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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74AF2E it is the complementary color #8B50D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74AF2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74AF2E shade: #79AF29, #8AC13C, #9BD34F, #ACE562 and #BDF775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74AF2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74AF2E shade: #74AF2E, #639D1B, #528B08, #417900 and #306700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74AF2E shade: #73AD2E, #95AD2E, #ADA22E, #AD802E and #AD5E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74AF2E shade: #73AD2E, #50AD2E, #2EAD2E, #2EAD4F and #2EAD72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74AF2E shade matches the following richer shades: #73AD2E, #74BE1C and #76D00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74AF2E shade: #73AD2E, #719B3F, #708951, #6E7863 and #6D6675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74AF2E shade: #ADA22E, #95AD2E, #74AD2E, #52AD2E and #30AD2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74AF2E shade: #476C1C, #5D8C25, #73AD2E, #88CA39 and #9CD35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74AF2E shade: #74AF2E, #2EAD80 and #AD2EA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74AF2E shade: #74AF2E, #2E74AD and #AD2E74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74AF2E shade: #74AF2E, #2EAD80, #672EAD and #AD2E5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74AF2E shade: #74AF2E, #2EADA6, #672EAD and #AD2E34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 74 / 31

HEX #74AF2E

RGB 116 175 46

HSL 87.44, 0.58%, 0.43%

LAB 65.41, -39.22, 56.45

 

Complementary color

CMYK 33 / 62 / 0 / 18

HEX #8B50D1

RGB 139 80 209

HSL 267.44, 0.58%, 0.57%

LAB 46.75, 49.99, -57.63

 

CMYK 31 / 0 / 77 / 31

HEX #79AF29

RGB 121 175 41

HSL 84.18, 0.62%, 0.42%

LAB 65.66, -37.65, 58.49

 

CMYK 28 / 0 / 69 / 24

HEX #8AC13C

RGB 138 193 60

HSL 84.81, 0.53%, 0.5%

LAB 72.14, -38.1, 58.42

 

CMYK 27 / 0 / 63 / 17

HEX #9BD34F

RGB 155 211 79

HSL 85.45, 0.6%, 0.57%

LAB 78.53, -38.41, 57.82

 

CMYK 25 / 0 / 57 / 10

HEX #ACE562

RGB 172 229 98

HSL 86.11, 0.72%, 0.64%

LAB 84.84, -38.6, 56.96

 

CMYK 23 / 0 / 53 / 3

HEX #BDF775

RGB 189 247 117

HSL 86.77, 0.89%, 0.71%

LAB 91.06, -38.71, 55.95

 

CMYK 34 / 0 / 74 / 31

HEX #74AF2E

RGB 116 175 46

HSL 87.44, 0.58%, 0.43%

LAB 65.41, -39.22, 56.45

 

CMYK 37 / 0 / 83 / 38

HEX #639D1B

RGB 99 157 27

HSL 86.77, 0.71%, 0.36%

LAB 58.83, -38.64, 55.99

 

CMYK 41 / 0 / 94 / 45

HEX #528B08

RGB 82 139 8

HSL 86.11, 0.89%, 0.29%

LAB 52.15, -37.75, 54.08

 

CMYK 46 / 0 / 100 / 53

HEX #417900

RGB 65 121 0

HSL 87.77, 1%, 0.24%

LAB 45.36, -36.43, 49.86

 

CMYK 53 / 0 / 100 / 60

HEX #306700

RGB 48 103 0

HSL 92.04, 1%, 0.2%

LAB 38.43, -34.75, 44.11

 

CMYK 34 / 0 / 73 / 32

HEX #73AD2E

RGB 115 173 46

HSL 87.4, 0.58%, 0.43%

LAB 64.75, -38.71, 55.77

 

CMYK 14 / 0 / 73 / 32

HEX #95AD2E

RGB 149 173 46

HSL 71.34, 0.58%, 0.43%

LAB 66.88, -25.22, 58.58

 

