.34%

LAB 33.04, 6.79, -12.26

 

CMYK 18 / 23 / 0 / 53

HEX #625C78

RGB 98 92 120

HSL 252.86, 0.13%, 0.42%

LAB 40.58, 8.69, -14.91

 

CMYK 19 / 24 / 0 / 44

HEX #746E90

RGB 116 110 144

HSL 250.59, 0.13%, 0.5%

LAB 48.11, 9.81, -17.71

 

CMYK 14 / 17 / 0 / 36

HEX #8B86A2

RGB 139 134 162

HSL 250.71, 0.13%, 0.58%

LAB 57.22, 7.7, -14.18

 

CMYK 10 / 12 / 0 / 30

HEX #A19DB3

RGB 161 157 179

HSL 250.91, 0.13%, 0.66%

LAB 65.71, 5.83, -10.87

 

CMYK 19 / 23 / 0 / 44

HEX #746E8F

RGB 116 110 143

HSL 250.91, 0.13%, 0.5%

LAB 48.07, 9.57, -17.18

 

CMYK 0 / 24 / 9 / 44

HEX #906E83

RGB 144 110 131

HSL 322.94, 0.13%, 0.5%

LAB 50.36, 17.08, -6.35

 

CMYK 18 / 0 / 24 / 44

HEX #76906E

RGB 118 144 110

HSL 105.88, 0.13%, 0.5%

LAB 57, -15.99, 15.1

 

CMYK 19 / 23 / 0 / 44

HEX #746E8F

RGB 116 110 143

HSL 250.91, 0.13%, 0.5%

LAB 48.07, 9.57, -17.18

 

CMYK 0 / 19 / 24 / 44

HEX #90746E

RGB 144 116 110

HSL 10.59, 0.13%, 0.5%

LAB 51.32, 9.98, 7.45

 

CMYK 24 / 0 / 19 / 44

HEX #6E9074

RGB 110 144 116

HSL 130.59, 0.13%, 0.5%

LAB 56.61, -17.78, 11.07

 

CMYK 19 / 23 / 0 / 44

HEX #746E8F

RGB 116 110 143

HSL 250.91, 0.13%, 0.5%

LAB 48.07, 9.57, -17.18

 

CMYK 0 / 24 / 9 / 44

HEX #906E83

RGB 144 110 131

HSL 322.94, 0.13%, 0.5%

LAB 50.36, 17.08, -6.35

 

CMYK 4 / 0 / 24 / 44

HEX #8A906E

RGB 138 144 110

HSL 70.59, 0.13%, 0.5%

LAB 58.49, -8.27, 17.38

 

CMYK 24 / 0 / 15 / 44

HEX #6E907B

RGB 110 144 123

HSL 142.94, 0.13%, 0.5%

LAB 56.77, -16.39, 7.31

 

CMYK 19 / 23 / 0 / 44

HEX #746E8F

RGB 116 110 143

HSL 250.91, 0.13%, 0.5%

LAB 48.07, 9.57, -17.18

 

CMYK 0 / 24 / 16 / 44

HEX #906E79

RGB 144 110 121

HSL 340.59, 0.13%, 0.5%

LAB 50.05, 15.29, -0.88

 

CMYK 4 / 0 / 24 / 44

HEX #8A906E

RGB 138 144 110

HSL 70.59, 0.13%, 0.5%

LAB 58.49, -8.27, 17.38

 

CMYK 24 / 0 / 8 / 44

HEX #6E9085

RGB 110 144 133

HSL 160.59, 0.13%, 0.5%

LAB 57.03, -14.27, 1.96

 

Description

Color code: HEX #746E8F | qconv.com Color code: HEX #746E8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 110 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 110 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 23 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 23% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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