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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7496CC it is the complementary color #8B6933. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7496CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7496CC shade: #7996C7, #8AA8DA, #9BBAED, #ACCCFF and #BDDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7496CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7496CC shade: #7496CC, #6384B9, #5272A6, #416093 and #304E80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7496CC shade: #7596CC, #757FCC, #8275CC, #9975CC and #B175CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7496CC shade: #7596CC, #757FCC and #7575CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7496CC shade matches the following richer shades: #7596CC, #6593DB, #568FEA and #478CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7496CC shade: #7596CC, #849ABC, #939DAD, #A3A19E and #B2A48E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7496CC shade: #75C6CC, #75AFCC, #7597CC, #7580CC and #8075CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7496CC shade: #406AAE, #577FC0, #7596CC, #93ADD7 and #B1C4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7496CC shade: #7496CC, #BA75CC and #BACC75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7496CC shade: #7496CC, #CC7597 and #97CC75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7496CC shade: #7496CC, #BA75CC, #CCA975 and #86CC75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7496CC shade: #7496CC, #CC75C3, #CCA975 and #75CC7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 26 / 0 / 20

HEX #7496CC

RGB 116 150 204

HSL 216.82, 0.46%, 0.63%

LAB 61.56, 2.35, -31.49

 

Complementary color

CMYK 0 / 24 / 63 / 45

HEX #8B6933

RGB 139 105 51

HSL 36.82, 0.46%, 0.37%

LAB 46.75, 7.29, 35.04

 

CMYK 39 / 25 / 0 / 22

HEX #7996C7

RGB 121 150 199

HSL 217.69, 0.41%, 0.63%

LAB 61.66, 2.27, -28.51

 

CMYK 37 / 23 / 0 / 15

HEX #8AA8DA

RGB 138 168 218

HSL 217.5, 0.52%, 0.7%

LAB 68.37, 1.89, -28.62

 

CMYK 35 / 22 / 0 / 7

HEX #9BBAED

RGB 155 186 237

HSL 217.32, 0.69%, 0.77%

LAB 74.95, 1.56, -28.76

 

CMYK 33 / 20 / 0 / 0

HEX #ACCCFF

RGB 172 204 255

HSL 216.87, 1%, 0.84%

LAB 81.39, 1.02, -28.45

 

CMYK 26 / 13 / 0 / 0

HEX #BDDEFF

RGB 189 222 255

HSL 210, 1%, 0.87%

LAB 87.13, -3.67, -19.61

 

CMYK 43 / 26 / 0 / 20

HEX #7496CC

RGB 116 150 204

HSL 216.82, 0.46%, 0.63%

LAB 61.56, 2.35, -31.49

 

CMYK 46 / 29 / 0 / 27

HEX #6384B9

RGB 99 132 185

HSL 216.98, 0.38%, 0.56%

LAB 54.72, 2.89, -31.45

 

CMYK 51 / 31 / 0 / 35

HEX #5272A6

RGB 82 114 166

HSL 217.14, 0.34%, 0.49%

LAB 47.73, 3.55, -31.44

 

CMYK 56 / 35 / 0 / 42

HEX #416093

RGB 65 96 147

HSL 217.32, 0.39%, 0.42%

LAB 40.57, 4.4, -31.49

 

CMYK 63 / 39 / 0 / 50

HEX #304E80

RGB 48 78 128

HSL 217.5, 0.45%, 0.35%

LAB 33.21, 5.53, -31.58

 

CMYK 43 / 26 / 0 / 20

HEX #7596CC

RGB 117 150 204

HSL 217.24, 0.46%, 0.63%

LAB 61.61, 2.61, -31.39

 

CMYK 43 / 38 / 0 / 20

HEX #757FCC

RGB 117 127 204

HSL 233.1, 0.46%, 0.63%

LAB 55.4, 16.08, -41.11

 

