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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74860D it is the complementary color #8B79F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74860D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74860D shade: #798608, #8A981B, #9BAA2E, #ACBC41 and #BDCE54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74860D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74860D shade: #74860D, #637400, #526200, #415000 and #303E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74860D shade: #74860D, #86770D, #86570D, #86360D and #86150D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74860D shade: #74860D, #53860D, #33860D, #12860D and #0D8628

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74860D shade matches the following richer shades: #74860D and #7C9201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74860D shade: #74860D, #6C7A19, #636E25, #5B6231 and #52563D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74860D shade: #86560D, #86760D, #76860D, #56860D and #35860D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74860D shade: #333B05, #546109, #74860D, #95AC11 and #B5D114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74860D shade: #74860D, #0D8635 and #660D86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74860D shade: #74860D, #0D7686 and #860D76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74860D shade: #74860D, #0D8635, #1D0D86 and #860D5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74860D shade: #74860D, #0D865A, #1D0D86 and #860D39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

Complementary color

CMYK 43 / 50 / 0 / 5

HEX #8B79F2

RGB 139 121 242

HSL 248.93, 0.82%, 0.71%

LAB 57.63, 35.85, -58.76

 

CMYK 10 / 0 / 94 / 47

HEX #798608

RGB 121 134 8

HSL 66.19, 0.89%, 0.28%

LAB 53.09, -19.16, 55.89

 

CMYK 9 / 0 / 82 / 40

HEX #8A981B

RGB 138 152 27

HSL 66.72, 0.7%, 0.35%

LAB 59.83, -20.31, 57.84

 

CMYK 9 / 0 / 73 / 33

HEX #9BAA2E

RGB 155 170 46

HSL 67.26, 0.57%, 0.42%

LAB 66.46, -21.2, 58.32

 

CMYK 9 / 0 / 65 / 26

HEX #ACBC41

RGB 172 188 65

HSL 67.8, 0.49%, 0.5%

LAB 72.97, -21.89, 58

 

CMYK 8 / 0 / 59 / 19

HEX #BDCE54

RGB 189 206 84

HSL 68.36, 0.55%, 0.57%

LAB 79.39, -22.44, 57.26

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 15 / 0 / 100 / 55

HEX #637400

RGB 99 116 0

HSL 68.79, 1%, 0.23%

LAB 45.83, -19.99, 51.14

 

CMYK 16 / 0 / 100 / 62

HEX #526200

RGB 82 98 0

HSL 69.8, 1%, 0.19%

LAB 38.78, -18.38, 45.26

 

CMYK 19 / 0 / 100 / 69

HEX #415000

RGB 65 80 0

HSL 71.25, 1%, 0.16%

LAB 31.49, -16.74, 39.2

 

CMYK 23 / 0 / 100 / 76

HEX #303E00

RGB 48 62 0

HSL 73.55, 1%, 0.12%

LAB 23.91, -15.06, 32.2

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 0 / 11 / 90 / 47

HEX #86770D

RGB 134 119 13

HSL 52.56, 0.82%, 0.29%

LAB 49.85, -4.9, 52.85

 

CMYK 0 / 35 / 90 / 47

HEX #86570D

RGB 134 87 13

HSL 36.69, 0.82%, 0.29%

LAB 41.08, 13.63, 45.83

 

CMYK 0 / 60 / 90 / 47

HEX #86360D

RGB 134 54 13

HSL 20.33, 0.82%, 0.29%

LAB 33.43, 32.26, 39.71

 

CMYK 0 / 84 / 90 / 47

HEX #86150D

RGB 134 21 13

HSL 3.97, 0.82%, 0.29%

LAB 28.47, 45.71, 35.75

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 38 / 0 / 90 / 47

HEX #53860D

RGB 83 134 13

HSL 85.29, 0.82%, 0.29%

LAB 50.59, -35.05, 51.89

 

CMYK 62 / 0 / 90 / 47

HEX #33860D

RGB 51 134 13

HSL 101.16, 0.82%, 0.29%

LAB 49.23, -45.42, 50.19

 

CMYK 87 / 0 / 90 / 47

HEX #12860D

RGB 18 134 13

HSL 117.52, 0.82%, 0.29%

LAB 48.52, -51.51, 49.29

 

CMYK 90 / 0 / 70 / 47

HEX #0D8628

RGB 13 134 40

HSL 133.39, 0.82%, 0.29%

LAB 48.62, -50.02, 40.44

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 15 / 0 / 99 / 43

HEX #7C9201

RGB 124 146 1

HSL 69.1, 0.99%, 0.29%

LAB 56.92, -24.06, 60.12

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 11 / 0 / 80 / 52

HEX #6C7A19

RGB 108 122 25

HSL 68.66, 0.66%, 0.29%

LAB 48.48, -18.24, 47.38

 

