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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747594 it is the complementary color #8B8A6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747594. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #747594 shade: #79758F, #8A87A2, #9B99B5, #ACABC8 and #BDBDDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747594. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #747594 shade: #747594, #636381, #52516E, #413F5B and #302D48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #747594 shade: #747594, #7C7494, #847494, #8D7494 and #947493

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #747594 shade: #747594 and #747494

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #747594 shade matches the following richer shades: #747594, #6063A8, #4D50BC, #393DCF and #252BE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #747594 shade: #747594, #888880, #9C9A6C, #B0AD59 and #C3BF45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #747594 shade: #748694, #747E94, #747594, #7C7494 and #847494

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #747594 shade: #4F5067, #61627E, #747594, #8B8CA6 and #A3A3B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #747594 shade: #747594, #94748F and #829474

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #747594 shade: #747594, #947475 and #759474

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #747594 shade: #747594, #94748F, #949374 and #749479

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #747594 shade: #747594, #947485, #949374 and #749483

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

Complementary color

CMYK 0 / 1 / 23 / 45

HEX #8B8A6B

RGB 139 138 107

HSL 58.13, 0.13%, 0.48%

LAB 56.81, -5.03, 16.79

 

CMYK 15 / 18 / 0 / 44

HEX #79758F

RGB 121 117 143

HSL 249.23, 0.1%, 0.51%

LAB 50.42, 7.11, -13.57

 

CMYK 15 / 17 / 0 / 36

HEX #8A87A2

RGB 138 135 162

HSL 246.67, 0.13%, 0.58%

LAB 57.41, 6.78, -13.91

 

CMYK 14 / 15 / 0 / 29

HEX #9B99B5

RGB 155 153 181

HSL 244.29, 0.16%, 0.65%

LAB 64.23, 6.48, -14.25

 

CMYK 14 / 15 / 0 / 22

HEX #ACABC8

RGB 172 171 200

HSL 242.07, 0.21%, 0.73%

LAB 70.92, 6.2, -14.61

 

CMYK 14 / 14 / 0 / 14

HEX #BDBDDB

RGB 189 189 219

HSL 240, 0.29%, 0.8%

LAB 77.48, 5.94, -14.97

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 23 / 23 / 0 / 49

HEX #636381

RGB 99 99 129

HSL 240, 0.13%, 0.45%

LAB 43.01, 6.99, -16.67

 

CMYK 25 / 26 / 0 / 57

HEX #52516E

RGB 82 81 110

HSL 242.07, 0.15%, 0.37%

LAB 35.61, 7.44, -16.49

 

CMYK 29 / 31 / 0 / 64

HEX #413F5B

RGB 65 63 91

HSL 244.29, 0.18%, 0.3%

LAB 27.94, 7.98, -16.36

 

CMYK 33 / 38 / 0 / 72

HEX #302D48

RGB 48 45 72

HSL 246.67, 0.23%, 0.23%

LAB 19.94, 8.66, -16.33

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 16 / 22 / 0 / 42

HEX #7C7494

RGB 124 116 148

HSL 255, 0.13%, 0.52%

LAB 50.59, 9.9, -16.23

 

CMYK 11 / 22 / 0 / 42

HEX #847494

RGB 132 116 148

HSL 270, 0.13%, 0.52%

LAB 51.31, 12.67, -15.06

 

CMYK 5 / 22 / 0 / 42

HEX #8D7494

RGB 141 116 148

HSL 286.88, 0.13%, 0.52%

LAB 52.17, 15.83, -13.68

 

CMYK 0 / 22 / 1 / 42

HEX #947493

RGB 148 116 147

HSL 301.88, 0.13%, 0.52%

LAB 52.83, 18.12, -12.02

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 22 / 22 / 0 / 42

HEX #747494

RGB 116 116 148

HSL 240, 0.13%, 0.52%

LAB 49.91, 7.2, -17.32

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 43 / 41 / 0 / 34

HEX #6063A8

RGB 96 99 168

HSL 237.5, 0.29%, 0.52%

LAB 44.57, 17.01, -37.52

 

CMYK 59 / 57 / 0 / 26

HEX #4D50BC

RGB 77 80 188

HSL 238.38, 0.45%, 0.52%

LAB 39.49, 31.06, -57.49

 

CMYK 72 / 71 / 0 / 19

HEX #393DCF

RGB 57 61 207

HSL 238.4, 0.61%, 0.52%

LAB 35.42, 46.23, -75.25

 