CMYK 36 / 43 / 0 / 20

HEX #8275CC

RGB 130 117 204

HSL 248.97, 0.46%, 0.63%

LAB 53.84, 25.45, -43.5

 

CMYK 25 / 43 / 0 / 20

HEX #9975CC

RGB 153 117 204

HSL 264.83, 0.46%, 0.63%

LAB 55.94, 31.83, -40.05

 

CMYK 13 / 43 / 0 / 20

HEX #B175CC

RGB 177 117 204

HSL 281.38, 0.46%, 0.63%

LAB 58.44, 38.84, -35.95

 

CMYK 43 / 26 / 0 / 20

HEX #7596CC

RGB 117 150 204

HSL 217.24, 0.46%, 0.63%

LAB 61.61, 2.61, -31.39

 

CMYK 43 / 38 / 0 / 20

HEX #757FCC

RGB 117 127 204

HSL 233.1, 0.46%, 0.63%

LAB 55.4, 16.08, -41.11

 

CMYK 43 / 43 / 0 / 20

HEX #7575CC

RGB 117 117 204

HSL 240, 0.46%, 0.63%

LAB 52.8, 22.07, -45.22

 

CMYK 43 / 26 / 0 / 20

HEX #7596CC

RGB 117 150 204

HSL 217.24, 0.46%, 0.63%

LAB 61.61, 2.61, -31.39

 

CMYK 54 / 33 / 0 / 14

HEX #6593DB

RGB 101 147 219

HSL 216.61, 0.62%, 0.63%

LAB 60.56, 5, -41.48

 

CMYK 63 / 39 / 0 / 8

HEX #568FEA

RGB 86 143 234

HSL 216.89, 0.78%, 0.63%

LAB 59.49, 9.31, -51.55

 

CMYK 71 / 44 / 0 / 2

HEX #478CF9

RGB 71 140 249

HSL 216.74, 0.94%, 0.63%

LAB 58.91, 13.99, -60.79

 

CMYK 43 / 26 / 0 / 20

HEX #7596CC

RGB 117 150 204

HSL 217.24, 0.46%, 0.63%

LAB 61.61, 2.61, -31.39

 

CMYK 30 / 18 / 0 / 26

HEX #849ABC

RGB 132 154 188

HSL 216.43, 0.29%, 0.63%

LAB 63.05, 0.26, -20.13

 

CMYK 15 / 9 / 0 / 32

HEX #939DAD

RGB 147 157 173

HSL 216.92, 0.14%, 0.63%

LAB 64.43, -0.18, -9.53

 

CMYK 0 / 1 / 3 / 36

HEX #A3A19E

RGB 163 161 158

HSL 36, 0.03%, 0.63%

LAB 66.32, 0.16, 1.8

 

CMYK 0 / 8 / 20 / 30

HEX #B2A48E

RGB 178 164 142

HSL 36.67, 0.19%, 0.63%

LAB 68, 1.43, 13.26

 

CMYK 43 / 3 / 0 / 20

HEX #75C6CC

RGB 117 198 204

HSL 184.14, 0.46%, 0.63%

LAB 75.16, -23.2, -10.77

 

CMYK 43 / 14 / 0 / 20

HEX #75AFCC

RGB 117 175 204

HSL 200, 0.46%, 0.63%

LAB 68.61, -11.27, -20.65

 

CMYK 43 / 26 / 0 / 20

HEX #7597CC

RGB 117 151 204

HSL 216.55, 0.46%, 0.63%

LAB 61.89, 2.04, -30.96

 

CMYK 43 / 37 / 0 / 20

HEX #7580CC

RGB 117 128 204

HSL 232.41, 0.46%, 0.63%

LAB 55.66, 15.49, -40.69

 

CMYK 37 / 43 / 0 / 20

HEX #8075CC

RGB 128 117 204

HSL 247.59, 0.46%, 0.63%

LAB 53.68, 24.92, -43.77

 

