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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7486A8 it is the complementary color #8B7957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7486A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7486A8 shade: #7986A3, #8A98B6, #9BAAC9, #ACBCDC and #BDCEEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7486A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7486A8 shade: #7486A8, #637495, #526282, #41506F and #303E5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7486A8 shade: #7486A8, #7478A8, #7E74A8, #8C74A8 and #9A74A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7486A8 shade: #7486A8, #7478A8 and #7474A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7486A8 shade matches the following richer shades: #7486A8, #6281BA, #507BCC, #3E76DF and #2C70F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7486A8 shade: #7486A8, #878C96, #999284, #AB9772 and #BD9D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7486A8 shade: #74A2A8, #7494A8, #7487A8, #7479A8 and #7E74A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7486A8 shade: #4E5E7C, #5E7196, #7486A8, #8E9CB8 and #A7B3C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7486A8 shade: #7486A8, #A074A8 and #9BA874

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7486A8 shade: #7486A8, #A87487 and #87A874

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7486A8 shade: #7486A8, #A074A8, #A89674 and #7CA874

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7486A8 shade: #7486A8, #A874A0, #A89674 and #74A87C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

Complementary color

CMYK 0 / 13 / 37 / 45

HEX #8B7957

RGB 139 121 87

HSL 39.23, 0.23%, 0.44%

LAB 51.67, 1.72, 21.22

 

CMYK 26 / 18 / 0 / 36

HEX #7986A3

RGB 121 134 163

HSL 221.43, 0.19%, 0.56%

LAB 55.85, 1.99, -16.97

 

CMYK 24 / 16 / 0 / 29

HEX #8A98B6

RGB 138 152 182

HSL 220.91, 0.23%, 0.63%

LAB 62.71, 1.75, -17.24

 

CMYK 23 / 15 / 0 / 21

HEX #9BAAC9

RGB 155 170 201

HSL 220.43, 0.3%, 0.7%

LAB 69.42, 1.54, -17.54

 

CMYK 22 / 15 / 0 / 14

HEX #ACBCDC

RGB 172 188 220

HSL 220, 0.41%, 0.77%

LAB 76.01, 1.34, -17.85

 

CMYK 21 / 14 / 0 / 6

HEX #BDCEEF

RGB 189 206 239

HSL 219.6, 0.61%, 0.84%

LAB 82.48, 1.15, -18.16

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 34 / 22 / 0 / 42

HEX #637495

RGB 99 116 149

HSL 219.6, 0.2%, 0.49%

LAB 48.65, 2.02, -19.95

 

CMYK 37 / 25 / 0 / 49

HEX #526282

RGB 82 98 130

HSL 220, 0.23%, 0.42%

LAB 41.44, 2.39, -19.8

 

CMYK 41 / 28 / 0 / 56

HEX #41506F

RGB 65 80 111

HSL 220.43, 0.26%, 0.35%

LAB 34, 2.85, -19.7

 

CMYK 48 / 33 / 0 / 64

HEX #303E5C

RGB 48 62 92

HSL 220.91, 0.31%, 0.27%

LAB 26.29, 3.46, -19.67

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 31 / 29 / 0 / 34

HEX #7478A8

RGB 116 120 168

HSL 235.38, 0.23%, 0.56%

LAB 51.81, 9.94, -26.09

 

CMYK 25 / 31 / 0 / 34

HEX #7E74A8

RGB 126 116 168

HSL 251.54, 0.23%, 0.56%

LAB 51.56, 15.41, -26.41

 

CMYK 17 / 31 / 0 / 34

HEX #8C74A8

RGB 140 116 168

HSL 267.69, 0.23%, 0.56%

LAB 52.83, 19.9, -24.33

 

CMYK 8 / 31 / 0 / 34

HEX #9A74A8

RGB 154 116 168

HSL 283.85, 0.23%, 0.56%

LAB 54.23, 24.52, -22.07

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 31 / 29 / 0 / 34

HEX #7478A8

RGB 116 120 168

HSL 235.38, 0.23%, 0.56%

LAB 51.81, 9.94, -26.09

 

CMYK 31 / 31 / 0 / 34

HEX #7474A8

RGB 116 116 168

HSL 240, 0.23%, 0.56%

LAB 50.72, 12.33, -27.77

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 47 / 31 / 0 / 27

HEX #6281BA

RGB 98 129 186

HSL 218.86, 0.39%, 0.56%

LAB 53.86, 4.71, -33.36

 

CMYK 61 / 40 / 0 / 20

HEX #507BCC

RGB 80 123 204

HSL 219.19, 0.55%, 0.56%

LAB 52.1, 10.13, -46.48

 

CMYK 72 / 47 / 0 / 13

HEX #3E76DF

RGB 62 118 223

HSL 219.13, 0.72%, 0.56%

LAB 51.05, 17, -58.96

 

