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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74A9C2 it is the complementary color #8B563D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74A9C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74A9C2 shade: #79A9BD, #8ABBD0, #9BCDE3, #ACDFF6 and #BDF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74A9C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74A9C2 shade: #74A9C2, #6397AF, #52859C, #417389 and #306176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74A9C2 shade: #74A9C2, #7494C2, #747FC2, #7E74C2 and #9374C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74A9C2 shade: #74A9C2, #7494C2, #747FC2 and #7474C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74A9C2 shade matches the following richer shades: #74A9C2, #64AFD2, #54B5E2 and #44BAF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74A9C2 shade: #74A9C2, #84A3B2, #949DA2, #A59892 and #B59281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74A9C2 shade: #74C2B1, #74BEC2, #74A9C2, #7495C2 and #7480C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74A9C2 shade: #45829E, #5897B5, #74A9C2, #91BBCE and #AECCDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74A9C2 shade: #74A9C2, #9C74C2 and #C2BB74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74A9C2 shade: #74A9C2, #C274A9 and #A9C274

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74A9C2 shade: #74A9C2, #9C74C2, #C28D74 and #9AC274

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74A9C2 shade: #74A9C2, #B474C2, #C28D74 and #82C274

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

Complementary color

CMYK 0 / 38 / 56 / 45

HEX #8B563D

RGB 139 86 61

HSL 19.23, 0.39%, 0.39%

LAB 41.97, 19.23, 23.66

 

CMYK 36 / 11 / 0 / 26

HEX #79A9BD

RGB 121 169 189

HSL 197.65, 0.34%, 0.61%

LAB 66.61, -10.94, -15.36

 

CMYK 34 / 10 / 0 / 18

HEX #8ABBD0

RGB 138 187 208

HSL 198, 0.43%, 0.68%

LAB 73.22, -11.01, -15.75

 

CMYK 32 / 10 / 0 / 11

HEX #9BCDE3

RGB 155 205 227

HSL 198.33, 0.56%, 0.75%

LAB 79.71, -11.06, -16.14

 

CMYK 30 / 9 / 0 / 4

HEX #ACDFF6

RGB 172 223 246

HSL 198.65, 0.8%, 0.82%

LAB 86.11, -11.11, -16.52

 

CMYK 26 / 5 / 0 / 0

HEX #BDF1FF

RGB 189 241 255

HSL 192.73, 1%, 0.87%

LAB 92.11, -13.4, -12.15

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 43 / 14 / 0 / 31

HEX #6397AF

RGB 99 151 175

HSL 198.95, 0.32%, 0.54%

LAB 59.78, -10.83, -17.96

 

CMYK 47 / 15 / 0 / 39

HEX #52859C

RGB 82 133 156

HSL 198.65, 0.31%, 0.47%

LAB 52.92, -10.62, -17.6

 

CMYK 53 / 16 / 0 / 46

HEX #417389

RGB 65 115 137

HSL 198.33, 0.36%, 0.4%

LAB 45.9, -10.33, -17.24

 

CMYK 59 / 18 / 0 / 54

HEX #306176

RGB 48 97 118

HSL 198, 0.42%, 0.33%

LAB 38.7, -9.89, -16.86

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 40 / 24 / 0 / 24

HEX #7494C2

RGB 116 148 194

HSL 215.38, 0.39%, 0.61%

LAB 60.59, 0.67, -27.36

 

CMYK 40 / 35 / 0 / 24

HEX #747FC2

RGB 116 127 194

HSL 231.54, 0.39%, 0.61%

LAB 54.85, 12.94, -36.29

 

CMYK 35 / 40 / 0 / 24

HEX #7E74C2

RGB 126 116 194

HSL 247.69, 0.39%, 0.61%

LAB 52.75, 22.23, -39.54

 

CMYK 24 / 40 / 0 / 24

HEX #9374C2

RGB 147 116 194

HSL 263.85, 0.39%, 0.61%

LAB 54.65, 28.24, -36.43

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 40 / 24 / 0 / 24

HEX #7494C2

RGB 116 148 194

HSL 215.38, 0.39%, 0.61%

LAB 60.59, 0.67, -27.36

 

CMYK 40 / 35 / 0 / 24

HEX #747FC2

RGB 116 127 194

HSL 231.54, 0.39%, 0.61%

LAB 54.85, 12.94, -36.29

 

CMYK 40 / 40 / 0 / 24

HEX #7474C2

RGB 116 116 194

HSL 240, 0.39%, 0.61%

LAB 51.95, 19.53, -40.86

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 52 / 17 / 0 / 18

HEX #64AFD2

RGB 100 175 210

HSL 199.09, 0.55%, 0.61%

LAB 68.04, -13.6, -24.89

 