CMYK 0 / 6 / 73 / 32

HEX #ADA22E

RGB 173 162 46

HSL 54.8, 0.58%, 0.43%

LAB 65.69, -9.24, 58.1

 

CMYK 0 / 26 / 73 / 32

HEX #AD802E

RGB 173 128 46

HSL 38.74, 0.58%, 0.43%

LAB 56.6, 9.3, 49.17

 

CMYK 0 / 46 / 73 / 32

HEX #AD5E2E

RGB 173 94 46

HSL 22.68, 0.58%, 0.43%

LAB 48.37, 28.28, 40.64

 

CMYK 34 / 0 / 73 / 32

HEX #73AD2E

RGB 115 173 46

HSL 87.4, 0.58%, 0.43%

LAB 64.75, -38.71, 55.77

 

CMYK 54 / 0 / 73 / 32

HEX #50AD2E

RGB 80 173 46

HSL 103.94, 0.58%, 0.43%

LAB 63.17, -50.21, 53.67

 

CMYK 73 / 0 / 73 / 32

HEX #2EAD2E

RGB 46 173 46

HSL 120, 0.58%, 0.43%

LAB 62.22, -57.89, 52.41

 

CMYK 73 / 0 / 54 / 32

HEX #2EAD4F

RGB 46 173 79

HSL 135.59, 0.58%, 0.43%

LAB 62.54, -54.16, 38.29

 

CMYK 73 / 0 / 34 / 32

HEX #2EAD72

RGB 46 173 114

HSL 152.13, 0.58%, 0.43%

LAB 63.08, -47.96, 20.74

 

CMYK 34 / 0 / 73 / 32

HEX #73AD2E

RGB 115 173 46

HSL 87.4, 0.58%, 0.43%

LAB 64.75, -38.71, 55.77

 

CMYK 39 / 0 / 85 / 25

HEX #74BE1C

RGB 116 190 28

HSL 87.41, 0.74%, 0.43%

LAB 69.91, -46.46, 65.85

 

CMYK 43 / 0 / 95 / 18

HEX #76D00A

RGB 118 208 10

HSL 87.27, 0.91%, 0.43%

LAB 75.44, -53.41, 73.35

 

CMYK 34 / 0 / 73 / 32

HEX #73AD2E

RGB 115 173 46

HSL 87.4, 0.58%, 0.43%

LAB 64.75, -38.71, 55.77

 

CMYK 27 / 0 / 59 / 39

HEX #719B3F

RGB 113 155 63

HSL 87.39, 0.42%, 0.43%

LAB 59.26, -29.87, 42.8

 

CMYK 18 / 0 / 41 / 46

HEX #708951

RGB 112 137 81

HSL 86.79, 0.26%, 0.43%

LAB 53.95, -19.19, 27.14

 

CMYK 8 / 0 / 18 / 53

HEX #6E7863

RGB 110 120 99

HSL 88.57, 0.1%, 0.43%

LAB 49.07, -7.89, 10.29

 

CMYK 7 / 13 / 0 / 54

HEX #6D6675

RGB 109 102 117

HSL 268, 0.07%, 0.43%

LAB 44.29, 5.88, -7.4

 

CMYK 0 / 6 / 73 / 32

HEX #ADA22E

RGB 173 162 46

HSL 54.8, 0.58%, 0.43%

LAB 65.69, -9.24, 58.1

 

CMYK 14 / 0 / 73 / 32

HEX #95AD2E

RGB 149 173 46

HSL 71.34, 0.58%, 0.43%

LAB 66.88, -25.22, 58.58

 

CMYK 33 / 0 / 73 / 32

HEX #74AD2E

RGB 116 173 46

HSL 86.93, 0.58%, 0.43%

LAB 64.8, -38.34, 55.84

 

CMYK 53 / 0 / 73 / 32

HEX #52AD2E

RGB 82 173 46

HSL 102.99, 0.58%, 0.43%

LAB 63.24, -49.64, 53.77

 

CMYK 72 / 0 / 73 / 32

HEX #30AD2E

RGB 48 173 46

HSL 119.06, 0.58%, 0.43%

LAB 62.26, -57.55, 52.47

 

