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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7491B2 it is the complementary color #8B6E4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7491B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7491B2 shade: #7991AD, #8AA3C0, #9BB5D3, #ACC7E6 and #BDD9F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7491B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7491B2 shade: #7491B2, #637F9F, #526D8C, #415B79 and #304966

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7491B2 shade: #7491B2, #7481B2, #7974B2, #8A74B2 and #9A74B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7491B2 shade: #7491B2, #7481B2 and #7474B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7491B2 shade matches the following richer shades: #7491B2, #6390C4, #528FD5, #408EE6 and #2F8DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7491B2 shade: #7491B2, #8693A1, #979490, #A8957E and #BA966D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7491B2 shade: #74B2B1, #74A3B2, #7492B2, #7482B2 and #7774B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7491B2 shade: #4B6889, #5A7CA4, #7491B2, #8FA6C1 and #AABBD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7491B2 shade: #7491B2, #A174B2 and #ABB274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7491B2 shade: #7491B2, #B27492 and #92B274

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7491B2 shade: #7491B2, #A174B2, #B29474 and #86B274

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7491B2 shade: #7491B2, #B274B1, #B29474 and #74B275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

Complementary color

CMYK 0 / 21 / 45 / 45

HEX #8B6E4D

RGB 139 110 77

HSL 31.94, 0.29%, 0.42%

LAB 48.48, 6.85, 22.75

 

CMYK 30 / 16 / 0 / 32

HEX #7991AD

RGB 121 145 173

HSL 212.31, 0.24%, 0.58%

LAB 59.28, -1.78, -17.47

 

CMYK 28 / 15 / 0 / 25

HEX #8AA3C0

RGB 138 163 192

HSL 212.22, 0.3%, 0.65%

LAB 66.06, -1.96, -17.76

 

CMYK 27 / 14 / 0 / 17

HEX #9BB5D3

RGB 155 181 211

HSL 212.14, 0.39%, 0.72%

LAB 72.71, -2.13, -18.06

 

CMYK 25 / 13 / 0 / 10

HEX #ACC7E6

RGB 172 199 230

HSL 212.07, 0.54%, 0.79%

LAB 79.23, -2.28, -18.37

 

CMYK 24 / 13 / 0 / 2

HEX #BDD9F9

RGB 189 217 249

HSL 212, 0.83%, 0.86%

LAB 85.65, -2.42, -18.69

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 38 / 20 / 0 / 38

HEX #637F9F

RGB 99 127 159

HSL 212, 0.24%, 0.51%

LAB 52.21, -1.71, -20.33

 

CMYK 41 / 22 / 0 / 45

HEX #526D8C

RGB 82 109 140

HSL 212.07, 0.26%, 0.44%

LAB 45.12, -1.39, -20.14

 

CMYK 46 / 25 / 0 / 53

HEX #415B79

RGB 65 91 121

HSL 212.14, 0.3%, 0.36%

LAB 37.82, -0.98, -19.99

 

CMYK 53 / 28 / 0 / 60

HEX #304966

RGB 48 73 102

HSL 212.22, 0.36%, 0.29%

LAB 30.29, -0.42, -19.88

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 35 / 28 / 0 / 30

HEX #7481B2

RGB 116 129 178

HSL 227.42, 0.29%, 0.58%

LAB 54.69, 7.29, -27.4

 

CMYK 32 / 35 / 0 / 30

HEX #7974B2

RGB 121 116 178

HSL 244.84, 0.29%, 0.58%

LAB 51.58, 16.49, -32.21

 

CMYK 22 / 35 / 0 / 30

HEX #8A74B2

RGB 138 116 178

HSL 261.29, 0.29%, 0.58%

LAB 53.07, 21.63, -29.77

 

CMYK 13 / 35 / 0 / 30

HEX #9A74B2

RGB 154 116 178

HSL 276.77, 0.29%, 0.58%

LAB 54.63, 26.68, -27.22

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 35 / 28 / 0 / 30

HEX #7481B2

RGB 116 129 178

HSL 227.42, 0.29%, 0.58%

LAB 54.69, 7.29, -27.4

 

CMYK 35 / 35 / 0 / 30

HEX #7474B2

RGB 116 116 178

HSL 240, 0.29%, 0.58%

LAB 51.17, 15.04, -32.87

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 49 / 27 / 0 / 23

HEX #6390C4

RGB 99 144 196

HSL 212.16, 0.45%, 0.58%

LAB 58.59, -0.79, -31.67

 

CMYK 62 / 33 / 0 / 16

HEX #528FD5

RGB 82 143 213

HSL 212.06, 0.61%, 0.58%

LAB 58.27, 1.57, -41.8

 

CMYK 72 / 38 / 0 / 10

HEX #408EE6

RGB 64 142 230

HSL 211.81, 0.77%, 0.58%

LAB 58.18, 5.13, -51.47

 

