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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74AFE2 it is the complementary color #8B501D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74AFE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74AFE2 shade: #79AFDD, #8AC1F0, #9BD3FF, #ACE5FF and #BDF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74AFE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74AFE2 shade: #74AFE2, #639DCF, #528BBC, #4179A9 and #306796

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74AFE2 shade: #74AEE1, #7491E1, #7474E1, #9174E1 and #AF74E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74AFE2 shade: #74AEE1, #7491E1 and #7474E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74AFE2 shade matches the following richer shades: #74AEE1, #66AFEF and #58B0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74AFE2 shade: #74AEE1, #81ADD3, #8FACC6, #9CABB8 and #AAAAAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74AFE2 shade: #74E1D8, #74CDE1, #74B0E1, #7493E1 and #7475E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74AFE2 shade: #3087D3, #529BDA, #74AEE1, #96C2E8 and #B8D6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74AFE2 shade: #74AFE2, #BB74E1 and #DCE174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74AFE2 shade: #74AFE2, #E174B0 and #B0E174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74AFE2 shade: #74AFE2, #BB74E1, #E1A574 and #9AE174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74AFE2 shade: #74AFE2, #DC74E1, #E1A574 and #79E174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 23 / 0 / 11

HEX #74AFE2

RGB 116 175 226

HSL 207.82, 0.65%, 0.67%

LAB 69.37, -5.35, -31.56

 

Complementary color

CMYK 0 / 42 / 79 / 45

HEX #8B501D

RGB 139 80 29

HSL 27.82, 0.65%, 0.33%

LAB 40.11, 20.56, 38.98

 

CMYK 45 / 21 / 0 / 13

HEX #79AFDD

RGB 121 175 221

HSL 207.6, 0.6%, 0.67%

LAB 69.43, -5.58, -28.71

 

CMYK 43 / 20 / 0 / 6

HEX #8AC1F0

RGB 138 193 240

HSL 207.65, 0.77%, 0.74%

LAB 75.97, -5.91, -28.9

 

CMYK 39 / 17 / 0 / 0

HEX #9BD3FF

RGB 155 211 255

HSL 206.4, 1%, 0.8%

LAB 82.26, -7.22, -27.2

 

CMYK 33 / 10 / 0 / 0

HEX #ACE5FF

RGB 172 229 255

HSL 198.8, 1%, 0.84%

LAB 87.98, -12.06, -18.43

 

CMYK 26 / 3 / 0 / 0

HEX #BDF7FF

RGB 189 247 255

HSL 187.27, 1%, 0.87%

LAB 93.69, -16.4, -9.79

 

CMYK 49 / 23 / 0 / 11

HEX #74AFE2

RGB 116 175 226

HSL 207.82, 0.65%, 0.67%

LAB 69.37, -5.35, -31.56

 

CMYK 52 / 24 / 0 / 19

HEX #639DCF

RGB 99 157 207

HSL 207.78, 0.53%, 0.6%

LAB 62.74, -4.86, -31.4

 

CMYK 56 / 26 / 0 / 26

HEX #528BBC

RGB 82 139 188

HSL 207.74, 0.44%, 0.53%

LAB 55.98, -4.24, -31.26

 

CMYK 62 / 28 / 0 / 34

HEX #4179A9

RGB 65 121 169

HSL 207.69, 0.44%, 0.46%

LAB 49.08, -3.44, -31.13

 

CMYK 68 / 31 / 0 / 41

HEX #306796

RGB 48 103 150

HSL 207.65, 0.52%, 0.39%

LAB 42.05, -2.38, -31.01

 

CMYK 48 / 23 / 0 / 12

HEX #74AEE1

RGB 116 174 225

HSL 208.07, 0.64%, 0.67%

LAB 69.06, -5.09, -31.5

 

CMYK 48 / 36 / 0 / 12

HEX #7491E1

RGB 116 145 225

HSL 224.04, 0.64%, 0.67%

LAB 61.13, 11.4, -43.86

 

CMYK 48 / 48 / 0 / 12

HEX #7474E1

RGB 116 116 225

HSL 240, 0.64%, 0.67%

LAB 53.64, 28.65, -55.76

 

CMYK 36 / 48 / 0 / 12

HEX #9174E1

RGB 145 116 225

HSL 255.96, 0.64%, 0.67%

LAB 56.03, 35.57, -51.8

 

CMYK 22 / 48 / 0 / 12

HEX #AF74E1

RGB 175 116 225

HSL 272.48, 0.64%, 0.67%

LAB 59.01, 43.44, -46.89

 

CMYK 48 / 23 / 0 / 12

HEX #74AEE1

RGB 116 174 225

HSL 208.07, 0.64%, 0.67%

LAB 69.06, -5.09, -31.5

 

CMYK 48 / 36 / 0 / 12

HEX #7491E1

RGB 116 145 225

HSL 224.04, 0.64%, 0.67%

LAB 61.13, 11.4, -43.86

 

CMYK 48 / 48 / 0 / 12

HEX #7474E1

RGB 116 116 225

HSL 240, 0.64%, 0.67%

LAB 53.64, 28.65, -55.76

 

CMYK 48 / 23 / 0 / 12

HEX #74AEE1

RGB 116 174 225

HSL 208.07, 0.64%, 0.67%

LAB 69.06, -5.09, -31.5

 

CMYK 57 / 27 / 0 / 6

HEX #66AFEF

RGB 102 175 239

HSL 208.03, 0.81%, 0.67%

LAB 69.27, -4.47, -38.87

 

CMYK 65 / 30 / 0 / 1

HEX #58B0FC

RGB 88 176 252

HSL 207.8, 0.96%, 0.67%

LAB 69.58, -3.4, -45.48

 

