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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #746FA4 it is the complementary color #8B905B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #746FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #746FA4 shade: #796F9F, #8A81B2, #9B93C5, #ACA5D8 and #BDB7EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #746FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #746FA4 shade: #746FA4, #635D91, #524B7E, #41396B and #302758

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #746FA4 shade: #736EA4, #826EA4, #906EA4, #9F6EA4 and #A46E9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #746FA4 shade: #736EA4 and #6E6EA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #746FA4 shade matches the following richer shades: #736EA4, #645BB7, #5548CA, #4535DD and #3622F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #746FA4 shade: #736EA4, #838191, #92947E, #A2A76B and #B1BA58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #746FA4 shade: #6E87A4, #6E78A4, #736EA4, #816EA4 and #8F6EA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #746FA4 shade: #4E4A76, #5F5A8F, #736EA4, #8C88B4 and #A4A1C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #746FA4 shade: #746FA4, #A46E95 and #7FA46E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #746FA4 shade: #746FA4, #A4736E and #6EA473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #746FA4 shade: #746FA4, #A46E95, #A0A46E and #6EA47E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #746FA4 shade: #746FA4, #A46E85, #A0A46E and #6EA48E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 32 / 0 / 36

HEX #746FA4

RGB 116 111 164

HSL 245.66, 0.23%, 0.54%

LAB 49.21, 14.28, -27.79

 

Complementary color

CMYK 3 / 0 / 37 / 44

HEX #8B905B

RGB 139 144 91

HSL 65.66, 0.23%, 0.46%

LAB 58.22, -10.56, 27.58

 

CMYK 24 / 30 / 0 / 38

HEX #796F9F

RGB 121 111 159

HSL 252.5, 0.2%, 0.53%

LAB 49.42, 14.56, -24.5

 

CMYK 22 / 28 / 0 / 30

HEX #8A81B2

RGB 138 129 178

HSL 251.02, 0.24%, 0.6%

LAB 56.4, 14.01, -24.61

 

CMYK 21 / 25 / 0 / 23

HEX #9B93C5

RGB 155 147 197

HSL 249.6, 0.3%, 0.67%

LAB 63.23, 13.52, -24.75

 

CMYK 20 / 24 / 0 / 15

HEX #ACA5D8

RGB 172 165 216

HSL 248.24, 0.4%, 0.75%

LAB 69.92, 13.08, -24.92

 

CMYK 20 / 22 / 0 / 8

HEX #BDB7EB

RGB 189 183 235

HSL 246.92, 0.57%, 0.82%

LAB 76.49, 12.67, -25.12

 

CMYK 29 / 32 / 0 / 36

HEX #746FA4

RGB 116 111 164

HSL 245.66, 0.23%, 0.54%

LAB 49.21, 14.28, -27.79

 

CMYK 32 / 36 / 0 / 43

HEX #635D91

RGB 99 93 145

HSL 246.92, 0.22%, 0.47%

LAB 42.04, 14.96, -27.81

 

CMYK 35 / 40 / 0 / 51

HEX #524B7E

RGB 82 75 126

HSL 248.24, 0.25%, 0.39%

LAB 34.67, 15.77, -27.89

 

CMYK 39 / 47 / 0 / 58

HEX #41396B

RGB 65 57 107

HSL 249.6, 0.3%, 0.32%

LAB 27.05, 16.76, -28.06

 

CMYK 45 / 56 / 0 / 65

HEX #302758

RGB 48 39 88

HSL 251.02, 0.39%, 0.25%

LAB 19.16, 18.01, -28.32

 

CMYK 30 / 33 / 0 / 36

HEX #736EA4

RGB 115 110 164

HSL 245.56, 0.23%, 0.54%

LAB 48.86, 14.57, -28.34

 

CMYK 21 / 33 / 0 / 36

HEX #826EA4

RGB 130 110 164

HSL 262.22, 0.23%, 0.54%

LAB 50.19, 19.27, -26.16

 

