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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74ABEC it is the complementary color #8B5413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74ABEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74ABEC shade: #79ABE7, #8ABDFA, #9BCFFF, #ACE1FF and #BDF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74ABEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74ABEC shade: #74ABEC, #6399D9, #5287C6, #4175B3 and #3063A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74ABEC shade: #73AAEC, #738AEC, #7D73EC, #9E73EC and #BE73EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74ABEC shade: #73AAEC, #738AEC and #7373EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74ABEC shade matches the following richer shades: #73AAEC and #67A9F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74ABEC shade: #73AAEC, #80ACDF, #8DADD2, #9AAEC5 and #A7AFB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74ABEC shade: #73ECEC, #73CBEC, #73ABEC, #738BEC and #7B73EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74ABEC shade: #2B7FE2, #4F95E7, #73AAEC, #98C0F0 and #BCD6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74ABEC shade: #74ABEC, #CB73EC and #DCEC73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74ABEC shade: #74ABEC, #EC73AB and #ABEC73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74ABEC shade: #74ABEC, #CB73EC, #ECB373 and #93EC73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74ABEC shade: #74ABEC, #EC73E8, #ECB373 and #73EC77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 28 / 0 / 7

HEX #74ABEC

RGB 116 171 236

HSL 212.5, 0.76%, 0.69%

LAB 68.68, -0.21, -38.1

 

Complementary color

CMYK 0 / 40 / 86 / 45

HEX #8B5413

RGB 139 84 19

HSL 32.5, 0.76%, 0.31%

LAB 41.02, 17.88, 44.05

 

CMYK 48 / 26 / 0 / 9

HEX #79ABE7

RGB 121 171 231

HSL 212.73, 0.7%, 0.69%

LAB 68.72, -0.52, -35.28

 

CMYK 45 / 24 / 0 / 2

HEX #8ABDFA

RGB 138 189 250

HSL 212.68, 0.92%, 0.76%

LAB 75.26, -1.01, -35.37

 

CMYK 39 / 19 / 0 / 0

HEX #9BCFFF

RGB 155 207 255

HSL 208.8, 1%, 0.8%

LAB 81.19, -5.11, -28.84

 

CMYK 33 / 12 / 0 / 0

HEX #ACE1FF

RGB 172 225 255

HSL 201.69, 1%, 0.84%

LAB 86.92, -10.01, -20.04

 

CMYK 26 / 5 / 0 / 0

HEX #BDF3FF

RGB 189 243 255

HSL 190.91, 1%, 0.87%

LAB 92.64, -14.4, -11.36

 

CMYK 51 / 28 / 0 / 7

HEX #74ABEC

RGB 116 171 236

HSL 212.5, 0.76%, 0.69%

LAB 68.68, -0.21, -38.1

 

CMYK 54 / 29 / 0 / 15

HEX #6399D9

RGB 99 153 217

HSL 212.54, 0.61%, 0.62%

LAB 62.04, 0.48, -38.06

 

CMYK 59 / 32 / 0 / 22

HEX #5287C6

RGB 82 135 198

HSL 212.59, 0.5%, 0.55%

LAB 55.28, 1.33, -38.04

 

CMYK 64 / 35 / 0 / 30

HEX #4175B3

RGB 65 117 179

HSL 212.63, 0.47%, 0.48%

LAB 48.39, 2.39, -38.04

 

CMYK 70 / 38 / 0 / 37

HEX #3063A0

RGB 48 99 160

HSL 212.68, 0.54%, 0.41%

LAB 41.36, 3.78, -38.05

 

CMYK 51 / 28 / 0 / 7

HEX #73AAEC

RGB 115 170 236

HSL 212.73, 0.76%, 0.69%

LAB 68.35, 0.13, -38.61

 

CMYK 51 / 42 / 0 / 7

HEX #738AEC

RGB 115 138 236

HSL 228.6, 0.76%, 0.69%

LAB 59.78, 18.65, -52.11

 

CMYK 47 / 51 / 0 / 7

HEX #7D73EC

RGB 125 115 236

HSL 244.96, 0.76%, 0.69%

LAB 54.74, 34.49, -60.12

 

CMYK 33 / 51 / 0 / 7

HEX #9E73EC

RGB 158 115 236

HSL 261.32, 0.76%, 0.69%

LAB 57.64, 42.22, -55.31

 

CMYK 19 / 51 / 0 / 7

HEX #BE73EC

RGB 190 115 236

HSL 277.19, 0.76%, 0.69%

LAB 61.01, 50.4, -49.74

 

CMYK 51 / 28 / 0 / 7

HEX #73AAEC

RGB 115 170 236

HSL 212.73, 0.76%, 0.69%

LAB 68.35, 0.13, -38.61

 

CMYK 51 / 42 / 0 / 7

HEX #738AEC

RGB 115 138 236

HSL 228.6, 0.76%, 0.69%

LAB 59.78, 18.65, -52.11

 

CMYK 51 / 51 / 0 / 7

HEX #7373EC

RGB 115 115 236

HSL 240, 0.76%, 0.69%

LAB 53.99, 32.37, -61.37

 

CMYK 51 / 28 / 0 / 7

HEX #73AAEC

RGB 115 170 236

HSL 212.73, 0.76%, 0.69%

LAB 68.35, 0.13, -38.61

 

CMYK 58 / 32 / 0 / 3

HEX #67A9F8

RGB 103 169 248

HSL 212.69, 0.91%, 0.69%

LAB 68.05, 1.9, -45.67

 

CMYK 51 / 28 / 0 / 7

HEX #73AAEC

RGB 115 170 236

HSL 212.73, 0.76%, 0.69%

LAB 68.35, 0.13, -38.61

 

