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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747C2C it is the complementary color #8B83D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747C2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #747C2C shade: #797C27, #8A8E3A, #9BA04D, #ACB260 and #BDC473

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747C2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #747C2C shade: #747C2C, #636A19, #525806, #414600 and #303400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #747C2C shade: #747C2B, #7C6E2B, #7C592B, #7C432B and #7C2D2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #747C2C shade: #747C2B, #5E7C2B, #487C2B, #337C2B and #2B7C3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #747C2C shade matches the following richer shades: #747C2B, #7F8A1E, #8A9710 and #95A502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #747C2C shade: #747C2B, #696E39, #5E6146, #535354 and #484662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #747C2C shade: #7C592B, #7C6F2B, #747C2B, #5E7C2B and #497C2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #747C2C shade: #3B3F16, #575E21, #747C2B, #919B36 and #ADB941

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #747C2C shade: #747C2C, #2B7C43 and #642B7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #747C2C shade: #747C2C, #2B747C and #7C2B74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #747C2C shade: #747C2C, #2B7C43, #332B7C and #7C2B64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #747C2C shade: #747C2C, #2B7C5C, #332B7C and #7C2B4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 65 / 51

HEX #747C2C

RGB 116 124 44

HSL 66, 0.48%, 0.33%

LAB 49.87, -14.54, 41.32

 

Complementary color

CMYK 34 / 38 / 0 / 17

HEX #8B83D3

RGB 139 131 211

HSL 246, 0.48%, 0.67%

LAB 58.44, 21.54, -40.16

 

CMYK 2 / 0 / 69 / 51

HEX #797C27

RGB 121 124 39

HSL 62.12, 0.52%, 0.32%

LAB 50.25, -12.62, 44.06

 

CMYK 3 / 0 / 59 / 44

HEX #8A8E3A

RGB 138 142 58

HSL 62.86, 0.42%, 0.39%

LAB 57.13, -13.33, 43.25

 

CMYK 3 / 0 / 52 / 37

HEX #9BA04D

RGB 155 160 77

HSL 63.61, 0.35%, 0.46%

LAB 63.87, -13.87, 42.15

 

CMYK 3 / 0 / 46 / 30

HEX #ACB260

RGB 172 178 96

HSL 64.39, 0.35%, 0.54%

LAB 70.49, -14.28, 40.97

 

CMYK 4 / 0 / 41 / 23

HEX #BDC473

RGB 189 196 115

HSL 65.19, 0.41%, 0.61%

LAB 77, -14.61, 39.78

 

CMYK 6 / 0 / 65 / 51

HEX #747C2C

RGB 116 124 44

HSL 66, 0.48%, 0.33%

LAB 49.87, -14.54, 41.32

 

CMYK 7 / 0 / 76 / 58

HEX #636A19

RGB 99 106 25

HSL 65.19, 0.62%, 0.26%

LAB 42.81, -13.77, 41.79

 

CMYK 7 / 0 / 93 / 65

HEX #525806

RGB 82 88 6

HSL 64.39, 0.87%, 0.18%

LAB 35.57, -12.68, 40.98

 

CMYK 7 / 0 / 100 / 73

HEX #414600

RGB 65 70 0

HSL 64.29, 1%, 0.14%

LAB 28.13, -11.07, 36.59

 

CMYK 8 / 0 / 100 / 80

HEX #303400

RGB 48 52 0

HSL 64.62, 1%, 0.1%

LAB 20.38, -9.17, 28.46

 

CMYK 6 / 0 / 65 / 51

HEX #747C2B

RGB 116 124 43

HSL 65.93, 0.49%, 0.33%

LAB 49.86, -14.61, 41.76

 

CMYK 0 / 11 / 65 / 51

HEX #7C6E2B

RGB 124 110 43

HSL 49.63, 0.49%, 0.33%

LAB 46.46, -3.15, 38.32

 

CMYK 0 / 28 / 65 / 51

HEX #7C592B

RGB 124 89 43

HSL 34.07, 0.49%, 0.33%

LAB 40.58, 9.17, 31.76

 

