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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #748F22 it is the complementary color #8B70DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #748F22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #748F22 shade: #798F1D, #8AA130, #9BB343, #ACC556 and #BDD769

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #748F22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #748F22 shade: #748F22, #637D0F, #526B00, #415900 and #304700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #748F22 shade: #759021, #908E21, #907021, #905221 and #903421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #748F22 shade: #759021, #579021, #399021, #219028 and #219046

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #748F22 shade matches the following richer shades: #759021, #7C9F13 and #83AD05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #748F22 shade: #759021, #6D8230, #66733E, #5F654D and #58565B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #748F22 shade: #906F21, #908C21, #769021, #599021 and #3B9021

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #748F22 shade: #3F4D12, #5A6F1A, #759021, #90B229 and #A9CF35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #748F22 shade: #748F22, #219051 and #7E2190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #748F22 shade: #748F22, #217690 and #902176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #748F22 shade: #748F22, #219051, #3B2190 and #902160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #748F22 shade: #748F22, #219073, #3B2190 and #90213F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 76 / 44

HEX #748F22

RGB 116 143 34

HSL 74.86, 0.62%, 0.35%

LAB 55.56, -25, 51.13

 

Complementary color

CMYK 37 / 49 / 0 / 13

HEX #8B70DD

RGB 139 112 221

HSL 254.86, 0.62%, 0.65%

LAB 54.34, 35.31, -52.28

 

CMYK 15 / 0 / 80 / 44

HEX #798F1D

RGB 121 143 29

HSL 71.58, 0.66%, 0.34%

LAB 55.89, -23.1, 53.23

 

CMYK 14 / 0 / 70 / 37

HEX #8AA130

RGB 138 161 48

HSL 72.21, 0.54%, 0.41%

LAB 62.6, -23.81, 53.35

 

CMYK 13 / 0 / 63 / 30

HEX #9BB343

RGB 155 179 67

HSL 72.86, 0.46%, 0.48%

LAB 69.19, -24.34, 52.78

 

CMYK 13 / 0 / 56 / 23

HEX #ACC556

RGB 172 197 86

HSL 73.51, 0.49%, 0.55%

LAB 75.68, -24.73, 51.89

 

CMYK 12 / 0 / 51 / 16

HEX #BDD769

RGB 189 215 105

HSL 74.18, 0.58%, 0.63%

LAB 82.08, -25.02, 50.84

 

CMYK 19 / 0 / 76 / 44

HEX #748F22

RGB 116 143 34

HSL 74.86, 0.62%, 0.35%

LAB 55.56, -25, 51.13

 

CMYK 21 / 0 / 88 / 51

HEX #637D0F

RGB 99 125 15

HSL 74.18, 0.79%, 0.27%

LAB 48.7, -24.18, 50.23

 

CMYK 23 / 0 / 100 / 58

HEX #526B00

RGB 82 107 0

HSL 74.02, 1%, 0.21%

LAB 41.7, -23.06, 47.47

 

CMYK 27 / 0 / 100 / 65

HEX #415900

RGB 65 89 0

HSL 76.18, 1%, 0.17%

LAB 34.54, -21.52, 41.5

 

CMYK 32 / 0 / 100 / 72

HEX #304700

RGB 48 71 0

HSL 79.44, 1%, 0.14%

LAB 27.12, -19.94, 35.19

 

CMYK 19 / 0 / 77 / 44

HEX #759021

RGB 117 144 33

HSL 74.59, 0.63%, 0.35%

LAB 55.93, -25.12, 51.85

 

CMYK 0 / 1 / 77 / 44

HEX #908E21

RGB 144 142 33

HSL 58.92, 0.63%, 0.35%

LAB 57.45, -12.18, 54.04

 

CMYK 0 / 22 / 77 / 44

HEX #907021

RGB 144 112 33

HSL 42.7, 0.63%, 0.35%

LAB 49.04, 4.48, 46.13

 

CMYK 0 / 43 / 77 / 44

HEX #905221

RGB 144 82 33

HSL 26.49, 0.63%, 0.35%

LAB 41.33, 21.83, 38.51

 

CMYK 0 / 64 / 77 / 44

HEX #903421

RGB 144 52 33

HSL 10.27, 0.63%, 0.35%

LAB 34.99, 37.84, 31.9

 

CMYK 19 / 0 / 77 / 44

HEX #759021

RGB 117 144 33

HSL 74.59, 0.63%, 0.35%

LAB 55.93, -25.12, 51.85

 

CMYK 40 / 0 / 77 / 44

HEX #579021

RGB 87 144 33

HSL 90.81, 0.63%, 0.35%

LAB 54.11, -37.04, 49.49

 

CMYK 60 / 0 / 77 / 44

HEX #399021

RGB 57 144 33

HSL 107.03, 0.63%, 0.35%

LAB 52.87, -46.47, 47.85

 

CMYK 77 / 0 / 72 / 44

HEX #219028

RGB 33 144 40

HSL 123.78, 0.63%, 0.35%

LAB 52.31, -50.91, 44.43

 

CMYK 77 / 0 / 51 / 44

HEX #219046

RGB 33 144 70

HSL 140, 0.63%, 0.35%

LAB 52.63, -47.06, 30.65

 

CMYK 19 / 0 / 77 / 44

HEX #759021

RGB 117 144 33

HSL 74.59, 0.63%, 0.35%

LAB 55.93, -25.12, 51.85

 

CMYK 22 / 0 / 88 / 38

HEX #7C9F13

RGB 124 159 19

HSL 75, 0.79%, 0.35%

LAB 60.89, -30, 60.29

 

CMYK 24 / 0 / 97 / 32

HEX #83AD05

RGB 131 173 5

HSL 75, 0.94%, 0.35%

LAB 65.53, -33.96, 66.36

 

