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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74831F it is the complementary color #8B7CE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74831F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74831F shade: #79831A, #8A952D, #9BA740, #ACB953 and #BDCB66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74831F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74831F shade: #74831F, #63710C, #525F00, #414D00 and #303B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74831F shade: #75841F, #84781F, #845C1F, #84411F and #84261F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74831F shade: #75841F, #59841F, #3E841F, #23841F and #1F8436

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74831F shade matches the following richer shades: #75841F, #7E9111 and #879E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74831F shade: #75841F, #6B762C, #626939, #595C46 and #504F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74831F shade: #845D1F, #84781F, #75841F, #5A841F and #3F841F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74831F shade: #39410F, #576217, #75841F, #92A526 and #B0C72E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74831F shade: #74831F, #1F8442 and #6A1F84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74831F shade: #74831F, #1F7584 and #841F75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74831F shade: #74831F, #1F8442, #2E1F84 and #841F60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74831F shade: #74831F, #1F8460, #2E1F84 and #841F42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 76 / 49

HEX #74831F

RGB 116 131 31

HSL 69, 0.62%, 0.32%

LAB 51.89, -19.06, 48.7

 

Complementary color

CMYK 38 / 45 / 0 / 12

HEX #8B7CE0

RGB 139 124 224

HSL 249, 0.62%, 0.68%

LAB 57.35, 29.14, -49.17

 

CMYK 8 / 0 / 80 / 49

HEX #79831A

RGB 121 131 26

HSL 65.71, 0.67%, 0.31%

LAB 52.26, -17.05, 50.89

 

CMYK 7 / 0 / 70 / 42

HEX #8A952D

RGB 138 149 45

HSL 66.35, 0.54%, 0.38%

LAB 59.06, -17.91, 50.97

 

CMYK 7 / 0 / 62 / 35

HEX #9BA740

RGB 155 167 64

HSL 66.99, 0.45%, 0.45%

LAB 65.73, -18.56, 50.34

 

CMYK 7 / 0 / 55 / 27

HEX #ACB953

RGB 172 185 83

HSL 67.65, 0.42%, 0.53%

LAB 72.29, -19.06, 49.39

 

CMYK 7 / 0 / 50 / 20

HEX #BDCB66

RGB 189 203 102

HSL 68.32, 0.49%, 0.6%

LAB 78.75, -19.44, 48.3

 

CMYK 11 / 0 / 76 / 49

HEX #74831F

RGB 116 131 31

HSL 69, 0.62%, 0.32%

LAB 51.89, -19.06, 48.7

 

CMYK 12 / 0 / 89 / 56

HEX #63710C

RGB 99 113 12

HSL 68.32, 0.81%, 0.25%

LAB 44.93, -18.09, 47.76

 

CMYK 14 / 0 / 100 / 63

HEX #525F00

RGB 82 95 0

HSL 68.21, 1%, 0.19%

LAB 37.8, -16.77, 44.53

 

CMYK 16 / 0 / 100 / 70

HEX #414D00

RGB 65 77 0

HSL 69.35, 1%, 0.15%

LAB 30.48, -15.08, 38.44

 

CMYK 19 / 0 / 100 / 77

HEX #303B00

RGB 48 59 0

HSL 71.19, 1%, 0.12%

LAB 22.85, -13.34, 31.12

 

CMYK 11 / 0 / 77 / 48

HEX #75841F

RGB 117 132 31

HSL 68.91, 0.62%, 0.32%

LAB 52.27, -19.14, 49.09

 

CMYK 0 / 9 / 77 / 48

HEX #84781F

RGB 132 120 31

HSL 52.87, 0.62%, 0.32%

LAB 50.02, -5.77, 47.42

 

CMYK 0 / 30 / 77 / 48

HEX #845C1F

RGB 132 92 31

HSL 36.24, 0.62%, 0.32%

LAB 42.24, 10.4, 39.86

 

CMYK 0 / 51 / 77 / 48

HEX #84411F

RGB 132 65 31

HSL 20.2, 0.62%, 0.32%

LAB 35.57, 26.12, 33.01

 

CMYK 0 / 71 / 77 / 48

HEX #84261F

RGB 132 38 31

HSL 4.16, 0.62%, 0.32%

LAB 30.38, 39.68, 27.38

 

CMYK 11 / 0 / 77 / 48

HEX #75841F

RGB 117 132 31

HSL 68.91, 0.62%, 0.32%

LAB 52.27, -19.14, 49.09

 

CMYK 33 / 0 / 77 / 48

HEX #59841F

RGB 89 132 31

HSL 85.54, 0.62%, 0.32%

LAB 50.36, -30.98, 46.6

 

CMYK 53 / 0 / 77 / 48

HEX #3E841F

RGB 62 132 31

HSL 101.58, 0.62%, 0.32%

LAB 49.04, -40.54, 44.85

 

CMYK 73 / 0 / 77 / 48

HEX #23841F

RGB 35 132 31

HSL 117.62, 0.62%, 0.32%

LAB 48.21, -47.26, 43.75

 

CMYK 77 / 0 / 59 / 48

HEX #1F8436

RGB 31 132 54

HSL 133.66, 0.62%, 0.32%

LAB 48.34, -45.41, 33.64

 

CMYK 11 / 0 / 77 / 48

HEX #75841F

RGB 117 132 31

HSL 68.91, 0.62%, 0.32%

LAB 52.27, -19.14, 49.09

 

CMYK 13 / 0 / 88 / 43

HEX #7E9111

RGB 126 145 17

HSL 68.91, 0.79%, 0.32%

LAB 56.81, -22.35, 57.37

 

CMYK 15 / 0 / 97 / 38

HEX #879E04

RGB 135 158 4

HSL 68.96, 0.95%, 0.32%

LAB 61.32, -25.16, 63.36

 

