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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74702F it is the complementary color #8B8FD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74702F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74702F shade: #79702A, #8A823D, #9B9450, #ACA663 and #BDB876

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74702F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74702F shade: #74702F, #635E1C, #524C09, #413A00 and #302800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74702F shade: #736F2F, #735D2F, #734A2F, #73382F and #732F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74702F shade: #736F2F, #65732F, #52732F, #40732F and #2F7330

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74702F shade matches the following richer shades: #736F2F, #817B22, #8E8714 and #9B9207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74702F shade: #736F2F, #66643C, #595849, #4C4C56 and #3F4164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74702F shade: #734A2F, #735D2F, #736F2F, #66732F and #53732F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74702F shade: #393717, #565323, #736F2F, #918C3B and #AEA847

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74702F shade: #74702F, #2F7338 and #532F73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74702F shade: #74702F, #2F736F and #6F2F73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74702F shade: #74702F, #2F7338, #2F3373 and #732F6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74702F shade: #74702F, #2F734D, #2F3373 and #732F56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 59 / 55

HEX #74702F

RGB 116 112 47

HSL 56.52, 0.42%, 0.32%

LAB 46.32, -7.68, 35.97

 

Complementary color

CMYK 33 / 31 / 0 / 18

HEX #8B8FD0

RGB 139 143 208

HSL 236.52, 0.42%, 0.68%

LAB 61.38, 13.76, -33.87

 

CMYK 0 / 7 / 65 / 53

HEX #79702A

RGB 121 112 42

HSL 53.16, 0.48%, 0.32%

LAB 46.74, -5.75, 39.02

 

CMYK 0 / 6 / 56 / 46

HEX #8A823D

RGB 138 130 61

HSL 53.77, 0.39%, 0.39%

LAB 53.71, -6.57, 37.9

 

CMYK 0 / 5 / 48 / 39

HEX #9B9450

RGB 155 148 80

HSL 54.4, 0.32%, 0.46%

LAB 60.54, -7.2, 36.65

 

CMYK 0 / 3 / 42 / 33

HEX #ACA663

RGB 172 166 99

HSL 55.07, 0.31%, 0.53%

LAB 67.23, -7.7, 35.39

 

CMYK 0 / 3 / 38 / 26

HEX #BDB876

RGB 189 184 118

HSL 55.77, 0.35%, 0.6%

LAB 73.81, -8.1, 34.17

 

CMYK 0 / 3 / 59 / 55

HEX #74702F

RGB 116 112 47

HSL 56.52, 0.42%, 0.32%

LAB 46.32, -7.68, 35.97

 

CMYK 0 / 5 / 72 / 61

HEX #635E1C

RGB 99 94 28

HSL 55.77, 0.56%, 0.25%

LAB 39.14, -6.8, 36.9

 

CMYK 0 / 7 / 89 / 68

HEX #524C09

RGB 82 76 9

HSL 55.07, 0.8%, 0.18%

LAB 31.77, -5.56, 36.83

 

CMYK 0 / 11 / 100 / 75

HEX #413A00

RGB 65 58 0

HSL 53.54, 1%, 0.13%

LAB 24.16, -3.76, 32.98

 

CMYK 0 / 17 / 100 / 81

HEX #302800

RGB 48 40 0

HSL 50, 1%, 0.09%

LAB 16.24, -1.42, 23.56

 

CMYK 0 / 3 / 59 / 55

HEX #736F2F

RGB 115 111 47

HSL 56.47, 0.42%, 0.32%

LAB 45.93, -7.58, 35.51

 

CMYK 0 / 19 / 59 / 55

HEX #735D2F

RGB 115 93 47

HSL 40.59, 0.42%, 0.32%

LAB 40.7, 2.88, 29.45

 

CMYK 0 / 36 / 59 / 55

HEX #734A2F

RGB 115 74 47

HSL 23.82, 0.42%, 0.32%

LAB 35.49, 14.34, 23.14

 

