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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74728C it is the complementary color #8B8D73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74728C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74728C shade: #797287, #8A849A, #9B96AD, #ACA8C0 and #BDBAD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74728C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74728C shade: #74728C, #636079, #524E66, #413C53 and #302A40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74728C shade: #74728C, #7B728C, #82728C, #89728C and #8C7288

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74728C shade: #74728C and #72728C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74728C shade matches the following richer shades: #74728C, #635EA0, #5149B5, #4034CA and #2E20DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74728C shade: #74728C, #868777, #979C62, #A9B04E and #BAC539

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74728C shade: #727E8C, #72778C, #74728C, #7B728C and #82728C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74728C shade: #4E4D5E, #616075, #74728C, #8B899E and #A1A0B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74728C shade: #74728C, #8C7285 and #7B8C72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74728C shade: #74728C, #8C7472 and #728C74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74728C shade: #74728C, #8C7285, #8A8C72 and #728C79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74728C shade: #74728C, #8C727D, #8A8C72 and #728C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

Complementary color

CMYK 1 / 0 / 18 / 45

HEX #8B8D73

RGB 139 141 115

HSL 64.62, 0.1%, 0.5%

LAB 57.82, -5.43, 13.65

 

CMYK 10 / 16 / 0 / 47

HEX #797287

RGB 121 114 135

HSL 260, 0.08%, 0.49%

LAB 49.31, 7.07, -10.52

 

CMYK 10 / 14 / 0 / 40

HEX #8A849A

RGB 138 132 154

HSL 256.36, 0.1%, 0.56%

LAB 56.33, 6.74, -10.93

 

CMYK 10 / 13 / 0 / 32

HEX #9B96AD

RGB 155 150 173

HSL 253.04, 0.12%, 0.63%

LAB 63.18, 6.44, -11.34

 

CMYK 10 / 13 / 0 / 25

HEX #ACA8C0

RGB 172 168 192

HSL 250, 0.16%, 0.71%

LAB 69.88, 6.16, -11.75

 

CMYK 10 / 12 / 0 / 17

HEX #BDBAD3

RGB 189 186 211

HSL 247.2, 0.22%, 0.78%

LAB 76.46, 5.91, -12.17

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 18 / 21 / 0 / 53

HEX #636079

RGB 99 96 121

HSL 247.2, 0.12%, 0.43%

LAB 41.84, 6.83, -13.6

 

CMYK 20 / 24 / 0 / 60

HEX #524E66

RGB 82 78 102

HSL 250, 0.13%, 0.35%

LAB 34.4, 7.25, -13.32

 

CMYK 22 / 28 / 0 / 67

HEX #413C53

RGB 65 60 83

HSL 253.04, 0.16%, 0.28%

LAB 26.68, 7.75, -13.09

 

CMYK 25 / 34 / 0 / 75

HEX #302A40

RGB 48 42 64

HSL 256.36, 0.21%, 0.21%

LAB 18.6, 8.37, -12.93

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 12 / 19 / 0 / 45

HEX #7B728C

RGB 123 114 140

HSL 260.77, 0.1%, 0.5%

LAB 49.66, 8.9, -12.92

 

CMYK 7 / 19 / 0 / 45

HEX #82728C

RGB 130 114 140

HSL 276.92, 0.1%, 0.5%

LAB 50.3, 11.39, -11.9

 

CMYK 2 / 19 / 0 / 45

HEX #89728C

RGB 137 114 140

HSL 293.08, 0.1%, 0.5%

LAB 50.97, 13.91, -10.82

 

CMYK 0 / 19 / 3 / 45

HEX #8C7288

RGB 140 114 136

HSL 309.23, 0.1%, 0.5%

LAB 51.14, 14.21, -8.19

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 19 / 19 / 0 / 45

HEX #72728C

RGB 114 114 140

HSL 240, 0.1%, 0.5%

LAB 48.89, 5.77, -14.17

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 38 / 41 / 0 / 37

HEX #635EA0

RGB 99 94 160

HSL 244.55, 0.26%, 0.5%

LAB 43.06, 18.58, -35.17

 

CMYK 55 / 60 / 0 / 29

HEX #5149B5

RGB 81 73 181

HSL 244.44, 0.43%, 0.5%

LAB 37.57, 33.87, -56.47

 

CMYK 68 / 74 / 0 / 21

HEX #4034CA

RGB 64 52 202

HSL 244.8, 0.59%, 0.5%

LAB 33.58, 50.35, -75.36

 

