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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #748027 it is the complementary color #8B7FD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #748027. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #748027 shade: #798022, #8A9235, #9BA448, #ACB65B and #BDC86E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #748027. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #748027 shade: #748027, #636E14, #525C01, #414A00 and #303800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #748027 shade: #748027, #807427, #805C27, #804427 and #802C27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #748027 shade: #748027, #5C8027, #448027, #2C8027 and #27803A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #748027 shade matches the following richer shades: #748027, #7E8E19 and #889B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #748027 shade: #748027, #6A7335, #606542, #565750 and #4C4A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #748027 shade: #805D27, #807427, #748027, #5D8027 and #458027

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #748027 shade: #3B4114, #58611D, #748027, #91A031 and #ADBF3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #748027 shade: #748027, #278045 and #682780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #748027 shade: #748027, #277480 and #802774

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #748027 shade: #748027, #278045, #332780 and #802763

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #748027 shade: #748027, #278060, #332780 and #802748

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

Complementary color

CMYK 36 / 41 / 0 / 15

HEX #8B7FD8

RGB 139 127 216

HSL 248.09, 0.53%, 0.67%

LAB 57.68, 25.22, -44.17

 

CMYK 5 / 0 / 73 / 50

HEX #798022

RGB 121 128 34

HSL 64.47, 0.58%, 0.32%

LAB 51.4, -15.07, 47.26

 

CMYK 5 / 0 / 64 / 43

HEX #8A9235

RGB 138 146 53

HSL 65.16, 0.47%, 0.39%

LAB 58.24, -15.82, 46.75

 

CMYK 5 / 0 / 56 / 36

HEX #9BA448

RGB 155 164 72

HSL 65.87, 0.39%, 0.46%

LAB 64.95, -16.39, 45.82

 

CMYK 5 / 0 / 50 / 29

HEX #ACB65B

RGB 172 182 91

HSL 66.59, 0.38%, 0.54%

LAB 71.54, -16.82, 44.71

 

CMYK 5 / 0 / 45 / 22

HEX #BDC86E

RGB 189 200 110

HSL 67.33, 0.45%, 0.61%

LAB 78.02, -17.16, 43.54

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 10 / 0 / 82 / 57

HEX #636E14

RGB 99 110 20

HSL 67.33, 0.69%, 0.25%

LAB 44.02, -16.19, 44.71

 

CMYK 11 / 0 / 99 / 64

HEX #525C01

RGB 82 92 1

HSL 66.59, 0.98%, 0.18%

LAB 36.84, -15.09, 43.5

 

CMYK 12 / 0 / 100 / 71

HEX #414A00

RGB 65 74 0

HSL 67.3, 1%, 0.15%

LAB 29.47, -13.38, 37.67

 

CMYK 14 / 0 / 100 / 78

HEX #303800

RGB 48 56 0

HSL 68.57, 1%, 0.11%

LAB 21.79, -11.59, 30.01

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 0 / 9 / 70 / 50

HEX #807427

RGB 128 116 39

HSL 51.91, 0.53%, 0.33%

LAB 48.54, -4.96, 42.51

 

CMYK 0 / 28 / 70 / 50

HEX #805C27

RGB 128 92 39

HSL 35.73, 0.53%, 0.33%

LAB 41.83, 8.98, 35.39

 

CMYK 0 / 47 / 70 / 50

HEX #804427

RGB 128 68 39

HSL 19.55, 0.53%, 0.33%

LAB 35.73, 23.13, 28.56

 

CMYK 0 / 66 / 70 / 50

HEX #802C27

RGB 128 44 39

HSL 3.37, 0.53%, 0.33%

LAB 30.73, 35.95, 22.64

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 28 / 0 / 70 / 50

HEX #5C8027

RGB 92 128 39

HSL 84.27, 0.53%, 0.33%

LAB 49.33, -27.32, 42.43

 

CMYK 47 / 0 / 70 / 50

HEX #448027

RGB 68 128 39

HSL 100.45, 0.53%, 0.33%

LAB 48.02, -36.29, 40.66

 

CMYK 66 / 0 / 70 / 50

HEX #2C8027

RGB 44 128 39

HSL 116.63, 0.53%, 0.33%

LAB 47.13, -43.18, 39.44

 

CMYK 70 / 0 / 55 / 50

HEX #27803A

RGB 39 128 58

HSL 132.81, 0.53%, 0.33%

LAB 47.2, -41.87, 30.27

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 11 / 0 / 82 / 44

HEX #7E8E19

RGB 126 142 25

HSL 68.21, 0.7%, 0.33%

LAB 55.94, -20.56, 54.62

 