CMYK 11 / 0 / 77 / 48

HEX #75841F

RGB 117 132 31

HSL 68.91, 0.62%, 0.32%

LAB 52.27, -19.14, 49.09

 

CMYK 9 / 0 / 63 / 54

HEX #6B762C

RGB 107 118 44

HSL 68.92, 0.46%, 0.32%

LAB 47.32, -15.34, 38.34

 

CMYK 7 / 0 / 46 / 59

HEX #626939

RGB 98 105 57

HSL 68.75, 0.3%, 0.32%

LAB 42.76, -10.88, 26.01

 

CMYK 3 / 0 / 24 / 64

HEX #595C46

RGB 89 92 70

HSL 68.18, 0.14%, 0.32%

LAB 38.24, -5.43, 12.3

 

CMYK 4 / 5 / 0 / 67

HEX #504F53

RGB 80 79 83

HSL 255, 0.02%, 0.32%

LAB 33.82, 1.29, -2.21

 

CMYK 0 / 30 / 77 / 48

HEX #845D1F

RGB 132 93 31

HSL 36.83, 0.62%, 0.32%

LAB 42.51, 9.81, 40.12

 

CMYK 0 / 9 / 77 / 48

HEX #84781F

RGB 132 120 31

HSL 52.87, 0.62%, 0.32%

LAB 50.02, -5.77, 47.42

 

CMYK 11 / 0 / 77 / 48

HEX #75841F

RGB 117 132 31

HSL 68.91, 0.62%, 0.32%

LAB 52.27, -19.14, 49.09

 

CMYK 32 / 0 / 77 / 48

HEX #5A841F

RGB 90 132 31

HSL 84.95, 0.62%, 0.32%

LAB 50.42, -30.59, 46.68

 

CMYK 52 / 0 / 77 / 48

HEX #3F841F

RGB 63 132 31

HSL 100.99, 0.62%, 0.32%

LAB 49.08, -40.23, 44.9

 

CMYK 12 / 0 / 77 / 75

HEX #39410F

RGB 57 65 15

HSL 69.6, 0.63%, 0.16%

LAB 25.82, -11.35, 28.05

 

CMYK 11 / 0 / 77 / 62

HEX #576217

RGB 87 98 23

HSL 68.8, 0.62%, 0.24%

LAB 39.28, -15.1, 38.82

 

CMYK 11 / 0 / 77 / 48

HEX #75841F

RGB 117 132 31

HSL 68.91, 0.62%, 0.32%

LAB 52.27, -19.14, 49.09

 

CMYK 12 / 0 / 77 / 35

HEX #92A526

RGB 146 165 38

HSL 68.98, 0.63%, 0.4%

LAB 64.29, -22.93, 58.77

 

CMYK 12 / 0 / 77 / 22

HEX #B0C72E

RGB 176 199 46

HSL 69.02, 0.62%, 0.48%

LAB 76.24, -26.6, 68.07

 

CMYK 11 / 0 / 76 / 49

HEX #74831F

RGB 116 131 31

HSL 69, 0.62%, 0.32%

LAB 51.89, -19.06, 48.7

 

CMYK 77 / 0 / 50 / 48

HEX #1F8442

RGB 31 132 66

HSL 140.79, 0.62%, 0.32%

LAB 48.5, -43.54, 27.59

 

CMYK 20 / 77 / 0 / 48

HEX #6A1F84

RGB 106 31 132

HSL 284.55, 0.62%, 0.32%

LAB 28.67, 48.12, -41

 

CMYK 11 / 0 / 76 / 49

HEX #74831F

RGB 116 131 31

HSL 69, 0.62%, 0.32%

LAB 51.89, -19.06, 48.7

 

CMYK 77 / 11 / 0 / 48

HEX #1F7584

RGB 31 117 132

HSL 188.91, 0.62%, 0.32%

LAB 45.19, -19.43, -15.44

 

CMYK 0 / 77 / 11 / 48

HEX #841F75

RGB 132 31 117

HSL 308.91, 0.62%, 0.32%

LAB 32.19, 51.32, -25.69

 

CMYK 11 / 0 / 76 / 49

HEX #74831F

RGB 116 131 31

HSL 69, 0.62%, 0.32%

LAB 51.89, -19.06, 48.7

 

CMYK 77 / 0 / 50 / 48

HEX #1F8442

RGB 31 132 66

HSL 140.79, 0.62%, 0.32%

LAB 48.5, -43.54, 27.59

 

CMYK 65 / 77 / 0 / 48

HEX #2E1F84

RGB 46 31 132

HSL 248.91, 0.62%, 0.32%

LAB 20.93, 37.46, -53.95

 

CMYK 0 / 77 / 27 / 48

HEX #841F60

RGB 132 31 96

HSL 321.39, 0.62%, 0.32%

LAB 31.18, 48.27, -13.8

 

CMYK 11 / 0 / 76 / 49

HEX #74831F

RGB 116 131 31

HSL 69, 0.62%, 0.32%

LAB 51.89, -19.06, 48.7

 

CMYK 77 / 0 / 27 / 48

HEX #1F8460

RGB 31 132 96

HSL 158.61, 0.62%, 0.32%

LAB 49.05, -37.28, 11.47

 

CMYK 65 / 77 / 0 / 48

HEX #2E1F84

RGB 46 31 132

HSL 248.91, 0.62%, 0.32%

LAB 20.93, 37.46, -53.95

 

CMYK 0 / 77 / 50 / 48

HEX #841F42

RGB 132 31 66

HSL 339.21, 0.62%, 0.32%

LAB 30.11, 44.85, 4.3

 

Description

Color code: HEX #74831F | qconv.com Color code: HEX #74831F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 131 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 131 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 76 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 76% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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