CMYK 84 / 81 / 0 / 11

HEX #252BE3

RGB 37 43 227

HSL 238.11, 0.77%, 0.52%

LAB 33.28, 60.71, -90.35

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 0 / 0 / 6 / 47

HEX #888880

RGB 136 136 128

HSL 60, 0.03%, 0.52%

LAB 56.49, -1.53, 4.29

 

CMYK 0 / 1 / 31 / 39

HEX #9C9A6C

RGB 156 154 108

HSL 57.5, 0.2%, 0.52%

LAB 62.73, -6.76, 24.47

 

CMYK 0 / 2 / 49 / 31

HEX #B0AD59

RGB 176 173 89

HSL 57.93, 0.36%, 0.52%

LAB 69.35, -10.72, 43.15

 

CMYK 0 / 2 / 65 / 24

HEX #C3BF45

RGB 195 191 69

HSL 58.1, 0.51%, 0.52%

LAB 75.63, -13.5, 59.71

 

CMYK 22 / 9 / 0 / 42

HEX #748694

RGB 116 134 148

HSL 206.25, 0.13%, 0.52%

LAB 54.97, -3.29, -9.67

 

CMYK 22 / 15 / 0 / 42

HEX #747E94

RGB 116 126 148

HSL 221.25, 0.13%, 0.52%

LAB 52.7, 1.32, -13.08

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 16 / 22 / 0 / 42

HEX #7C7494

RGB 124 116 148

HSL 255, 0.13%, 0.52%

LAB 50.59, 9.9, -16.23

 

CMYK 11 / 22 / 0 / 42

HEX #847494

RGB 132 116 148

HSL 270, 0.13%, 0.52%

LAB 51.31, 12.67, -15.06

 

CMYK 23 / 22 / 0 / 60

HEX #4F5067

RGB 79 80 103

HSL 237.5, 0.13%, 0.36%

LAB 34.76, 5.17, -13.43

 

CMYK 23 / 22 / 0 / 51

HEX #61627E

RGB 97 98 126

HSL 237.93, 0.13%, 0.44%

LAB 42.43, 6.16, -15.75

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 16 / 16 / 0 / 35

HEX #8B8CA6

RGB 139 140 166

HSL 237.78, 0.13%, 0.6%

LAB 58.97, 5.15, -13.82

 

CMYK 11 / 11 / 0 / 28

HEX #A3A3B8

RGB 163 163 184

HSL 240, 0.13%, 0.68%

LAB 67.61, 4.22, -10.8

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 0 / 22 / 3 / 42

HEX #94748F

RGB 148 116 143

HSL 309.38, 0.13%, 0.52%

LAB 52.7, 17.34, -9.88

 

CMYK 12 / 0 / 22 / 42

HEX #829474

RGB 130 148 116

HSL 93.75, 0.13%, 0.52%

LAB 59.15, -12.56, 14.82

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 0 / 22 / 21 / 42

HEX #947475

RGB 148 116 117

HSL 358.13, 0.13%, 0.52%

LAB 51.92, 12.7, 4.25

 

CMYK 21 / 0 / 22 / 42

HEX #759474

RGB 117 148 116

HSL 118.13, 0.13%, 0.52%

LAB 58.25, -17.39, 13.43

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 0 / 22 / 3 / 42

HEX #94748F

RGB 148 116 143

HSL 309.38, 0.13%, 0.52%

LAB 52.7, 17.34, -9.88

 

CMYK 0 / 1 / 22 / 42

HEX #949374

RGB 148 147 116

HSL 58.13, 0.13%, 0.52%

LAB 60.27, -5.01, 16.59

 

CMYK 22 / 0 / 18 / 42

HEX #749479

RGB 116 148 121

HSL 129.38, 0.13%, 0.52%

LAB 58.3, -16.8, 10.66

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 0 / 22 / 10 / 42

HEX #947485

RGB 148 116 133

HSL 328.13, 0.13%, 0.52%

LAB 52.38, 15.46, -4.49

 

CMYK 0 / 1 / 22 / 42

HEX #949374

RGB 148 147 116

HSL 58.13, 0.13%, 0.52%

LAB 60.27, -5.01, 16.59

 

CMYK 22 / 0 / 11 / 42

HEX #749483

RGB 116 148 131

HSL 148.13, 0.13%, 0.52%

LAB 58.54, -14.81, 5.33

 

Description

Color code: HEX #747594 | qconv.com Color code: HEX #747594 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 117 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 117 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 21 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 21% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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