CMYK 12 / 33 / 0 / 36

HEX #906EA4

RGB 144 110 164

HSL 277.78, 0.23%, 0.54%

LAB 51.57, 23.82, -23.92

 

CMYK 3 / 33 / 0 / 36

HEX #9F6EA4

RGB 159 110 164

HSL 294.44, 0.23%, 0.54%

LAB 53.17, 28.8, -21.32

 

CMYK 0 / 33 / 5 / 36

HEX #A46E9B

RGB 164 110 155

HSL 310, 0.23%, 0.54%

LAB 53.4, 28.76, -15.68

 

CMYK 30 / 33 / 0 / 36

HEX #736EA4

RGB 115 110 164

HSL 245.56, 0.23%, 0.54%

LAB 48.86, 14.57, -28.34

 

CMYK 33 / 33 / 0 / 36

HEX #6E6EA4

RGB 110 110 164

HSL 240, 0.23%, 0.54%

LAB 48.44, 13.06, -29.01

 

CMYK 30 / 33 / 0 / 36

HEX #736EA4

RGB 115 110 164

HSL 245.56, 0.23%, 0.54%

LAB 48.86, 14.57, -28.34

 

CMYK 45 / 50 / 0 / 28

HEX #645BB7

RGB 100 91 183

HSL 245.87, 0.39%, 0.54%

LAB 43.67, 27.49, -47.74

 

CMYK 58 / 64 / 0 / 21

HEX #5548CA

RGB 85 72 202

HSL 246, 0.55%, 0.54%

LAB 39.29, 41.85, -65.94

 

CMYK 69 / 76 / 0 / 13

HEX #4535DD

RGB 69 53 221

HSL 245.71, 0.71%, 0.54%

LAB 36.05, 56.15, -82.27

 

CMYK 78 / 86 / 0 / 6

HEX #3622F0

RGB 54 34 240

HSL 245.83, 0.87%, 0.54%

LAB 34.44, 68.78, -95.8

 

CMYK 30 / 33 / 0 / 36

HEX #736EA4

RGB 115 110 164

HSL 245.56, 0.23%, 0.54%

LAB 48.86, 14.57, -28.34

 

CMYK 10 / 11 / 0 / 43

HEX #838191

RGB 131 129 145

HSL 247.5, 0.07%, 0.54%

LAB 54.63, 4.06, -8.33

 

CMYK 1 / 0 / 15 / 42

HEX #92947E

RGB 146 148 126

HSL 65.45, 0.09%, 0.54%

LAB 60.6, -4.74, 11.4

 

CMYK 3 / 0 / 36 / 35

HEX #A2A76B

RGB 162 167 107

HSL 65, 0.25%, 0.54%

LAB 66.81, -11.39, 30.47

 

CMYK 5 / 0 / 53 / 27

HEX #B1BA58

RGB 177 186 88

HSL 65.51, 0.42%, 0.54%

LAB 73, -17.07, 47.96

 

CMYK 33 / 18 / 0 / 36

HEX #6E87A4

RGB 110 135 164

HSL 212.22, 0.23%, 0.54%

LAB 55.4, -1.74, -18.29

 

CMYK 33 / 27 / 0 / 36

HEX #6E78A4

RGB 110 120 164

HSL 228.89, 0.23%, 0.54%

LAB 51.18, 7.05, -24.76

 

CMYK 30 / 33 / 0 / 36

HEX #736EA4

RGB 115 110 164

HSL 245.56, 0.23%, 0.54%

LAB 48.86, 14.57, -28.34

 

CMYK 21 / 33 / 0 / 36

HEX #816EA4

RGB 129 110 164

HSL 261.11, 0.23%, 0.54%

LAB 50.1, 18.95, -26.32

 

CMYK 13 / 33 / 0 / 36

HEX #8F6EA4

RGB 143 110 164

HSL 276.67, 0.23%, 0.54%

LAB 51.46, 23.49, -24.09

 