CMYK 63 / 39 / 0 / 32

HEX #406AAE

RGB 64 106 174

HSL 217.09, 0.46%, 0.47%

LAB 44.88, 7.25, -40.68

 

CMYK 55 / 34 / 0 / 25

HEX #577FC0

RGB 87 127 192

HSL 217.14, 0.45%, 0.55%

LAB 52.96, 5.19, -38.25

 

CMYK 43 / 26 / 0 / 20

HEX #7596CC

RGB 117 150 204

HSL 217.24, 0.46%, 0.63%

LAB 61.61, 2.61, -31.39

 

CMYK 32 / 20 / 0 / 16

HEX #93ADD7

RGB 147 173 215

HSL 217.06, 0.46%, 0.71%

LAB 70.17, 0.87, -24.15

 

CMYK 22 / 13 / 0 / 11

HEX #B1C4E2

RGB 177 196 226

HSL 216.73, 0.46%, 0.79%

LAB 78.65, -0.08, -17.07

 

CMYK 43 / 26 / 0 / 20

HEX #7496CC

RGB 116 150 204

HSL 216.82, 0.46%, 0.63%

LAB 61.56, 2.35, -31.49

 

CMYK 9 / 43 / 0 / 20

HEX #BA75CC

RGB 186 117 204

HSL 287.59, 0.46%, 0.63%

LAB 59.45, 41.52, -34.3

 

CMYK 9 / 0 / 43 / 20

HEX #BACC75

RGB 186 204 117

HSL 72.41, 0.46%, 0.63%

LAB 78.99, -19.58, 41.22

 

CMYK 43 / 26 / 0 / 20

HEX #7496CC

RGB 116 150 204

HSL 216.82, 0.46%, 0.63%

LAB 61.56, 2.35, -31.49

 

CMYK 0 / 43 / 26 / 20

HEX #CC7597

RGB 204 117 151

HSL 336.55, 0.46%, 0.63%

LAB 59.7, 38.28, -3.41

 

CMYK 26 / 0 / 43 / 20

HEX #97CC75

RGB 151 204 117

HSL 96.55, 0.46%, 0.63%

LAB 76.71, -32.67, 37.86

 

CMYK 43 / 26 / 0 / 20

HEX #7496CC

RGB 116 150 204

HSL 216.82, 0.46%, 0.63%

LAB 61.56, 2.35, -31.49

 

CMYK 9 / 43 / 0 / 20

HEX #BA75CC

RGB 186 117 204

HSL 287.59, 0.46%, 0.63%

LAB 59.45, 41.52, -34.3

 

CMYK 0 / 17 / 43 / 20

HEX #CCA975

RGB 204 169 117

HSL 35.86, 0.46%, 0.63%

LAB 71.21, 5.83, 31.6

 

CMYK 34 / 0 / 43 / 20

HEX #86CC75

RGB 134 204 117

HSL 108.28, 0.46%, 0.63%

LAB 75.79, -38.49, 36.49

 

CMYK 43 / 26 / 0 / 20

HEX #7496CC

RGB 116 150 204

HSL 216.82, 0.46%, 0.63%

LAB 61.56, 2.35, -31.49

 

CMYK 0 / 43 / 4 / 20

HEX #CC75C3

RGB 204 117 195

HSL 306.21, 0.46%, 0.63%

LAB 61.22, 45.29, -26.29

 

CMYK 0 / 17 / 43 / 20

HEX #CCA975

RGB 204 169 117

HSL 35.86, 0.46%, 0.63%

LAB 71.21, 5.83, 31.6

 

CMYK 43 / 0 / 39 / 20

HEX #75CC7D

RGB 117 204 125

HSL 125.52, 0.46%, 0.63%

LAB 75.11, -42.6, 31.38

 

Description

Color code: HEX #7496CC | qconv.com Color code: HEX #7496CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 150 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 150 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 26 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 26% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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