CMYK 0 / 46 / 65 / 51

HEX #7C432B

RGB 124 67 43

HSL 17.78, 0.49%, 0.33%

LAB 34.95, 22.23, 25.15

 

CMYK 0 / 64 / 65 / 51

HEX #7C2D2B

RGB 124 45 43

HSL 1.48, 0.49%, 0.33%

LAB 30.25, 34.22, 19.34

 

CMYK 6 / 0 / 65 / 51

HEX #747C2B

RGB 116 124 43

HSL 65.93, 0.49%, 0.33%

LAB 49.86, -14.61, 41.76

 

CMYK 24 / 0 / 65 / 51

HEX #5E7C2B

RGB 94 124 43

HSL 82.22, 0.49%, 0.33%

LAB 48.22, -24.19, 39.52

 

CMYK 42 / 0 / 65 / 51

HEX #487C2B

RGB 72 124 43

HSL 98.52, 0.49%, 0.33%

LAB 46.93, -32.75, 37.73

 

CMYK 59 / 0 / 65 / 51

HEX #337C2B

RGB 51 124 43

HSL 114.07, 0.49%, 0.33%

LAB 46.03, -39.41, 36.49

 

CMYK 65 / 0 / 53 / 51

HEX #2B7C3A

RGB 43 124 58

HSL 131.11, 0.49%, 0.33%

LAB 45.95, -39.42, 28.77

 

CMYK 6 / 0 / 65 / 51

HEX #747C2B

RGB 116 124 43

HSL 65.93, 0.49%, 0.33%

LAB 49.86, -14.61, 41.76

 

CMYK 8 / 0 / 78 / 46

HEX #7F8A1E

RGB 127 138 30

HSL 66.11, 0.64%, 0.33%

LAB 54.85, -17.85, 52.13

 

CMYK 9 / 0 / 89 / 41

HEX #8A9710

RGB 138 151 16

HSL 65.78, 0.81%, 0.33%

LAB 59.5, -20.12, 60.16

 

CMYK 10 / 0 / 99 / 35

HEX #95A502

RGB 149 165 2

HSL 65.89, 0.98%, 0.33%

LAB 64.41, -22.59, 66.43

 

CMYK 6 / 0 / 65 / 51

HEX #747C2B

RGB 116 124 43

HSL 65.93, 0.49%, 0.33%

LAB 49.86, -14.61, 41.76

 

CMYK 5 / 0 / 48 / 57

HEX #696E39

RGB 105 110 57

HSL 65.66, 0.32%, 0.33%

LAB 44.87, -10.57, 28.76

 

CMYK 3 / 0 / 28 / 62

HEX #5E6146

RGB 94 97 70

HSL 66.67, 0.16%, 0.33%

LAB 40.2, -6.22, 15.05

 

CMYK 1 / 1 / 0 / 67

HEX #535354

RGB 83 83 84

HSL 240, 0.01%, 0.33%

LAB 35.33, 0.22, -0.59

 

CMYK 27 / 29 / 0 / 62

HEX #484662

RGB 72 70 98

HSL 244.29, 0.17%, 0.33%

LAB 30.97, 7.78, -16.12

 

CMYK 0 / 28 / 65 / 51

HEX #7C592B

RGB 124 89 43

HSL 34.07, 0.49%, 0.33%

LAB 40.58, 9.17, 31.76

 

CMYK 0 / 10 / 65 / 51

HEX #7C6F2B

RGB 124 111 43

HSL 50.37, 0.49%, 0.33%

LAB 46.75, -3.72, 38.63

 

CMYK 6 / 0 / 65 / 51

HEX #747C2B

RGB 116 124 43

HSL 65.93, 0.49%, 0.33%

LAB 49.86, -14.61, 41.76

 

CMYK 24 / 0 / 65 / 51

HEX #5E7C2B

RGB 94 124 43

HSL 82.22, 0.49%, 0.33%

LAB 48.22, -24.19, 39.52

 

