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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74830B it is the complementary color #8B7CF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74830B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74830B shade: #798306, #8A9519, #9BA72C, #ACB93F and #BDCB52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74830B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74830B shade: #74830B, #637100, #525F00, #414D00 and #303B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74830B shade: #74840A, #84720A, #84510A, #84310A and #84100A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74830B shade: #74840A, #54840A, #33840A, #12840A and #0A8423

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74830B shade matches the following richer shades: #74840A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74830B shade: #74840A, #6C7816, #636C21, #5A612D and #525538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74830B shade: #84510A, #84710A, #75840A, #55840A and #35840A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74830B shade: #313704, #535D07, #74840A, #96AA0D and #B8D010

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74830B shade: #74830B, #0A8431 and #610A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74830B shade: #74830B, #0A7584 and #840A75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74830B shade: #74830B, #0A8431, #180A84 and #840A5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74830B shade: #74830B, #0A8455, #180A84 and #840A39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 92 / 49

HEX #74830B

RGB 116 131 11

HSL 67.5, 0.85%, 0.28%

LAB 51.8, -19.8, 54.17

 

Complementary color

CMYK 43 / 49 / 0 / 4

HEX #8B7CF4

RGB 139 124 244

HSL 247.5, 0.85%, 0.72%

LAB 58.45, 34.68, -58.56

 

CMYK 8 / 0 / 95 / 49

HEX #798306

RGB 121 131 6

HSL 64.8, 0.91%, 0.27%

LAB 52.19, -17.63, 55.54

 

CMYK 7 / 0 / 83 / 42

HEX #8A9519

RGB 138 149 25

HSL 65.32, 0.71%, 0.34%

LAB 58.95, -18.84, 57.61

 

CMYK 7 / 0 / 74 / 35

HEX #9BA72C

RGB 155 167 44

HSL 65.85, 0.58%, 0.41%

LAB 65.58, -19.79, 58.2

 

CMYK 7 / 0 / 66 / 27

HEX #ACB93F

RGB 172 185 63

HSL 66.39, 0.49%, 0.49%

LAB 72.11, -20.53, 57.92

 

CMYK 7 / 0 / 60 / 20

HEX #BDCB52

RGB 189 203 82

HSL 66.94, 0.54%, 0.56%

LAB 78.54, -21.12, 57.2

 

CMYK 11 / 0 / 92 / 49

HEX #74830B

RGB 116 131 11

HSL 67.5, 0.85%, 0.28%

LAB 51.8, -19.8, 54.17

 

CMYK 12 / 0 / 100 / 56

HEX #637100

RGB 99 113 0

HSL 67.43, 1%, 0.22%

LAB 44.89, -18.42, 50.43

 

CMYK 14 / 0 / 100 / 63

HEX #525F00

RGB 82 95 0

HSL 68.21, 1%, 0.19%

LAB 37.8, -16.77, 44.53

 

CMYK 16 / 0 / 100 / 70

HEX #414D00

RGB 65 77 0

HSL 69.35, 1%, 0.15%

LAB 30.48, -15.08, 38.44

 

CMYK 19 / 0 / 100 / 77

HEX #303B00

RGB 48 59 0

HSL 71.19, 1%, 0.12%

LAB 22.85, -13.34, 31.12

 

CMYK 12 / 0 / 92 / 48

HEX #74840A

RGB 116 132 10

HSL 67.87, 0.86%, 0.28%

LAB 52.1, -20.33, 54.59

 

CMYK 0 / 14 / 92 / 48

HEX #84720A

RGB 132 114 10

HSL 51.15, 0.86%, 0.28%

LAB 48.21, -3.09, 52.11

 

CMYK 0 / 39 / 92 / 48

HEX #84510A

RGB 132 81 10

HSL 34.92, 0.86%, 0.28%

LAB 39.26, 16.16, 45.15

 

CMYK 0 / 63 / 92 / 48

HEX #84310A

RGB 132 49 10

HSL 19.18, 0.86%, 0.28%

LAB 32.09, 33.92, 39.68

 

CMYK 0 / 88 / 92 / 48

HEX #84100A

RGB 132 16 10

HSL 2.95, 0.86%, 0.28%

LAB 27.57, 46.31, 36.15

 

CMYK 12 / 0 / 92 / 48

HEX #74840A

RGB 116 132 10

HSL 67.87, 0.86%, 0.28%

LAB 52.1, -20.33, 54.59

 

CMYK 36 / 0 / 92 / 48

HEX #54840A

RGB 84 132 10

HSL 83.61, 0.86%, 0.28%

LAB 49.99, -33.87, 51.99

 

CMYK 61 / 0 / 92 / 48

HEX #33840A

RGB 51 132 10

HSL 99.84, 0.86%, 0.28%

LAB 48.55, -44.79, 50.2

 

CMYK 86 / 0 / 92 / 48

HEX #12840A

RGB 18 132 10

HSL 116.07, 0.86%, 0.28%

LAB 47.82, -51, 49.29

 

CMYK 92 / 0 / 73 / 48

HEX #0A8423

RGB 10 132 35

HSL 132.3, 0.86%, 0.28%

LAB 47.87, -50.12, 41.72

 

CMYK 12 / 0 / 92 / 48

HEX #74840A

RGB 116 132 10

HSL 67.87, 0.86%, 0.28%

LAB 52.1, -20.33, 54.59

 

CMYK 12 / 0 / 92 / 48

HEX #74840A

RGB 116 132 10

HSL 67.87, 0.86%, 0.28%

LAB 52.1, -20.33, 54.59

 