CMYK 82 / 54 / 0 / 5

HEX #2C70F1

RGB 44 112 241

HSL 219.29, 0.88%, 0.56%

LAB 50.07, 25.49, -70.67

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 10 / 7 / 0 / 41

HEX #878C96

RGB 135 140 150

HSL 220, 0.07%, 0.56%

LAB 58.14, 0.25, -5.95

 

CMYK 0 / 5 / 14 / 40

HEX #999284

RGB 153 146 132

HSL 40, 0.09%, 0.56%

LAB 60.78, 0.08, 8.34

 

CMYK 0 / 12 / 33 / 33

HEX #AB9772

RGB 171 151 114

HSL 38.95, 0.25%, 0.56%

LAB 63.35, 1.78, 22.24

 

CMYK 0 / 17 / 50 / 26

HEX #BD9D5F

RGB 189 157 95

HSL 39.57, 0.42%, 0.56%

LAB 66.34, 3.86, 36.69

 

CMYK 31 / 4 / 0 / 34

HEX #74A2A8

RGB 116 162 168

HSL 186.92, 0.23%, 0.56%

LAB 63.66, -13.89, -8.09

 

CMYK 31 / 12 / 0 / 34

HEX #7494A8

RGB 116 148 168

HSL 203.08, 0.23%, 0.56%

LAB 59.63, -6.25, -14.12

 

CMYK 31 / 20 / 0 / 34

HEX #7487A8

RGB 116 135 168

HSL 218.08, 0.23%, 0.56%

LAB 55.96, 1.13, -19.71

 

CMYK 31 / 28 / 0 / 34

HEX #7479A8

RGB 116 121 168

HSL 234.23, 0.23%, 0.56%

LAB 52.08, 9.34, -25.66

 

CMYK 25 / 31 / 0 / 34

HEX #7E74A8

RGB 126 116 168

HSL 251.54, 0.23%, 0.56%

LAB 51.56, 15.41, -26.41

 

CMYK 37 / 24 / 0 / 51

HEX #4E5E7C

RGB 78 94 124

HSL 219.13, 0.23%, 0.4%

LAB 39.72, 1.89, -18.83

 

CMYK 37 / 25 / 0 / 41

HEX #5E7196

RGB 94 113 150

HSL 219.64, 0.23%, 0.48%

LAB 47.48, 2.59, -22.36

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 23 / 15 / 0 / 28

HEX #8E9CB8

RGB 142 156 184

HSL 220, 0.23%, 0.64%

LAB 64.15, 1.25, -16.15

 

CMYK 17 / 11 / 0 / 22

HEX #A7B3C8

RGB 167 179 200

HSL 218.18, 0.23%, 0.72%

LAB 72.64, 0.2, -12.05

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 5 / 31 / 0 / 34

HEX #A074A8

RGB 160 116 168

HSL 290.77, 0.23%, 0.56%

LAB 54.86, 26.52, -21.05

 

CMYK 8 / 0 / 31 / 34

HEX #9BA874

RGB 155 168 116

HSL 75, 0.23%, 0.56%

LAB 66.7, -13.5, 25.4

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 0 / 31 / 20 / 34

HEX #A87487

RGB 168 116 135

HSL 338.08, 0.23%, 0.56%

LAB 54.62, 23.33, -2.11

 

CMYK 20 / 0 / 31 / 34

HEX #87A874

RGB 135 168 116

HSL 98.08, 0.23%, 0.56%

LAB 65.29, -21.12, 23.27

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 5 / 31 / 0 / 34

HEX #A074A8

RGB 160 116 168

HSL 290.77, 0.23%, 0.56%

LAB 54.86, 26.52, -21.05

 

CMYK 0 / 11 / 31 / 34

HEX #A89674

RGB 168 150 116

HSL 39.23, 0.23%, 0.56%

LAB 62.84, 1.38, 20.4

 

CMYK 26 / 0 / 31 / 34

HEX #7CA874

RGB 124 168 116

HSL 110.77, 0.23%, 0.56%

LAB 64.6, -25.09, 22.23

 

CMYK 31 / 20 / 0 / 34

HEX #7486A8

RGB 116 134 168

HSL 219.23, 0.23%, 0.56%

LAB 55.68, 1.71, -20.13

 

CMYK 0 / 31 / 5 / 34

HEX #A874A0

RGB 168 116 160

HSL 309.23, 0.23%, 0.56%

LAB 55.43, 27.69, -15.45

 

CMYK 0 / 11 / 31 / 34

HEX #A89674

RGB 168 150 116

HSL 39.23, 0.23%, 0.56%

LAB 62.84, 1.38, 20.4

 

CMYK 31 / 0 / 26 / 34

HEX #74A87C

RGB 116 168 124

HSL 129.23, 0.23%, 0.56%

LAB 64.3, -26.44, 17.37

 

Description

Color code: HEX #7486A8 | qconv.com Color code: HEX #7486A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 134 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 134 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 20 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 20% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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