CMYK 0 / 51 / 59 / 55

HEX #73382F

RGB 115 56 47

HSL 7.94, 0.42%, 0.32%

LAB 31.06, 25.02, 17.53

 

CMYK 0 / 59 / 59 / 55

HEX #732F2F

RGB 115 47 47

HSL 0, 0.42%, 0.32%

LAB 29.12, 30, 14.98

 

CMYK 0 / 3 / 59 / 55

HEX #736F2F

RGB 115 111 47

HSL 56.47, 0.42%, 0.32%

LAB 45.93, -7.58, 35.51

 

CMYK 12 / 0 / 59 / 55

HEX #65732F

RGB 101 115 47

HSL 72.35, 0.42%, 0.32%

LAB 45.95, -16.13, 35.21

 

CMYK 29 / 0 / 59 / 55

HEX #52732F

RGB 82 115 47

HSL 89.12, 0.42%, 0.32%

LAB 44.6, -24.21, 33.31

 

CMYK 44 / 0 / 59 / 55

HEX #40732F

RGB 64 115 47

HSL 105, 0.42%, 0.32%

LAB 43.59, -31.02, 31.87

 

CMYK 59 / 0 / 58 / 55

HEX #2F7330

RGB 47 115 48

HSL 120.88, 0.42%, 0.32%

LAB 42.88, -36.18, 30.34

 

CMYK 0 / 3 / 59 / 55

HEX #736F2F

RGB 115 111 47

HSL 56.47, 0.42%, 0.32%

LAB 45.93, -7.58, 35.51

 

CMYK 0 / 5 / 74 / 49

HEX #817B22

RGB 129 123 34

HSL 56.21, 0.58%, 0.32%

LAB 50.63, -8.69, 46.74

 

CMYK 0 / 5 / 86 / 44

HEX #8E8714

RGB 142 135 20

HSL 56.56, 0.75%, 0.32%

LAB 55.21, -9.79, 55.87

 

CMYK 0 / 6 / 95 / 39

HEX #9B9207

RGB 155 146 7

HSL 56.35, 0.91%, 0.32%

LAB 59.47, -10.01, 62.22

 

CMYK 0 / 3 / 59 / 55

HEX #736F2F

RGB 115 111 47

HSL 56.47, 0.42%, 0.32%

LAB 45.93, -7.58, 35.51

 

CMYK 0 / 2 / 41 / 60

HEX #66643C

RGB 102 100 60

HSL 57.14, 0.26%, 0.32%

LAB 41.63, -5.86, 22.97

 

CMYK 0 / 1 / 18 / 65

HEX #595849

RGB 89 88 73

HSL 56.25, 0.1%, 0.32%

LAB 37.09, -2.52, 8.86

 

CMYK 12 / 12 / 0 / 66

HEX #4C4C56

RGB 76 76 86

HSL 240, 0.06%, 0.32%

LAB 32.65, 2.3, -5.89

 

CMYK 37 / 35 / 0 / 61

HEX #3F4164

RGB 63 65 100

HSL 236.76, 0.23%, 0.32%

LAB 28.79, 8.64, -20.85

 

CMYK 0 / 36 / 59 / 55

HEX #734A2F

RGB 115 74 47

HSL 23.82, 0.42%, 0.32%

LAB 35.49, 14.34, 23.14

 

CMYK 0 / 19 / 59 / 55

HEX #735D2F

RGB 115 93 47

HSL 40.59, 0.42%, 0.32%

LAB 40.7, 2.88, 29.45

 

CMYK 0 / 3 / 59 / 55

HEX #736F2F

RGB 115 111 47

HSL 56.47, 0.42%, 0.32%

LAB 45.93, -7.58, 35.51

 

CMYK 11 / 0 / 59 / 55

HEX #66732F

RGB 102 115 47

HSL 71.47, 0.42%, 0.32%

LAB 46.03, -15.69, 35.32

 