CMYK 12 / 0 / 92 / 39

HEX #889B0C

RGB 136 155 12

HSL 67.97, 0.86%, 0.33%

LAB 60.52, -23.1, 61.61

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 8 / 0 / 54 / 55

HEX #6A7335

RGB 106 115 53

HSL 68.71, 0.37%, 0.33%

LAB 46.42, -13.33, 32.78

 

CMYK 5 / 0 / 35 / 60

HEX #606542

RGB 96 101 66

HSL 68.57, 0.21%, 0.33%

LAB 41.51, -8.28, 19.21

 

CMYK 1 / 0 / 8 / 66

HEX #565750

RGB 86 87 80

HSL 68.57, 0.04%, 0.33%

LAB 36.69, -1.85, 3.92

 

CMYK 19 / 21 / 0 / 63

HEX #4C4A5E

RGB 76 74 94

HSL 246, 0.12%, 0.33%

LAB 32.35, 5.56, -11.43

 

CMYK 0 / 27 / 70 / 50

HEX #805D27

RGB 128 93 39

HSL 36.4, 0.53%, 0.33%

LAB 42.1, 8.39, 35.69

 

CMYK 0 / 9 / 70 / 50

HEX #807427

RGB 128 116 39

HSL 51.91, 0.53%, 0.33%

LAB 48.54, -4.96, 42.51

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 27 / 0 / 70 / 50

HEX #5D8027

RGB 93 128 39

HSL 83.6, 0.53%, 0.33%

LAB 49.39, -26.91, 42.52

 

CMYK 46 / 0 / 70 / 50

HEX #458027

RGB 69 128 39

HSL 99.78, 0.53%, 0.33%

LAB 48.07, -35.95, 40.73

 

CMYK 9 / 0 / 69 / 75

HEX #3B4114

RGB 59 65 20

HSL 68, 0.53%, 0.17%

LAB 26.04, -9.95, 25.86

 

CMYK 9 / 0 / 70 / 62

HEX #58611D

RGB 88 97 29

HSL 67.94, 0.54%, 0.25%

LAB 39.09, -13.69, 36.09

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 9 / 0 / 69 / 37

HEX #91A031

RGB 145 160 49

HSL 68.11, 0.53%, 0.41%

LAB 62.83, -20.27, 53.36

 

CMYK 9 / 0 / 70 / 25

HEX #ADBF3A

RGB 173 191 58

HSL 68.12, 0.53%, 0.49%

LAB 73.84, -23.38, 61.64

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 70 / 0 / 46 / 50

HEX #278045

RGB 39 128 69

HSL 140.22, 0.53%, 0.33%

LAB 47.36, -40.03, 24.55

 

CMYK 19 / 70 / 0 / 50

HEX #682780

RGB 104 39 128

HSL 283.82, 0.53%, 0.33%

LAB 29.29, 43.39, -37.51

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 70 / 9 / 0 / 50

HEX #277480

RGB 39 116 128

HSL 188.09, 0.53%, 0.33%

LAB 44.91, -19.06, -13.46

 

CMYK 0 / 70 / 9 / 50

HEX #802774

RGB 128 39 116

HSL 308.09, 0.53%, 0.33%

LAB 32.48, 47.18, -24.65

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 70 / 0 / 46 / 50

HEX #278045

RGB 39 128 69

HSL 140.22, 0.53%, 0.33%

LAB 47.36, -40.03, 24.55

 

CMYK 60 / 70 / 0 / 50

HEX #332780

RGB 51 39 128

HSL 248.09, 0.53%, 0.33%

LAB 22.7, 32.13, -48.5

 

CMYK 0 / 70 / 23 / 50

HEX #802763

RGB 128 39 99

HSL 319.55, 0.53%, 0.33%

LAB 31.67, 44.51, -15.06

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 70 / 0 / 25 / 50

HEX #278060

RGB 39 128 96

HSL 158.43, 0.53%, 0.33%

LAB 47.9, -34.24, 9.88

 

CMYK 60 / 70 / 0 / 50

HEX #332780

RGB 51 39 128

HSL 248.09, 0.53%, 0.33%

LAB 22.7, 32.13, -48.5

 

CMYK 0 / 70 / 44 / 50

HEX #802748

RGB 128 39 72

HSL 337.75, 0.53%, 0.33%

LAB 30.66, 41.04, 1.03

 

Description

Color code: HEX #748027 | qconv.com Color code: HEX #748027 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 128 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 128 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 70 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 70% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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