CMYK 10 / 0 / 66 / 57

HEX #636E25

RGB 99 110 37

HSL 69.04, 0.5%, 0.29%

LAB 44.14, -15.17, 38.01

 

CMYK 7 / 0 / 50 / 62

HEX #5B6231

RGB 91 98 49

HSL 68.57, 0.33%, 0.29%

LAB 39.88, -11, 26.81

 

CMYK 5 / 0 / 29 / 66

HEX #52563D

RGB 82 86 61

HSL 69.6, 0.17%, 0.29%

LAB 35.57, -6.41, 14.06

 

CMYK 0 / 36 / 90 / 47

HEX #86560D

RGB 134 86 13

HSL 36.2, 0.82%, 0.29%

LAB 40.82, 14.22, 45.62

 

CMYK 0 / 12 / 90 / 47

HEX #86760D

RGB 134 118 13

HSL 52.07, 0.82%, 0.29%

LAB 49.56, -4.33, 52.62

 

CMYK 12 / 0 / 90 / 47

HEX #76860D

RGB 118 134 13

HSL 67.93, 0.82%, 0.29%

LAB 52.87, -20.4, 54.71

 

CMYK 36 / 0 / 90 / 47

HEX #56860D

RGB 86 134 13

HSL 83.8, 0.82%, 0.29%

LAB 50.75, -33.9, 52.09

 

CMYK 60 / 0 / 90 / 47

HEX #35860D

RGB 53 134 13

HSL 100.17, 0.82%, 0.29%

LAB 49.3, -44.89, 50.27

 

CMYK 14 / 0 / 92 / 77

HEX #333B05

RGB 51 59 5

HSL 68.89, 0.84%, 0.13%

LAB 23.14, -11.48, 29.47

 

CMYK 13 / 0 / 91 / 62

HEX #546109

RGB 84 97 9

HSL 68.86, 0.83%, 0.21%

LAB 38.65, -16.6, 42.75

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 13 / 0 / 90 / 33

HEX #95AC11

RGB 149 172 17

HSL 68.9, 0.82%, 0.37%

LAB 66.47, -25.79, 65.95

 

CMYK 13 / 0 / 90 / 18

HEX #B5D114

RGB 181 209 20

HSL 68.89, 0.83%, 0.45%

LAB 79.31, -30.05, 76.71

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 90 / 0 / 60 / 47

HEX #0D8635

RGB 13 134 53

HSL 139.83, 0.82%, 0.29%

LAB 48.75, -48.42, 34.56

 

CMYK 24 / 90 / 0 / 47

HEX #660D86

RGB 102 13 134

HSL 284.13, 0.82%, 0.29%

LAB 26.26, 53.32, -46.19

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 90 / 12 / 0 / 47

HEX #0D7686

RGB 13 118 134

HSL 187.93, 0.82%, 0.29%

LAB 45.31, -20.99, -16.48

 

CMYK 0 / 90 / 12 / 47

HEX #860D76

RGB 134 13 118

HSL 307.93, 0.82%, 0.29%

LAB 31.03, 56.51, -28.12

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 90 / 0 / 60 / 47

HEX #0D8635

RGB 13 134 53

HSL 139.83, 0.82%, 0.29%

LAB 48.75, -48.42, 34.56

 

CMYK 78 / 90 / 0 / 47

HEX #1D0D86

RGB 29 13 134

HSL 247.93, 0.82%, 0.29%

LAB 16.85, 45.19, -62.01

 

CMYK 0 / 90 / 30 / 47

HEX #860D5E

RGB 134 13 94

HSL 319.83, 0.82%, 0.29%

LAB 29.82, 53.29, -14.56

 

CMYK 13 / 0 / 90 / 47

HEX #74860D

RGB 116 134 13

HSL 68.93, 0.82%, 0.29%

LAB 52.72, -21.29, 54.52

 

CMYK 90 / 0 / 33 / 47

HEX #0D865A

RGB 13 134 90

HSL 158.18, 0.82%, 0.29%

LAB 49.34, -41.46, 15.28

 

CMYK 78 / 90 / 0 / 47

HEX #1D0D86

RGB 29 13 134

HSL 247.93, 0.82%, 0.29%

LAB 16.85, 45.19, -62.01

 

CMYK 0 / 90 / 57 / 47

HEX #860D39

RGB 134 13 57

HSL 338.18, 0.82%, 0.29%

LAB 28.52, 49.65, 8.13

 

Description

Color code: HEX #74860D | qconv.com Color code: HEX #74860D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 134 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 134 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 90 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 90% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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