CMYK 81 / 43 / 0 / 3

HEX #2F8DF8

RGB 47 141 248

HSL 211.94, 0.93%, 0.58%

LAB 58.44, 10.38, -61.03

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 17 / 9 / 0 / 37

HEX #8693A1

RGB 134 147 161

HSL 211.11, 0.13%, 0.58%

LAB 60.35, -1.62, -8.95

 

CMYK 0 / 2 / 5 / 41

HEX #979490

RGB 151 148 144

HSL 34.29, 0.03%, 0.58%

LAB 61.46, 0.35, 2.49

 

CMYK 0 / 11 / 25 / 34

HEX #A8957E

RGB 168 149 126

HSL 32.86, 0.19%, 0.58%

LAB 62.78, 3.34, 14.73

 

CMYK 0 / 19 / 41 / 27

HEX #BA966D

RGB 186 150 109

HSL 31.95, 0.36%, 0.58%

LAB 64.45, 7.89, 26.71

 

CMYK 35 / 0 / 1 / 30

HEX #74B2B1

RGB 116 178 177

HSL 179.03, 0.29%, 0.58%

LAB 68.55, -20.07, -5.83

 

CMYK 35 / 8 / 0 / 30

HEX #74A3B2

RGB 116 163 178

HSL 194.52, 0.29%, 0.58%

LAB 64.26, -11.93, -12.79

 

CMYK 35 / 18 / 0 / 30

HEX #7492B2

RGB 116 146 178

HSL 210.97, 0.29%, 0.58%

LAB 59.42, -2.54, -20.12

 

CMYK 35 / 27 / 0 / 30

HEX #7482B2

RGB 116 130 178

HSL 226.45, 0.29%, 0.58%

LAB 54.96, 6.7, -26.97

 

CMYK 33 / 35 / 0 / 30

HEX #7774B2

RGB 119 116 178

HSL 242.9, 0.29%, 0.58%

LAB 51.41, 15.91, -32.47

 

CMYK 45 / 24 / 0 / 46

HEX #4B6889

RGB 75 104 137

HSL 211.94, 0.29%, 0.42%

LAB 43.07, -1.23, -21.54

 

CMYK 45 / 24 / 0 / 36

HEX #5A7CA4

RGB 90 124 164

HSL 212.43, 0.29%, 0.5%

LAB 51, -1, -25.15

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 26 / 14 / 0 / 24

HEX #8FA6C1

RGB 143 166 193

HSL 212.4, 0.29%, 0.66%

LAB 67.25, -1.86, -16.48

 

CMYK 18 / 10 / 0 / 18

HEX #AABBD0

RGB 170 187 208

HSL 213.16, 0.29%, 0.74%

LAB 75.23, -1.42, -12.53

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 10 / 35 / 0 / 30

HEX #A174B2

RGB 161 116 178

HSL 283.55, 0.29%, 0.58%

LAB 55.36, 28.93, -26.03

 

CMYK 4 / 0 / 35 / 30

HEX #ABB274

RGB 171 178 116

HSL 66.77, 0.29%, 0.58%

LAB 70.7, -12.41, 30.91

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 0 / 35 / 18 / 30

HEX #B27492

RGB 178 116 146

HSL 330.97, 0.29%, 0.58%

LAB 56.12, 28.79, -6.18

 

CMYK 18 / 0 / 35 / 30

HEX #92B274

RGB 146 178 116

HSL 90.97, 0.29%, 0.58%

LAB 68.91, -22.07, 28.21

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 10 / 35 / 0 / 30

HEX #A174B2

RGB 161 116 178

HSL 283.55, 0.29%, 0.58%

LAB 55.36, 28.93, -26.03

 

CMYK 0 / 17 / 35 / 30

HEX #B29474

RGB 178 148 116

HSL 30.97, 0.29%, 0.58%

LAB 63.26, 6.55, 21.13

 

CMYK 25 / 0 / 35 / 30

HEX #86B274

RGB 134 178 116

HSL 102.58, 0.29%, 0.58%

LAB 68.15, -26.46, 27.07

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 0 / 35 / 1 / 30

HEX #B274B1

RGB 178 116 177

HSL 300.97, 0.29%, 0.58%

LAB 57.2, 34.26, -22.47

 

CMYK 0 / 17 / 35 / 30

HEX #B29474

RGB 178 148 116

HSL 30.97, 0.29%, 0.58%

LAB 63.26, 6.55, 21.13

 

CMYK 35 / 0 / 34 / 30

HEX #74B275

RGB 116 178 117

HSL 120.97, 0.29%, 0.58%

LAB 67.16, -32.47, 25.04

 

Description

Color code: HEX #7491B2 | qconv.com Color code: HEX #7491B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 145 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 145 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 19 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 19% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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