CMYK 19 / 0 / 77 / 44

HEX #759021

RGB 117 144 33

HSL 74.59, 0.63%, 0.35%

LAB 55.93, -25.12, 51.85

 

CMYK 16 / 0 / 63 / 49

HEX #6D8230

RGB 109 130 48

HSL 75.37, 0.46%, 0.35%

LAB 51.19, -20.46, 40.74

 

CMYK 11 / 0 / 46 / 55

HEX #66733E

RGB 102 115 62

HSL 74.72, 0.3%, 0.35%

LAB 46.22, -14.07, 27.63

 

CMYK 6 / 0 / 24 / 60

HEX #5F654D

RGB 95 101 77

HSL 75, 0.13%, 0.35%

LAB 41.65, -6.98, 12.84

 

CMYK 3 / 5 / 0 / 64

HEX #58565B

RGB 88 86 91

HSL 264, 0.03%, 0.35%

LAB 36.9, 1.88, -2.61

 

CMYK 0 / 23 / 77 / 44

HEX #906F21

RGB 144 111 33

HSL 42.16, 0.63%, 0.35%

LAB 48.77, 5.05, 45.87

 

CMYK 0 / 3 / 77 / 44

HEX #908C21

RGB 144 140 33

HSL 57.84, 0.63%, 0.35%

LAB 56.88, -11.11, 53.51

 

CMYK 18 / 0 / 77 / 44

HEX #769021

RGB 118 144 33

HSL 74.05, 0.63%, 0.35%

LAB 56, -24.7, 51.94

 

CMYK 38 / 0 / 77 / 44

HEX #599021

RGB 89 144 33

HSL 89.73, 0.63%, 0.35%

LAB 54.22, -36.31, 49.62

 

CMYK 59 / 0 / 77 / 44

HEX #3B9021

RGB 59 144 33

HSL 105.95, 0.63%, 0.35%

LAB 52.93, -45.94, 47.93

 

CMYK 18 / 0 / 77 / 70

HEX #3F4D12

RGB 63 77 18

HSL 74.24, 0.62%, 0.19%

LAB 30.42, -15.1, 31.51

 

CMYK 19 / 0 / 77 / 56

HEX #5A6F1A

RGB 90 111 26

HSL 74.82, 0.62%, 0.27%

LAB 43.68, -20.51, 42

 

CMYK 19 / 0 / 77 / 44

HEX #759021

RGB 117 144 33

HSL 74.59, 0.63%, 0.35%

LAB 55.93, -25.12, 51.85

 

CMYK 19 / 0 / 77 / 30

HEX #90B229

RGB 144 178 41

HSL 74.89, 0.63%, 0.43%

LAB 67.97, -29.95, 61.17

 

CMYK 18 / 0 / 74 / 19

HEX #A9CF35

RGB 169 207 53

HSL 74.81, 0.62%, 0.51%

LAB 78.06, -32.89, 67.4

 

CMYK 19 / 0 / 76 / 44

HEX #748F22

RGB 116 143 34

HSL 74.86, 0.62%, 0.35%

LAB 55.56, -25, 51.13

 

CMYK 77 / 0 / 44 / 44

HEX #219051

RGB 33 144 81

HSL 145.95, 0.63%, 0.35%

LAB 52.8, -45.12, 24.98

 

CMYK 13 / 77 / 0 / 44

HEX #7E2190

RGB 126 33 144

HSL 290.27, 0.63%, 0.35%

LAB 33, 53.99, -41.31

 

CMYK 19 / 0 / 76 / 44

HEX #748F22

RGB 116 143 34

HSL 74.86, 0.62%, 0.35%

LAB 55.56, -25, 51.13

 

CMYK 77 / 18 / 0 / 44

HEX #217690

RGB 33 118 144

HSL 194.05, 0.63%, 0.35%

LAB 46.03, -15.59, -21.28

 

CMYK 0 / 77 / 18 / 44

HEX #902176

RGB 144 33 118

HSL 314.05, 0.63%, 0.35%

LAB 34.65, 53.76, -22.31

 

CMYK 19 / 0 / 76 / 44

HEX #748F22

RGB 116 143 34

HSL 74.86, 0.62%, 0.35%

LAB 55.56, -25, 51.13

 

CMYK 77 / 0 / 44 / 44

HEX #219051

RGB 33 144 81

HSL 145.95, 0.63%, 0.35%

LAB 52.8, -45.12, 24.98

 

CMYK 59 / 77 / 0 / 44

HEX #3B2190

RGB 59 33 144

HSL 254.05, 0.63%, 0.35%

LAB 23.77, 41.88, -56.72

 

CMYK 0 / 77 / 33 / 44

HEX #902160

RGB 144 33 96

HSL 325.95, 0.63%, 0.35%

LAB 33.69, 50.85, -9.78

 

CMYK 19 / 0 / 76 / 44

HEX #748F22

RGB 116 143 34

HSL 74.86, 0.62%, 0.35%

LAB 55.56, -25, 51.13

 

CMYK 77 / 0 / 20 / 44

HEX #219073

RGB 33 144 115

HSL 164.32, 0.63%, 0.35%

LAB 53.5, -37.45, 6.81

 

CMYK 59 / 77 / 0 / 44

HEX #3B2190

RGB 59 33 144

HSL 254.05, 0.63%, 0.35%

LAB 23.77, 41.88, -56.72

 

CMYK 0 / 77 / 56 / 44

HEX #90213F

RGB 144 33 63

HSL 343.78, 0.63%, 0.35%

LAB 32.65, 47.55, 10.19

 

Description

Color code: HEX #748F22 | qconv.com Color code: HEX #748F22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 143 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 143 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 76 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 76% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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