CMYK 28 / 0 / 59 / 55

HEX #53732F

RGB 83 115 47

HSL 88.24, 0.42%, 0.32%

LAB 44.67, -23.81, 33.4

 

CMYK 0 / 4 / 60 / 78

HEX #393717

RGB 57 55 23

HSL 56.47, 0.43%, 0.16%

LAB 22.53, -4.48, 20.15

 

CMYK 0 / 3 / 59 / 66

HEX #565323

RGB 86 83 35

HSL 56.47, 0.42%, 0.24%

LAB 34.57, -6.09, 28.1

 

CMYK 0 / 3 / 59 / 55

HEX #736F2F

RGB 115 111 47

HSL 56.47, 0.42%, 0.32%

LAB 45.93, -7.58, 35.51

 

CMYK 0 / 3 / 59 / 43

HEX #918C3B

RGB 145 140 59

HSL 56.51, 0.42%, 0.4%

LAB 57.16, -9.09, 42.98

 

CMYK 0 / 3 / 59 / 32

HEX #AEA847

RGB 174 168 71

HSL 56.5, 0.42%, 0.48%

LAB 67.62, -10.45, 49.71

 

CMYK 0 / 3 / 59 / 55

HEX #74702F

RGB 116 112 47

HSL 56.52, 0.42%, 0.32%

LAB 46.32, -7.68, 35.97

 

CMYK 59 / 0 / 51 / 55

HEX #2F7338

RGB 47 115 56

HSL 127.94, 0.42%, 0.32%

LAB 42.99, -34.99, 26.21

 

CMYK 28 / 59 / 0 / 55

HEX #532F73

RGB 83 47 115

HSL 271.76, 0.42%, 0.32%

LAB 27.05, 30.6, -33.06

 

CMYK 0 / 3 / 59 / 55

HEX #74702F

RGB 116 112 47

HSL 56.52, 0.42%, 0.32%

LAB 46.32, -7.68, 35.97

 

CMYK 59 / 0 / 3 / 55

HEX #2F736F

RGB 47 115 111

HSL 176.47, 0.42%, 0.32%

LAB 44.25, -22.32, -4.25

 

CMYK 3 / 59 / 0 / 55

HEX #6F2F73

RGB 111 47 115

HSL 296.47, 0.42%, 0.32%

LAB 31, 38.6, -26.54

 

CMYK 0 / 3 / 59 / 55

HEX #74702F

RGB 116 112 47

HSL 56.52, 0.42%, 0.32%

LAB 46.32, -7.68, 35.97

 

CMYK 59 / 0 / 51 / 55

HEX #2F7338

RGB 47 115 56

HSL 127.94, 0.42%, 0.32%

LAB 42.99, -34.99, 26.21

 

CMYK 59 / 56 / 0 / 55

HEX #2F3373

RGB 47 51 115

HSL 236.47, 0.42%, 0.32%

LAB 24.35, 18.88, -37.58

 

CMYK 0 / 59 / 8 / 55

HEX #732F6A

RGB 115 47 106

HSL 307.94, 0.42%, 0.32%

LAB 31.16, 38.07, -20.52

 

CMYK 0 / 3 / 59 / 55

HEX #74702F

RGB 116 112 47

HSL 56.52, 0.42%, 0.32%

LAB 46.32, -7.68, 35.97

 

CMYK 59 / 0 / 33 / 55

HEX #2F734D

RGB 47 115 77

HSL 146.47, 0.42%, 0.32%

LAB 43.36, -31.03, 14.74

 

CMYK 59 / 56 / 0 / 55

HEX #2F3373

RGB 47 51 115

HSL 236.47, 0.42%, 0.32%

LAB 24.35, 18.88, -37.58

 

CMYK 0 / 59 / 25 / 55

HEX #732F56

RGB 115 47 86

HSL 325.59, 0.42%, 0.32%

LAB 30.28, 34.72, -8.96

 

Description

Color code: HEX #74702F | qconv.com Color code: HEX #74702F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 112 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 112 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 59 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 59% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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