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Color name
HEX #747AC2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747AC2 it is the complementary color #8B853D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747AC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #747AC2 shade: #797ABD, #8A8CD0, #9B9EE3, #ACB0F6 and #BDC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747AC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #747AC2 shade: #747AC2, #6368AF, #52569C, #414489 and #303276

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #747AC2 shade: #747AC2, #8374C2, #9874C2, #AD74C2 and #C274C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #747AC2 shade: #747AC2 and #7474C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #747AC2 shade matches the following richer shades: #747AC2, #646DD2, #545FE2 and #4451F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #747AC2 shade: #747AC2, #8488B2, #9495A2, #A5A392 and #B5B181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #747AC2 shade: #74A4C2, #748FC2, #747BC2, #8274C2 and #9774C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #747AC2 shade: #454C9E, #585FB5, #747AC2, #9196CE and #AEB1DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #747AC2 shade: #747AC2, #C274B9 and #9AC274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #747AC2 shade: #747AC2, #C2747B and #7BC274

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #747AC2 shade: #747AC2, #C274B9, #C2BB74 and #74C27D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #747AC2 shade: #747AC2, #C274A2, #C2BB74 and #74C295

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

Complementary color

CMYK 0 / 4 / 56 / 45

HEX #8B853D

RGB 139 133 61

HSL 55.38, 0.39%, 0.39%

LAB 54.66, -7.78, 39.01

 

CMYK 36 / 35 / 0 / 26

HEX #797ABD

RGB 121 122 189

HSL 239.12, 0.34%, 0.61%

LAB 53.66, 15.89, -35.27

 

CMYK 34 / 33 / 0 / 18

HEX #8A8CD0

RGB 138 140 208

HSL 238.29, 0.43%, 0.68%

LAB 60.53, 15.21, -35.21

 

CMYK 32 / 30 / 0 / 11

HEX #9B9EE3

RGB 155 158 227

HSL 237.5, 0.56%, 0.75%

LAB 67.25, 14.62, -35.2

 

CMYK 30 / 28 / 0 / 4

HEX #ACB0F6

RGB 172 176 246

HSL 236.76, 0.8%, 0.82%

LAB 73.85, 14.09, -35.23

 

CMYK 26 / 24 / 0 / 0

HEX #BDC2FF

RGB 189 194 255

HSL 235.45, 1%, 0.87%

LAB 79.97, 11.25, -30.53

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 43 / 41 / 0 / 31

HEX #6368AF

RGB 99 104 175

HSL 236.05, 0.32%, 0.54%

LAB 46.51, 16.81, -38.55

 

CMYK 47 / 45 / 0 / 39

HEX #52569C

RGB 82 86 156

HSL 236.76, 0.31%, 0.47%

LAB 39.33, 17.87, -38.78

 

CMYK 53 / 50 / 0 / 46

HEX #414489

RGB 65 68 137

HSL 237.5, 0.36%, 0.4%

LAB 31.95, 19.18, -39.08

 

CMYK 59 / 58 / 0 / 54

HEX #303276

RGB 48 50 118

HSL 238.29, 0.42%, 0.33%

LAB 24.38, 20.86, -39.45

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 32 / 40 / 0 / 24

HEX #8374C2

RGB 131 116 194

HSL 251.54, 0.39%, 0.61%

LAB 53.18, 23.63, -38.84

 

CMYK 22 / 40 / 0 / 24

HEX #9874C2

RGB 152 116 194

HSL 267.69, 0.39%, 0.61%

LAB 55.14, 29.73, -35.63

 

CMYK 11 / 40 / 0 / 24

HEX #AD74C2

RGB 173 116 194

HSL 283.85, 0.39%, 0.61%

LAB 57.34, 36.08, -32.03

 

CMYK 0 / 40 / 0 / 24

HEX #C274C2

RGB 194 116 194

HSL 300, 0.39%, 0.61%

LAB 59.76, 42.55, -28.08

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 40 / 40 / 0 / 24

HEX #7474C2

RGB 116 116 194

HSL 240, 0.39%, 0.61%

LAB 51.95, 19.53, -40.86

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 52 / 48 / 0 / 18

HEX #646DD2

RGB 100 109 210

HSL 235.09, 0.55%, 0.61%

LAB 49.86, 24.78, -53.4

 

CMYK 63 / 58 / 0 / 11

HEX #545FE2

RGB 84 95 226

HSL 235.35, 0.71%, 0.61%

LAB 46.39, 35.61, -68.13

 

CMYK 72 / 67 / 0 / 5

HEX #4451F2

RGB 68 81 242

HSL 235.52, 0.87%, 0.61%

LAB 43.54, 47.31, -81.85

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 26 / 24 / 0 / 30

HEX #8488B2

RGB 132 136 178

HSL 234.78, 0.23%, 0.61%

LAB 57.78, 8.04, -22.54

 