CMYK 79 / 86 / 0 / 13

HEX #2E20DE

RGB 46 32 222

HSL 244.42, 0.75%, 0.5%

LAB 31.55, 64.21, -90.35

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 1 / 0 / 12 / 47

HEX #868777

RGB 134 135 119

HSL 63.75, 0.06%, 0.5%

LAB 55.81, -3.37, 8.48

 

CMYK 3 / 0 / 37 / 39

HEX #979C62

RGB 151 156 98

HSL 65.17, 0.23%, 0.5%

LAB 62.71, -11.16, 29.79

 

CMYK 4 / 0 / 56 / 31

HEX #A9B04E

RGB 169 176 78

HSL 64.29, 0.39%, 0.5%

LAB 69.49, -16.16, 48.46

 

CMYK 6 / 0 / 71 / 23

HEX #BAC539

RGB 186 197 57

HSL 64.71, 0.55%, 0.5%

LAB 76.48, -20.96, 64.93

 

CMYK 19 / 10 / 0 / 45

HEX #727E8C

RGB 114 126 140

HSL 212.31, 0.1%, 0.5%

LAB 52.28, -1.26, -9.07

 

CMYK 19 / 15 / 0 / 45

HEX #72778C

RGB 114 119 140

HSL 228.46, 0.1%, 0.5%

LAB 50.29, 2.82, -12.05

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 12 / 19 / 0 / 45

HEX #7B728C

RGB 123 114 140

HSL 260.77, 0.1%, 0.5%

LAB 49.66, 8.9, -12.92

 

CMYK 7 / 19 / 0 / 45

HEX #82728C

RGB 130 114 140

HSL 276.92, 0.1%, 0.5%

LAB 50.3, 11.39, -11.9

 

CMYK 17 / 18 / 0 / 63

HEX #4E4D5E

RGB 78 77 94

HSL 243.53, 0.1%, 0.34%

LAB 33.43, 4.39, -9.79

 

CMYK 17 / 18 / 0 / 54

HEX #616075

RGB 97 96 117

HSL 242.86, 0.1%, 0.42%

LAB 41.52, 5.14, -11.67

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 12 / 13 / 0 / 38

HEX #8B899E

RGB 139 137 158

HSL 245.71, 0.1%, 0.58%

LAB 57.89, 5.09, -10.87

 

CMYK 9 / 10 / 0 / 31

HEX #A1A0B1

RGB 161 160 177

HSL 243.53, 0.1%, 0.66%

LAB 66.44, 3.74, -8.66

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 0 / 19 / 5 / 45

HEX #8C7285

RGB 140 114 133

HSL 316.15, 0.1%, 0.5%

LAB 51.04, 13.62, -6.56

 

CMYK 12 / 0 / 19 / 45

HEX #7B8C72

RGB 123 140 114

HSL 99.23, 0.1%, 0.5%

LAB 56.27, -11.25, 11.86

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 0 / 17 / 19 / 45

HEX #8C7472

RGB 140 116 114

HSL 4.62, 0.1%, 0.5%

LAB 51.01, 9.02, 4.61

 

CMYK 19 / 0 / 17 / 45

HEX #728C74

RGB 114 140 116

HSL 124.62, 0.1%, 0.5%

LAB 55.68, -14.22, 9.8

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 0 / 19 / 5 / 45

HEX #8C7285

RGB 140 114 133

HSL 316.15, 0.1%, 0.5%

LAB 51.04, 13.62, -6.56

 

CMYK 1 / 0 / 19 / 45

HEX #8A8C72

RGB 138 140 114

HSL 64.62, 0.1%, 0.5%

LAB 57.44, -5.43, 13.67

 

CMYK 19 / 0 / 14 / 45

HEX #728C79

RGB 114 140 121

HSL 136.15, 0.1%, 0.5%

LAB 55.8, -13.24, 7.11

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 0 / 19 / 11 / 45

HEX #8C727D

RGB 140 114 125

HSL 334.62, 0.1%, 0.5%

LAB 50.79, 12.12, -2.21

 

CMYK 1 / 0 / 19 / 45

HEX #8A8C72

RGB 138 140 114

HSL 64.62, 0.1%, 0.5%

LAB 57.44, -5.43, 13.67

 

CMYK 19 / 0 / 8 / 45

HEX #728C81

RGB 114 140 129

HSL 154.62, 0.1%, 0.5%

LAB 56.01, -11.59, 2.81

 

Description

Color code: HEX #74728C | qconv.com Color code: HEX #74728C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 114 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 114 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 19 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 19% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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