CMYK 34 / 0 / 74 / 58

HEX #476C1C

RGB 71 108 28

HSL 87.75, 0.59%, 0.27%

LAB 41.45, -26.96, 38.56

 

CMYK 34 / 0 / 74 / 45

HEX #5D8C25

RGB 93 140 37

HSL 87.38, 0.58%, 0.35%

LAB 53.19, -32.74, 47.21

 

CMYK 34 / 0 / 73 / 32

HEX #73AD2E

RGB 115 173 46

HSL 87.4, 0.58%, 0.43%

LAB 64.75, -38.71, 55.77

 

CMYK 33 / 0 / 72 / 21

HEX #88CA39

RGB 136 202 57

HSL 87.31, 0.58%, 0.51%

LAB 74.68, -42.98, 62.07

 

CMYK 26 / 0 / 57 / 17

HEX #9CD35A

RGB 156 211 90

HSL 87.27, 0.58%, 0.59%

LAB 78.69, -37.08, 53.24

 

CMYK 34 / 0 / 74 / 31

HEX #74AF2E

RGB 116 175 46

HSL 87.44, 0.58%, 0.43%

LAB 65.41, -39.22, 56.45

 

CMYK 73 / 0 / 26 / 32

HEX #2EAD80

RGB 46 173 128

HSL 158.74, 0.58%, 0.43%

LAB 63.36, -44.86, 13.47

 

CMYK 0 / 73 / 4 / 32

HEX #AD2EA6

RGB 173 46 166

HSL 303.31, 0.58%, 0.43%

LAB 43.64, 63.68, -37.21

 

CMYK 34 / 0 / 74 / 31

HEX #74AF2E

RGB 116 175 46

HSL 87.44, 0.58%, 0.43%

LAB 65.41, -39.22, 56.45

 

CMYK 73 / 33 / 0 / 32

HEX #2E74AD

RGB 46 116 173

HSL 206.93, 0.58%, 0.43%

LAB 47.09, -2.25, -36.64

 

CMYK 0 / 73 / 33 / 32

HEX #AD2E74

RGB 173 46 116

HSL 326.93, 0.58%, 0.43%

LAB 41.37, 56.7, -10.3

 

CMYK 34 / 0 / 74 / 31

HEX #74AF2E

RGB 116 175 46

HSL 87.44, 0.58%, 0.43%

LAB 65.41, -39.22, 56.45

 

CMYK 73 / 0 / 26 / 32

HEX #2EAD80

RGB 46 173 128

HSL 158.74, 0.58%, 0.43%

LAB 63.36, -44.86, 13.47

 

CMYK 40 / 73 / 0 / 32

HEX #672EAD

RGB 103 46 173

HSL 266.93, 0.58%, 0.43%

LAB 33.68, 50.64, -57.95

 

CMYK 0 / 73 / 48 / 32

HEX #AD2E5A

RGB 173 46 90

HSL 339.21, 0.58%, 0.43%

LAB 40.53, 53.99, 4.75

 

CMYK 34 / 0 / 74 / 31

HEX #74AF2E

RGB 116 175 46

HSL 87.44, 0.58%, 0.43%

LAB 65.41, -39.22, 56.45

 

CMYK 73 / 0 / 4 / 32

HEX #2EADA6

RGB 46 173 166

HSL 176.69, 0.58%, 0.43%

LAB 64.34, -34.92, -6.23

 

CMYK 40 / 73 / 0 / 32

HEX #672EAD

RGB 103 46 173

HSL 266.93, 0.58%, 0.43%

LAB 33.68, 50.64, -57.95

 

CMYK 0 / 73 / 70 / 32

HEX #AD2E34

RGB 173 46 52

HSL 357.17, 0.58%, 0.43%

LAB 39.73, 51.29, 27.47

 

Description

Color code: HEX #74AF2E | qconv.com Color code: HEX #74AF2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 175 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 175 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 74 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 74% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Home | Drink Life In
Link: http://www.drinklifein.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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