CMYK 9 / 8 / 0 / 36

HEX #9495A2

RGB 148 149 162

HSL 235.71, 0.07%, 0.61%

LAB 62, 2.27, -6.94

 

CMYK 0 / 1 / 12 / 35

HEX #A5A392

RGB 165 163 146

HSL 53.68, 0.1%, 0.61%

LAB 66.72, -2.33, 9.09

 

CMYK 0 / 2 / 29 / 29

HEX #B5B181

RGB 181 177 129

HSL 55.38, 0.26%, 0.61%

LAB 71.46, -6.24, 25.14

 

CMYK 40 / 15 / 0 / 24

HEX #74A4C2

RGB 116 164 194

HSL 203.08, 0.39%, 0.61%

LAB 65.09, -8.27, -20.47

 

CMYK 40 / 26 / 0 / 24

HEX #748FC2

RGB 116 143 194

HSL 219.23, 0.39%, 0.61%

LAB 59.21, 3.55, -29.51

 

CMYK 40 / 37 / 0 / 24

HEX #747BC2

RGB 116 123 194

HSL 234.62, 0.39%, 0.61%

LAB 53.79, 15.33, -37.96

 

CMYK 33 / 40 / 0 / 24

HEX #8274C2

RGB 130 116 194

HSL 250.77, 0.39%, 0.61%

LAB 53.09, 23.35, -38.98

 

CMYK 22 / 40 / 0 / 24

HEX #9774C2

RGB 151 116 194

HSL 266.92, 0.39%, 0.61%

LAB 55.04, 29.43, -35.79

 

CMYK 56 / 52 / 0 / 38

HEX #454C9E

RGB 69 76 158

HSL 235.28, 0.39%, 0.45%

LAB 35.8, 21.94, -45.68

 

CMYK 51 / 48 / 0 / 29

HEX #585FB5

RGB 88 95 181

HSL 235.48, 0.39%, 0.53%

LAB 43.65, 21.58, -46.66

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 30 / 27 / 0 / 19

HEX #9196CE

RGB 145 150 206

HSL 235.08, 0.38%, 0.69%

LAB 63.58, 10.95, -29.31

 

CMYK 21 / 19 / 0 / 14

HEX #AEB1DB

RGB 174 177 219

HSL 236, 0.38%, 0.77%

LAB 73.26, 7.73, -21.46

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 0 / 40 / 5 / 24

HEX #C274B9

RGB 194 116 185

HSL 306.92, 0.39%, 0.61%

LAB 59.4, 40.9, -23.51

 

CMYK 21 / 0 / 40 / 24

HEX #9AC274

RGB 154 194 116

HSL 90.77, 0.39%, 0.61%

LAB 74.01, -26.97, 34.95

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 0 / 40 / 37 / 24

HEX #C2747B

RGB 194 116 123

HSL 354.62, 0.39%, 0.61%

LAB 57.45, 31.47, 9.37

 

CMYK 37 / 0 / 40 / 24

HEX #7BC274

RGB 123 194 116

HSL 114.62, 0.39%, 0.61%

LAB 72.27, -37.72, 32.36

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 0 / 40 / 5 / 24

HEX #C274B9

RGB 194 116 185

HSL 306.92, 0.39%, 0.61%

LAB 59.4, 40.9, -23.51

 

CMYK 0 / 4 / 40 / 24

HEX #C2BB74

RGB 194 187 116

HSL 54.62, 0.39%, 0.61%

LAB 75, -7.88, 36.81

 

CMYK 40 / 0 / 36 / 24

HEX #74C27D

RGB 116 194 125

HSL 126.92, 0.39%, 0.61%

LAB 72.08, -38.48, 27.37

 

CMYK 40 / 37 / 0 / 24

HEX #747AC2

RGB 116 122 194

HSL 235.38, 0.39%, 0.61%

LAB 53.52, 15.93, -38.38

 

CMYK 0 / 40 / 16 / 24

HEX #C274A2

RGB 194 116 162

HSL 324.62, 0.39%, 0.61%

LAB 58.57, 37, -11.57

 

CMYK 0 / 4 / 40 / 24

HEX #C2BB74

RGB 194 187 116

HSL 54.62, 0.39%, 0.61%

LAB 75, -7.88, 36.81

 

CMYK 40 / 0 / 23 / 24

HEX #74C295

RGB 116 194 149

HSL 145.38, 0.39%, 0.61%

LAB 72.54, -34.09, 15.22

 

Description

Color code: HEX #747AC2 | qconv.com Color code: HEX #747AC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 122 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 122 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 37 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 37% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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