CMYK 48 / 23 / 0 / 12

HEX #74AEE1

RGB 116 174 225

HSL 208.07, 0.64%, 0.67%

LAB 69.06, -5.09, -31.5

 

CMYK 39 / 18 / 0 / 17

HEX #81ADD3

RGB 129 173 211

HSL 207.8, 0.48%, 0.67%

LAB 68.94, -5.17, -23.94

 

CMYK 28 / 13 / 0 / 22

HEX #8FACC6

RGB 143 172 198

HSL 208.36, 0.33%, 0.67%

LAB 69.06, -3.94, -16.52

 

CMYK 15 / 7 / 0 / 28

HEX #9CABB8

RGB 156 171 184

HSL 207.86, 0.16%, 0.67%

LAB 69.22, -2.5, -8.44

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 48 / 0 / 4 / 12

HEX #74E1D8

RGB 116 225 216

HSL 175.05, 0.64%, 0.67%

LAB 83.19, -33.5, -5.28

 

CMYK 48 / 9 / 0 / 12

HEX #74CDE1

RGB 116 205 225

HSL 191.01, 0.64%, 0.67%

LAB 77.76, -21.44, -18.19

 

CMYK 48 / 22 / 0 / 12

HEX #74B0E1

RGB 116 176 225

HSL 206.97, 0.64%, 0.67%

LAB 69.61, -6.19, -30.64

 

CMYK 48 / 35 / 0 / 12

HEX #7493E1

RGB 116 147 225

HSL 222.94, 0.64%, 0.67%

LAB 61.67, 10.23, -43.02

 

CMYK 48 / 48 / 0 / 12

HEX #7475E1

RGB 116 117 225

HSL 239.45, 0.64%, 0.67%

LAB 53.89, 28.06, -55.36

 

CMYK 77 / 36 / 0 / 17

HEX #3087D3

RGB 48 135 211

HSL 207.98, 0.65%, 0.51%

LAB 54.72, 0.49, -46.35

 

CMYK 62 / 29 / 0 / 15

HEX #529BDA

RGB 82 155 218

HSL 207.79, 0.65%, 0.59%

LAB 61.91, -3.7, -38.87

 

CMYK 48 / 23 / 0 / 12

HEX #74AEE1

RGB 116 174 225

HSL 208.07, 0.64%, 0.67%

LAB 69.06, -5.09, -31.5

 

CMYK 35 / 16 / 0 / 9

HEX #96C2E8

RGB 150 194 232

HSL 207.8, 0.64%, 0.75%

LAB 76.61, -5.4, -23.55

 

CMYK 23 / 10 / 0 / 6

HEX #B8D6EF

RGB 184 214 239

HSL 207.27, 0.63%, 0.83%

LAB 84.23, -4.57, -15.56

 

CMYK 49 / 23 / 0 / 11

HEX #74AFE2

RGB 116 175 226

HSL 207.82, 0.65%, 0.67%

LAB 69.37, -5.35, -31.56

 

CMYK 17 / 48 / 0 / 12

HEX #BB74E1

RGB 187 116 225

HSL 279.08, 0.64%, 0.67%

LAB 60.33, 46.71, -44.72

 

CMYK 2 / 0 / 48 / 12

HEX #DCE174

RGB 220 225 116

HSL 62.75, 0.64%, 0.67%

LAB 87.16, -16.7, 52.27

 

CMYK 49 / 23 / 0 / 11

HEX #74AFE2

RGB 116 175 226

HSL 207.82, 0.65%, 0.67%

LAB 69.37, -5.35, -31.56

 

CMYK 0 / 48 / 22 / 12

HEX #E174B0

RGB 225 116 176

HSL 326.97, 0.64%, 0.67%

LAB 63.04, 49.4, -12.48

 

CMYK 22 / 0 / 48 / 12

HEX #B0E174

RGB 176 225 116

HSL 86.97, 0.64%, 0.67%

LAB 84.14, -33.53, 47.93

 

CMYK 49 / 23 / 0 / 11

HEX #74AFE2

RGB 116 175 226

HSL 207.82, 0.65%, 0.67%

LAB 69.37, -5.35, -31.56

 

CMYK 17 / 48 / 0 / 12

HEX #BB74E1

RGB 187 116 225

HSL 279.08, 0.64%, 0.67%

LAB 60.33, 46.71, -44.72

 

CMYK 0 / 27 / 48 / 12

HEX #E1A574

RGB 225 165 116

HSL 26.97, 0.64%, 0.67%

LAB 72.35, 16.42, 34.01

 

CMYK 32 / 0 / 48 / 12

HEX #9AE174

RGB 154 225 116

HSL 99.08, 0.64%, 0.67%

LAB 82.9, -41.27, 46.13

 

CMYK 49 / 23 / 0 / 11

HEX #74AFE2

RGB 116 175 226

HSL 207.82, 0.65%, 0.67%

LAB 69.37, -5.35, -31.56

 

CMYK 2 / 48 / 0 / 12

HEX #DC74E1

RGB 220 116 225

HSL 297.25, 0.64%, 0.67%

LAB 64.28, 55.86, -38.25

 

CMYK 0 / 27 / 48 / 12

HEX #E1A574

RGB 225 165 116

HSL 26.97, 0.64%, 0.67%

LAB 72.35, 16.42, 34.01

 

CMYK 46 / 0 / 48 / 12

HEX #79E174

RGB 121 225 116

HSL 117.25, 0.64%, 0.67%

LAB 81.39, -51.56, 43.92

 

Description

Color code: HEX #74AFE2 | qconv.com Color code: HEX #74AFE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 175 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 175 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 23 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 23% 0% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Карты городов Украин...
Link: http://mapamista.org.ua

24% - Карты городов России...
Link: http://kartagrada.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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