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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #746F94 it is the complementary color #8B906B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #746F94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #746F94 shade: #796F8F, #8A81A2, #9B93B5, #ACA5C8 and #BDB7DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #746F94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #746F94 shade: #746F94, #635D81, #524B6E, #41395B and #302748

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #746F94 shade: #746F94, #7E6F94, #886F94, #926F94 and #946F8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #746F94 shade: #746F94 and #6F6F94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #746F94 shade matches the following richer shades: #746F94, #655BA9, #5646BD, #4832D1 and #391EE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #746F94 shade: #746F94, #838380, #91976C, #A0AB58 and #AFC043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #746F94 shade: #6F7E94, #6F7494, #746F94, #7E6F94 and #886F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #746F94 shade: #4F4B66, #615D7D, #746F94, #8B87A6 and #A29EB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #746F94 shade: #746F94, #946F88 and #79946F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #746F94 shade: #746F94, #94746F and #6F9474

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #746F94 shade: #746F94, #946F88, #8F946F and #6F947B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #746F94 shade: #746F94, #946F7D, #8F946F and #6F9487

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

Complementary color

CMYK 3 / 0 / 26 / 44

HEX #8B906B

RGB 139 144 107

HSL 68.11, 0.15%, 0.49%

LAB 58.51, -8.33, 19.11

 

CMYK 15 / 22 / 0 / 44

HEX #796F8F

RGB 121 111 143

HSL 258.75, 0.13%, 0.5%

LAB 48.78, 10.68, -16.05

 

CMYK 15 / 20 / 0 / 36

HEX #8A81A2

RGB 138 129 162

HSL 256.36, 0.15%, 0.57%

LAB 55.8, 10.25, -16.34

 

CMYK 14 / 19 / 0 / 29

HEX #9B93B5

RGB 155 147 181

HSL 254.12, 0.19%, 0.64%

LAB 62.65, 9.87, -16.64

 

CMYK 14 / 18 / 0 / 22

HEX #ACA5C8

RGB 172 165 200

HSL 252, 0.24%, 0.72%

LAB 69.36, 9.52, -16.95

 

CMYK 14 / 16 / 0 / 14

HEX #BDB7DB

RGB 189 183 219

HSL 250, 0.33%, 0.79%

LAB 75.95, 9.2, -17.28

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 23 / 28 / 0 / 49

HEX #635D81

RGB 99 93 129

HSL 250, 0.16%, 0.44%

LAB 41.32, 10.69, -19.26

 

CMYK 25 / 32 / 0 / 57

HEX #524B6E

RGB 82 75 110

HSL 252, 0.19%, 0.36%

LAB 33.88, 11.27, -19.14

 

CMYK 29 / 37 / 0 / 64

HEX #41395B

RGB 65 57 91

HSL 254.12, 0.23%, 0.29%

LAB 26.17, 11.98, -19.1

 

CMYK 33 / 46 / 0 / 72

HEX #302748

RGB 48 39 72

HSL 256.36, 0.3%, 0.22%

LAB 18.13, 12.88, -19.15

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 15 / 25 / 0 / 42

HEX #7E6F94

RGB 126 111 148

HSL 264.32, 0.15%, 0.51%

LAB 49.43, 13.56, -17.98

 

CMYK 8 / 25 / 0 / 42

HEX #886F94

RGB 136 111 148

HSL 280.54, 0.15%, 0.51%

LAB 50.38, 17.01, -16.43

 

CMYK 1 / 25 / 0 / 42

HEX #926F94

RGB 146 111 148

HSL 296.76, 0.15%, 0.51%

LAB 51.4, 20.52, -14.79

 

CMYK 0 / 25 / 5 / 42

HEX #946F8C

RGB 148 111 140

HSL 312.97, 0.15%, 0.51%

LAB 51.33, 19.67, -10.16

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 25 / 25 / 0 / 42

HEX #6F6F94

RGB 111 111 148

HSL 240, 0.15%, 0.51%

LAB 48.12, 8.54, -20.1

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 40 / 46 / 0 / 34

HEX #655BA9

RGB 101 91 169

HSL 247.69, 0.31%, 0.51%

LAB 42.93, 23.59, -40.68

 

CMYK 54 / 63 / 0 / 26

HEX #5646BD

RGB 86 70 189

HSL 248.07, 0.47%, 0.51%

LAB 37.9, 39.14, -60.62

 

CMYK 66 / 76 / 0 / 18

HEX #4832D1

RGB 72 50 209

HSL 248.3, 0.63%, 0.51%

LAB 34.52, 54.35, -77.86

 