CMYK 34 / 37 / 0 / 54

HEX #4E4A76

RGB 78 74 118

HSL 245.45, 0.23%, 0.38%

LAB 33.62, 12.85, -24.59

 

CMYK 34 / 37 / 0 / 44

HEX #5F5A8F

RGB 95 90 143

HSL 245.66, 0.23%, 0.46%

LAB 40.78, 15.05, -28.6

 

CMYK 30 / 33 / 0 / 36

HEX #736EA4

RGB 115 110 164

HSL 245.56, 0.23%, 0.54%

LAB 48.86, 14.57, -28.34

 

CMYK 22 / 24 / 0 / 29

HEX #8C88B4

RGB 140 136 180

HSL 245.45, 0.23%, 0.62%

LAB 58.49, 11.05, -22.53

 

CMYK 16 / 18 / 0 / 23

HEX #A4A1C4

RGB 164 161 196

HSL 245.14, 0.23%, 0.7%

LAB 67.55, 8.26, -17.54

 

CMYK 29 / 32 / 0 / 36

HEX #746FA4

RGB 116 111 164

HSL 245.66, 0.23%, 0.54%

LAB 49.21, 14.28, -27.79

 

CMYK 0 / 33 / 9 / 36

HEX #A46E95

RGB 164 110 149

HSL 316.67, 0.23%, 0.54%

LAB 53.18, 27.66, -12.49

 

CMYK 23 / 0 / 33 / 36

HEX #7FA46E

RGB 127 164 110

HSL 101.11, 0.23%, 0.54%

LAB 63.5, -22.98, 24.03

 

CMYK 29 / 32 / 0 / 36

HEX #746FA4

RGB 116 111 164

HSL 245.66, 0.23%, 0.54%

LAB 49.21, 14.28, -27.79

 

CMYK 0 / 30 / 33 / 36

HEX #A4736E

RGB 164 115 110

HSL 5.56, 0.23%, 0.54%

LAB 53.25, 18.63, 10.5

 

CMYK 33 / 0 / 30 / 36

HEX #6EA473

RGB 110 164 115

HSL 125.56, 0.23%, 0.54%

LAB 62.6, -28.1, 19.92

 

CMYK 29 / 32 / 0 / 36

HEX #746FA4

RGB 116 111 164

HSL 245.66, 0.23%, 0.54%

LAB 49.21, 14.28, -27.79

 

CMYK 0 / 33 / 9 / 36

HEX #A46E95

RGB 164 110 149

HSL 316.67, 0.23%, 0.54%

LAB 53.18, 27.66, -12.49

 

CMYK 2 / 0 / 33 / 36

HEX #A0A46E

RGB 160 164 110

HSL 64.44, 0.23%, 0.54%

LAB 65.87, -10.23, 27.6

 

CMYK 33 / 0 / 23 / 36

HEX #6EA47E

RGB 110 164 126

HSL 137.78, 0.23%, 0.54%

LAB 62.82, -26.05, 14.16

 

CMYK 29 / 32 / 0 / 36

HEX #746FA4

RGB 116 111 164

HSL 245.66, 0.23%, 0.54%

LAB 49.21, 14.28, -27.79

 

CMYK 0 / 33 / 19 / 36

HEX #A46E85

RGB 164 110 133

HSL 334.44, 0.23%, 0.54%

LAB 52.66, 24.91, -3.87

 

CMYK 2 / 0 / 33 / 36

HEX #A0A46E

RGB 160 164 110

HSL 64.44, 0.23%, 0.54%

LAB 65.87, -10.23, 27.6

 

CMYK 33 / 0 / 13 / 36

HEX #6EA48E

RGB 110 164 142

HSL 155.56, 0.23%, 0.54%

LAB 63.19, -22.76, 5.77

 

Description

Color code: HEX #746FA4 | qconv.com Color code: HEX #746FA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 111 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 111 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 32 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 32% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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