CMYK 63 / 20 / 0 / 11

HEX #54B5E2

RGB 84 181 226

HSL 199.01, 0.71%, 0.61%

LAB 69.77, -15.08, -31.05

 

CMYK 72 / 23 / 0 / 5

HEX #44BAF2

RGB 68 186 242

HSL 199.31, 0.87%, 0.61%

LAB 71.39, -15.02, -37.28

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 26 / 8 / 0 / 30

HEX #84A3B2

RGB 132 163 178

HSL 199.57, 0.23%, 0.61%

LAB 65.21, -7.18, -11.27

 

CMYK 9 / 3 / 0 / 36

HEX #949DA2

RGB 148 157 162

HSL 201.43, 0.07%, 0.61%

LAB 64.18, -2.19, -3.72

 

CMYK 0 / 8 / 12 / 35

HEX #A59892

RGB 165 152 146

HSL 18.95, 0.1%, 0.61%

LAB 63.78, 3.72, 4.87

 

CMYK 0 / 19 / 29 / 29

HEX #B59281

RGB 181 146 129

HSL 19.62, 0.26%, 0.61%

LAB 63.32, 10.6, 13.98

 

CMYK 40 / 0 / 9 / 24

HEX #74C2B1

RGB 116 194 177

HSL 166.92, 0.39%, 0.61%

LAB 73.2, -28.06, 0.99

 

CMYK 40 / 2 / 0 / 24

HEX #74BEC2

RGB 116 190 194

HSL 183.08, 0.39%, 0.61%

LAB 72.52, -21.96, -9.28

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 40 / 23 / 0 / 24

HEX #7495C2

RGB 116 149 194

HSL 214.62, 0.39%, 0.61%

LAB 60.87, 0.1, -26.93

 

CMYK 40 / 34 / 0 / 24

HEX #7480C2

RGB 116 128 194

HSL 230.77, 0.39%, 0.61%

LAB 55.12, 12.34, -35.87

 

CMYK 56 / 18 / 0 / 38

HEX #45829E

RGB 69 130 158

HSL 198.88, 0.39%, 0.45%

LAB 51.5, -11.39, -20.99

 

CMYK 51 / 17 / 0 / 29

HEX #5897B5

RGB 88 151 181

HSL 199.35, 0.39%, 0.53%

LAB 59.47, -11.81, -21.87

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 30 / 9 / 0 / 19

HEX #91BBCE

RGB 145 187 206

HSL 198.69, 0.38%, 0.69%

LAB 73.56, -9.5, -14.11

 

CMYK 21 / 7 / 0 / 14

HEX #AECCDB

RGB 174 204 219

HSL 200, 0.38%, 0.77%

LAB 80.35, -6.79, -10.78

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 20 / 40 / 0 / 24

HEX #9C74C2

RGB 156 116 194

HSL 270.77, 0.39%, 0.61%

LAB 55.54, 30.92, -34.97

 

CMYK 0 / 4 / 40 / 24

HEX #C2BB74

RGB 194 187 116

HSL 54.62, 0.39%, 0.61%

LAB 75, -7.88, 36.81

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 0 / 40 / 13 / 24

HEX #C274A9

RGB 194 116 169

HSL 319.23, 0.39%, 0.61%

LAB 58.81, 38.14, -15.24

 

CMYK 13 / 0 / 40 / 24

HEX #A9C274

RGB 169 194 116

HSL 79.23, 0.39%, 0.61%

LAB 75, -21.32, 36.43

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 20 / 40 / 0 / 24

HEX #9C74C2

RGB 156 116 194

HSL 270.77, 0.39%, 0.61%

LAB 55.54, 30.92, -34.97

 

CMYK 0 / 27 / 40 / 24

HEX #C28D74

RGB 194 141 116

HSL 19.23, 0.39%, 0.61%

LAB 63.16, 16.92, 21.27

 

CMYK 21 / 0 / 40 / 24

HEX #9AC274

RGB 154 194 116

HSL 90.77, 0.39%, 0.61%

LAB 74.01, -26.97, 34.95

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 7 / 40 / 0 / 24

HEX #B474C2

RGB 180 116 194

HSL 289.23, 0.39%, 0.61%

LAB 58.12, 38.23, -30.75

 

CMYK 0 / 27 / 40 / 24

HEX #C28D74

RGB 194 141 116

HSL 19.23, 0.39%, 0.61%

LAB 63.16, 16.92, 21.27

 

CMYK 33 / 0 / 40 / 24

HEX #82C274

RGB 130 194 116

HSL 109.23, 0.39%, 0.61%

LAB 72.62, -35.43, 32.89

 

Description

Color code: HEX #74A9C2 | qconv.com Color code: HEX #74A9C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 169 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 169 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 13 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 13% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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