CMYK 10 / 0 / 82 / 53

HEX #6C7816

RGB 108 120 22

HSL 67.35, 0.69%, 0.28%

LAB 47.85, -17.31, 47.79

 

CMYK 8 / 0 / 69 / 58

HEX #636C21

RGB 99 108 33

HSL 67.2, 0.53%, 0.28%

LAB 43.49, -14.37, 39.13

 

CMYK 7 / 0 / 54 / 62

HEX #5A612D

RGB 90 97 45

HSL 68.08, 0.37%, 0.28%

LAB 39.43, -11.33, 28.45

 

CMYK 4 / 0 / 34 / 67

HEX #525538

RGB 82 85 56

HSL 66.21, 0.21%, 0.28%

LAB 35.16, -6.59, 16.56

 

CMYK 0 / 39 / 92 / 48

HEX #84510A

RGB 132 81 10

HSL 34.92, 0.86%, 0.28%

LAB 39.26, 16.16, 45.15

 

CMYK 0 / 14 / 92 / 48

HEX #84710A

RGB 132 113 10

HSL 50.66, 0.86%, 0.28%

LAB 47.93, -2.52, 51.88

 

CMYK 11 / 0 / 92 / 48

HEX #75840A

RGB 117 132 10

HSL 67.38, 0.86%, 0.28%

LAB 52.18, -19.88, 54.68

 

CMYK 36 / 0 / 92 / 48

HEX #55840A

RGB 85 132 10

HSL 83.11, 0.86%, 0.28%

LAB 50.04, -33.48, 52.06

 

CMYK 60 / 0 / 92 / 48

HEX #35840A

RGB 53 132 10

HSL 98.85, 0.86%, 0.28%

LAB 48.61, -44.25, 50.28

 

CMYK 11 / 0 / 93 / 78

HEX #313704

RGB 49 55 4

HSL 67.06, 0.86%, 0.12%

LAB 21.56, -10.18, 28.16

 

CMYK 11 / 0 / 92 / 64

HEX #535D07

RGB 83 93 7

HSL 66.98, 0.86%, 0.2%

LAB 37.27, -14.95, 42.11

 

CMYK 12 / 0 / 92 / 48

HEX #74840A

RGB 116 132 10

HSL 67.87, 0.86%, 0.28%

LAB 52.1, -20.33, 54.59

 

CMYK 12 / 0 / 92 / 33

HEX #96AA0D

RGB 150 170 13

HSL 67.64, 0.86%, 0.36%

LAB 65.95, -24.46, 66.21

 

CMYK 12 / 0 / 92 / 18

HEX #B8D010

RGB 184 208 16

HSL 67.5, 0.86%, 0.44%

LAB 79.24, -28.41, 77.29

 

CMYK 11 / 0 / 92 / 49

HEX #74830B

RGB 116 131 11

HSL 67.5, 0.85%, 0.28%

LAB 51.8, -19.8, 54.17

 

CMYK 92 / 0 / 63 / 48

HEX #0A8431

RGB 10 132 49

HSL 139.18, 0.86%, 0.28%

LAB 47.99, -48.52, 35.62

 

CMYK 27 / 92 / 0 / 48

HEX #610A84

RGB 97 10 132

HSL 282.79, 0.86%, 0.28%

LAB 25.03, 52.76, -46.97

 

CMYK 11 / 0 / 92 / 49

HEX #74830B

RGB 116 131 11

HSL 67.5, 0.85%, 0.28%

LAB 51.8, -19.8, 54.17

 

CMYK 92 / 11 / 0 / 48

HEX #0A7584

RGB 10 117 132

HSL 187.38, 0.86%, 0.28%

LAB 44.88, -21.34, -15.95

 

CMYK 0 / 92 / 11 / 48

HEX #840A75

RGB 132 10 117

HSL 307.38, 0.86%, 0.28%

LAB 30.42, 56.45, -28.48

 

CMYK 11 / 0 / 92 / 49

HEX #74830B

RGB 116 131 11

HSL 67.5, 0.85%, 0.28%

LAB 51.8, -19.8, 54.17

 

CMYK 92 / 0 / 63 / 48

HEX #0A8431

RGB 10 132 49

HSL 139.18, 0.86%, 0.28%

LAB 47.99, -48.52, 35.62

 

CMYK 82 / 92 / 0 / 48

HEX #180A84

RGB 24 10 132

HSL 246.89, 0.86%, 0.28%

LAB 15.89, 45.43, -62.36

 

CMYK 0 / 92 / 30 / 48

HEX #840A5D

RGB 132 10 93

HSL 319.18, 0.86%, 0.28%

LAB 29.19, 53.22, -14.91

 

CMYK 11 / 0 / 92 / 49

HEX #74830B

RGB 116 131 11

HSL 67.5, 0.85%, 0.28%

LAB 51.8, -19.8, 54.17

 

CMYK 92 / 0 / 36 / 48

HEX #0A8455

RGB 10 132 85

HSL 156.89, 0.86%, 0.28%

LAB 48.54, -42.02, 17.04

 

CMYK 82 / 92 / 0 / 48

HEX #180A84

RGB 24 10 132

HSL 246.89, 0.86%, 0.28%

LAB 15.89, 45.43, -62.36

 

CMYK 0 / 92 / 57 / 48

HEX #840A39

RGB 132 10 57

HSL 336.89, 0.86%, 0.28%

LAB 27.89, 49.67, 7.2

 

Description

Color code: HEX #74830B | qconv.com Color code: HEX #74830B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 131 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 131 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 92 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 92% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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