CMYK 43 / 23 / 0 / 13

HEX #80ACDF

RGB 128 172 223

HSL 212.21, 0.6%, 0.69%

LAB 69.06, -1.62, -30.35

 

CMYK 33 / 18 / 0 / 18

HEX #8DADD2

RGB 141 173 210

HSL 212.17, 0.43%, 0.69%

LAB 69.61, -2.11, -22.29

 

CMYK 22 / 12 / 0 / 23

HEX #9AAEC5

RGB 154 174 197

HSL 212.09, 0.27%, 0.69%

LAB 70.3, -1.89, -14.02

 

CMYK 9 / 5 / 0 / 28

HEX #A7AFB8

RGB 167 175 184

HSL 211.76, 0.11%, 0.69%

LAB 71.1, -1, -5.57

 

CMYK 51 / 0 / 0 / 7

HEX #73ECEC

RGB 115 236 236

HSL 180, 0.76%, 0.69%

LAB 86.85, -33.82, -10.42

 

CMYK 51 / 14 / 0 / 7

HEX #73CBEC

RGB 115 203 236

HSL 196.36, 0.76%, 0.69%

LAB 77.53, -17.62, -24.46

 

CMYK 51 / 28 / 0 / 7

HEX #73ABEC

RGB 115 171 236

HSL 212.23, 0.76%, 0.69%

LAB 68.63, -0.43, -38.19

 

CMYK 51 / 41 / 0 / 7

HEX #738BEC

RGB 115 139 236

HSL 228.1, 0.76%, 0.69%

LAB 60.04, 18.05, -51.7

 

CMYK 48 / 51 / 0 / 7

HEX #7B73EC

RGB 123 115 236

HSL 243.97, 0.76%, 0.69%

LAB 54.58, 34.06, -60.38

 

CMYK 81 / 44 / 0 / 11

HEX #2B7FE2

RGB 43 127 226

HSL 212.46, 0.76%, 0.53%

LAB 53.15, 10.39, -57.3

 

CMYK 66 / 35 / 0 / 9

HEX #4F95E7

RGB 79 149 231

HSL 212.37, 0.76%, 0.61%

LAB 60.72, 3.58, -47.97

 

CMYK 51 / 28 / 0 / 7

HEX #73AAEC

RGB 115 170 236

HSL 212.73, 0.76%, 0.69%

LAB 68.35, 0.13, -38.61

 

CMYK 37 / 20 / 0 / 6

HEX #98C0F0

RGB 152 192 240

HSL 212.73, 0.75%, 0.77%

LAB 76.48, -1.75, -28.06

 

CMYK 23 / 13 / 0 / 4

HEX #BCD6F5

RGB 188 214 245

HSL 212.63, 0.74%, 0.85%

LAB 84.68, -2.04, -18.05

 

CMYK 51 / 28 / 0 / 7

HEX #74ABEC

RGB 116 171 236

HSL 212.5, 0.76%, 0.69%

LAB 68.68, -0.21, -38.1

 

CMYK 14 / 51 / 0 / 7

HEX #CB73EC

RGB 203 115 236

HSL 283.64, 0.76%, 0.69%

LAB 62.52, 53.83, -47.26

 

CMYK 7 / 0 / 51 / 7

HEX #DCEC73

RGB 220 236 115

HSL 67.93, 0.76%, 0.69%

LAB 90.07, -22.14, 56.18

 

CMYK 51 / 28 / 0 / 7

HEX #74ABEC

RGB 116 171 236

HSL 212.5, 0.76%, 0.69%

LAB 68.68, -0.21, -38.1

 

CMYK 0 / 51 / 28 / 7

HEX #EC73AB

RGB 236 115 171

HSL 332.23, 0.76%, 0.69%

LAB 64.19, 52.73, -7.76

 

CMYK 28 / 0 / 51 / 7

HEX #ABEC73

RGB 171 236 115

HSL 92.23, 0.76%, 0.69%

LAB 86.94, -40.4, 51.71

 

CMYK 51 / 28 / 0 / 7

HEX #74ABEC

RGB 116 171 236

HSL 212.5, 0.76%, 0.69%

LAB 68.68, -0.21, -38.1

 

CMYK 14 / 51 / 0 / 7

HEX #CB73EC

RGB 203 115 236

HSL 283.64, 0.76%, 0.69%

LAB 62.52, 53.83, -47.26

 

CMYK 0 / 24 / 51 / 7

HEX #ECB373

RGB 236 179 115

HSL 31.74, 0.76%, 0.69%

LAB 76.87, 13.33, 40.51

 

CMYK 38 / 0 / 51 / 7

HEX #93EC73

RGB 147 236 115

HSL 104.13, 0.76%, 0.69%

LAB 85.72, -48.4, 49.95

 

CMYK 51 / 28 / 0 / 7

HEX #74ABEC

RGB 116 171 236

HSL 212.5, 0.76%, 0.69%

LAB 68.68, -0.21, -38.1

 

CMYK 0 / 51 / 2 / 7

HEX #EC73E8

RGB 236 115 232

HSL 301.98, 0.76%, 0.69%

LAB 66.46, 61.96, -38.57

 

CMYK 0 / 24 / 51 / 7

HEX #ECB373

RGB 236 179 115

HSL 31.74, 0.76%, 0.69%

LAB 76.87, 13.33, 40.51

 

CMYK 51 / 0 / 50 / 7

HEX #73EC77

RGB 115 236 119

HSL 121.98, 0.76%, 0.69%

LAB 84.47, -57.12, 46.24

 

Description

Color code: HEX #74ABEC | qconv.com Color code: HEX #74ABEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 171 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 171 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 28 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 28% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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