CMYK 41 / 0 / 65 / 51

HEX #497C2B

RGB 73 124 43

HSL 97.78, 0.49%, 0.33%

LAB 46.98, -32.39, 37.81

 

CMYK 6 / 0 / 65 / 75

HEX #3B3F16

RGB 59 63 22

HSL 65.85, 0.48%, 0.17%

LAB 25.39, -8.55, 24.07

 

CMYK 7 / 0 / 65 / 63

HEX #575E21

RGB 87 94 33

HSL 66.89, 0.48%, 0.25%

LAB 38.1, -12.17, 33.11

 

CMYK 6 / 0 / 65 / 51

HEX #747C2B

RGB 116 124 43

HSL 65.93, 0.49%, 0.33%

LAB 49.86, -14.61, 41.76

 

CMYK 6 / 0 / 65 / 39

HEX #919B36

RGB 145 155 54

HSL 65.94, 0.48%, 0.41%

LAB 61.42, -17.39, 49.85

 

CMYK 6 / 0 / 65 / 27

HEX #ADB941

RGB 173 185 65

HSL 66, 0.48%, 0.49%

LAB 72.2, -19.99, 57.23

 

CMYK 6 / 0 / 65 / 51

HEX #747C2C

RGB 116 124 44

HSL 66, 0.48%, 0.33%

LAB 49.87, -14.54, 41.32

 

CMYK 65 / 0 / 46 / 51

HEX #2B7C43

RGB 43 124 67

HSL 137.78, 0.49%, 0.33%

LAB 46.09, -37.91, 24.04

 

CMYK 19 / 65 / 0 / 51

HEX #642B7C

RGB 100 43 124

HSL 282.22, 0.49%, 0.33%

LAB 29.14, 39.55, -35.28

 

CMYK 6 / 0 / 65 / 51

HEX #747C2C

RGB 116 124 44

HSL 66, 0.48%, 0.33%

LAB 49.87, -14.54, 41.32

 

CMYK 65 / 6 / 0 / 51

HEX #2B747C

RGB 43 116 124

HSL 185.93, 0.49%, 0.33%

LAB 44.88, -19.66, -11.1

 

CMYK 0 / 65 / 6 / 51

HEX #7C2B74

RGB 124 43 116

HSL 305.93, 0.49%, 0.33%

LAB 32.42, 44.38, -24.79

 

CMYK 6 / 0 / 65 / 51

HEX #747C2C

RGB 116 124 44

HSL 66, 0.48%, 0.33%

LAB 49.87, -14.54, 41.32

 

CMYK 65 / 0 / 46 / 51

HEX #2B7C43

RGB 43 124 67

HSL 137.78, 0.49%, 0.33%

LAB 46.09, -37.91, 24.04

 

CMYK 59 / 65 / 0 / 51

HEX #332B7C

RGB 51 43 124

HSL 245.93, 0.49%, 0.33%

LAB 23.29, 28.24, -45.01

 

CMYK 0 / 65 / 19 / 51

HEX #7C2B64

RGB 124 43 100

HSL 317.78, 0.49%, 0.33%

LAB 31.65, 41.73, -15.79

 

CMYK 6 / 0 / 65 / 51

HEX #747C2C

RGB 116 124 44

HSL 66, 0.48%, 0.33%

LAB 49.87, -14.54, 41.32

 

CMYK 65 / 0 / 26 / 51

HEX #2B7C5C

RGB 43 124 92

HSL 156.3, 0.49%, 0.33%

LAB 46.58, -32.64, 10.38

 

CMYK 59 / 65 / 0 / 51

HEX #332B7C

RGB 51 43 124

HSL 245.93, 0.49%, 0.33%

LAB 23.29, 28.24, -45.01

 

CMYK 0 / 65 / 39 / 51

HEX #7C2B4C

RGB 124 43 76

HSL 335.56, 0.49%, 0.33%

LAB 30.72, 38.37, -1.6

 

Description

Color code: HEX #747C2C | qconv.com Color code: HEX #747C2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 124 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 124 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 65 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 65% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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