CMYK 75 / 87 / 0 / 10

HEX #391EE5

RGB 57 30 229

HSL 248.14, 0.79%, 0.51%

LAB 32.82, 67.32, -92.22

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 0 / 0 / 2 / 49

HEX #838380

RGB 131 131 128

HSL 60, 0.01%, 0.51%

LAB 54.68, -0.58, 1.61

 

CMYK 4 / 0 / 28 / 41

HEX #91976C

RGB 145 151 108

HSL 68.37, 0.17%, 0.51%

LAB 60.99, -9.58, 21.99

 

CMYK 6 / 0 / 49 / 33

HEX #A0AB58

RGB 160 171 88

HSL 67.95, 0.33%, 0.51%

LAB 67.5, -16.42, 41.12

 

CMYK 9 / 0 / 65 / 25

HEX #AFC043

RGB 175 192 67

HSL 68.16, 0.5%, 0.51%

LAB 74.33, -22.49, 58.68

 

CMYK 25 / 15 / 0 / 42

HEX #6F7E94

RGB 111 126 148

HSL 215.68, 0.15%, 0.51%

LAB 52.33, -0.33, -13.68

 

CMYK 25 / 22 / 0 / 42

HEX #6F7494

RGB 111 116 148

HSL 231.89, 0.15%, 0.51%

LAB 49.51, 5.55, -17.97

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 15 / 25 / 0 / 42

HEX #7E6F94

RGB 126 111 148

HSL 264.32, 0.15%, 0.51%

LAB 49.43, 13.56, -17.98

 

CMYK 8 / 25 / 0 / 42

HEX #886F94

RGB 136 111 148

HSL 280.54, 0.15%, 0.51%

LAB 50.38, 17.01, -16.43

 

CMYK 23 / 26 / 0 / 60

HEX #4F4B66

RGB 79 75 102

HSL 248.89, 0.15%, 0.35%

LAB 33.25, 8.09, -15.1

 

CMYK 22 / 26 / 0 / 51

HEX #615D7D

RGB 97 93 125

HSL 247.5, 0.15%, 0.43%

LAB 40.98, 8.98, -17.37

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 16 / 19 / 0 / 35

HEX #8B87A6

RGB 139 135 166

HSL 247.74, 0.15%, 0.59%

LAB 57.63, 8.03, -15.86

 

CMYK 11 / 14 / 0 / 28

HEX #A29EB7

RGB 162 158 183

HSL 249.6, 0.15%, 0.67%

LAB 66.18, 6.46, -12.39

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 0 / 25 / 8 / 42

HEX #946F88

RGB 148 111 136

HSL 319.46, 0.15%, 0.51%

LAB 51.2, 18.92, -8.01

 

CMYK 18 / 0 / 25 / 42

HEX #79946F

RGB 121 148 111

HSL 103.78, 0.15%, 0.51%

LAB 58.41, -16.81, 16.51

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 0 / 22 / 25 / 42

HEX #94746F

RGB 148 116 111

HSL 8.11, 0.15%, 0.51%

LAB 51.76, 11.75, 7.55

 

CMYK 25 / 0 / 22 / 42

HEX #6F9474

RGB 111 148 116

HSL 128.11, 0.15%, 0.51%

LAB 57.87, -19.52, 12.84

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 0 / 25 / 8 / 42

HEX #946F88

RGB 148 111 136

HSL 319.46, 0.15%, 0.51%

LAB 51.2, 18.92, -8.01

 

CMYK 3 / 0 / 25 / 42

HEX #8F946F

RGB 143 148 111

HSL 68.11, 0.15%, 0.51%

LAB 60.04, -8.31, 19.01

 

CMYK 25 / 0 / 17 / 42

HEX #6F947B

RGB 111 148 123

HSL 139.46, 0.15%, 0.51%

LAB 58.03, -18.16, 9.11

 

CMYK 22 / 25 / 0 / 42

HEX #746F94

RGB 116 111 148

HSL 248.11, 0.15%, 0.51%

LAB 48.54, 10.19, -19.42

 

CMYK 0 / 25 / 16 / 42

HEX #946F7D

RGB 148 111 125

HSL 337.3, 0.15%, 0.51%

LAB 50.86, 16.94, -2.02

 

CMYK 3 / 0 / 25 / 42

HEX #8F946F

RGB 143 148 111

HSL 68.11, 0.15%, 0.51%

LAB 60.04, -8.31, 19.01

 

CMYK 25 / 0 / 9 / 42

HEX #6F9487

RGB 111 148 135

HSL 158.92, 0.15%, 0.51%

LAB 58.33, -15.64, 2.71

 

Description

Color code: HEX #746F94 | qconv.com Color code: HEX #746F94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 111 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 111 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 25 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 25% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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